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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 77 178 162 0.75 it is the complementary color RGBA 178 77 93 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 77 178 162 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 77 178 162 0.75 shade: RGBA 82 178 157 0.75, RGBA 99 196 176 0.75, RGBA 116 214 195 0.75, RGBA 133 232 214 0.75 and RGBA 150 250 233 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 77 178 162 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 77 178 162 0.75 shade: RGBA 77 178 162 0.75, RGBA 60 160 143 0.75, RGBA 43 142 124 0.75, RGBA 26 124 105 0.75 and RGBA 9 106 86 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 77 178 162 0.75 shade: RGB 77 179 162, RGB 77 179 135, RGB 77 179 107, RGB 77 179 80 and RGB 101 179 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 77 178 162 0.75 shade: RGB 77 179 162, RGB 77 167 179, RGB 77 140 179, RGB 77 112 179 and RGB 77 85 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 77 178 162 0.75 shade matches the following richer shades: RGB 77 179 162, RGB 56 199 176, RGB 35 220 191 and RGB 15 240 205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 77 178 162 0.75 shade: RGB 77 179 162, RGB 97 158 148, RGB 118 137 134, RGB 138 117 120 and RGB 159 96 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 77 178 162 0.75 shade: RGB 77 179 107, RGB 77 179 134, RGB 77 179 162, RGB 77 168 179 and RGB 77 141 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 77 178 162 0.75 shade: RGB 52 121 110, RGB 64 150 136, RGB 77 179 162, RGB 105 191 177 and RGB 134 203 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 77 178 162 0.75 shade: RGB 77 178 162, RGB 80 77 179 and RGB 179 121 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 77 178 162 0.75 shade: RGB 77 178 162, RGB 162 77 179 and RGB 179 162 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 77 178 162 0.75 shade: RGB 77 178 162, RGB 80 77 179, RGB 179 77 94 and RGB 175 179 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 77 178 162 0.75 shade: RGB 77 178 162, RGB 111 77 179, RGB 179 77 94 and RGB 145 179 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 7 / 23

HEX #4DB2A2BF

RGBA 77 178 162 0.75

HSLA 170.5, 0.4%, 0.5%, 0.75

LABA 66.54, -33.29, -0.68, 0.75

 

Complementary color

CMYK 0 / 43 / 36 / 23

HEX #B24D5DBF

RGBA 178 77 93 0.75

HSLA 350.5, 0.4%, 0.5%, 0.75

LABA 46.4, 42.58, 11.3, 0.75

 

CMYK 40 / 0 / 9 / 23

HEX #52B29DBF

RGBA 82 178 157 0.75

HSLA 166.88, 0.38%, 0.51%, 0.75

LABA 66.57, -33.49, 2.15, 0.75

 

CMYK 37 / 0 / 8 / 17

HEX #63C4B0BF

RGBA 99 196 176 0.75

HSLA 167.63, 0.45%, 0.58%, 0.75

LABA 73.07, -33.48, 1.26, 0.75

 

CMYK 34 / 0 / 7 / 12

HEX #74D6C3BF

RGBA 116 214 195 0.75

HSLA 168.37, 0.54%, 0.65%, 0.75

LABA 79.47, -33.41, 0.43, 0.75

 

CMYK 32 / 0 / 6 / 7

HEX #85E8D6BF

RGBA 133 232 214 0.75

HSLA 169.09, 0.68%, 0.72%, 0.75

LABA 85.78, -33.31, -0.34, 0.75

 

CMYK 30 / 0 / 5 / 1

HEX #96FAE9BF

RGBA 150 250 233 0.75

HSLA 169.8, 0.91%, 0.78%, 0.75

LABA 92.02, -33.19, -1.07, 0.75

 

CMYK 43 / 0 / 7 / 23

HEX #4DB2A2BF

RGBA 77 178 162 0.75

HSLA 170.5, 0.4%, 0.5%, 0.75

LABA 66.54, -33.29, -0.68, 0.75

 

CMYK 47 / 0 / 8 / 28

HEX #3CA08FBF

RGBA 60 160 143 0.75

HSLA 169.8, 0.45%, 0.43%, 0.75

LABA 59.97, -33.09, 0.28, 0.75

 

CMYK 52 / 0 / 10 / 33

HEX #2B8E7CBF

RGBA 43 142 124 0.75

HSLA 169.09, 0.54%, 0.36%, 0.75

LABA 53.29, -32.7, 1.35, 0.75

 

