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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 76 93 7 0 it is the complementary color RGBA 179 162 248 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 76 93 7 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 76 93 7 0 shade: RGBA 81 93 2 0, RGBA 98 111 21 0, RGBA 115 129 40 0, RGBA 132 147 59 0 and RGBA 149 165 78 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 76 93 7 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 76 93 7 0 shade: RGBA 76 93 7 0, RGBA 59 75 0 0, RGBA 42 57 0 0, RGBA 25 39 0 0 and RGBA 8 21 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 76 93 7 0 shade: RGB 78 95 7, RGB 95 89 7, RGB 95 65 7, RGB 95 41 7 and RGB 95 18 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 76 93 7 0 shade: RGB 78 95 7, RGB 54 95 7, RGB 30 95 7, RGB 7 95 8 and RGB 7 95 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 76 93 7 0 shade matches the following richer shades: RGB 78 95 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 76 93 7 0 shade: RGB 78 95 7, RGB 73 87 15, RGB 68 78 24, RGB 63 70 32 and RGB 58 62 40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 76 93 7 0 shade: RGB 95 64 7, RGB 95 88 7, RGB 79 95 7, RGB 55 95 7 and RGB 32 95 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 76 93 7 0 shade: RGB 15 18 1, RGB 46 56 4, RGB 78 95 7, RGB 109 133 10 and RGB 140 172 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 76 93 7 0 shade: RGB 76 93 7, RGB 7 95 41 and RGB 76 7 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 76 93 7 0 shade: RGB 76 93 7, RGB 7 79 95 and RGB 95 7 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 76 93 7 0 shade: RGB 76 93 7, RGB 7 95 41, RGB 23 7 95 and RGB 95 7 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 76 93 7 0 shade: RGB 76 93 7, RGB 7 95 67, RGB 23 7 95 and RGB 95 7 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #4C5D0700

RGBA 76 93 7 0

HSLA 71.86, 0.86%, 0.2%, 0

LABA 36.71, -18.27, 41.42, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #B3A2F800

RGBA 179 162 248 0

HSLA 251.86, 0.86%, 0.8%, 0

LABA 71.01, 24.38, -40.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #515D0200

RGBA 81 93 2 0

HSLA 67.91, 0.96%, 0.19%, 0

LABA 37.08, -16.09, 43.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #626F1500

RGBA 98 111 21 0

HSLA 68.67, 0.68%, 0.26%, 0

LABA 44.26, -17.15, 44.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #73812800

RGBA 115 129 40 0

HSLA 69.44, 0.53%, 0.33%, 0

LABA 51.27, -17.93, 44.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #84933B00

RGBA 132 147 59 0

HSLA 70.23, 0.43%, 0.4%, 0

LABA 58.12, -18.47, 43.75, 0

 

CMYK 0 / 0 / 0 / 0

HEX #95A54E00

RGBA 149 165 78 0

HSLA 71.03, 0.36%, 0.48%, 0

LABA 64.84, -18.87, 42.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4C5D0700

RGBA 76 93 7 0

HSLA 71.86, 0.86%, 0.2%, 0

LABA 36.71, -18.27, 41.42, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3B4B0000

RGBA 59 75 0 0

HSLA 72.8, 1%, 0.15%, 0

LABA 29.32, -16.9, 37.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A390000

RGBA 42 57 0 0

HSLA 75.79, 1%, 0.11%, 0

LABA 21.65, -15.22, 29.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #19270000

RGBA 25 39 0 0

HSLA 81.54, 1%, 0.08%, 0

LABA 13.58, -13.49, 19.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #08150000

RGBA 8 21 0 0

HSLA 97.14, 1%, 0.04%, 0

LABA 5.31, -7.8, 7.81, 0

 

CMYK 18 / 0 / 93 / 63

HEX #4E5F07

RGB 78 95 7

HSL 71.59, 0.86%, 0.2%

LAB 37.52, -18.41, 42.15

 

