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Color name
RGBA 76 108 53 0.25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 76 108 53 0.25 it is the complementary color RGBA 179 147 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 76 108 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 76 108 53 0.25 shade: RGBA 81 108 48 0.25, RGBA 98 126 67 0.25, RGBA 115 144 86 0.25, RGBA 132 162 105 0.25 and RGBA 149 180 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 76 108 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 76 108 53 0.25 shade: RGBA 76 108 53 0.25, RGBA 59 90 34 0.25, RGBA 42 72 15 0.25, RGBA 25 54 0 0.25 and RGBA 8 36 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 76 108 53 0.25 shade: RGB 77 109 54, RGB 92 109 54, RGB 107 109 54, RGB 109 97 54 and RGB 109 82 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 76 108 53 0.25 shade: RGB 77 109 54, RGB 62 109 54, RGB 54 109 61, RGB 54 109 76 and RGB 54 109 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 76 108 53 0.25 shade matches the following richer shades: RGB 77 109 54, RGB 75 123 41, RGB 73 136 27, RGB 71 149 14 and RGB 68 162 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 76 108 53 0.25 shade: RGB 77 109 54, RGB 79 96 67, RGB 81 83 80, RGB 84 70 93 and RGB 86 57 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 76 108 53 0.25 shade: RGB 107 109 54, RGB 93 109 54, RGB 78 109 54, RGB 63 109 54 and RGB 54 109 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 76 108 53 0.25 shade: RGB 38 54 27, RGB 58 82 40, RGB 77 109 54, RGB 97 137 67 and RGB 116 165 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 76 108 53 0.25 shade: RGB 76 108 53, RGB 54 109 96 and RGB 109 54 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 76 108 53 0.25 shade: RGB 76 108 53, RGB 54 78 109 and RGB 109 54 78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 76 108 53 0.25 shade: RGB 76 108 53, RGB 54 109 96, RGB 85 54 109 and RGB 109 54 67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 76 108 53 0.25 shade: RGB 76 108 53, RGB 54 106 109, RGB 85 54 109 and RGB 109 58 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 13 / 14

HEX #4C6C353F

RGBA 76 108 53 0.25

HSLA 94.91, 0.34%, 0.32%, 0.25

LABA 42.03, -22.35, 26.98, 0.25

 

Complementary color

CMYK 3 / 7 / 0 / 5

HEX #B393CA3F

RGBA 179 147 202 0.25

HSLA 274.91, 0.34%, 0.68%, 0.25

LABA 65.53, 22.3, -23.85, 0.25

 

CMYK 6 / 0 / 14 / 14

HEX #516C303F

RGBA 81 108 48 0.25

HSLA 87, 0.38%, 0.31%, 0.25

LABA 42.29, -20.93, 30.06, 0.25

 

CMYK 6 / 0 / 12 / 13

HEX #627E433F

RGBA 98 126 67 0.25

HSLA 88.47, 0.31%, 0.38%, 0.25

LABA 49.4, -20.96, 28.8, 0.25

 

CMYK 5 / 0 / 10 / 11

HEX #7390563F

RGBA 115 144 86 0.25

HSLA 90, 0.25%, 0.45%, 0.25

LABA 56.35, -20.93, 27.54, 0.25

 

CMYK 5 / 0 / 9 / 9

HEX #84A2693F

RGBA 132 162 105 0.25

HSLA 91.58, 0.23%, 0.52%, 0.25

LABA 63.15, -20.86, 26.34, 0.25

 

CMYK 4 / 0 / 8 / 7

HEX #95B47C3F

RGBA 149 180 124 0.25

HSLA 93.21, 0.27%, 0.6%, 0.25

LABA 69.82, -20.78, 25.2, 0.25

 

CMYK 7 / 0 / 13 / 14

HEX #4C6C353F

RGBA 76 108 53 0.25

HSLA 94.91, 0.34%, 0.32%, 0.25

LABA 42.03, -22.35, 26.98, 0.25

 

CMYK 9 / 0 / 16 / 16

HEX #3B5A223F

RGBA 59 90 34 0.25

HSLA 93.21, 0.45%, 0.24%, 0.25

LABA 34.72, -22.34, 28.24, 0.25

 

CMYK 10 / 0 / 20 / 18

HEX #2A480F3F

RGBA 42 72 15 0.25

HSLA 91.58, 0.66%, 0.17%, 0.25

LABA 27.19, -22.09, 29.09, 0.25

 

CMYK 13 / 0 / 25 / 20

HEX #1936003F

RGBA 25 54 0 0.25

HSLA 92.22, 1%, 0.11%, 0.25

LABA 19.41, -21.37, 26.91, 0.25

 

