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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 85 5 25 0.75 it is the complementary color RGBA 170 250 230 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 85 5 25 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 85 5 25 0.75 shade: RGBA 90 5 20 0.75, RGBA 107 23 39 0.75, RGBA 124 41 58 0.75, RGBA 141 59 77 0.75 and RGBA 158 77 96 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 85 5 25 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 85 5 25 0.75 shade: RGBA 85 5 25 0.75, RGBA 68 0 6 0.75, RGBA 51 0 0 0.75, RGBA 34 0 0 0.75 and RGBA 17 0 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 85 5 25 0.75 shade: RGB 87 5 25 and RGB 87 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 85 5 25 0.75 shade: RGB 87 5 25, RGB 87 5 48, RGB 87 5 70, RGB 82 5 87 and RGB 60 5 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 85 5 25 0.75 shade matches the following richer shades: RGB 87 5 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 85 5 25 0.75 shade: RGB 87 5 25, RGB 79 12 29, RGB 72 20 33, RGB 64 27 37 and RGB 57 35 40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 85 5 25 0.75 shade: RGB 87 5 69, RGB 87 5 47, RGB 87 5 25, RGB 87 6 5 and RGB 87 28 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 85 5 25 0.75 shade: RGB 9 1 3, RGB 48 3 14, RGB 87 5 25, RGB 126 7 37 and RGB 165 10 48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 85 5 25 0.75 shade: RGB 85 5 25, RGB 87 83 5 and RGB 5 58 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 85 5 25 0.75 shade: RGB 85 5 25, RGB 25 87 5 and RGB 5 25 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 85 5 25 0.75 shade: RGB 85 5 25, RGB 87 83 5, RGB 5 87 66 and RGB 5 9 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 85 5 25 0.75 shade: RGB 85 5 25, RGB 66 87 5, RGB 5 87 66 and RGB 25 5 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 53 / 50

HEX #550519BF

RGBA 85 5 25 0.75

HSLA 345, 0.89%, 0.18%, 0.75

LABA 16.05, 35.4, 11.8, 0.75

 

Complementary color

CMYK 24 / 0 / 6 / 1

HEX #AAFAE6BF

RGBA 170 250 230 0.75

HSLA 165, 0.89%, 0.82%, 0.75

LABA 92.85, -28.57, 1.82, 0.75

 

CMYK 0 / 71 / 58 / 49

HEX #5A0514BF

RGBA 90 5 20 0.75

HSLA 349.41, 0.89%, 0.19%, 0.75

LABA 17.14, 36.63, 16.97, 0.75

 

CMYK 0 / 59 / 48 / 44

HEX #6B1727BF

RGBA 107 23 39 0.75

HSLA 348.57, 0.65%, 0.25%, 0.75

LABA 23.29, 37.57, 12.34, 0.75

 

CMYK 0 / 50 / 40 / 39

HEX #7C293ABF

RGBA 124 41 58 0.75

HSLA 347.71, 0.5%, 0.32%, 0.75

LABA 29.85, 37.36, 9.02, 0.75

 

CMYK 0 / 44 / 34 / 34

HEX #8D3B4DBF

RGBA 141 59 77 0.75

HSLA 346.83, 0.41%, 0.39%, 0.75

LABA 36.61, 36.6, 6.62, 0.75

 

CMYK 0 / 38 / 29 / 29

HEX #9E4D60BF

RGBA 158 77 96 0.75

HSLA 345.93, 0.34%, 0.46%, 0.75

LABA 43.39, 35.67, 4.78, 0.75

 

CMYK 0 / 71 / 53 / 50

HEX #550519BF

RGBA 85 5 25 0.75

HSLA 345, 0.89%, 0.18%, 0.75

LABA 16.05, 35.4, 11.8, 0.75

 

CMYK 0 / 75 / 68 / 55

HEX #440006BF

RGBA 68 0 6 0.75

HSLA 354.71, 1%, 0.13%, 0.75

LABA 10.86, 31.23, 14.66, 0.75

 

