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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 90 164 131 0.65 it is the complementary color RGBA 165 91 124 0.65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 90 164 131 0.65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 90 164 131 0.65: RGBA 95 164 126 0.65, RGBA 112 182 145 0.65, RGBA 129 200 164 0.65, RGBA 146 218 183 0.65 and RGBA 163 236 202 0.65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 90 164 131 0.65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 90 164 131 0.65: RGBA 90 164 131 0.65, RGBA 73 146 112 0.65, RGBA 56 128 93 0.65, RGBA 39 110 74 0.65 and RGBA 22 92 55 0.65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 13 / 23

HEX #5AA483A5

RGBA 90 164 131 0.65

HSLA 153.24, 0.29%, 0.5%, 0.65

LABA 61.97, -30.99, 10.03, 0.65

 

Complementary color

CMYK 0 / 29 / 16 / 23

HEX #A55B7CA5

RGBA 165 91 124 0.65

HSLA 333.24, 0.29%, 0.5%, 0.65

LABA 48.18, 34.47, -5.14, 0.65

 

CMYK 27 / 0 / 15 / 23

HEX #5FA47EA5

RGBA 95 164 126 0.65

HSLA 146.96, 0.27%, 0.51%, 0.65

LABA 62.07, -30.65, 13, 0.65

 

CMYK 25 / 0 / 13 / 19

HEX #70B691A5

RGBA 112 182 145 0.65

HSLA 148.29, 0.32%, 0.58%, 0.65

LABA 68.71, -30.39, 11.98, 0.65

 

CMYK 23 / 0 / 12 / 14

HEX #81C8A4A5

RGBA 129 200 164 0.65

HSLA 149.58, 0.39%, 0.65%, 0.65

LABA 75.24, -30.14, 11.03, 0.65

 

CMYK 21 / 0 / 10 / 9

HEX #92DAB7A5

RGBA 146 218 183 0.65

HSLA 150.83, 0.49%, 0.71%, 0.65

LABA 81.66, -29.89, 10.15, 0.65

 

CMYK 20 / 0 / 9 / 5

HEX #A3ECCAA5

RGBA 163 236 202 0.65

HSLA 152.05, 0.66%, 0.78%, 0.65

LABA 87.99, -29.66, 9.31, 0.65

 

CMYK 29 / 0 / 13 / 23

HEX #5AA483A5

RGBA 90 164 131 0.65

HSLA 153.24, 0.29%, 0.5%, 0.65

LABA 61.97, -30.99, 10.03, 0.65

 

CMYK 33 / 0 / 15 / 28

HEX #499270A5

RGBA 73 146 112 0.65

HSLA 152.05, 0.33%, 0.43%, 0.65

LABA 55.22, -31.19, 11.12, 0.65

 

CMYK 37 / 0 / 18 / 32

HEX #38805DA5

RGBA 56 128 93 0.65

HSLA 150.83, 0.39%, 0.36%, 0.65

LABA 48.35, -31.31, 12.33, 0.65

 

CMYK 42 / 0 / 21 / 37

HEX #276E4AA5

RGBA 39 110 74 0.65

HSLA 149.58, 0.48%, 0.29%, 0.65

LABA 41.34, -31.29, 13.7, 0.65

 

CMYK 49 / 0 / 26 / 42

HEX #165C37A5

RGBA 22 92 55 0.65

HSLA 148.29, 0.61%, 0.22%, 0.65

LABA 34.19, -30.92, 15.29, 0.65

 

CMYK 29 / 0 / 13 / 23

HEX #5AA483A5

RGBA 90 164 131 0.65

HSLA 153.24, 0.29%, 0.5%, 0.65

LABA 61.97, -30.99, 10.03, 0.65

 

CMYK 29 / 0 / 8 / 23

HEX #5AA48FA5

RGBA 90 164 143 0.65

HSLA 162.97, 0.29%, 0.5%, 0.65

LABA 62.26, -28.25, 3.74, 0.65

 

CMYK 29 / 0 / 4 / 23

HEX #5AA49BA5

RGBA 90 164 155 0.65

HSLA 172.7, 0.29%, 0.5%, 0.65

LABA 62.58, -25.32, -2.52, 0.65

 

CMYK 29 / 2 / 0 / 23

HEX #5AA0A4A5

RGBA 90 160 164 0.65

HSLA 183.24, 0.29%, 0.5%, 0.65

LABA 61.65, -20.93, -8.97, 0.65

 

CMYK 29 / 6 / 0 / 23

HEX #5A94A4A5

RGBA 90 148 164 0.65

HSLA 192.97, 0.29%, 0.5%, 0.65

LABA 58.07, -14.58, -14.35, 0.65

 

