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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 93 124 53 0 it is the complementary color RGBA 162 131 202 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 93 124 53 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 93 124 53 0 shade: RGBA 98 124 48 0, RGBA 115 142 67 0, RGBA 132 160 86 0, RGBA 149 178 105 0 and RGBA 166 196 124 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 93 124 53 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 93 124 53 0 shade: RGBA 93 124 53 0, RGBA 76 106 34 0, RGBA 59 88 15 0, RGBA 42 70 0 0 and RGBA 25 52 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 93 124 53 0 shade: RGB 94 125 54, RGB 113 125 54, RGB 125 118 54, RGB 125 98 54 and RGB 125 79 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 93 124 53 0 shade: RGB 94 125 54, RGB 75 125 54, RGB 55 125 54, RGB 54 125 71 and RGB 54 125 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 93 124 53 0 shade matches the following richer shades: RGB 94 125 54, RGB 96 139 39, RGB 97 154 25 and RGB 99 168 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 93 124 53 0 shade: RGB 94 125 54, RGB 92 111 68, RGB 90 96 82, RGB 88 82 97 and RGB 86 67 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 93 124 53 0 shade: RGB 125 118 54, RGB 113 125 54, RGB 94 125 54, RGB 75 125 54 and RGB 56 125 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 93 124 53 0 shade: RGB 50 67 29, RGB 72 96 41, RGB 94 125 54, RGB 115 154 66 and RGB 137 180 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 93 124 53 0 shade: RGB 93 124 53, RGB 54 125 99 and RGB 125 54 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 93 124 53 0 shade: RGB 93 124 53, RGB 54 94 125 and RGB 125 54 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 93 124 53 0 shade: RGB 93 124 53, RGB 54 125 99, RGB 84 54 125 and RGB 125 54 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 93 124 53 0 shade: RGB 93 124 53, RGB 54 125 120, RGB 84 54 125 and RGB 125 54 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #5D7C3500

RGBA 93 124 53 0

HSLA 86.2, 0.4%, 0.35%, 0

LABA 48.26, -23.63, 34.69, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #A283CA00

RGBA 162 131 202 0

HSLA 266.2, 0.4%, 0.65%, 0

LABA 60.05, 26.01, -32.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #627C3000

RGBA 98 124 48 0

HSLA 80.53, 0.44%, 0.34%, 0

LABA 48.54, -22.06, 37.58, 0

 

CMYK 0 / 0 / 0 / 0

HEX #738E4300

RGBA 115 142 67 0

HSLA 81.6, 0.36%, 0.41%, 0

LABA 55.48, -22.26, 36.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #84A05600

RGBA 132 160 86 0

HSLA 82.7, 0.3%, 0.48%, 0

LABA 62.27, -22.37, 35.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #95B26900

RGBA 149 178 105 0

HSLA 83.84, 0.32%, 0.55%, 0

LABA 68.93, -22.41, 34.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A6C47C00

RGBA 166 196 124 0

HSLA 85, 0.38%, 0.63%, 0

LABA 75.48, -22.42, 32.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5D7C3500

RGBA 93 124 53 0

HSLA 86.2, 0.4%, 0.35%, 0

LABA 48.26, -23.63, 34.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4C6A2200

RGBA 76 106 34 0

HSLA 85, 0.51%, 0.27%, 0

LABA 41.15, -23.43, 35.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3B580F00

RGBA 59 88 15 0

HSLA 83.84, 0.71%, 0.2%, 0

LABA 33.87, -22.96, 35.97, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A460000

RGBA 42 70 0 0

HSLA 84, 1%, 0.14%, 0

LABA 26.37, -22.1, 34.38, 0

 

CMYK 0 / 0 / 0 / 0

HEX #19340000

RGBA 25 52 0 0

HSLA 91.15, 1%, 0.1%, 0

LABA 18.64, -20.39, 26.01, 0

 

CMYK 25 / 0 / 57 / 51

HEX #5E7D36

RGB 94 125 54

HSL 86.2, 0.4%, 0.35%

LAB 48.65, -23.62, 34.66

 

