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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 80 59 7 0 it is the complementary color RGBA 175 196 248 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 80 59 7 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 80 59 7 0 shade: RGBA 85 59 2 0, RGBA 102 77 21 0, RGBA 119 95 40 0, RGBA 136 113 59 0 and RGBA 153 131 78 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 80 59 7 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 80 59 7 0 shade: RGBA 80 59 7 0, RGBA 63 41 0 0, RGBA 46 23 0 0, RGBA 29 5 0 0 and RGBA 12 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 80 59 7 0 shade: RGB 80 59 7, RGB 80 39 7, RGB 80 20 7 and RGB 80 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 80 59 7 0 shade: RGB 80 59 7, RGB 80 78 7, RGB 61 80 7, RGB 42 80 7 and RGB 22 80 7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 80 59 7 0 shade matches the following richer shades: RGB 80 59 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 80 59 7 0 shade: RGB 80 59 7, RGB 73 56 14, RGB 66 53 21, RGB 59 50 28 and RGB 52 47 35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 80 59 7 0 shade: RGB 80 19 7, RGB 80 38 7, RGB 80 58 7, RGB 80 77 7 and RGB 63 80 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 80 59 7 0 shade: RGB 4 3 0, RGB 42 31 4, RGB 80 59 7, RGB 118 87 10 and RGB 156 115 14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 80 59 7 0 shade: RGB 80 59 7, RGB 14 80 7 and RGB 29 7 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 80 59 7 0 shade: RGB 80 59 7, RGB 7 80 58 and RGB 58 7 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 80 59 7 0 shade: RGB 80 59 7, RGB 14 80 7, RGB 7 29 80 and RGB 72 7 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 80 59 7 0 shade: RGB 80 59 7, RGB 7 80 22, RGB 7 29 80 and RGB 80 7 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #503B0700

RGBA 80 59 7 0

HSLA 42.74, 0.84%, 0.17%, 0

LABA 26.3, 3.9, 32.78, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #AFC4F800

RGBA 175 196 248 0

HSLA 222.74, 0.84%, 0.83%, 0

LABA 79.25, 4.46, -27.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #553B0200

RGBA 85 59 2 0

HSLA 41.2, 0.95%, 0.17%, 0

LABA 26.92, 6.3, 35.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #664D1500

RGBA 102 77 21 0

HSLA 41.48, 0.66%, 0.24%, 0

LABA 34.37, 4.44, 35.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #775F2800

RGBA 119 95 40 0

HSLA 41.77, 0.5%, 0.31%, 0

LABA 41.63, 3.02, 34.36, 0

 

CMYK 0 / 0 / 0 / 0

HEX #88713B00

RGBA 136 113 59 0

HSLA 42.08, 0.39%, 0.38%, 0

LABA 48.71, 1.94, 33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #99834E00

RGBA 153 131 78 0

HSLA 42.4, 0.32%, 0.45%, 0

LABA 55.64, 1.1, 31.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #503B0700

RGBA 80 59 7 0

HSLA 42.74, 0.84%, 0.17%, 0

LABA 26.3, 3.9, 32.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3F290000

RGBA 63 41 0 0

HSLA 39.05, 1%, 0.12%, 0

LABA 18.55, 6.28, 26.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2E170000

RGBA 46 23 0 0

HSLA 30, 1%, 0.09%, 0

LABA 10.51, 9.26, 15.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1D050000

RGBA 29 5 0 0

HSLA 10.34, 1%, 0.06%, 0

LABA 3.34, 8.58, 5.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0C000000

RGBA 12 0 0 0

HSLA 0, 1%, 0.02%, 0

LABA 0.71, 3.17, 1.12, 0

 

CMYK 0 / 26 / 91 / 69

HEX #503B07

RGB 80 59 7

HSL 42.74, 0.84%, 0.17%

LAB 26.3, 3.9, 32.78

 

CMYK 0 / 51 / 91 / 69

HEX #502707

RGB 80 39 7

HSL 26.3, 0.84%, 0.17%

LAB 20.72, 16.68, 27.16

 

CMYK 0 / 75 / 91 / 69

HEX #501407

RGB 80 20 7

HSL 10.68, 0.84%, 0.17%

LAB 16.61, 27.32, 22.34

 

CMYK 0 / 91 / 91 / 69

HEX #500707

RGB 80 7 7

HSL 0, 0.84%, 0.17%

LAB 14.8, 32.33, 20.06

 

CMYK 0 / 26 / 91 / 69

HEX #503B07

RGB 80 59 7

HSL 42.74, 0.84%, 0.17%

LAB 26.3, 3.9, 32.78

 

CMYK 0 / 2 / 91 / 69

HEX #504E07

RGB 80 78 7

HSL 58.36, 0.84%, 0.17%

LAB 32.19, -7.85, 37.79

 

CMYK 24 / 0 / 91 / 69

HEX #3D5007

RGB 61 80 7

HSL 75.62, 0.84%, 0.17%

LAB 31.22, -18.31, 36.32

 

CMYK 48 / 0 / 91 / 69

HEX #2A5007

RGB 42 80 7

HSL 91.23, 0.84%, 0.17%

LAB 30.02, -26.48, 34.81

 

CMYK 73 / 0 / 91 / 69

HEX #165007

RGB 22 80 7

HSL 107.67, 0.84%, 0.17%

LAB 29.22, -32.82, 33.78

 

CMYK 0 / 26 / 91 / 69

HEX #503B07

RGB 80 59 7

HSL 42.74, 0.84%, 0.17%

LAB 26.3, 3.9, 32.78

 