CMYK 59 / 0 / 11 / 39

HEX #1A7C69BF

RGBA 26 124 105 0.75

HSLA 168.37, 0.65%, 0.29%, 0.75

LABA 46.52, -32, 2.58, 0.75

 

CMYK 69 / 0 / 14 / 44

HEX #096A56BF

RGBA 9 106 86 0.75

HSLA 167.63, 0.84%, 0.23%, 0.75

LABA 39.64, -30.8, 4.02, 0.75

 

CMYK 57 / 0 / 9 / 30

HEX #4DB3A2

RGB 77 179 162

HSL 170, 0.4%, 0.5%

LAB 66.84, -33.76, -0.24

 

CMYK 57 / 0 / 25 / 30

HEX #4DB387

RGB 77 179 135

HSL 154.12, 0.4%, 0.5%

LAB 66.19, -40.2, 13.7

 

CMYK 57 / 0 / 40 / 30

HEX #4DB36B

RGB 77 179 107

HSL 137.65, 0.4%, 0.5%

LAB 65.65, -45.74, 28.07

 

CMYK 57 / 0 / 55 / 30

HEX #4DB350

RGB 77 179 80

HSL 121.76, 0.4%, 0.5%

LAB 65.28, -49.85, 41.29

 

CMYK 44 / 0 / 57 / 30

HEX #65B34D

RGB 101 179 77

HSL 105.88, 0.4%, 0.5%

LAB 66.17, -43.38, 44.01

 

CMYK 57 / 0 / 9 / 30

HEX #4DB3A2

RGB 77 179 162

HSL 170, 0.4%, 0.5%

LAB 66.84, -33.76, -0.24

 

CMYK 57 / 7 / 0 / 30

HEX #4DA7B3

RGB 77 167 179

HSL 187.06, 0.4%, 0.5%

LAB 63.73, -23.23, -14.32

 

CMYK 57 / 22 / 0 / 30

HEX #4D8CB3

RGB 77 140 179

HSL 202.94, 0.4%, 0.5%

LAB 55.67, -8.72, -26.62

 

CMYK 57 / 37 / 0 / 30

HEX #4D70B3

RGB 77 112 179

HSL 219.41, 0.4%, 0.5%

LAB 47.52, 7.86, -39.37

 

CMYK 57 / 53 / 0 / 30

HEX #4D55B3

RGB 77 85 179

HSL 235.29, 0.4%, 0.5%

LAB 40.13, 24.89, -51.17

 

CMYK 57 / 0 / 9 / 30

HEX #4DB3A2

RGB 77 179 162

HSL 170, 0.4%, 0.5%

LAB 66.84, -33.76, -0.24

 

CMYK 72 / 0 / 12 / 22

HEX #38C7B0

RGB 56 199 176

HSL 170.35, 0.56%, 0.5%

LAB 72.77, -42.63, 0.69

 

CMYK 84 / 0 / 13 / 14

HEX #23DCBF

RGB 35 220 191

HSL 170.59, 0.73%, 0.5%

LAB 79.22, -49.69, 1.96

 

CMYK 94 / 0 / 15 / 6

HEX #0FF0CD

RGB 15 240 205

HSL 170.67, 0.88%, 0.5%

LAB 85.42, -55.17, 3.55

 

CMYK 57 / 0 / 9 / 30

HEX #4DB3A2

RGB 77 179 162

HSL 170, 0.4%, 0.5%

LAB 66.84, -33.76, -0.24

 

CMYK 39 / 0 / 6 / 38

HEX #619E94

RGB 97 158 148

HSL 170.16, 0.24%, 0.5%

LAB 60.9, -22.15, -1.01

 

CMYK 14 / 0 / 2 / 46

HEX #768986

RGB 118 137 134

HSL 170.53, 0.07%, 0.5%

LAB 55.55, -7.47, -0.71

 

CMYK 0 / 15 / 13 / 46

HEX #8A7578

RGB 138 117 120

HSL 351.43, 0.08%, 0.5%

LAB 51.25, 8.69, 1.38

 

CMYK 0 / 40 / 33 / 38

HEX #9F606A

RGB 159 96 106

HSL 350.48, 0.25%, 0.5%

LAB 47.98, 26.9, 5.29

 

CMYK 57 / 0 / 40 / 30

HEX #4DB36B

RGB 77 179 107

HSL 137.65, 0.4%, 0.5%

LAB 65.65, -45.74, 28.07

 

CMYK 57 / 0 / 25 / 30

HEX #4DB386

RGB 77 179 134

HSL 153.53, 0.4%, 0.5%

LAB 66.17, -40.42, 14.22

 