CMYK 29 / 0 / 13 / 23

HEX #5AA483A5

RGBA 90 164 131 0.65

HSLA 153.24, 0.29%, 0.5%, 0.65

LABA 61.97, -30.99, 10.03, 0.65

 

CMYK 29 / 0 / 13 / 10

HEX #76D7ACA5

RGBA 118 215 172 0.65

HSLA 153.4, 0.55%, 0.65%, 0.65

LABA 79.29, -38.49, 12.43, 0.65

 

CMYK 30 / 0 / 12 / 62

HEX #060B09A5

RGBA 6 11 9 0.65

HSLA 156, 0.29%, 0.03%, 0.65

LABA 2.69, -1.6, 0.3, 0.65

 

CMYK 29 / 0 / 13 / 49

HEX #223E32A5

RGBA 34 62 50 0.65

HSLA 154.29, 0.29%, 0.19%, 0.65

LABA 23.72, -13.95, 4.08, 0.65

 

CMYK 29 / 0 / 13 / 36

HEX #3E715AA5

RGBA 62 113 90 0.65

HSLA 152.94, 0.29%, 0.34%, 0.65

LABA 43.61, -23, 7.48, 0.65

 

CMYK 29 / 0 / 13 / 23

HEX #5AA483A5

RGBA 90 164 131 0.65

HSLA 153.24, 0.29%, 0.5%, 0.65

LABA 61.97, -30.99, 10.03, 0.65

 

CMYK 29 / 22 / 0 / 23

HEX #5A6DA4A5

RGBA 90 109 164 0.65

HSLA 224.59, 0.29%, 0.5%, 0.65

LABA 46.7, 8.02, -31.85, 0.65

 

CMYK 0 / 25 / 29 / 23

HEX #A4655AA5

RGBA 164 101 90 0.65

HSLA 8.92, 0.29%, 0.5%, 0.65

LABA 49.42, 24.12, 16.94, 0.65

 

CMYK 29 / 0 / 13 / 23

HEX #5AA483A5

RGBA 90 164 131 0.65

HSLA 153.24, 0.29%, 0.5%, 0.65

LABA 61.97, -30.99, 10.03, 0.65

 

CMYK 13 / 29 / 0 / 23

HEX #835AA4A5

RGBA 131 90 164 0.65

HSLA 273.24, 0.29%, 0.5%, 0.65

LABA 45.38, 31.4, -33.66, 0.65

 

CMYK 0 / 13 / 29 / 23

HEX #A4835AA5

RGBA 164 131 90 0.65

HSLA 33.24, 0.29%, 0.5%, 0.65

LABA 56.94, 7.11, 26.93, 0.65

 

CMYK 29 / 0 / 13 / 23

HEX #5AA483A5

RGBA 90 164 131 0.65

HSLA 153.24, 0.29%, 0.5%, 0.65

LABA 61.97, -30.99, 10.03, 0.65

 

CMYK 29 / 22 / 0 / 23

HEX #5A6DA4A5

RGBA 90 109 164 0.65

HSLA 224.59, 0.29%, 0.5%, 0.65

LABA 46.7, 8.02, -31.85, 0.65

 

CMYK 0 / 29 / 16 / 23

HEX #A45A7BA5

RGBA 164 90 123 0.65

HSLA 333.24, 0.29%, 0.5%, 0.65

LABA 47.8, 34.51, -5.12, 0.65

 

CMYK 0 / 8 / 29 / 23

HEX #A4915AA5

RGBA 164 145 90 0.65

HSLA 44.59, 0.29%, 0.5%, 0.65

LABA 60.68, -0.68, 31.72, 0.65

 

CMYK 29 / 0 / 13 / 23

HEX #5AA483A5

RGBA 90 164 131 0.65

HSLA 153.24, 0.29%, 0.5%, 0.65

LABA 61.97, -30.99, 10.03, 0.65

 

CMYK 28 / 29 / 0 / 23

HEX #5E5AA4A5

RGBA 94 90 164 0.65

HSLA 243.24, 0.29%, 0.5%, 0.65

LABA 41.8, 20.89, -39.55, 0.65

 

CMYK 0 / 29 / 16 / 23

HEX #A45A7BA5

RGBA 164 90 123 0.65

HSLA 333.24, 0.29%, 0.5%, 0.65

LABA 47.8, 34.51, -5.12, 0.65

 

CMYK 2 / 0 / 29 / 23

HEX #A0A45AA5

RGBA 160 164 90 0.65

HSLA 63.24, 0.29%, 0.5%, 0.65

LABA 65.56, -12.58, 37.74, 0.65

 

Description

Color code: RGBA 90 164 131 0.65 | qconv.com Color code: RGBA 90 164 131 0.65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 164 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 164 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 13 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 13% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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