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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 8 54 53 0.25 it is the complementary color RGBA 247 201 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 8 54 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 8 54 53 0.25 shade: RGBA 13 54 48 0.25, RGBA 30 72 67 0.25, RGBA 47 90 86 0.25, RGBA 64 108 105 0.25 and RGBA 81 126 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 8 54 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 8 54 53 0.25 shade: RGBA 8 54 53 0.25, RGBA 0 36 34 0.25, RGBA 0 18 15 0.25 and RGBA 0 0 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 8 54 53 0.25 shade: RGB 8 53 52, RGB 8 53 40, RGB 8 53 28, RGB 8 53 16 and RGB 12 53 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 8 54 53 0.25 shade: RGB 8 53 52, RGB 8 42 53, RGB 8 30 53, RGB 8 18 53 and RGB 8 8 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 8 54 53 0.25 shade matches the following richer shades: RGB 8 53 52 and RGB 3 58 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 8 54 53 0.25 shade: RGB 8 53 52, RGB 13 48 48, RGB 18 43 43, RGB 23 38 38 and RGB 28 33 33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 8 54 53 0.25 shade: RGB 8 53 28, RGB 8 53 40, RGB 8 53 52, RGB 8 43 53 and RGB 8 31 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 8 54 53 0.25 shade: RGB 0 0 0, RGB 3 17 17, RGB 8 53 52, RGB 13 89 87 and RGB 19 125 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 8 54 53 0.25 shade: RGB 8 54 53, RGB 16 8 53 and RGB 53 34 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 8 54 53 0.25 shade: RGB 8 54 53, RGB 52 8 53 and RGB 53 52 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 8 54 53 0.25 shade: RGB 8 54 53, RGB 16 8 53, RGB 53 8 9 and RGB 46 53 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 8 54 53 0.25 shade: RGB 8 54 53, RGB 29 8 53, RGB 53 8 9 and RGB 32 53 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 0 / 20

HEX #0836353F

RGBA 8 54 53 0.25

HSLA 178.7, 0.74%, 0.12%, 0.25

LABA 19.83, -14.99, -3.74, 0.25

 

Complementary color

CMYK 0 / 5 / 5 / 1

HEX #F7C9CA3F

RGBA 247 201 202 0.25

HSLA 358.7, 0.74%, 0.88%, 0.25

LABA 84.9, 16.41, 5.65, 0.25

 

CMYK 19 / 0 / 3 / 20

HEX #0D36303F

RGBA 13 54 48 0.25

HSLA 171.22, 0.61%, 0.13%, 0.25

LABA 19.79, -15.81, -0.37, 0.25

 

CMYK 15 / 0 / 2 / 18

HEX #1E48433F

RGBA 30 72 67 0.25

HSLA 172.86, 0.41%, 0.2%, 0.25

LABA 27.62, -16.05, -1.46, 0.25

 

CMYK 12 / 0 / 1 / 16

HEX #2F5A563F

RGBA 47 90 86 0.25

HSLA 174.42, 0.31%, 0.27%, 0.25

LABA 35.18, -16.05, -2.35, 0.25

 

CMYK 10 / 0 / 1 / 14

HEX #406C693F

RGBA 64 108 105 0.25

HSLA 175.91, 0.26%, 0.34%, 0.25

LABA 42.51, -15.96, -3.12, 0.25

 

CMYK 9 / 0 / 0 / 13

HEX #517E7C3F

RGBA 81 126 124 0.25

HSLA 177.33, 0.22%, 0.41%, 0.25

LABA 49.65, -15.85, -3.82, 0.25

 

CMYK 21 / 0 / 0 / 20

HEX #0836353F

RGBA 8 54 53 0.25

HSLA 178.7, 0.74%, 0.12%, 0.25

LABA 19.83, -14.99, -3.74, 0.25

 

CMYK 25 / 0 / 1 / 21

HEX #0024223F

RGBA 0 36 34 0.25

HSLA 176.67, 1%, 0.07%, 0.25

LABA 11.81, -13.31, -2.35, 0.25

 

