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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 82 108 53 0 it is the complementary color RGBA 173 147 202 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 82 108 53 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 82 108 53 0 shade: RGBA 87 108 48 0, RGBA 104 126 67 0, RGBA 121 144 86 0, RGBA 138 162 105 0 and RGBA 155 180 124 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 82 108 53 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 82 108 53 0 shade: RGBA 82 108 53 0, RGBA 65 90 34 0, RGBA 48 72 15 0, RGBA 31 54 0 0 and RGBA 14 36 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 82 108 53 0 shade: RGB 83 109 54, RGB 98 109 54, RGB 109 106 54, RGB 109 91 54 and RGB 109 76 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 82 108 53 0 shade: RGB 83 109 54, RGB 68 109 54, RGB 54 109 55, RGB 54 109 69 and RGB 54 109 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 82 108 53 0 shade matches the following richer shades: RGB 83 109 54, RGB 84 123 41, RGB 85 136 27, RGB 85 149 14 and RGB 86 162 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 82 108 53 0 shade: RGB 83 109 54, RGB 82 96 67, RGB 82 83 80, RGB 81 70 93 and RGB 80 57 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 82 108 53 0 shade: RGB 109 106 54, RGB 98 109 54, RGB 83 109 54, RGB 69 109 54 and RGB 54 109 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 82 108 53 0 shade: RGB 41 54 27, RGB 62 82 40, RGB 83 109 54, RGB 104 137 67 and RGB 125 165 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 82 108 53 0 shade: RGB 82 108 53, RGB 54 109 91 and RGB 109 54 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 82 108 53 0 shade: RGB 82 108 53, RGB 54 83 109 and RGB 109 54 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 82 108 53 0 shade: RGB 82 108 53, RGB 54 109 91, RGB 80 54 109 and RGB 109 54 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 82 108 53 0 shade: RGB 82 108 53, RGB 54 109 107, RGB 80 54 109 and RGB 109 54 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #526C3500

RGBA 82 108 53 0

HSLA 88.36, 0.34%, 0.32%, 0

LABA 42.42, -19.91, 27.55, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #AD93CA00

RGBA 173 147 202 0

HSLA 268.36, 0.34%, 0.68%, 0

LABA 64.98, 20.37, -24.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #576C3000

RGBA 87 108 48 0

HSLA 81, 0.38%, 0.31%, 0

LABA 42.71, -18.39, 30.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #687E4300

RGBA 104 126 67 0

HSLA 82.37, 0.31%, 0.38%, 0

LABA 49.82, -18.51, 29.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #79905600

RGBA 121 144 86 0

HSLA 83.79, 0.25%, 0.45%, 0

LABA 56.77, -18.56, 28.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8AA26900

RGBA 138 162 105 0

HSLA 85.26, 0.23%, 0.52%, 0

LABA 63.56, -18.56, 26.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9BB47C00

RGBA 155 180 124 0

HSLA 86.79, 0.27%, 0.6%, 0

LABA 70.22, -18.54, 25.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #526C3500

RGBA 82 108 53 0

HSLA 88.36, 0.34%, 0.32%, 0

LABA 42.42, -19.91, 27.55, 0

 

CMYK 0 / 0 / 0 / 0

HEX #415A2200

RGBA 65 90 34 0

HSLA 86.79, 0.45%, 0.24%, 0

LABA 35.11, -19.83, 28.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #30480F00

RGBA 48 72 15 0

HSLA 85.26, 0.66%, 0.17%, 0

LABA 27.57, -19.52, 29.6, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1F360000

RGBA 31 54 0 0

HSLA 85.56, 1%, 0.11%, 0

LABA 19.76, -18.82, 27.4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0E240000

RGBA 14 36 0 0

HSLA 96.67, 1%, 0.07%, 0

LABA 11.66, -16.98, 16.97, 0

 

CMYK 24 / 0 / 50 / 57

HEX #536D36

RGB 83 109 54

HSL 88.36, 0.34%, 0.32%

LAB 42.83, -19.89, 27.51

 

CMYK 10 / 0 / 50 / 57

HEX #626D36

RGB 98 109 54

HSL 72, 0.34%, 0.32%

LAB 43.95, -13.46, 29.13

 

