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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 85 72 197 0 it is the complementary color RGBA 170 183 58 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 85 72 197 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 85 72 197 0 shade: RGBA 90 72 192 0, RGBA 107 90 211 0, RGBA 124 108 230 0, RGBA 141 126 249 0 and RGBA 158 144 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 85 72 197 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 85 72 197 0 shade: RGBA 85 72 197 0, RGBA 68 54 178 0, RGBA 51 36 159 0, RGBA 34 18 140 0 and RGBA 17 0 121 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 85 72 197 0 shade: RGB 86 73 197, RGB 119 73 197, RGB 153 73 197, RGB 187 73 197 and RGB 197 73 175

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 85 72 197 0 shade: RGB 86 73 197 and RGB 73 73 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 85 72 197 0 shade matches the following richer shades: RGB 86 73 197, RGB 70 53 217 and RGB 55 34 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 85 72 197 0 shade: RGB 86 73 197, RGB 101 92 178, RGB 117 112 159, RGB 132 131 139 and RGB 147 150 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 85 72 197 0 shade: RGB 73 127 197, RGB 73 94 197, RGB 85 73 197, RGB 119 73 197 and RGB 152 73 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 85 72 197 0 shade: RGB 55 45 143, RGB 67 55 174, RGB 86 73 197, RGB 115 104 207 and RGB 144 136 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 85 72 197 0 shade: RGB 85 72 197, RGB 197 73 160 and RGB 110 197 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 85 72 197 0 shade: RGB 85 72 197, RGB 197 85 73 and RGB 73 197 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 85 72 197 0 shade: RGB 85 72 197, RGB 197 73 160, RGB 185 197 73 and RGB 73 197 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 85 72 197 0 shade: RGB 85 72 197, RGB 197 73 123, RGB 185 197 73 and RGB 73 197 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #5548C500

RGBA 85 72 197 0

HSLA 246.24, 0.52%, 0.53%, 0

LABA 38.89, 40.28, -63.68, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #AAB73A00

RGBA 170 183 58 0

HSLA 66.24, 0.52%, 0.47%, 0

LABA 71.36, -20.68, 59.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5A48C000

RGBA 90 72 192 0

HSLA 249, 0.49%, 0.52%, 0

LABA 38.92, 39.62, -60.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B5AD300

RGBA 107 90 211 0

HSLA 248.43, 0.58%, 0.59%, 0

LABA 45.83, 38.05, -60.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7C6CE600

RGBA 124 108 230 0

HSLA 247.87, 0.71%, 0.66%, 0

LABA 52.65, 36.64, -60.13, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8D7EF900

RGBA 141 126 249 0

HSLA 247.32, 0.91%, 0.74%, 0

LABA 59.36, 35.38, -59.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9E90FF00

RGBA 158 144 255 0

HSLA 247.57, 1%, 0.78%, 0

LABA 65.31, 30.75, -53.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5548C500

RGBA 85 72 197 0

HSLA 246.24, 0.52%, 0.53%, 0

LABA 38.89, 40.28, -63.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4436B200

RGBA 68 54 178 0

HSLA 246.77, 0.53%, 0.45%, 0

LABA 31.99, 42.14, -63.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #33249F00

RGBA 51 36 159 0

HSLA 247.32, 0.63%, 0.38%, 0

LABA 25.16, 43.99, -63.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #22128C00

RGBA 34 18 140 0

HSLA 247.87, 0.77%, 0.31%, 0

LABA 18.65, 45.3, -62.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #11007900

RGBA 17 0 121 0

HSLA 248.43, 1%, 0.24%, 0

LABA 12.61, 45.89, -60.82, 0

 

CMYK 56 / 63 / 0 / 23

HEX #5649C5

RGB 86 73 197

HSL 246.29, 0.52%, 0.53%

LAB 39.2, 39.86, -63.18

 

CMYK 40 / 63 / 0 / 23

HEX #7749C5

RGB 119 73 197

HSL 262.26, 0.52%, 0.53%

LAB 42.34, 46.29, -57.95

 

CMYK 22 / 63 / 0 / 23

HEX #9949C5

RGB 153 73 197

HSL 278.71, 0.52%, 0.53%

LAB 46.4, 53.91, -51.18

 

CMYK 5 / 63 / 0 / 23

HEX #BB49C5

RGB 187 73 197

HSL 295.16, 0.52%, 0.53%

LAB 51.11, 62, -43.41

 

CMYK 0 / 63 / 11 / 23

HEX #C549AF

RGB 197 73 175

HSL 310.65, 0.52%, 0.53%

LAB 51.53, 60.86, -29.87

 

CMYK 56 / 63 / 0 / 23

HEX #5649C5

RGB 86 73 197

HSL 246.29, 0.52%, 0.53%

LAB 39.2, 39.86, -63.18

 

CMYK 63 / 63 / 0 / 23

HEX #4949C5

RGB 73 73 197

HSL 240, 0.52%, 0.53%

LAB 38.22, 37.73, -64.82

 

CMYK 56 / 63 / 0 / 23

HEX #5649C5

RGB 86 73 197

HSL 246.29, 0.52%, 0.53%

LAB 39.2, 39.86, -63.18

 

CMYK 68 / 76 / 0 / 15

HEX #4635D9

RGB 70 53 217

HSL 246.22, 0.68%, 0.53%

LAB 35.71, 55.04, -80.53

 

CMYK 77 / 86 / 0 / 7

HEX #3722EC

RGB 55 34 236

HSL 246.24, 0.84%, 0.53%

LAB 34.01, 67.74, -94.24

 

CMYK 56 / 63 / 0 / 23

HEX #5649C5

RGB 86 73 197

HSL 246.29, 0.52%, 0.53%

LAB 39.2, 39.86, -63.18

 

