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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 74 46 46 0 it is the complementary color RGBA 181 209 209 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 74 46 46 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 74 46 46 0 shade: RGBA 79 46 41 0, RGBA 96 64 60 0, RGBA 113 82 79 0, RGBA 130 100 98 0 and RGBA 147 118 117 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 74 46 46 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 74 46 46 0 shade: RGBA 74 46 46 0, RGBA 57 28 27 0, RGBA 40 10 8 0, RGBA 23 0 0 0 and RGBA 6 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 74 46 46 0 shade: RGB 75 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 74 46 46 0 shade: RGB 75 47 47, RGB 75 55 47, RGB 75 62 47, RGB 75 70 47 and RGB 73 75 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 74 46 46 0 shade matches the following richer shades: RGB 75 47 47, RGB 85 37 37, RGB 95 27 27, RGB 105 17 17 and RGB 115 8 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 74 46 46 0 shade: RGB 75 47 47, RGB 65 57 57, RGB 55 67 67, RGB 46 77 77 and RGB 36 87 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 74 46 46 0 shade: RGB 75 47 62, RGB 75 47 55, RGB 75 47 47, RGB 75 55 47 and RGB 75 62 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 74 46 46 0 shade: RGB 25 15 15, RGB 50 31 31, RGB 75 47 47, RGB 101 63 63 and RGB 126 79 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 74 46 46 0 shade: RGB 74 46 46, RGB 70 75 47 and RGB 47 58 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 74 46 46 0 shade: RGB 74 46 46, RGB 47 75 47 and RGB 47 47 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 74 46 46 0 shade: RGB 74 46 46, RGB 70 75 47, RGB 47 75 75 and RGB 53 47 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 74 46 46 0 shade: RGB 74 46 46, RGB 61 75 47, RGB 47 75 75 and RGB 61 47 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #4A2E2E00

RGBA 74 46 46 0

HSLA 0, 0.23%, 0.24%, 0

LABA 22.33, 12.88, 5.31, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #B5D1D100

RGBA 181 209 209 0

HSLA 180, 0.23%, 0.76%, 0

LABA 81.85, -9.3, -3.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4F2E2900

RGBA 79 46 41 0

HSLA 7.89, 0.32%, 0.24%, 0

LABA 22.92, 14.48, 9.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #60403C00

RGBA 96 64 60 0

HSLA 6.67, 0.23%, 0.31%, 0

LABA 30.59, 13.37, 8.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #71524F00

RGBA 113 82 79 0

HSLA 5.29, 0.18%, 0.38%, 0

LABA 38.04, 12.49, 6.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #82646200

RGBA 130 100 98 0

HSLA 3.75, 0.14%, 0.45%, 0

LABA 45.28, 11.76, 5.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #93767500

RGBA 147 118 117 0

HSLA 2, 0.12%, 0.52%, 0

LABA 52.34, 11.15, 4.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4A2E2E00

RGBA 74 46 46 0

HSLA 0, 0.23%, 0.24%, 0

LABA 22.33, 12.88, 5.31, 0

 

CMYK 0 / 0 / 0 / 0

HEX #391C1B00

RGBA 57 28 27 0

HSLA 2, 0.36%, 0.16%, 0

LABA 14.28, 14.09, 6.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #280A0800

RGBA 40 10 8 0

HSLA 3.75, 0.67%, 0.09%, 0

LABA 6.19, 14.89, 6.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #17000000

RGBA 23 0 0 0

HSLA 0, 1%, 0.05%, 0

LABA 1.65, 7.38, 2.6, 0

 

CMYK 0 / 0 / 0 / 0

HEX #06000000

RGBA 6 0 0 0

HSLA 0, 1%, 0.01%, 0

LABA 0.35, 1.57, 0.55, 0

 

CMYK 0 / 37 / 37 / 71

HEX #4B2F2F

RGB 75 47 47

HSL 0, 0.23%, 0.24%

LAB 22.77, 12.83, 5.28

 

CMYK 0 / 37 / 37 / 71

HEX #4B2F2F

RGB 75 47 47

HSL 0, 0.23%, 0.24%

LAB 22.77, 12.83, 5.28

 

CMYK 0 / 27 / 37 / 71

HEX #4B372F

RGB 75 55 47

HSL 17.14, 0.23%, 0.24%

LAB 25.06, 7.61, 8.47

 

CMYK 0 / 17 / 37 / 71

HEX #4B3E2F

RGB 75 62 47

HSL 32.14, 0.23%, 0.24%

LAB 27.15, 3.07, 11.34

 