CMYK 0 / 3 / 50 / 57

HEX #6D6A36

RGB 109 106 54

HSL 56.73, 0.34%, 0.32%

LAB 43.98, -6.83, 29.4

 

CMYK 0 / 17 / 50 / 57

HEX #6D5B36

RGB 109 91 54

HSL 40.36, 0.34%, 0.32%

LAB 39.58, 1.96, 23.98

 

CMYK 0 / 30 / 50 / 57

HEX #6D4C36

RGB 109 76 54

HSL 24, 0.34%, 0.32%

LAB 35.37, 11.07, 18.6

 

CMYK 24 / 0 / 50 / 57

HEX #536D36

RGB 83 109 54

HSL 88.36, 0.34%, 0.32%

LAB 42.83, -19.89, 27.51

 

CMYK 38 / 0 / 50 / 57

HEX #446D36

RGB 68 109 54

HSL 104.73, 0.34%, 0.32%

LAB 41.9, -25.79, 26.15

 

CMYK 50 / 0 / 50 / 57

HEX #366D37

RGB 54 109 55

HSL 121.09, 0.34%, 0.32%

LAB 41.21, -30.45, 24.6

 

CMYK 50 / 0 / 37 / 57

HEX #366D45

RGB 54 109 69

HSL 136.36, 0.34%, 0.32%

LAB 41.46, -27.95, 16.89

 

CMYK 50 / 0 / 23 / 57

HEX #366D54

RGB 54 109 84

HSL 152.73, 0.34%, 0.32%

LAB 41.79, -24.69, 8.44

 

CMYK 24 / 0 / 50 / 57

HEX #536D36

RGB 83 109 54

HSL 88.36, 0.34%, 0.32%

LAB 42.83, -19.89, 27.51

 

CMYK 32 / 0 / 67 / 52

HEX #547B29

RGB 84 123 41

HSL 88.54, 0.5%, 0.32%

LAB 47.25, -27.94, 39.19

 

CMYK 38 / 0 / 80 / 47

HEX #55881B

RGB 85 136 27

HSL 88.07, 0.67%, 0.32%

LAB 51.4, -34.59, 48.9

 

CMYK 43 / 0 / 91 / 42

HEX #55950E

RGB 85 149 14

HSL 88.44, 0.83%, 0.32%

LAB 55.54, -40.75, 55.9

 

CMYK 47 / 0 / 99 / 36

HEX #56A201

RGB 86 162 1

HSL 88.32, 0.99%, 0.32%

LAB 59.73, -46.01, 61.34

 

CMYK 24 / 0 / 50 / 57

HEX #536D36

RGB 83 109 54

HSL 88.36, 0.34%, 0.32%

LAB 42.83, -19.89, 27.51

 

CMYK 15 / 0 / 30 / 62

HEX #526043

RGB 82 96 67

HSL 88.97, 0.18%, 0.32%

LAB 38.84, -11.24, 14.84

 

CMYK 1 / 0 / 4 / 67

HEX #525350

RGB 82 83 80

HSL 80, 0.02%, 0.32%

LAB 35.12, -1.04, 1.61

 

CMYK 13 / 25 / 0 / 64

HEX #51465D

RGB 81 70 93

HSL 268.7, 0.14%, 0.32%

LAB 31.62, 9.75, -11.86

 

CMYK 25 / 47 / 0 / 58

HEX #50396B

RGB 80 57 107

HSL 267.6, 0.3%, 0.32%

LAB 28.63, 21.39, -25.47

 

CMYK 0 / 3 / 50 / 57

HEX #6D6A36

RGB 109 106 54

HSL 56.73, 0.34%, 0.32%

LAB 43.98, -6.83, 29.4

 

CMYK 10 / 0 / 50 / 57

HEX #626D36

RGB 98 109 54

HSL 72, 0.34%, 0.32%

LAB 43.95, -13.46, 29.13

 

CMYK 24 / 0 / 50 / 57

HEX #536D36

RGB 83 109 54

HSL 88.36, 0.34%, 0.32%

LAB 42.83, -19.89, 27.51

 