CMYK 57 / 0 / 9 / 30

HEX #4DB3A2

RGB 77 179 162

HSL 170, 0.4%, 0.5%

LAB 66.84, -33.76, -0.24

 

CMYK 57 / 6 / 0 / 30

HEX #4DA8B3

RGB 77 168 179

HSL 186.47, 0.4%, 0.5%

LAB 64.03, -23.74, -13.87

 

CMYK 57 / 21 / 0 / 30

HEX #4D8DB3

RGB 77 141 179

HSL 202.35, 0.4%, 0.5%

LAB 55.97, -9.28, -26.16

 

CMYK 57 / 0 / 9 / 53

HEX #34796E

RGB 52 121 110

HSL 170.43, 0.4%, 0.34%

LAB 46.35, -24.6, -0.54

 

CMYK 57 / 0 / 9 / 41

HEX #409688

RGB 64 150 136

HSL 170.23, 0.4%, 0.42%

LAB 56.76, -29.38, -0.41

 

CMYK 57 / 0 / 9 / 30

HEX #4DB3A2

RGB 77 179 162

HSL 170, 0.4%, 0.5%

LAB 66.84, -33.76, -0.24

 

CMYK 45 / 0 / 7 / 25

HEX #69BFB1

RGB 105 191 177

HSL 170.23, 0.4%, 0.58%

LAB 71.85, -29.42, -1.03

 

CMYK 34 / 0 / 5 / 20

HEX #86CBC0

RGB 134 203 192

HSL 170.43, 0.4%, 0.66%

LAB 77.03, -24.13, -1.43

 

CMYK 57 / 0 / 9 / 30

HEX #4DB2A2

RGB 77 178 162

HSL 170.5, 0.4%, 0.5%

LAB 66.54, -33.29, -0.68

 

CMYK 55 / 57 / 0 / 30

HEX #504DB3

RGB 80 77 179

HSL 241.76, 0.4%, 0.5%

LAB 38.32, 30.54, -54.08

 

CMYK 0 / 32 / 57 / 30

HEX #B3794D

RGB 179 121 77

HSL 25.88, 0.4%, 0.5%

LAB 55.88, 17.9, 33.09

 

CMYK 57 / 0 / 9 / 30

HEX #4DB2A2

RGB 77 178 162

HSL 170.5, 0.4%, 0.5%

LAB 66.54, -33.29, -0.68

 

CMYK 9 / 57 / 0 / 30

HEX #A24DB3

RGB 162 77 179

HSL 290, 0.4%, 0.5%

LAB 47.29, 50.47, -39.22

 

CMYK 0 / 9 / 57 / 30

HEX #B3A24D

RGB 179 162 77

HSL 50, 0.4%, 0.5%

LAB 66.49, -4.67, 45.72

 

CMYK 57 / 0 / 9 / 30

HEX #4DB2A2

RGB 77 178 162

HSL 170.5, 0.4%, 0.5%

LAB 66.54, -33.29, -0.68

 

CMYK 55 / 57 / 0 / 30

HEX #504DB3

RGB 80 77 179

HSL 241.76, 0.4%, 0.5%

LAB 38.32, 30.54, -54.08

 

CMYK 0 / 57 / 47 / 30

HEX #B34D5E

RGB 179 77 94

HSL 350, 0.4%, 0.5%

LAB 46.58, 43.04, 10.97

 

CMYK 2 / 0 / 57 / 30

HEX #AFB34D

RGB 175 179 77

HSL 62.35, 0.4%, 0.5%

LAB 70.8, -15.26, 50.53

 

CMYK 57 / 0 / 9 / 30

HEX #4DB2A2

RGB 77 178 162

HSL 170.5, 0.4%, 0.5%

LAB 66.54, -33.29, -0.68

 

CMYK 38 / 57 / 0 / 30

HEX #6F4DB3

RGB 111 77 179

HSL 260, 0.4%, 0.5%

LAB 41.12, 37.39, -49.42

 

CMYK 0 / 57 / 47 / 30

HEX #B34D5E

RGB 179 77 94

HSL 350, 0.4%, 0.5%

LAB 46.58, 43.04, 10.97

 

CMYK 19 / 0 / 57 / 30

HEX #91B34D

RGB 145 179 77

HSL 80, 0.4%, 0.5%

LAB 68.6, -27.53, 47.45

 

Description

Color code: RGBA 77 178 162 0.75 | qconv.com Color code: RGBA 77 178 162 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 178 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 178 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 7 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 7% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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