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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 76 162 171 0.75 it is the complementary color RGBA 179 93 84 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 76 162 171 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 76 162 171 0.75 shade: RGBA 81 162 166 0.75, RGBA 98 180 185 0.75, RGBA 115 198 204 0.75, RGBA 132 216 223 0.75 and RGBA 149 234 242 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 76 162 171 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 76 162 171 0.75 shade: RGBA 76 162 171 0.75, RGBA 59 144 152 0.75, RGBA 42 126 133 0.75, RGBA 25 108 114 0.75 and RGBA 8 90 95 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 76 162 171 0.75 shade: RGB 76 160 169, RGB 76 135 169, RGB 76 110 169, RGB 76 85 169 and RGB 92 76 169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 76 162 171 0.75 shade: RGB 76 160 169, RGB 76 135 169, RGB 76 110 169, RGB 76 85 169 and RGB 76 76 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 76 162 171 0.75 shade matches the following richer shades: RGB 76 160 169, RGB 56 176 189, RGB 36 192 209 and RGB 16 208 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 76 162 171 0.75 shade: RGB 76 160 169, RGB 96 144 149, RGB 115 128 129, RGB 135 112 109 and RGB 155 96 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 76 162 171 0.75 shade: RGB 76 169 127, RGB 76 169 152, RGB 76 161 169, RGB 76 136 169 and RGB 76 112 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 76 162 171 0.75 shade: RGB 50 106 112, RGB 63 133 140, RGB 76 160 169, RGB 100 178 186 and RGB 129 192 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 76 162 171 0.75 shade: RGB 76 162 171, RGB 102 76 169 and RGB 169 139 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 76 162 171 0.75 shade: RGB 76 162 171, RGB 169 76 161 and RGB 161 169 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 76 162 171 0.75 shade: RGB 76 162 171, RGB 102 76 169, RGB 169 84 76 and RGB 143 169 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 76 162 171 0.75 shade: RGB 76 162 171, RGB 130 76 169, RGB 169 84 76 and RGB 115 169 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 4 / 0 / 25

HEX #4CA2ABBF

RGBA 76 162 171 0.75

HSLA 185.68, 0.38%, 0.48%, 0.75

LABA 61.93, -23.18, -12.55, 0.75

 

Complementary color

CMYK 0 / 36 / 40 / 22

HEX #B35D54BF

RGBA 179 93 84 0.75

HSLA 5.68, 0.38%, 0.52%, 0.75

LABA 49.56, 33.9, 21.02, 0.75

 

CMYK 38 / 2 / 0 / 26

HEX #51A2A6BF

RGBA 81 162 166 0.75

HSLA 182.82, 0.34%, 0.48%, 0.75

LABA 61.95, -23.52, -9.69, 0.75

 

CMYK 35 / 2 / 0 / 21

HEX #62B4B9BF

RGBA 98 180 185 0.75

HSLA 183.45, 0.38%, 0.55%, 0.75

LABA 68.56, -23.63, -10.32, 0.75

 

CMYK 33 / 2 / 0 / 15

HEX #73C6CCBF

RGBA 115 198 204 0.75

HSLA 184.04, 0.47%, 0.63%, 0.75

LABA 75.07, -23.68, -10.91, 0.75

 

CMYK 31 / 2 / 0 / 9

HEX #84D8DFBF

RGBA 132 216 223 0.75

HSLA 184.62, 0.59%, 0.7%, 0.75

LABA 81.48, -23.7, -11.47, 0.75

 

CMYK 29 / 2 / 0 / 4

HEX #95EAF2BF

RGBA 149 234 242 0.75

HSLA 185.16, 0.78%, 0.77%, 0.75

LABA 87.8, -23.69, -12, 0.75

 

CMYK 42 / 4 / 0 / 25

HEX #4CA2ABBF

RGBA 76 162 171 0.75

HSLA 185.68, 0.38%, 0.48%, 0.75

LABA 61.93, -23.18, -12.55, 0.75

 

CMYK 46 / 4 / 0 / 30

HEX #3B9098BF

RGBA 59 144 152 0.75

HSLA 185.16, 0.44%, 0.41%, 0.75

LABA 55.22, -22.83, -11.89, 0.75

 

CMYK 51 / 4 / 0 / 36

HEX #2A7E85BF

RGBA 42 126 133 0.75

HSLA 184.62, 0.52%, 0.34%, 0.75

LABA 48.4, -22.29, -11.16, 0.75

 