CMYK 0 / 75 / 75 / 60

HEX #330000BF

RGBA 51 0 0 0.75

HSLA 0, 1%, 0.1%, 0.75

LABA 6.36, 25.17, 10.05, 0.75

 

CMYK 0 / 75 / 75 / 65

HEX #220000BF

RGBA 34 0 0 0.75

HSLA 0, 1%, 0.07%, 0.75

LABA 3.07, 13.78, 4.85, 0.75

 

CMYK 0 / 75 / 75 / 70

HEX #110000BF

RGBA 17 0 0 0.75

HSLA 0, 1%, 0.03%, 0.75

LABA 1.08, 4.83, 1.7, 0.75

 

CMYK 0 / 94 / 71 / 66

HEX #570519

RGB 87 5 25

HSL 345.37, 0.89%, 0.18%

LAB 16.53, 36, 12.51

 

CMYK 0 / 94 / 94 / 66

HEX #570505

RGB 87 5 5

HSL 0, 0.89%, 0.18%

LAB 16.23, 35.15, 23.04

 

CMYK 0 / 94 / 71 / 66

HEX #570519

RGB 87 5 25

HSL 345.37, 0.89%, 0.18%

LAB 16.53, 36, 12.51

 

CMYK 0 / 94 / 45 / 66

HEX #570530

RGB 87 5 48

HSL 328.54, 0.89%, 0.18%

LAB 17.22, 37.95, -3.21

 

CMYK 0 / 94 / 20 / 66

HEX #570546

RGB 87 5 70

HSL 312.44, 0.89%, 0.18%

LAB 18.26, 40.78, -17.13

 

CMYK 6 / 94 / 0 / 66

HEX #520557

RGB 82 5 87

HSL 296.34, 0.89%, 0.18%

LAB 18.32, 42.53, -28.71

 

CMYK 31 / 94 / 0 / 66

HEX #3C0557

RGB 60 5 87

HSL 280.24, 0.89%, 0.18%

LAB 14.16, 38.51, -35.65

 

CMYK 0 / 94 / 71 / 66

HEX #570519

RGB 87 5 25

HSL 345.37, 0.89%, 0.18%

LAB 16.53, 36, 12.51

 

CMYK 0 / 94 / 71 / 66

HEX #570519

RGB 87 5 25

HSL 345.37, 0.89%, 0.18%

LAB 16.53, 36, 12.51

 

CMYK 0 / 85 / 63 / 69

HEX #4F0C1D

RGB 79 12 29

HSL 344.78, 0.74%, 0.18%

LAB 15.56, 31.53, 7.98

 

CMYK 0 / 72 / 54 / 72

HEX #481421

RGB 72 20 33

HSL 345, 0.57%, 0.18%

LAB 15.42, 25.96, 4.65

 

CMYK 0 / 58 / 42 / 75

HEX #401B25

RGB 64 27 37

HSL 343.78, 0.41%, 0.18%

LAB 15.53, 19.27, 1.69

 

CMYK 0 / 39 / 30 / 78

HEX #392328

RGB 57 35 40

HSL 346.36, 0.24%, 0.18%

LAB 16.63, 11.39, 1

 

CMYK 0 / 94 / 21 / 66

HEX #570545

RGB 87 5 69

HSL 313.17, 0.89%, 0.18%

LAB 18.21, 40.63, -16.53

 

CMYK 0 / 94 / 46 / 66

HEX #57052F

RGB 87 5 47

HSL 329.27, 0.89%, 0.18%

LAB 17.18, 37.84, -2.55

 

CMYK 0 / 94 / 71 / 66

HEX #570519

RGB 87 5 25

HSL 345.37, 0.89%, 0.18%

LAB 16.53, 36, 12.51

 

CMYK 0 / 93 / 94 / 66

HEX #570605

RGB 87 6 5

HSL 0.73, 0.89%, 0.18%

LAB 16.34, 34.84, 23.17

 