CMYK 0 / 7 / 37 / 71

HEX #4B462F

RGB 75 70 47

HSL 49.29, 0.23%, 0.24%

LAB 29.62, -2.01, 14.65

 

CMYK 3 / 0 / 37 / 71

HEX #494B2F

RGB 73 75 47

HSL 64.29, 0.23%, 0.24%

LAB 31.01, -6.02, 16.44

 

CMYK 0 / 37 / 37 / 71

HEX #4B2F2F

RGB 75 47 47

HSL 0, 0.23%, 0.24%

LAB 22.77, 12.83, 5.28

 

CMYK 0 / 56 / 56 / 67

HEX #552525

RGB 85 37 37

HSL 0, 0.39%, 0.24%

LAB 21.54, 22.28, 10.62

 

CMYK 0 / 72 / 72 / 63

HEX #5F1B1B

RGB 95 27 27

HSL 0, 0.56%, 0.24%

LAB 21.19, 30.82, 17.34

 

CMYK 0 / 84 / 84 / 59

HEX #691111

RGB 105 17 17

HSL 0, 0.72%, 0.24%

LAB 21.74, 37.8, 25.01

 

CMYK 0 / 93 / 93 / 55

HEX #730808

RGB 115 8 8

HSL 0, 0.87%, 0.24%

LAB 23.12, 42.94, 31.42

 

CMYK 0 / 37 / 37 / 71

HEX #4B2F2F

RGB 75 47 47

HSL 0, 0.23%, 0.24%

LAB 22.77, 12.83, 5.28

 

CMYK 0 / 12 / 12 / 75

HEX #413939

RGB 65 57 57

HSL 0, 0.07%, 0.24%

LAB 24.78, 3.5, 1.28

 

CMYK 18 / 0 / 0 / 74

HEX #374343

RGB 55 67 67

HSL 180, 0.1%, 0.24%

LAB 27.39, -4.85, -1.63

 

CMYK 40 / 0 / 0 / 70

HEX #2E4D4D

RGB 46 77 77

HSL 180, 0.25%, 0.24%

LAB 30.46, -11.42, -3.64

 

CMYK 59 / 0 / 0 / 66

HEX #245757

RGB 36 87 87

HSL 180, 0.41%, 0.24%

LAB 33.73, -16.88, -5.18

 

CMYK 0 / 37 / 17 / 71

HEX #4B2F3E

RGB 75 47 62

HSL 327.86, 0.23%, 0.24%

LAB 23.26, 15.43, -4.18

 

CMYK 0 / 37 / 27 / 71

HEX #4B2F37

RGB 75 47 55

HSL 342.86, 0.23%, 0.24%

LAB 23.02, 14.15, 0.2

 

CMYK 0 / 37 / 37 / 71

HEX #4B2F2F

RGB 75 47 47

HSL 0, 0.23%, 0.24%

LAB 22.77, 12.83, 5.28

 

CMYK 0 / 27 / 37 / 71

HEX #4B372F

RGB 75 55 47

HSL 17.14, 0.23%, 0.24%

LAB 25.06, 7.61, 8.47

 

CMYK 0 / 17 / 37 / 71

HEX #4B3E2F

RGB 75 62 47

HSL 32.14, 0.23%, 0.24%

LAB 27.15, 3.07, 11.34

 

CMYK 0 / 40 / 40 / 90

HEX #190F0F

RGB 25 15 15

HSL 0, 0.25%, 0.08%

LAB 5.26, 4.26, 1.5

 

CMYK 0 / 38 / 38 / 80

HEX #321F1F

RGB 50 31 31

HSL 0, 0.23%, 0.16%

LAB 14.16, 9.26, 3.76

 

CMYK 0 / 37 / 37 / 71

HEX #4B2F2F

RGB 75 47 47

HSL 0, 0.23%, 0.24%

LAB 22.77, 12.83, 5.28

 

CMYK 0 / 38 / 38 / 60

HEX #653F3F

RGB 101 63 63

HSL 0, 0.23%, 0.32%

LAB 31.07, 16.62, 6.92

 

CMYK 0 / 37 / 37 / 51

HEX #7E4F4F

RGB 126 79 79

HSL 0, 0.23%, 0.4%

LAB 38.88, 19.79, 8.27

 

Description

Color code: RGBA 74 46 46 0 | qconv.com Color code: RGBA 74 46 46 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 46 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 46 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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CMYK to PANTONE®

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HKS® to Sherwin Williams®

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convert from Pantone®-number (Pantone 0000) to RGB red green blue

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convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

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PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

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Sherwin Williams® to HKS®

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convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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