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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 76 126 53 0 it is the complementary color RGBA 179 129 202 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 76 126 53 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 76 126 53 0 shade: RGBA 81 126 48 0, RGBA 98 144 67 0, RGBA 115 162 86 0, RGBA 132 180 105 0 and RGBA 149 198 124 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 76 126 53 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 76 126 53 0 shade: RGBA 76 126 53 0, RGBA 59 108 34 0, RGBA 42 90 15 0, RGBA 25 72 0 0 and RGBA 8 54 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 76 126 53 0 shade: RGB 76 126 53, RGB 95 126 53, RGB 115 126 53, RGB 126 117 53 and RGB 126 97 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 76 126 53 0 shade: RGB 76 126 53, RGB 56 126 53, RGB 53 126 69, RGB 53 126 89 and RGB 53 126 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 76 126 53 0 shade matches the following richer shades: RGB 76 126 53, RGB 70 140 38, RGB 65 155 24 and RGB 60 169 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 76 126 53 0 shade: RGB 76 126 53, RGB 81 111 67, RGB 86 97 82, RGB 92 83 96 and RGB 97 68 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 76 126 53 0 shade: RGB 115 126 53, RGB 95 126 53, RGB 76 126 53, RGB 56 126 53 and RGB 53 126 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 76 126 53 0 shade: RGB 41 68 28, RGB 58 97 40, RGB 76 126 53, RGB 93 155 65 and RGB 112 182 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 76 126 53 0 shade: RGB 76 126 53, RGB 53 126 117 and RGB 126 53 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 76 126 53 0 shade: RGB 76 126 53, RGB 53 76 126 and RGB 126 53 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 76 126 53 0 shade: RGB 76 126 53, RGB 53 126 117, RGB 103 53 126 and RGB 126 53 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 76 126 53 0 shade: RGB 76 126 53, RGB 53 112 126, RGB 103 53 126 and RGB 126 66 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #4C7E3500

RGBA 76 126 53 0

HSLA 101.1, 0.41%, 0.35%, 0

LABA 47.9, -31.15, 34.02, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #B381CA00

RGBA 179 129 202 0

HSLA 281.1, 0.41%, 0.65%, 0

LABA 61.26, 32.39, -30.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #517E3000

RGBA 81 126 48 0

HSLA 94.62, 0.45%, 0.34%, 0

LABA 48.11, -29.86, 36.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #62904300

RGBA 98 144 67 0

HSLA 95.84, 0.36%, 0.41%, 0

LABA 55.02, -29.91, 35.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #73A25600

RGBA 115 162 86 0

HSLA 97.11, 0.31%, 0.49%, 0

LABA 61.79, -29.85, 34.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #84B46900

RGBA 132 180 105 0

HSLA 98.4, 0.33%, 0.56%, 0

LABA 68.44, -29.74, 33.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #95C67C00

RGBA 149 198 124 0

HSLA 99.73, 0.39%, 0.63%, 0

LABA 74.97, -29.6, 32.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4C7E3500

RGBA 76 126 53 0

HSLA 101.1, 0.41%, 0.35%, 0

LABA 47.9, -31.15, 34.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3B6C2200

RGBA 59 108 34 0

HSLA 99.73, 0.52%, 0.28%, 0

LABA 40.85, -31.01, 35.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A5A0F00

RGBA 42 90 15 0

HSLA 98.4, 0.71%, 0.21%, 0

LABA 33.65, -30.5, 35.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #19480000

RGBA 25 72 0 0

HSLA 99.17, 1%, 0.14%, 0

LABA 26.28, -29.33, 33.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #08360000

RGBA 8 54 0 0

HSLA 111.11, 1%, 0.11%, 0

LABA 18.76, -26.69, 25.98, 0

 

CMYK 40 / 0 / 58 / 51

HEX #4C7E35

RGB 76 126 53

HSL 101.1, 0.41%, 0.35%

LAB 47.9, -31.15, 34.02

 

CMYK 25 / 0 / 58 / 51

HEX #5F7E35

RGB 95 126 53

HSL 85.48, 0.41%, 0.35%

LAB 49.02, -23.83, 35.61

 