CMYK 10 / 0 / 57 / 51

HEX #717D36

RGB 113 125 54

HSL 70.14, 0.4%, 0.35%

LAB 50.03, -15.56, 36.62

 

CMYK 0 / 6 / 57 / 51

HEX #7D7636

RGB 125 118 54

HSL 54.08, 0.4%, 0.35%

LAB 48.99, -6.35, 35.68

 

CMYK 0 / 22 / 57 / 51

HEX #7D6236

RGB 125 98 54

HSL 37.18, 0.4%, 0.35%

LAB 43.3, 5.2, 28.96

 

CMYK 0 / 37 / 57 / 51

HEX #7D4F36

RGB 125 79 54

HSL 21.13, 0.4%, 0.35%

LAB 38.23, 16.51, 22.68

 

CMYK 25 / 0 / 57 / 51

HEX #5E7D36

RGB 94 125 54

HSL 86.2, 0.4%, 0.35%

LAB 48.65, -23.62, 34.66

 

CMYK 40 / 0 / 57 / 51

HEX #4B7D36

RGB 75 125 54

HSL 102.25, 0.4%, 0.35%

LAB 47.53, -30.92, 33.07

 

CMYK 56 / 0 / 57 / 51

HEX #377D36

RGB 55 125 54

HSL 119.15, 0.4%, 0.35%

LAB 46.64, -37.35, 31.79

 

CMYK 57 / 0 / 43 / 51

HEX #367D47

RGB 54 125 71

HSL 134.37, 0.4%, 0.35%

LAB 46.85, -34.93, 22.87

 

CMYK 57 / 0 / 28 / 51

HEX #367D5A

RGB 54 125 90

HSL 150.42, 0.4%, 0.35%

LAB 47.22, -31.08, 12.5

 

CMYK 25 / 0 / 57 / 51

HEX #5E7D36

RGB 94 125 54

HSL 86.2, 0.4%, 0.35%

LAB 48.65, -23.62, 34.66

 

CMYK 31 / 0 / 72 / 45

HEX #608B27

RGB 96 139 39

HSL 85.8, 0.56%, 0.35%

LAB 53.06, -30.97, 46.35

 

CMYK 37 / 0 / 84 / 40

HEX #619A19

RGB 97 154 25

HSL 86.51, 0.72%, 0.35%

LAB 57.77, -38.16, 55.54

 

CMYK 41 / 0 / 94 / 34

HEX #63A80A

RGB 99 168 10

HSL 86.2, 0.89%, 0.35%

LAB 62.24, -43.83, 62.34

 

CMYK 25 / 0 / 57 / 51

HEX #5E7D36

RGB 94 125 54

HSL 86.2, 0.4%, 0.35%

LAB 48.65, -23.62, 34.66

 

CMYK 17 / 0 / 39 / 56

HEX #5C6F44

RGB 92 111 68

HSL 86.51, 0.24%, 0.35%

LAB 44.32, -15.3, 21.67

 

CMYK 6 / 0 / 15 / 62

HEX #5A6052

RGB 90 96 82

HSL 85.71, 0.08%, 0.35%

LAB 39.83, -5.22, 7.21

 

CMYK 9 / 15 / 0 / 62

HEX #585261

RGB 88 82 97

HSL 264, 0.08%, 0.35%

LAB 35.93, 5.73, -7.81

 

CMYK 23 / 40 / 0 / 56

HEX #56436F

RGB 86 67 111

HSL 265.91, 0.25%, 0.35%

LAB 32.12, 18.02, -22.47

 

CMYK 0 / 6 / 57 / 51

HEX #7D7636

RGB 125 118 54

HSL 54.08, 0.4%, 0.35%

LAB 48.99, -6.35, 35.68

 

CMYK 10 / 0 / 57 / 51

HEX #717D36

RGB 113 125 54

HSL 70.14, 0.4%, 0.35%

LAB 50.03, -15.56, 36.62

 

CMYK 25 / 0 / 57 / 51

HEX #5E7D36

RGB 94 125 54

HSL 86.2, 0.4%, 0.35%

LAB 48.65, -23.62, 34.66

 

CMYK 40 / 0 / 57 / 51

HEX #4B7D36

RGB 75 125 54

HSL 102.25, 0.4%, 0.35%

LAB 47.53, -30.92, 33.07

 