CMYK 25 / 0 / 4 / 23

HEX #00120F3F

RGBA 0 18 15 0.25

HSLA 170, 1%, 0.04%, 0.25

LABA 4.22, -5.79, -0.25, 0.25

 

CMYK 0 / 0 / 0 / 100

HEX #0000003F

RGBA 0 0 0 0.25

HSLA 0, 0%, 0%, 0.25

LABA 0, 0, 0, 0.25

 

CMYK 85 / 0 / 2 / 79

HEX #083534

RGB 8 53 52

HSL 178.67, 0.74%, 0.12%

LAB 19.42, -14.77, -3.68

 

CMYK 85 / 0 / 25 / 79

HEX #083528

RGB 8 53 40

HSL 162.67, 0.74%, 0.12%

LAB 19.02, -18.75, 3.94

 

CMYK 85 / 0 / 47 / 79

HEX #08351C

RGB 8 53 28

HSL 146.67, 0.74%, 0.12%

LAB 18.72, -21.98, 11.57

 

CMYK 85 / 0 / 70 / 79

HEX #083510

RGB 8 53 16

HSL 130.67, 0.74%, 0.12%

LAB 18.52, -24.31, 18.75

 

CMYK 77 / 0 / 85 / 79

HEX #0C3508

RGB 12 53 8

HSL 114.67, 0.74%, 0.12%

LAB 18.55, -24.38, 22.51

 

CMYK 85 / 0 / 2 / 79

HEX #083534

RGB 8 53 52

HSL 178.67, 0.74%, 0.12%

LAB 19.42, -14.77, -3.68

 

CMYK 85 / 21 / 0 / 79

HEX #082A35

RGB 8 42 53

HSL 194.67, 0.74%, 0.12%

LAB 15.3, -7.56, -10.61

 

CMYK 85 / 43 / 0 / 79

HEX #081E35

RGB 8 30 53

HSL 210.67, 0.74%, 0.12%

LAB 10.83, 1.01, -17.6

 

CMYK 85 / 66 / 0 / 79

HEX #081235

RGB 8 18 53

HSL 226.67, 0.74%, 0.12%

LAB 6.7, 10.22, -24.22

 

CMYK 85 / 85 / 0 / 79

HEX #080835

RGB 8 8 53

HSL 240, 0.74%, 0.12%

LAB 4.36, 15.2, -27.99

 

CMYK 85 / 0 / 2 / 79

HEX #083534

RGB 8 53 52

HSL 178.67, 0.74%, 0.12%

LAB 19.42, -14.77, -3.68

 

CMYK 95 / 0 / 2 / 77

HEX #033A39

RGB 3 58 57

HSL 178.91, 0.9%, 0.12%

LAB 21.36, -16.64, -4.19

 

CMYK 85 / 0 / 2 / 79

HEX #083534

RGB 8 53 52

HSL 178.67, 0.74%, 0.12%

LAB 19.42, -14.77, -3.68

 

CMYK 73 / 0 / 0 / 81

HEX #0D3030

RGB 13 48 48

HSL 180, 0.57%, 0.12%

LAB 17.52, -12.29, -3.73

 

CMYK 58 / 0 / 0 / 83

HEX #122B2B

RGB 18 43 43

HSL 180, 0.41%, 0.12%

LAB 15.65, -9.64, -3

 

CMYK 39 / 0 / 0 / 85

HEX #172626

RGB 23 38 38

HSL 180, 0.25%, 0.12%

LAB 13.88, -6.32, -2.04

 

CMYK 15 / 0 / 0 / 87

HEX #1C2121

RGB 28 33 33

HSL 180, 0.08%, 0.12%

LAB 12.25, -2.28, -0.78

 

CMYK 85 / 0 / 47 / 79

HEX #08351C

RGB 8 53 28

HSL 146.67, 0.74%, 0.12%

LAB 18.72, -21.98, 11.57

 

CMYK 85 / 0 / 25 / 79

HEX #083528

RGB 8 53 40

HSL 162.67, 0.74%, 0.12%

LAB 19.02, -18.75, 3.94

 