CMYK 19 / 0 / 25 / 21

HEX #0824003F

RGBA 8 36 0 0.25

HSLA 106.67, 1%, 0.07%, 0.25

LABA 11.37, -19.06, 16.53, 0.25

 

CMYK 29 / 0 / 50 / 57

HEX #4D6D36

RGB 77 109 54

HSL 94.91, 0.34%, 0.32%

LAB 42.43, -22.33, 26.94

 

CMYK 16 / 0 / 50 / 57

HEX #5C6D36

RGB 92 109 54

HSL 78.55, 0.34%, 0.32%

LAB 43.48, -16.08, 28.45

 

CMYK 2 / 0 / 50 / 57

HEX #6B6D36

RGB 107 109 54

HSL 62.18, 0.34%, 0.32%

LAB 44.7, -9.44, 30.22

 

CMYK 0 / 11 / 50 / 57

HEX #6D6136

RGB 109 97 54

HSL 46.91, 0.34%, 0.32%

LAB 41.32, -1.6, 26.15

 

CMYK 0 / 25 / 50 / 57

HEX #6D5236

RGB 109 82 54

HSL 30.55, 0.34%, 0.32%

LAB 37.03, 7.4, 20.74

 

CMYK 29 / 0 / 50 / 57

HEX #4D6D36

RGB 77 109 54

HSL 94.91, 0.34%, 0.32%

LAB 42.43, -22.33, 26.94

 

CMYK 43 / 0 / 50 / 57

HEX #3E6D36

RGB 62 109 54

HSL 111.27, 0.34%, 0.32%

LAB 41.58, -27.95, 25.69

 

CMYK 50 / 0 / 44 / 57

HEX #366D3D

RGB 54 109 61

HSL 127.64, 0.34%, 0.32%

LAB 41.31, -29.44, 21.33

 

CMYK 50 / 0 / 30 / 57

HEX #366D4C

RGB 54 109 76

HSL 144, 0.34%, 0.32%

LAB 41.6, -26.5, 12.96

 

CMYK 50 / 0 / 17 / 57

HEX #366D5B

RGB 54 109 91

HSL 160.36, 0.34%, 0.32%

LAB 41.96, -22.98, 4.48

 

CMYK 29 / 0 / 50 / 57

HEX #4D6D36

RGB 77 109 54

HSL 94.91, 0.34%, 0.32%

LAB 42.43, -22.33, 26.94

 

CMYK 39 / 0 / 67 / 52

HEX #4B7B29

RGB 75 123 41

HSL 95.12, 0.5%, 0.32%

LAB 46.74, -31.4, 38.49

 

CMYK 46 / 0 / 80 / 47

HEX #49881B

RGB 73 136 27

HSL 94.68, 0.67%, 0.32%

LAB 50.81, -38.89, 48.12

 

CMYK 52 / 0 / 91 / 42

HEX #47950E

RGB 71 149 14

HSL 94.67, 0.83%, 0.32%

LAB 54.93, -45.36, 55.15

 

CMYK 58 / 0 / 99 / 36

HEX #44A201

RGB 68 162 1

HSL 95.03, 0.99%, 0.32%

LAB 59.04, -51.4, 60.5

 

CMYK 29 / 0 / 50 / 57

HEX #4D6D36

RGB 77 109 54

HSL 94.91, 0.34%, 0.32%

LAB 42.43, -22.33, 26.94

 

CMYK 18 / 0 / 30 / 62

HEX #4F6043

RGB 79 96 67

HSL 95.17, 0.18%, 0.32%

LAB 38.61, -12.49, 14.49

 

CMYK 2 / 0 / 4 / 67

HEX #515350

RGB 81 83 80

HSL 100, 0.02%, 0.32%

LAB 35.03, -1.45, 1.47

 

CMYK 10 / 25 / 0 / 64

HEX #54465D

RGB 84 70 93

HSL 276.52, 0.14%, 0.32%

LAB 31.93, 10.88, -11.36

 

CMYK 20 / 47 / 0 / 58

HEX #56396B

RGB 86 57 107

HSL 274.8, 0.3%, 0.32%

LAB 29.33, 23.33, -24.32

 

CMYK 2 / 0 / 50 / 57

HEX #6B6D36

RGB 107 109 54

HSL 62.18, 0.34%, 0.32%

LAB 44.7, -9.44, 30.22

 

CMYK 15 / 0 / 50 / 57

HEX #5D6D36

RGB 93 109 54

HSL 77.45, 0.34%, 0.32%

LAB 43.55, -15.65, 28.56

 