CMYK 43 / 48 / 0 / 30

HEX #655CB2

RGB 101 92 178

HSL 246.28, 0.36%, 0.53%

LAB 43.71, 25.63, -44.75

 

CMYK 26 / 30 / 0 / 38

HEX #75709F

RGB 117 112 159

HSL 246.38, 0.2%, 0.53%

LAB 49.34, 12.68, -24.64

 

CMYK 5 / 6 / 0 / 45

HEX #84838B

RGB 132 131 139

HSL 247.5, 0.03%, 0.53%

LAB 55.07, 1.99, -4.17

 

CMYK 2 / 0 / 20 / 41

HEX #939678

RGB 147 150 120

HSL 66, 0.13%, 0.53%

LAB 61.11, -6.42, 15.5

 

CMYK 63 / 36 / 0 / 23

HEX #497FC5

RGB 73 127 197

HSL 213.87, 0.52%, 0.53%

LAB 52.54, 4.02, -41.81

 

CMYK 63 / 52 / 0 / 23

HEX #495EC5

RGB 73 94 197

HSL 229.84, 0.52%, 0.53%

LAB 43.44, 24.56, -56.35

 

CMYK 57 / 63 / 0 / 23

HEX #5549C5

RGB 85 73 197

HSL 245.81, 0.52%, 0.53%

LAB 39.12, 39.69, -63.32

 

CMYK 40 / 63 / 0 / 23

HEX #7749C5

RGB 119 73 197

HSL 262.26, 0.52%, 0.53%

LAB 42.34, 46.29, -57.95

 

CMYK 23 / 63 / 0 / 23

HEX #9849C5

RGB 152 73 197

HSL 278.23, 0.52%, 0.53%

LAB 46.27, 53.68, -51.4

 

CMYK 62 / 69 / 0 / 44

HEX #372D8F

RGB 55 45 143

HSL 246.12, 0.52%, 0.37%

LAB 25.78, 34.11, -52.83

 

CMYK 61 / 68 / 0 / 32

HEX #4337AE

RGB 67 55 174

HSL 246.05, 0.52%, 0.45%

LAB 31.77, 40.12, -61.83

 

CMYK 56 / 63 / 0 / 23

HEX #5649C5

RGB 86 73 197

HSL 246.29, 0.52%, 0.53%

LAB 39.2, 39.86, -63.18

 

CMYK 44 / 50 / 0 / 19

HEX #7368CF

RGB 115 104 207

HSL 246.41, 0.52%, 0.61%

LAB 49.56, 30.28, -52.1

 

CMYK 34 / 37 / 0 / 15

HEX #9088D9

RGB 144 136 217

HSL 245.93, 0.52%, 0.69%

LAB 60.38, 21.59, -40.45

 

CMYK 57 / 63 / 0 / 23

HEX #5548C5

RGB 85 72 197

HSL 246.24, 0.52%, 0.53%

LAB 38.89, 40.28, -63.68

 

CMYK 0 / 63 / 19 / 23

HEX #C549A0

RGB 197 73 160

HSL 317.9, 0.52%, 0.53%

LAB 50.89, 58.62, -22.05

 

CMYK 44 / 0 / 63 / 23

HEX #6EC549

RGB 110 197 73

HSL 102.1, 0.52%, 0.53%

LAB 72.05, -48.41, 52.6

 

CMYK 57 / 63 / 0 / 23

HEX #5548C5

RGB 85 72 197

HSL 246.24, 0.52%, 0.53%

LAB 38.89, 40.28, -63.68

 

CMYK 0 / 57 / 63 / 23

HEX #C55549

RGB 197 85 73

HSL 5.81, 0.52%, 0.53%

LAB 50.51, 43.93, 29.22

 

CMYK 63 / 0 / 57 / 23

HEX #49C555

RGB 73 197 85

HSL 125.81, 0.52%, 0.53%

LAB 70.87, -56.88, 45.54

 

CMYK 57 / 63 / 0 / 23

HEX #5548C5

RGB 85 72 197

HSL 246.24, 0.52%, 0.53%

LAB 38.89, 40.28, -63.68

 

CMYK 0 / 63 / 19 / 23

HEX #C549A0

RGB 197 73 160

HSL 317.9, 0.52%, 0.53%

LAB 50.89, 58.62, -22.05

 

CMYK 6 / 0 / 63 / 23

HEX #B9C549

RGB 185 197 73

HSL 65.81, 0.52%, 0.53%

LAB 76.51, -20.43, 58.74

 

CMYK 63 / 0 / 44 / 23

HEX #49C56E

RGB 73 197 110

HSL 137.9, 0.52%, 0.53%

LAB 71.2, -53.25, 33.69

 

CMYK 57 / 63 / 0 / 23

HEX #5548C5

RGB 85 72 197

HSL 246.24, 0.52%, 0.53%

LAB 38.89, 40.28, -63.68

 

CMYK 0 / 63 / 38 / 23

HEX #C5497B

RGB 197 73 123

HSL 335.81, 0.52%, 0.53%

LAB 49.58, 53.89, -1.94

 

CMYK 6 / 0 / 63 / 23

HEX #B9C549

RGB 185 197 73

HSL 65.81, 0.52%, 0.53%

LAB 76.51, -20.43, 58.74

 

CMYK 63 / 0 / 25 / 23

HEX #49C594

RGB 73 197 148

HSL 156.29, 0.52%, 0.53%

LAB 71.88, -45.88, 14.61

 

Description

Color code: RGBA 85 72 197 0 | qconv.com Color code: RGBA 85 72 197 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 72 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 72 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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