CMYK 9 / 0 / 58 / 51

HEX #737E35

RGB 115 126 53

HSL 69.04, 0.41%, 0.35%

LAB 50.48, -15.31, 37.67

 

CMYK 0 / 7 / 58 / 51

HEX #7E7535

RGB 126 117 53

HSL 52.6, 0.41%, 0.35%

LAB 48.78, -5.42, 35.98

 

CMYK 0 / 23 / 58 / 51

HEX #7E6135

RGB 126 97 53

HSL 36.16, 0.41%, 0.35%

LAB 43.13, 6.16, 29.33

 

CMYK 40 / 0 / 58 / 51

HEX #4C7E35

RGB 76 126 53

HSL 101.1, 0.41%, 0.35%

LAB 47.9, -31.15, 34.02

 

CMYK 56 / 0 / 58 / 51

HEX #387E35

RGB 56 126 53

HSL 117.53, 0.41%, 0.35%

LAB 47, -37.62, 32.74

 

CMYK 58 / 0 / 45 / 51

HEX #357E45

RGB 53 126 69

HSL 133.15, 0.41%, 0.35%

LAB 47.12, -35.98, 24.32

 

CMYK 58 / 0 / 29 / 51

HEX #357E59

RGB 53 126 89

HSL 149.59, 0.41%, 0.35%

LAB 47.49, -32.02, 13.45

 

CMYK 58 / 0 / 13 / 51

HEX #357E6D

RGB 53 126 109

HSL 166.03, 0.41%, 0.35%

LAB 47.99, -27.15, 2.43

 

CMYK 40 / 0 / 58 / 51

HEX #4C7E35

RGB 76 126 53

HSL 101.1, 0.41%, 0.35%

LAB 47.9, -31.15, 34.02

 

CMYK 50 / 0 / 73 / 45

HEX #468C26

RGB 70 140 38

HSL 101.18, 0.57%, 0.35%

LAB 52.06, -40.78, 45.32

 

CMYK 58 / 0 / 85 / 39

HEX #419B18

RGB 65 155 24

HSL 101.22, 0.73%, 0.35%

LAB 56.72, -48.96, 54.34

 

CMYK 64 / 0 / 95 / 34

HEX #3CA909

RGB 60 169 9

HSL 100.88, 0.9%, 0.35%

LAB 61.09, -55.65, 60.94

 

CMYK 40 / 0 / 58 / 51

HEX #4C7E35

RGB 76 126 53

HSL 101.1, 0.41%, 0.35%

LAB 47.9, -31.15, 34.02

 

CMYK 27 / 0 / 40 / 56

HEX #516F43

RGB 81 111 67

HSL 100.91, 0.25%, 0.35%

LAB 43.54, -19.89, 21.08

 

CMYK 11 / 0 / 15 / 62

HEX #566152

RGB 86 97 82

HSL 104, 0.08%, 0.35%

LAB 39.81, -7.42, 7.13

 

CMYK 4 / 14 / 0 / 62

HEX #5C5360

RGB 92 83 96

HSL 281.54, 0.07%, 0.35%

LAB 36.57, 6.42, -6.19

 

CMYK 12 / 38 / 0 / 57

HEX #61446E

RGB 97 68 110

HSL 281.43, 0.24%, 0.35%

LAB 33.57, 20.9, -19.51

 

CMYK 9 / 0 / 58 / 51

HEX #737E35

RGB 115 126 53

HSL 69.04, 0.41%, 0.35%

LAB 50.48, -15.31, 37.67

 

CMYK 25 / 0 / 58 / 51

HEX #5F7E35

RGB 95 126 53

HSL 85.48, 0.41%, 0.35%

LAB 49.02, -23.83, 35.61

 

CMYK 40 / 0 / 58 / 51

HEX #4C7E35

RGB 76 126 53

HSL 101.1, 0.41%, 0.35%

LAB 47.9, -31.15, 34.02

 

CMYK 56 / 0 / 58 / 51

HEX #387E35

RGB 56 126 53

HSL 117.53, 0.41%, 0.35%

LAB 47, -37.62, 32.74

 