CMYK 0 / 6 / 93 / 63

HEX #5F5907

RGB 95 89 7

HSL 55.91, 0.86%, 0.2%

LAB 37.1, -6.79, 42.43

 

CMYK 0 / 32 / 93 / 63

HEX #5F4107

RGB 95 65 7

HSL 39.55, 0.86%, 0.2%

LAB 29.98, 7.81, 36.67

 

CMYK 0 / 57 / 93 / 63

HEX #5F2907

RGB 95 41 7

HSL 23.18, 0.86%, 0.2%

LAB 23.78, 22.5, 31.18

 

CMYK 0 / 81 / 93 / 63

HEX #5F1207

RGB 95 18 7

HSL 7.5, 0.86%, 0.2%

LAB 19.56, 33.74, 26.65

 

CMYK 18 / 0 / 93 / 63

HEX #4E5F07

RGB 78 95 7

HSL 71.59, 0.86%, 0.2%

LAB 37.52, -18.41, 42.15

 

CMYK 43 / 0 / 93 / 63

HEX #365F07

RGB 54 95 7

HSL 87.95, 0.86%, 0.2%

LAB 35.95, -28.78, 40.21

 

CMYK 68 / 0 / 93 / 63

HEX #1E5F07

RGB 30 95 7

HSL 104.32, 0.86%, 0.2%

LAB 34.95, -36.55, 38.96

 

CMYK 93 / 0 / 92 / 63

HEX #075F08

RGB 7 95 8

HSL 120.68, 0.86%, 0.2%

LAB 34.49, -40.54, 38.08

 

CMYK 93 / 0 / 67 / 63

HEX #075F1F

RGB 7 95 31

HSL 136.36, 0.86%, 0.2%

LAB 34.66, -38.45, 29.23

 

CMYK 18 / 0 / 93 / 63

HEX #4E5F07

RGB 78 95 7

HSL 71.59, 0.86%, 0.2%

LAB 37.52, -18.41, 42.15

 

CMYK 18 / 0 / 93 / 63

HEX #4E5F07

RGB 78 95 7

HSL 71.59, 0.86%, 0.2%

LAB 37.52, -18.41, 42.15

 

CMYK 16 / 0 / 83 / 66

HEX #49570F

RGB 73 87 15

HSL 71.67, 0.71%, 0.2%

LAB 34.53, -16.09, 36.96

 

CMYK 13 / 0 / 69 / 69

HEX #444E18

RGB 68 78 24

HSL 71.11, 0.53%, 0.2%

LAB 31.22, -12.82, 29.64

 

CMYK 10 / 0 / 54 / 73

HEX #3F4620

RGB 63 70 32

HSL 71.05, 0.37%, 0.2%

LAB 28.22, -9.73, 21.79

 

CMYK 6 / 0 / 35 / 76

HEX #3A3E28

RGB 58 62 40

HSL 70.91, 0.22%, 0.2%

LAB 25.25, -6.09, 13

 

CMYK 0 / 33 / 93 / 63

HEX #5F4007

RGB 95 64 7

HSL 38.86, 0.86%, 0.2%

LAB 29.7, 8.43, 36.44

 

CMYK 0 / 7 / 93 / 63

HEX #5F5807

RGB 95 88 7

HSL 55.23, 0.86%, 0.2%

LAB 36.8, -6.21, 42.18

 

CMYK 17 / 0 / 93 / 63

HEX #4F5F07

RGB 79 95 7

HSL 70.91, 0.86%, 0.2%

LAB 37.59, -17.94, 42.25

 

CMYK 42 / 0 / 93 / 63

HEX #375F07

RGB 55 95 7

HSL 87.27, 0.86%, 0.2%

LAB 36.01, -28.39, 40.28

 

CMYK 66 / 0 / 93 / 63

HEX #205F07

RGB 32 95 7

HSL 102.95, 0.86%, 0.2%

LAB 35.02, -36.04, 39.04

 