CMYK 59 / 4 / 0 / 41

HEX #196C72BF

RGBA 25 108 114 0.75

HSLA 184.04, 0.64%, 0.27%, 0.75

LABA 41.45, -21.42, -10.31, 0.75

 

CMYK 69 / 4 / 0 / 47

HEX #085A5FBF

RGBA 8 90 95 0.75

HSLA 183.45, 0.84%, 0.2%, 0.75

LABA 34.38, -20.04, -9.3, 0.75

 

CMYK 55 / 5 / 0 / 34

HEX #4CA0A9

RGB 76 160 169

HSL 185.81, 0.38%, 0.48%

LAB 61.26, -22.73, -12.43

 

CMYK 55 / 20 / 0 / 34

HEX #4C87A9

RGB 76 135 169

HSL 201.94, 0.38%, 0.48%

LAB 53.74, -9.24, -23.88

 

CMYK 55 / 35 / 0 / 34

HEX #4C6EA9

RGB 76 110 169

HSL 218.06, 0.38%, 0.48%

LAB 46.38, 5.56, -35.34

 

CMYK 55 / 50 / 0 / 34

HEX #4C55A9

RGB 76 85 169

HSL 234.19, 0.38%, 0.48%

LAB 39.41, 21.34, -46.42

 

CMYK 46 / 55 / 0 / 34

HEX #5C4CA9

RGB 92 76 169

HSL 250.32, 0.38%, 0.48%

LAB 38.39, 30.61, -47.99

 

CMYK 55 / 5 / 0 / 34

HEX #4CA0A9

RGB 76 160 169

HSL 185.81, 0.38%, 0.48%

LAB 61.26, -22.73, -12.43

 

CMYK 55 / 20 / 0 / 34

HEX #4C87A9

RGB 76 135 169

HSL 201.94, 0.38%, 0.48%

LAB 53.74, -9.24, -23.88

 

CMYK 55 / 35 / 0 / 34

HEX #4C6EA9

RGB 76 110 169

HSL 218.06, 0.38%, 0.48%

LAB 46.38, 5.56, -35.34

 

CMYK 55 / 50 / 0 / 34

HEX #4C55A9

RGB 76 85 169

HSL 234.19, 0.38%, 0.48%

LAB 39.41, 21.34, -46.42

 

CMYK 55 / 55 / 0 / 34

HEX #4C4CA9

RGB 76 76 169

HSL 240, 0.38%, 0.48%

LAB 37.06, 27.09, -50.2

 

CMYK 55 / 5 / 0 / 34

HEX #4CA0A9

RGB 76 160 169

HSL 185.81, 0.38%, 0.48%

LAB 61.26, -22.73, -12.43

 

CMYK 70 / 7 / 0 / 26

HEX #38B0BD

RGB 56 176 189

HSL 185.86, 0.54%, 0.48%

LAB 66.19, -28.26, -16.24

 

CMYK 83 / 8 / 0 / 18

HEX #24C0D1

RGB 36 192 209

HSL 185.9, 0.71%, 0.48%

LAB 71.34, -31.96, -19.47

 

CMYK 93 / 9 / 0 / 11

HEX #10D0E4

RGB 16 208 228

HSL 185.66, 0.87%, 0.48%

LAB 76.57, -34.68, -21.81

 

CMYK 55 / 5 / 0 / 34

HEX #4CA0A9

RGB 76 160 169

HSL 185.81, 0.38%, 0.48%

LAB 61.26, -22.73, -12.43

 

CMYK 36 / 3 / 0 / 42

HEX #609095

RGB 96 144 149

HSL 185.66, 0.22%, 0.48%

LAB 56.69, -14.81, -7.81

 

CMYK 11 / 1 / 0 / 49

HEX #738081

RGB 115 128 129

HSL 184.29, 0.06%, 0.48%

LAB 52.58, -4.55, -2.18

 

CMYK 0 / 17 / 19 / 47

HEX #87706D

RGB 135 112 109

HSL 6.92, 0.11%, 0.48%

LAB 49.31, 8.52, 5.04

 

CMYK 0 / 38 / 42 / 39

HEX #9B605A

RGB 155 96 90

HSL 5.54, 0.27%, 0.48%

LAB 47.07, 23.28, 13.54

 

CMYK 55 / 0 / 25 / 34

HEX #4CA97F

RGB 76 169 127

HSL 152.9, 0.38%, 0.48%

LAB 62.88, -37.74, 13.47

 

CMYK 55 / 0 / 10 / 34

HEX #4CA998

RGB 76 169 152

HSL 169.03, 0.38%, 0.48%

LAB 63.49, -31.8, 0.42

 