CMYK 28 / 0 / 50 / 57

HEX #4E6D36

RGB 78 109 54

HSL 93.82, 0.34%, 0.32%

LAB 42.5, -21.93, 27.03

 

CMYK 42 / 0 / 50 / 57

HEX #3F6D36

RGB 63 109 54

HSL 110.18, 0.34%, 0.32%

LAB 41.63, -27.6, 25.76

 

CMYK 50 / 0 / 46 / 57

HEX #366D3B

RGB 54 109 59

HSL 125.45, 0.34%, 0.32%

LAB 41.28, -29.79, 22.43

 

CMYK 30 / 0 / 50 / 79

HEX #26361B

RGB 38 54 27

HSL 95.56, 0.33%, 0.16%

LAB 20.56, -12.6, 14.88

 

CMYK 29 / 0 / 51 / 68

HEX #3A5228

RGB 58 82 40

HSL 94.29, 0.34%, 0.24%

LAB 32, -17.77, 21.67

 

CMYK 29 / 0 / 50 / 57

HEX #4D6D36

RGB 77 109 54

HSL 94.91, 0.34%, 0.32%

LAB 42.43, -22.33, 26.94

 

CMYK 29 / 0 / 51 / 46

HEX #618943

RGB 97 137 67

HSL 94.29, 0.34%, 0.4%

LAB 52.77, -26.9, 32.94

 

CMYK 30 / 0 / 51 / 35

HEX #74A551

RGB 116 165 81

HSL 95, 0.34%, 0.48%

LAB 62.69, -31.53, 38.1

 

CMYK 30 / 0 / 51 / 58

HEX #4C6C35

RGB 76 108 53

HSL 94.91, 0.34%, 0.32%

LAB 42.03, -22.35, 26.98

 

CMYK 50 / 0 / 12 / 57

HEX #366D60

RGB 54 109 96

HSL 165.82, 0.34%, 0.32%

LAB 42.1, -21.69, 1.66

 

CMYK 0 / 50 / 8 / 57

HEX #6D3664

RGB 109 54 100

HSL 309.82, 0.34%, 0.32%

LAB 31.37, 31.28, -16.42

 

CMYK 30 / 0 / 51 / 58

HEX #4C6C35

RGB 76 108 53

HSL 94.91, 0.34%, 0.32%

LAB 42.03, -22.35, 26.98

 

CMYK 50 / 28 / 0 / 57

HEX #364E6D

RGB 54 78 109

HSL 213.82, 0.34%, 0.32%

LAB 32.56, 0.32, -20.73

 

CMYK 0 / 50 / 28 / 57

HEX #6D364E

RGB 109 54 78

HSL 333.82, 0.34%, 0.32%

LAB 30.5, 27.49, -3.52

 

CMYK 30 / 0 / 51 / 58

HEX #4C6C35

RGB 76 108 53

HSL 94.91, 0.34%, 0.32%

LAB 42.03, -22.35, 26.98

 

CMYK 50 / 0 / 12 / 57

HEX #366D60

RGB 54 109 96

HSL 165.82, 0.34%, 0.32%

LAB 42.1, -21.69, 1.66

 

CMYK 22 / 50 / 0 / 57

HEX #55366D

RGB 85 54 109

HSL 273.82, 0.34%, 0.32%

LAB 28.57, 25.39, -26.79

 

CMYK 0 / 50 / 39 / 57

HEX #6D3643

RGB 109 54 67

HSL 345.82, 0.34%, 0.32%

LAB 30.14, 25.91, 3.16

 

CMYK 30 / 0 / 51 / 58

HEX #4C6C35

RGB 76 108 53

HSL 94.91, 0.34%, 0.32%

LAB 42.03, -22.35, 26.98

 

CMYK 50 / 3 / 0 / 57

HEX #366A6D

RGB 54 106 109

HSL 183.27, 0.34%, 0.32%

LAB 41.53, -16.44, -7.07

 

CMYK 22 / 50 / 0 / 57

HEX #55366D

RGB 85 54 109

HSL 273.82, 0.34%, 0.32%

LAB 28.57, 25.39, -26.79

 

CMYK 0 / 47 / 50 / 57

HEX #6D3A36

RGB 109 58 54

HSL 4.36, 0.34%, 0.32%

LAB 30.74, 21.98, 12.46

 

Description

Color code: RGBA 76 108 53 0.25 | qconv.com Color code: RGBA 76 108 53 0.25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 108 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 108 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 13 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 13% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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