CMYK 17 / 0 / 94 / 93

HEX #0F1201

RGB 15 18 1

HSL 70.59, 0.89%, 0.04%

LAB 4.84, -3.73, 6.78

 

CMYK 18 / 0 / 93 / 78

HEX #2E3804

RGB 46 56 4

HSL 71.54, 0.87%, 0.12%

LAB 21.65, -12.33, 28.17

 

CMYK 18 / 0 / 93 / 63

HEX #4E5F07

RGB 78 95 7

HSL 71.59, 0.86%, 0.2%

LAB 37.52, -18.41, 42.15

 

CMYK 18 / 0 / 92 / 48

HEX #6D850A

RGB 109 133 10

HSL 71.71, 0.86%, 0.28%

LAB 51.89, -23.95, 54.2

 

CMYK 19 / 0 / 92 / 33

HEX #8CAC0D

RGB 140 172 13

HSL 72.08, 0.86%, 0.36%

LAB 65.83, -29.66, 65.81

 

CMYK 18 / 0 / 92 / 64

HEX #4C5D07

RGB 76 93 7

HSL 71.86, 0.86%, 0.2%

LAB 36.71, -18.27, 41.42

 

CMYK 93 / 0 / 57 / 63

HEX #075F29

RGB 7 95 41

HSL 143.18, 0.86%, 0.2%

LAB 34.78, -36.94, 24.11

 

CMYK 20 / 93 / 0 / 63

HEX #4C075F

RGB 76 7 95

HSL 287.05, 0.86%, 0.2%

LAB 17.98, 42.37, -34.67

 

CMYK 18 / 0 / 92 / 64

HEX #4C5D07

RGB 76 93 7

HSL 71.86, 0.86%, 0.2%

LAB 36.71, -18.27, 41.42

 

CMYK 93 / 17 / 0 / 63

HEX #074F5F

RGB 7 79 95

HSL 190.91, 0.86%, 0.2%

LAB 30.55, -13.95, -15.13

 

CMYK 0 / 93 / 17 / 63

HEX #5F074F

RGB 95 7 79

HSL 310.91, 0.86%, 0.2%

LAB 20.63, 43.45, -19.47

 

CMYK 18 / 0 / 92 / 64

HEX #4C5D07

RGB 76 93 7

HSL 71.86, 0.86%, 0.2%

LAB 36.71, -18.27, 41.42

 

CMYK 93 / 0 / 57 / 63

HEX #075F29

RGB 7 95 41

HSL 143.18, 0.86%, 0.2%

LAB 34.78, -36.94, 24.11

 

CMYK 76 / 93 / 0 / 63

HEX #17075F

RGB 23 7 95

HSL 250.91, 0.86%, 0.2%

LAB 10.26, 35.4, -47.64

 

CMYK 0 / 93 / 36 / 63

HEX #5F073D

RGB 95 7 61

HSL 323.18, 0.86%, 0.2%

LAB 19.73, 40.99, -8.47

 

CMYK 18 / 0 / 92 / 64

HEX #4C5D07

RGB 76 93 7

HSL 71.86, 0.86%, 0.2%

LAB 36.71, -18.27, 41.42

 

CMYK 93 / 0 / 29 / 63

HEX #075F43

RGB 7 95 67

HSL 160.91, 0.86%, 0.2%

LAB 35.27, -31.27, 9.43

 

CMYK 76 / 93 / 0 / 63

HEX #17075F

RGB 23 7 95

HSL 250.91, 0.86%, 0.2%

LAB 10.26, 35.4, -47.64

 

CMYK 0 / 93 / 63 / 63

HEX #5F0723

RGB 95 7 35

HSL 340.91, 0.86%, 0.2%

LAB 18.83, 38.46, 8.69

 

Description

Color code: RGBA 76 93 7 0 | qconv.com Color code: RGBA 76 93 7 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 93 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 93 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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