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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 76 59 197 0 it is the complementary color RGBA 179 196 58 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 76 59 197 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 76 59 197 0 shade: RGBA 81 59 192 0, RGBA 98 77 211 0, RGBA 115 95 230 0, RGBA 132 113 249 0 and RGBA 149 131 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 76 59 197 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 76 59 197 0 shade: RGBA 76 59 197 0, RGBA 59 41 178 0, RGBA 42 23 159 0, RGBA 25 5 140 0 and RGBA 8 0 121 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 76 59 197 0 shade: RGB 76 59 196, RGB 113 59 196, RGB 150 59 196, RGB 187 59 196 and RGB 196 59 169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 76 59 197 0 shade: RGB 76 59 196 and RGB 59 59 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 76 59 197 0 shade matches the following richer shades: RGB 76 59 196, RGB 60 38 217 and RGB 45 17 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 76 59 197 0 shade: RGB 76 59 196, RGB 91 79 176, RGB 107 100 155, RGB 122 121 134 and RGB 138 141 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 76 59 197 0 shade: RGB 59 116 196, RGB 59 79 196, RGB 75 59 196, RGB 111 59 196 and RGB 148 59 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 76 59 197 0 shade: RGB 51 40 133, RGB 63 49 165, RGB 76 59 196, RGB 105 90 206 and RGB 134 122 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 76 59 197 0 shade: RGB 76 59 197, RGB 196 59 153 and RGB 98 196 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 76 59 197 0 shade: RGB 76 59 197, RGB 196 75 59 and RGB 59 196 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 76 59 197 0 shade: RGB 76 59 197, RGB 196 59 153, RGB 180 196 59 and RGB 59 196 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 76 59 197 0 shade: RGB 76 59 197, RGB 196 59 111, RGB 180 196 59 and RGB 59 196 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #4C3BC500

RGBA 76 59 197 0

HSLA 247.39, 0.54%, 0.5%, 0

LABA 35.39, 46.4, -69.44, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #B3C43A00

RGBA 179 196 58 0

HSLA 67.39, 0.54%, 0.5%, 0

LABA 75.68, -23.33, 63.61, 0

 

CMYK 0 / 0 / 0 / 0

HEX #513BC000

RGBA 81 59 192 0

HSLA 249.92, 0.53%, 0.49%, 0

LABA 35.37, 45.58, -66.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #624DD300

RGBA 98 77 211 0

HSLA 249.4, 0.6%, 0.56%, 0

LABA 42.17, 43.92, -66.4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #735FE600

RGBA 115 95 230 0

HSLA 248.89, 0.73%, 0.64%, 0

LABA 48.94, 42.35, -66.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8471F900

RGBA 132 113 249 0

HSLA 248.38, 0.92%, 0.71%, 0

LABA 55.64, 40.92, -65.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9583FF00

RGBA 149 131 255 0

HSLA 248.71, 1%, 0.76%, 0

LABA 61.52, 36.02, -59.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4C3BC500

RGBA 76 59 197 0

HSLA 247.39, 0.54%, 0.5%, 0

LABA 35.39, 46.4, -69.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3B29B200

RGBA 59 41 178 0

HSLA 247.88, 0.63%, 0.43%, 0

LABA 28.72, 48.16, -69.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A179F00

RGBA 42 23 159 0

HSLA 248.38, 0.75%, 0.36%, 0

LABA 22.33, 49.42, -68.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #19058C00

RGBA 25 5 140 0

HSLA 248.89, 0.93%, 0.28%, 0

LABA 16.55, 49.39, -66.29, 0

 

CMYK 0 / 0 / 0 / 0

HEX #08007900

RGBA 8 0 121 0

HSLA 243.97, 1%, 0.24%, 0

LABA 12.17, 45.73, -61.56, 0

 

CMYK 61 / 70 / 0 / 23

HEX #4C3BC4

RGB 76 59 196

HSL 247.45, 0.54%, 0.5%

LAB 35.3, 46.09, -69

 