CMYK 0 / 68 / 94 / 66

HEX #571C05

RGB 87 28 5

HSL 16.83, 0.89%, 0.18%

LAB 19.51, 26.12, 26.96

 

CMYK 0 / 89 / 67 / 96

HEX #090103

RGB 9 1 3

HSL 345, 0.8%, 0.02%

LAB 0.78, 2.37, -0.02

 

CMYK 0 / 94 / 71 / 81

HEX #30030E

RGB 48 3 14

HSL 345.33, 0.88%, 0.1%

LAB 6.55, 23.31, 4.35

 

CMYK 0 / 94 / 71 / 66

HEX #570519

RGB 87 5 25

HSL 345.37, 0.89%, 0.18%

LAB 16.53, 36, 12.51

 

CMYK 0 / 94 / 71 / 51

HEX #7E0725

RGB 126 7 37

HSL 344.87, 0.89%, 0.26%

LAB 25.93, 47.3, 17.92

 

CMYK 0 / 94 / 71 / 35

HEX #A50A30

RGB 165 10 48

HSL 345.29, 0.89%, 0.34%

LAB 34.86, 57.75, 23.67

 

CMYK 0 / 94 / 71 / 67

HEX #550519

RGB 85 5 25

HSL 345, 0.89%, 0.18%

LAB 16.05, 35.4, 11.8

 

CMYK 0 / 5 / 94 / 66

HEX #575305

RGB 87 83 5

HSL 57.07, 0.89%, 0.18%

LAB 34.44, -7.34, 40.58

 

CMYK 94 / 33 / 0 / 66

HEX #053A57

RGB 5 58 87

HSL 201.22, 0.89%, 0.18%

LAB 22.82, -4.26, -21.99

 

CMYK 0 / 94 / 71 / 67

HEX #550519

RGB 85 5 25

HSL 345, 0.89%, 0.18%

LAB 16.05, 35.4, 11.8

 

CMYK 71 / 0 / 94 / 66

HEX #195705

RGB 25 87 5

HSL 105.37, 0.89%, 0.18%

LAB 31.88, -34.88, 36.86

 

CMYK 94 / 71 / 0 / 66

HEX #051957

RGB 5 25 87

HSL 225.37, 0.89%, 0.18%

LAB 12.06, 20.02, -39.31

 

CMYK 0 / 94 / 71 / 67

HEX #550519

RGB 85 5 25

HSL 345, 0.89%, 0.18%

LAB 16.05, 35.4, 11.8

 

CMYK 0 / 5 / 94 / 66

HEX #575305

RGB 87 83 5

HSL 57.07, 0.89%, 0.18%

LAB 34.44, -7.34, 40.58

 

CMYK 94 / 0 / 24 / 66

HEX #055742

RGB 5 87 66

HSL 164.63, 0.89%, 0.18%

LAB 32.35, -28.15, 5.94

 

CMYK 94 / 90 / 0 / 66

HEX #050957

RGB 5 9 87

HSL 237.07, 0.89%, 0.18%

LAB 8.27, 30.63, -45.58

 

CMYK 0 / 94 / 71 / 67

HEX #550519

RGB 85 5 25

HSL 345, 0.89%, 0.18%

LAB 16.05, 35.4, 11.8

 

CMYK 24 / 0 / 94 / 66

HEX #425705

RGB 66 87 5

HSL 75.37, 0.89%, 0.18%

LAB 33.95, -19.81, 39.43

 

CMYK 94 / 0 / 24 / 66

HEX #055742

RGB 5 87 66

HSL 164.63, 0.89%, 0.18%

LAB 32.35, -28.15, 5.94

 

CMYK 71 / 94 / 0 / 66

HEX #190557

RGB 25 5 87

HSL 254.63, 0.89%, 0.18%

LAB 9.02, 34.12, -44.29

 

Description

Color code: RGBA 85 5 25 0.75 | qconv.com Color code: RGBA 85 5 25 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 5 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 5 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 53 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 53% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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