CMYK 55 / 0 / 57 / 51

HEX #387D36

RGB 56 125 54

HSL 118.31, 0.4%, 0.35%

LAB 46.68, -37.06, 31.84

 

CMYK 25 / 0 / 57 / 74

HEX #32431D

RGB 50 67 29

HSL 86.84, 0.4%, 0.19%

LAB 26.1, -14.43, 20.73

 

CMYK 25 / 0 / 57 / 62

HEX #486029

RGB 72 96 41

HSL 86.18, 0.4%, 0.27%

LAB 37.67, -19.23, 28.18

 

CMYK 25 / 0 / 57 / 51

HEX #5E7D36

RGB 94 125 54

HSL 86.2, 0.4%, 0.35%

LAB 48.65, -23.62, 34.66

 

CMYK 25 / 0 / 57 / 40

HEX #739A42

RGB 115 154 66

HSL 86.59, 0.4%, 0.43%

LAB 59.11, -28.31, 41.23

 

CMYK 24 / 0 / 55 / 29

HEX #89B451

RGB 137 180 81

HSL 86.06, 0.4%, 0.51%

LAB 68.43, -30.73, 45.24

 

CMYK 25 / 0 / 57 / 51

HEX #5D7C35

RGB 93 124 53

HSL 86.2, 0.4%, 0.35%

LAB 48.26, -23.63, 34.69

 

CMYK 57 / 0 / 21 / 51

HEX #367D63

RGB 54 125 99

HSL 158.03, 0.4%, 0.35%

LAB 47.43, -28.97, 7.53

 

CMYK 0 / 57 / 2 / 51

HEX #7D367B

RGB 125 54 123

HSL 301.69, 0.4%, 0.35%

LAB 34.86, 40.7, -25.36

 

CMYK 25 / 0 / 57 / 51

HEX #5D7C35

RGB 93 124 53

HSL 86.2, 0.4%, 0.35%

LAB 48.26, -23.63, 34.69

 

CMYK 57 / 25 / 0 / 51

HEX #365E7D

RGB 54 94 125

HSL 206.2, 0.4%, 0.35%

LAB 38.32, -4.37, -21.71

 

CMYK 0 / 57 / 25 / 51

HEX #7D365E

RGB 125 54 94

HSL 326.2, 0.4%, 0.35%

LAB 33.58, 35.72, -8.99

 

CMYK 25 / 0 / 57 / 51

HEX #5D7C35

RGB 93 124 53

HSL 86.2, 0.4%, 0.35%

LAB 48.26, -23.63, 34.69

 

CMYK 57 / 0 / 21 / 51

HEX #367D63

RGB 54 125 99

HSL 158.03, 0.4%, 0.35%

LAB 47.43, -28.97, 7.53

 

CMYK 33 / 57 / 0 / 51

HEX #54367D

RGB 84 54 125

HSL 265.35, 0.4%, 0.35%

LAB 29.42, 29.35, -35.57

 

CMYK 0 / 57 / 36 / 51

HEX #7D3650

RGB 125 54 80

HSL 338.03, 0.4%, 0.35%

LAB 33.09, 33.73, -0.71

 

CMYK 25 / 0 / 57 / 51

HEX #5D7C35

RGB 93 124 53

HSL 86.2, 0.4%, 0.35%

LAB 48.26, -23.63, 34.69

 

CMYK 57 / 0 / 4 / 51

HEX #367D78

RGB 54 125 120

HSL 175.77, 0.4%, 0.35%

LAB 48.02, -23.4, -4.01

 

CMYK 33 / 57 / 0 / 51

HEX #54367D

RGB 84 54 125

HSL 265.35, 0.4%, 0.35%

LAB 29.42, 29.35, -35.57

 

CMYK 0 / 57 / 54 / 51

HEX #7D363A

RGB 125 54 58

HSL 356.62, 0.4%, 0.35%

LAB 32.49, 31.22, 12.67

 

Description

Color code: RGBA 93 124 53 0 | qconv.com Color code: RGBA 93 124 53 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 124 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 124 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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