CMYK 58 / 0 / 45 / 51

HEX #357E45

RGB 53 126 69

HSL 133.15, 0.41%, 0.35%

LAB 47.12, -35.98, 24.32

 

CMYK 40 / 0 / 59 / 73

HEX #29441C

RGB 41 68 28

HSL 100.5, 0.42%, 0.19%

LAB 25.83, -19, 20.84

 

CMYK 40 / 0 / 59 / 62

HEX #3A6128

RGB 58 97 40

HSL 101.05, 0.42%, 0.27%

LAB 37.12, -25.52, 27.85

 

CMYK 40 / 0 / 58 / 51

HEX #4C7E35

RGB 76 126 53

HSL 101.1, 0.41%, 0.35%

LAB 47.9, -31.15, 34.02

 

CMYK 40 / 0 / 58 / 39

HEX #5D9B41

RGB 93 155 65

HSL 101.33, 0.41%, 0.43%

LAB 58.18, -36.99, 40.32

 

CMYK 38 / 0 / 57 / 29

HEX #70B64F

RGB 112 182 79

HSL 100.78, 0.41%, 0.51%

LAB 67.62, -40.86, 44.9

 

CMYK 40 / 0 / 58 / 51

HEX #4C7E35

RGB 76 126 53

HSL 101.1, 0.41%, 0.35%

LAB 47.9, -31.15, 34.02

 

CMYK 58 / 0 / 7 / 51

HEX #357E75

RGB 53 126 117

HSL 172.6, 0.41%, 0.35%

LAB 48.21, -24.98, -1.95

 

CMYK 0 / 58 / 17 / 51

HEX #7E3569

RGB 126 53 105

HSL 317.26, 0.41%, 0.35%

LAB 33.99, 38.31, -15.37

 

CMYK 40 / 0 / 58 / 51

HEX #4C7E35

RGB 76 126 53

HSL 101.1, 0.41%, 0.35%

LAB 47.9, -31.15, 34.02

 

CMYK 58 / 40 / 0 / 51

HEX #354C7E

RGB 53 76 126

HSL 221.1, 0.41%, 0.35%

LAB 32.77, 7.23, -31.03

 

CMYK 0 / 58 / 40 / 51

HEX #7E354C

RGB 126 53 76

HSL 341.1, 0.41%, 0.35%

LAB 32.93, 34.1, 1.66

 

CMYK 40 / 0 / 58 / 51

HEX #4C7E35

RGB 76 126 53

HSL 101.1, 0.41%, 0.35%

LAB 47.9, -31.15, 34.02

 

CMYK 58 / 0 / 7 / 51

HEX #357E75

RGB 53 126 117

HSL 172.6, 0.41%, 0.35%

LAB 48.21, -24.98, -1.95

 

CMYK 18 / 58 / 0 / 51

HEX #67357E

RGB 103 53 126

HSL 281.1, 0.41%, 0.35%

LAB 31.66, 35.48, -32.49

 

CMYK 0 / 58 / 52 / 51

HEX #7E353D

RGB 126 53 61

HSL 353.42, 0.41%, 0.35%

LAB 32.52, 32.43, 10.81

 

CMYK 40 / 0 / 58 / 51

HEX #4C7E35

RGB 76 126 53

HSL 101.1, 0.41%, 0.35%

LAB 47.9, -31.15, 34.02

 

CMYK 58 / 11 / 0 / 51

HEX #35707E

RGB 53 112 126

HSL 191.51, 0.41%, 0.35%

LAB 44.02, -14.83, -13.58

 

CMYK 18 / 58 / 0 / 51

HEX #67357E

RGB 103 53 126

HSL 281.1, 0.41%, 0.35%

LAB 31.66, 35.48, -32.49

 

CMYK 0 / 48 / 58 / 51

HEX #7E4235

RGB 126 66 53

HSL 10.68, 0.41%, 0.35%

LAB 35.18, 24.49, 19.42

 

Description

Color code: RGBA 76 126 53 0 | qconv.com Color code: RGBA 76 126 53 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 126 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 126 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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