CMYK 42 / 70 / 0 / 23

HEX #713BC4

RGB 113 59 196

HSL 263.65, 0.54%, 0.5%

LAB 38.94, 52.11, -62.91

 

CMYK 23 / 70 / 0 / 23

HEX #963BC4

RGB 150 59 196

HSL 279.85, 0.54%, 0.5%

LAB 43.65, 59.38, -55.05

 

CMYK 5 / 70 / 0 / 23

HEX #BB3BC4

RGB 187 59 196

HSL 296.06, 0.54%, 0.5%

LAB 49.1, 67.29, -46.01

 

CMYK 0 / 70 / 14 / 23

HEX #C43BA9

RGB 196 59 169

HSL 311.82, 0.54%, 0.5%

LAB 49.16, 65.1, -30.04

 

CMYK 61 / 70 / 0 / 23

HEX #4C3BC4

RGB 76 59 196

HSL 247.45, 0.54%, 0.5%

LAB 35.3, 46.09, -69

 

CMYK 70 / 70 / 0 / 23

HEX #3B3BC4

RGB 59 59 196

HSL 240, 0.54%, 0.5%

LAB 34.07, 43.95, -71.07

 

CMYK 61 / 70 / 0 / 23

HEX #4C3BC4

RGB 76 59 196

HSL 247.45, 0.54%, 0.5%

LAB 35.3, 46.09, -69

 

CMYK 72 / 82 / 0 / 15

HEX #3C26D9

RGB 60 38 217

HSL 247.37, 0.7%, 0.5%

LAB 32.61, 61.18, -85.69

 

CMYK 81 / 93 / 0 / 7

HEX #2D11EE

RGB 45 17 238

HSL 247.6, 0.87%, 0.5%

LAB 32.11, 72.78, -98.57

 

CMYK 61 / 70 / 0 / 23

HEX #4C3BC4

RGB 76 59 196

HSL 247.45, 0.54%, 0.5%

LAB 35.3, 46.09, -69

 

CMYK 48 / 55 / 0 / 31

HEX #5B4FB0

RGB 91 79 176

HSL 247.42, 0.38%, 0.5%

LAB 39.5, 30.67, -50.36

 

CMYK 31 / 35 / 0 / 39

HEX #6B649B

RGB 107 100 155

HSL 247.64, 0.22%, 0.5%

LAB 45.09, 15.81, -28.96

 

CMYK 9 / 10 / 0 / 47

HEX #7A7986

RGB 122 121 134

HSL 244.62, 0.05%, 0.5%

LAB 51.31, 3.09, -6.94

 

CMYK 2 / 0 / 19 / 45

HEX #8A8D72

RGB 138 141 114

HSL 66.67, 0.11%, 0.5%

LAB 57.72, -5.99, 14.06

 

CMYK 70 / 41 / 0 / 23

HEX #3B74C4

RGB 59 116 196

HSL 215.04, 0.54%, 0.5%

LAB 48.77, 8.03, -47.26

 

CMYK 70 / 60 / 0 / 23

HEX #3B4FC4

RGB 59 79 196

HSL 231.24, 0.54%, 0.5%

LAB 38.74, 31.61, -63.43

 

CMYK 62 / 70 / 0 / 23

HEX #4B3BC4

RGB 75 59 196

HSL 247.01, 0.54%, 0.5%

LAB 35.22, 45.95, -69.14

 

CMYK 43 / 70 / 0 / 23

HEX #6F3BC4

RGB 111 59 196

HSL 262.77, 0.54%, 0.5%

LAB 38.71, 51.74, -63.29

 

CMYK 24 / 70 / 0 / 23

HEX #943BC4

RGB 148 59 196

HSL 278.98, 0.54%, 0.5%

LAB 43.37, 58.97, -55.51

 