CMYK 85 / 0 / 2 / 79

HEX #083534

RGB 8 53 52

HSL 178.67, 0.74%, 0.12%

LAB 19.42, -14.77, -3.68

 

CMYK 85 / 19 / 0 / 79

HEX #082B35

RGB 8 43 53

HSL 193.33, 0.74%, 0.12%

LAB 15.68, -8.22, -10.03

 

CMYK 85 / 42 / 0 / 79

HEX #081F35

RGB 8 31 53

HSL 209.33, 0.74%, 0.12%

LAB 11.2, 0.25, -17.02

 

CMYK 82 / 0 / 0 / 93

HEX #031111

RGB 3 17 17

HSL 180, 0.7%, 0.04%

LAB 4.16, -4.04, -1.43

 

CMYK 85 / 0 / 2 / 79

HEX #083534

RGB 8 53 52

HSL 178.67, 0.74%, 0.12%

LAB 19.42, -14.77, -3.68

 

CMYK 85 / 0 / 2 / 65

HEX #0D5957

RGB 13 89 87

HSL 178.42, 0.75%, 0.2%

LAB 33.81, -21.8, -5.12

 

CMYK 85 / 0 / 2 / 51

HEX #137D7B

RGB 19 125 123

HSL 178.87, 0.74%, 0.28%

LAB 47.28, -27.8, -6.96

 

CMYK 85 / 0 / 2 / 79

HEX #083635

RGB 8 54 53

HSL 178.7, 0.74%, 0.12%

LAB 19.83, -14.99, -3.74

 

CMYK 70 / 85 / 0 / 79

HEX #100835

RGB 16 8 53

HSL 250.67, 0.74%, 0.12%

LAB 4.89, 17.42, -27.11

 

CMYK 0 / 36 / 85 / 79

HEX #352208

RGB 53 34 8

HSL 34.67, 0.74%, 0.12%

LAB 15.05, 6.09, 18.94

 

CMYK 85 / 0 / 2 / 79

HEX #083635

RGB 8 54 53

HSL 178.7, 0.74%, 0.12%

LAB 19.83, -14.99, -3.74

 

CMYK 2 / 85 / 0 / 79

HEX #340835

RGB 52 8 53

HSL 298.67, 0.74%, 0.12%

LAB 10.26, 28.1, -18.18

 

CMYK 0 / 2 / 85 / 79

HEX #353408

RGB 53 52 8

HSL 58.67, 0.74%, 0.12%

LAB 20.94, -5.93, 25.97

 

CMYK 85 / 0 / 2 / 79

HEX #083635

RGB 8 54 53

HSL 178.7, 0.74%, 0.12%

LAB 19.83, -14.99, -3.74

 

CMYK 70 / 85 / 0 / 79

HEX #100835

RGB 16 8 53

HSL 250.67, 0.74%, 0.12%

LAB 4.89, 17.42, -27.11

 

CMYK 0 / 85 / 83 / 79

HEX #350809

RGB 53 8 9

HSL 358.67, 0.74%, 0.12%

LAB 8.57, 22.35, 9.67

 

CMYK 13 / 0 / 85 / 79

HEX #2E3508

RGB 46 53 8

HSL 69.33, 0.74%, 0.12%

LAB 20.61, -10.25, 25.42

 

CMYK 85 / 0 / 2 / 79

HEX #083635

RGB 8 54 53

HSL 178.7, 0.74%, 0.12%

LAB 19.83, -14.99, -3.74

 

CMYK 45 / 85 / 0 / 79

HEX #1D0835

RGB 29 8 53

HSL 268, 0.74%, 0.12%

LAB 6.25, 21.68, -24.84

 

CMYK 0 / 85 / 83 / 79

HEX #350809

RGB 53 8 9

HSL 358.67, 0.74%, 0.12%

LAB 8.57, 22.35, 9.67

 

CMYK 40 / 0 / 85 / 79

HEX #203508

RGB 32 53 8

HSL 88, 0.74%, 0.12%

LAB 19.52, -17.1, 23.88

 

Description

Color code: RGBA 8 54 53 0.25 | qconv.com Color code: RGBA 8 54 53 0.25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 54 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 54 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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