CMYK 37 / 0 / 50 / 57

HEX #456D36

RGB 69 109 54

HSL 103.64, 0.34%, 0.32%

LAB 41.95, -25.42, 26.24

 

CMYK 50 / 0 / 50 / 57

HEX #366D36

RGB 54 109 54

HSL 120, 0.34%, 0.32%

LAB 41.2, -30.6, 25.13

 

CMYK 24 / 0 / 50 / 79

HEX #29361B

RGB 41 54 27

HSL 88.89, 0.33%, 0.16%

LAB 20.79, -11.23, 15.22

 

CMYK 24 / 0 / 51 / 68

HEX #3E5228

RGB 62 82 40

HSL 88.57, 0.34%, 0.24%

LAB 32.28, -16.06, 22.08

 

CMYK 24 / 0 / 50 / 57

HEX #536D36

RGB 83 109 54

HSL 88.36, 0.34%, 0.32%

LAB 42.83, -19.89, 27.51

 

CMYK 24 / 0 / 51 / 46

HEX #688943

RGB 104 137 67

HSL 88.29, 0.34%, 0.4%

LAB 53.21, -24.17, 33.57

 

CMYK 24 / 0 / 51 / 35

HEX #7DA551

RGB 125 165 81

HSL 88.57, 0.34%, 0.48%

LAB 63.23, -28.15, 38.88

 

CMYK 24 / 0 / 51 / 58

HEX #526C35

RGB 82 108 53

HSL 88.36, 0.34%, 0.32%

LAB 42.42, -19.91, 27.55

 

CMYK 50 / 0 / 17 / 57

HEX #366D5B

RGB 54 109 91

HSL 160.36, 0.34%, 0.32%

LAB 41.96, -22.98, 4.48

 

CMYK 0 / 50 / 3 / 57

HEX #6D366A

RGB 109 54 106

HSL 303.27, 0.34%, 0.32%

LAB 31.65, 32.44, -19.83

 

CMYK 24 / 0 / 51 / 58

HEX #526C35

RGB 82 108 53

HSL 88.36, 0.34%, 0.32%

LAB 42.42, -19.91, 27.55

 

CMYK 50 / 24 / 0 / 57

HEX #36536D

RGB 54 83 109

HSL 208.36, 0.34%, 0.32%

LAB 34.14, -2.85, -18.29

 

CMYK 0 / 50 / 24 / 57

HEX #6D3653

RGB 109 54 83

HSL 328.36, 0.34%, 0.32%

LAB 30.67, 28.28, -6.51

 

CMYK 24 / 0 / 51 / 58

HEX #526C35

RGB 82 108 53

HSL 88.36, 0.34%, 0.32%

LAB 42.42, -19.91, 27.55

 

CMYK 50 / 0 / 17 / 57

HEX #366D5B

RGB 54 109 91

HSL 160.36, 0.34%, 0.32%

LAB 41.96, -22.98, 4.48

 

CMYK 27 / 50 / 0 / 57

HEX #50366D

RGB 80 54 109

HSL 268.36, 0.34%, 0.32%

LAB 27.97, 23.84, -27.77

 

CMYK 0 / 50 / 34 / 57

HEX #6D3648

RGB 109 54 72

HSL 340.36, 0.34%, 0.32%

LAB 30.3, 26.6, 0.11

 

CMYK 24 / 0 / 51 / 58

HEX #526C35

RGB 82 108 53

HSL 88.36, 0.34%, 0.32%

LAB 42.42, -19.91, 27.55

 

CMYK 50 / 0 / 2 / 57

HEX #366D6B

RGB 54 109 107

HSL 177.82, 0.34%, 0.32%

LAB 42.43, -18.67, -4.5

 

CMYK 27 / 50 / 0 / 57

HEX #50366D

RGB 80 54 109

HSL 268.36, 0.34%, 0.32%

LAB 27.97, 23.84, -27.77

 

CMYK 0 / 50 / 49 / 57

HEX #6D3638

RGB 109 54 56

HSL 357.82, 0.34%, 0.32%

LAB 29.85, 24.55, 9.94

 

Description

Color code: RGBA 82 108 53 0 | qconv.com Color code: RGBA 82 108 53 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 108 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 108 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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