CMYK 0 / 26 / 91 / 69

HEX #503B07

RGB 80 59 7

HSL 42.74, 0.84%, 0.17%

LAB 26.3, 3.9, 32.78

 

CMYK 0 / 23 / 81 / 71

HEX #49380E

RGB 73 56 14

HSL 42.71, 0.68%, 0.17%

LAB 24.57, 2.49, 27.82

 

CMYK 0 / 20 / 68 / 74

HEX #423515

RGB 66 53 21

HSL 42.67, 0.52%, 0.17%

LAB 22.86, 1.28, 21.97

 

CMYK 0 / 15 / 53 / 77

HEX #3B321C

RGB 59 50 28

HSL 42.58, 0.36%, 0.17%

LAB 21.19, 0.38, 15.46

 

CMYK 0 / 10 / 33 / 80

HEX #342F23

RGB 52 47 35

HSL 42.35, 0.2%, 0.17%

LAB 19.58, -0.1, 8.54

 

CMYK 0 / 76 / 91 / 69

HEX #501307

RGB 80 19 7

HSL 9.86, 0.84%, 0.17%

LAB 16.44, 27.78, 22.13

 

CMYK 0 / 53 / 91 / 69

HEX #502607

RGB 80 38 7

HSL 25.48, 0.84%, 0.17%

LAB 20.47, 17.3, 26.88

 

CMYK 0 / 28 / 91 / 69

HEX #503A07

RGB 80 58 7

HSL 41.92, 0.84%, 0.17%

LAB 26, 4.54, 32.51

 

CMYK 0 / 4 / 91 / 69

HEX #504D07

RGB 80 77 7

HSL 57.53, 0.84%, 0.17%

LAB 31.87, -7.25, 37.52

 

CMYK 21 / 0 / 91 / 69

HEX #3F5007

RGB 63 80 7

HSL 73.97, 0.84%, 0.17%

LAB 31.37, -17.37, 36.5

 

CMYK 0 / 25 / 100 / 98

HEX #040300

RGB 4 3 0

HSL 45, 1%, 0.01%

LAB 0.82, -0.16, 1.23

 

CMYK 0 / 26 / 90 / 84

HEX #2A1F04

RGB 42 31 4

HSL 42.63, 0.83%, 0.09%

LAB 12.49, 1.7, 16.9

 

CMYK 0 / 26 / 91 / 69

HEX #503B07

RGB 80 59 7

HSL 42.74, 0.84%, 0.17%

LAB 26.3, 3.9, 32.78

 

CMYK 0 / 26 / 92 / 54

HEX #76570A

RGB 118 87 10

HSL 42.78, 0.84%, 0.25%

LAB 39.05, 5.88, 44.21

 

CMYK 0 / 26 / 91 / 39

HEX #9C730E

RGB 156 115 14

HSL 42.68, 0.84%, 0.33%

LAB 51.11, 7.75, 54.61

 

CMYK 0 / 26 / 91 / 69

HEX #503B07

RGB 80 59 7

HSL 42.74, 0.84%, 0.17%

LAB 26.3, 3.9, 32.78

 

CMYK 83 / 0 / 91 / 69

HEX #0E5007

RGB 14 80 7

HSL 114.25, 0.84%, 0.17%

LAB 29.02, -34.51, 33.53

 

CMYK 64 / 91 / 0 / 69

HEX #1D0750

RGB 29 7 80

HSL 258.08, 0.84%, 0.17%

LAB 8.93, 31.29, -39.63

 

CMYK 0 / 26 / 91 / 69

HEX #503B07

RGB 80 59 7

HSL 42.74, 0.84%, 0.17%

LAB 26.3, 3.9, 32.78

 

CMYK 91 / 0 / 28 / 69

HEX #07503A

RGB 7 80 58

HSL 161.92, 0.84%, 0.17%

LAB 29.63, -26.93, 7.14

 

CMYK 28 / 91 / 0 / 69

HEX #3A0750

RGB 58 7 80

HSL 281.92, 0.84%, 0.17%

LAB 13.42, 35.81, -32.1

 

CMYK 0 / 26 / 91 / 69

HEX #503B07

RGB 80 59 7

HSL 42.74, 0.84%, 0.17%

LAB 26.3, 3.9, 32.78

 

CMYK 83 / 0 / 91 / 69

HEX #0E5007

RGB 14 80 7

HSL 114.25, 0.84%, 0.17%

LAB 29.02, -34.51, 33.53

 

CMYK 91 / 64 / 0 / 69

HEX #071D50

RGB 7 29 80

HSL 221.92, 0.84%, 0.17%

LAB 12.63, 14.06, -33.62

 

CMYK 10 / 91 / 0 / 69

HEX #480750

RGB 72 7 80

HSL 293.42, 0.84%, 0.17%

LAB 16.05, 38.58, -27.72

 

CMYK 0 / 26 / 91 / 69

HEX #503B07

RGB 80 59 7

HSL 42.74, 0.84%, 0.17%

LAB 26.3, 3.9, 32.78

 

CMYK 91 / 0 / 73 / 69

HEX #075016

RGB 7 80 22

HSL 132.33, 0.84%, 0.17%

LAB 29.01, -34.22, 27.39

 

CMYK 91 / 64 / 0 / 69

HEX #071D50

RGB 7 29 80

HSL 221.92, 0.84%, 0.17%

LAB 12.63, 14.06, -33.62

 

CMYK 0 / 91 / 19 / 69

HEX #500741

RGB 80 7 65

HSL 312.33, 0.84%, 0.17%

LAB 16.7, 37.76, -16.21

 

Description

Color code: RGBA 80 59 7 0 | qconv.com Color code: RGBA 80 59 7 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 59 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 59 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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