CMYK 55 / 5 / 0 / 34

HEX #4CA1A9

RGB 76 161 169

HSL 185.16, 0.38%, 0.48%

LAB 61.56, -23.24, -11.98

 

CMYK 55 / 20 / 0 / 34

HEX #4C88A9

RGB 76 136 169

HSL 201.29, 0.38%, 0.48%

LAB 54.04, -9.81, -23.42

 

CMYK 55 / 34 / 0 / 34

HEX #4C70A9

RGB 76 112 169

HSL 216.77, 0.38%, 0.48%

LAB 46.96, 4.33, -34.43

 

CMYK 55 / 5 / 0 / 56

HEX #326A70

RGB 50 106 112

HSL 185.81, 0.38%, 0.32%

LAB 41.46, -16.51, -9

 

CMYK 55 / 5 / 0 / 45

HEX #3F858C

RGB 63 133 140

HSL 185.45, 0.38%, 0.4%

LAB 51.53, -19.83, -10.49

 

CMYK 55 / 5 / 0 / 34

HEX #4CA0A9

RGB 76 160 169

HSL 185.81, 0.38%, 0.48%

LAB 61.26, -22.73, -12.43

 

CMYK 46 / 4 / 0 / 27

HEX #64B2BA

RGB 100 178 186

HSL 185.58, 0.38%, 0.56%

LAB 68.09, -21.88, -11.57

 

CMYK 35 / 3 / 0 / 22

HEX #81C0C6

RGB 129 192 198

HSL 185.22, 0.38%, 0.64%

LAB 73.83, -18.56, -9.43

 

CMYK 56 / 5 / 0 / 33

HEX #4CA2AB

RGB 76 162 171

HSL 185.68, 0.38%, 0.48%

LAB 61.93, -23.18, -12.55

 

CMYK 40 / 55 / 0 / 34

HEX #664CA9

RGB 102 76 169

HSL 256.77, 0.38%, 0.48%

LAB 39.34, 33.01, -46.41

 

CMYK 0 / 18 / 55 / 34

HEX #A98B4C

RGB 169 139 76

HSL 40.65, 0.38%, 0.48%

LAB 59.36, 3.43, 37.61

 

CMYK 56 / 5 / 0 / 33

HEX #4CA2AB

RGB 76 162 171

HSL 185.68, 0.38%, 0.48%

LAB 61.93, -23.18, -12.55

 

CMYK 0 / 55 / 5 / 34

HEX #A94CA1

RGB 169 76 161

HSL 305.16, 0.38%, 0.48%

LAB 47.21, 49.53, -28.68

 

CMYK 5 / 0 / 55 / 34

HEX #A1A94C

RGB 161 169 76

HSL 65.16, 0.38%, 0.48%

LAB 66.88, -16.1, 46.25

 

CMYK 56 / 5 / 0 / 33

HEX #4CA2AB

RGB 76 162 171

HSL 185.68, 0.38%, 0.48%

LAB 61.93, -23.18, -12.55

 

CMYK 40 / 55 / 0 / 34

HEX #664CA9

RGB 102 76 169

HSL 256.77, 0.38%, 0.48%

LAB 39.34, 33.01, -46.41

 

CMYK 0 / 50 / 55 / 34

HEX #A9544C

RGB 169 84 76

HSL 5.16, 0.38%, 0.48%

LAB 46.04, 34.08, 20.85

 

CMYK 15 / 0 / 55 / 34

HEX #8FA94C

RGB 143 169 76

HSL 76.77, 0.38%, 0.48%

LAB 65.54, -23.53, 44.36

 

CMYK 56 / 5 / 0 / 33

HEX #4CA2AB

RGB 76 162 171

HSL 185.68, 0.38%, 0.48%

LAB 61.93, -23.18, -12.55

 

CMYK 23 / 55 / 0 / 34

HEX #824CA9

RGB 130 76 169

HSL 274.84, 0.38%, 0.48%

LAB 42.43, 40.26, -41.3

 

CMYK 0 / 50 / 55 / 34

HEX #A9544C

RGB 169 84 76

HSL 5.16, 0.38%, 0.48%

LAB 46.04, 34.08, 20.85

 

CMYK 32 / 0 / 55 / 34

HEX #73A94C

RGB 115 169 76

HSL 94.84, 0.38%, 0.48%

LAB 63.79, -34.33, 41.87

 

Description

Color code: RGBA 76 162 171 0.75 | qconv.com Color code: RGBA 76 162 171 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 162 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 162 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 4 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 4% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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