CMYK 62 / 70 / 0 / 48

HEX #332885

RGB 51 40 133

HSL 247.1, 0.54%, 0.34%

LAB 23.39, 33.19, -50.53

 

CMYK 62 / 70 / 0 / 35

HEX #3F31A5

RGB 63 49 165

HSL 247.24, 0.54%, 0.42%

LAB 29.34, 40.15, -60.42

 

CMYK 61 / 70 / 0 / 23

HEX #4C3BC4

RGB 76 59 196

HSL 247.45, 0.54%, 0.5%

LAB 35.3, 46.09, -69

 

CMYK 49 / 56 / 0 / 19

HEX #695ACE

RGB 105 90 206

HSL 247.76, 0.54%, 0.58%

LAB 45.32, 36.14, -58.39

 

CMYK 38 / 43 / 0 / 16

HEX #867AD7

RGB 134 122 215

HSL 247.74, 0.54%, 0.66%

LAB 55.98, 26.56, -46.32

 

CMYK 61 / 70 / 0 / 23

HEX #4C3BC5

RGB 76 59 197

HSL 247.39, 0.54%, 0.5%

LAB 35.39, 46.4, -69.44

 

CMYK 0 / 70 / 22 / 23

HEX #C43B99

RGB 196 59 153

HSL 318.83, 0.54%, 0.5%

LAB 48.47, 62.86, -21.64

 

CMYK 50 / 0 / 70 / 23

HEX #62C43B

RGB 98 196 59

HSL 102.92, 0.54%, 0.5%

LAB 71.14, -52.85, 57.17

 

CMYK 61 / 70 / 0 / 23

HEX #4C3BC5

RGB 76 59 197

HSL 247.39, 0.54%, 0.5%

LAB 35.39, 46.4, -69.44

 

CMYK 0 / 62 / 70 / 23

HEX #C44B3B

RGB 196 75 59

HSL 7.01, 0.54%, 0.5%

LAB 48.37, 47.43, 34.61

 

CMYK 70 / 0 / 62 / 23

HEX #3BC44B

RGB 59 196 75

HSL 127.01, 0.54%, 0.5%

LAB 70.12, -60.47, 49.12

 

CMYK 61 / 70 / 0 / 23

HEX #4C3BC5

RGB 76 59 197

HSL 247.39, 0.54%, 0.5%

LAB 35.39, 46.4, -69.44

 

CMYK 0 / 70 / 22 / 23

HEX #C43B99

RGB 196 59 153

HSL 318.83, 0.54%, 0.5%

LAB 48.47, 62.86, -21.64

 

CMYK 8 / 0 / 70 / 23

HEX #B4C43B

RGB 180 196 59

HSL 67.01, 0.54%, 0.5%

LAB 75.76, -22.86, 63.35

 

CMYK 70 / 0 / 48 / 23

HEX #3BC466

RGB 59 196 102

HSL 138.83, 0.54%, 0.5%

LAB 70.43, -56.78, 36.69

 

CMYK 61 / 70 / 0 / 23

HEX #4C3BC5

RGB 76 59 197

HSL 247.39, 0.54%, 0.5%

LAB 35.39, 46.4, -69.44

 

CMYK 0 / 70 / 43 / 23

HEX #C43B6F

RGB 196 59 111

HSL 337.23, 0.54%, 0.5%

LAB 46.99, 57.98, 1.55

 

CMYK 8 / 0 / 70 / 23

HEX #B4C43B

RGB 180 196 59

HSL 67.01, 0.54%, 0.5%

LAB 75.76, -22.86, 63.35

 

CMYK 70 / 0 / 27 / 23

HEX #3BC490

RGB 59 196 144

HSL 157.23, 0.54%, 0.5%

LAB 71.16, -48.74, 15.7

 

Description

Color code: RGBA 76 59 197 0 | qconv.com Color code: RGBA 76 59 197 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 59 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 59 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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