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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 73 201 246 0.75 it is the complementary color RGBA 182 54 9 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 73 201 246 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 73 201 246 0.75 shade: RGBA 78 201 241 0.75, RGBA 95 219 255 0.75, RGBA 112 237 255 0.75, RGBA 129 255 255 0.75 and RGBA 146 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 73 201 246 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 73 201 246 0.75 shade: RGBA 73 201 246 0.75, RGBA 56 183 227 0.75, RGBA 39 165 208 0.75, RGBA 22 147 189 0.75 and RGBA 5 129 170 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 73 201 246 0.75 shade: RGB 75 202 247, RGB 75 156 247, RGB 75 109 247, RGB 87 75 247 and RGB 133 75 247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 73 201 246 0.75 shade: RGB 75 202 247, RGB 75 156 247, RGB 75 109 247 and RGB 75 75 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 73 201 246 0.75 shade matches the following richer shades: RGB 75 202 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 73 201 246 0.75 shade: RGB 75 202 247, RGB 90 195 231, RGB 105 187 216, RGB 121 180 201 and RGB 136 173 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 73 201 246 0.75 shade: RGB 75 247 198, RGB 75 247 244, RGB 75 204 247, RGB 75 158 247 and RGB 75 112 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 73 201 246 0.75 shade: RGB 11 172 228, RGB 35 190 245, RGB 75 202 247, RGB 114 213 248 and RGB 154 225 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 73 201 246 0.75 shade: RGB 73 201 246, RGB 152 75 247 and RGB 247 221 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 73 201 246 0.75 shade: RGB 73 201 246, RGB 247 75 204 and RGB 204 247 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 73 201 246 0.75 shade: RGB 73 201 246, RGB 152 75 247, RGB 247 118 75 and RGB 169 247 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 73 201 246 0.75 shade: RGB 73 201 246, RGB 204 75 247, RGB 247 118 75 and RGB 118 247 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 14 / 0 / 3

HEX #49C9F6BF

RGBA 73 201 246 0.75

HSLA 195.61, 0.91%, 0.63%, 0.75

LABA 75.97, -20.9, -32.33, 0.75

 

Complementary color

CMYK 0 / 53 / 71 / 21

HEX #B63609BF

RGBA 182 54 9 0.75

HSLA 15.61, 0.91%, 0.37%, 0.75

LABA 42.16, 49.94, 51.26, 0.75

 

CMYK 51 / 12 / 0 / 4

HEX #4EC9F1BF

RGBA 78 201 241 0.75

HSLA 194.72, 0.85%, 0.63%, 0.75

LABA 75.91, -21.77, -29.73, 0.75

 

CMYK 47 / 11 / 0 / 0

HEX #5FDBFFBF

RGBA 95 219 255 0.75

HSLA 193.5, 1%, 0.69%, 0.75

LABA 82.01, -24, -27.8, 0.75

 

CMYK 42 / 5 / 0 / 0

HEX #70EDFFBF

RGBA 112 237 255 0.75

HSLA 187.55, 1%, 0.72%, 0.75

LABA 87.6, -29.85, -19.26, 0.75

 

CMYK 37 / 0 / 0 / 0

HEX #81FFFFBF

RGBA 129 255 255 0.75

HSLA 180, 1%, 0.75%, 0.75

LABA 93.19, -35.02, -10.82, 0.75

 

CMYK 32 / 0 / 0 / 0

HEX #92FFFFBF

RGBA 146 255 255 0.75

HSLA 180, 1%, 0.79%, 0.75

LABA 93.82, -31.35, -9.82, 0.75

 

CMYK 53 / 14 / 0 / 3

HEX #49C9F6BF

RGBA 73 201 246 0.75

HSLA 195.61, 0.91%, 0.63%, 0.75

LABA 75.97, -20.9, -32.33, 0.75

 

CMYK 56 / 15 / 0 / 8

HEX #38B7E3BF

RGBA 56 183 227 0.75

HSLA 195.44, 0.75%, 0.55%, 0.75

LABA 69.65, -19.8, -31.84, 0.75

 

CMYK 61 / 16 / 0 / 14

HEX #27A5D0BF

RGBA 39 165 208 0.75

HSLA 195.27, 0.68%, 0.48%, 0.75

LABA 63.26, -18.4, -31.3, 0.75

 

CMYK 66 / 17 / 0 / 19

HEX #1693BDBF

RGBA 22 147 189 0.75

HSLA 195.09, 0.79%, 0.41%, 0.75

LABA 56.79, -16.62, -30.69, 0.75

 

CMYK 73 / 18 / 0 / 25

HEX #0581AABF

RGBA 5 129 170 0.75

HSLA 194.91, 0.94%, 0.34%, 0.75

LABA 50.26, -14.38, -29.98, 0.75

 

CMYK 70 / 18 / 0 / 3

HEX #4BCAF7

RGB 75 202 247

HSL 195.7, 0.91%, 0.63%

LAB 76.35, -20.83, -32.28

 

CMYK 70 / 37 / 0 / 3

HEX #4B9CF7

RGB 75 156 247

HSL 211.74, 0.91%, 0.63%

LAB 63.33, 4.35, -52.64

 

CMYK 70 / 56 / 0 / 3

HEX #4B6DF7

RGB 75 109 247

HSL 228.14, 0.91%, 0.63%

LAB 50.86, 32.84, -72.67

 

CMYK 65 / 70 / 0 / 3

HEX #574BF7

RGB 87 75 247

HSL 244.19, 0.91%, 0.63%

LAB 43.91, 54.42, -84.01

 

CMYK 46 / 70 / 0 / 3

HEX #854BF7

RGB 133 75 247

HSL 260.23, 0.91%, 0.63%

LAB 47.92, 60.99, -77.27

 

CMYK 70 / 18 / 0 / 3

HEX #4BCAF7

RGB 75 202 247

HSL 195.7, 0.91%, 0.63%

LAB 76.35, -20.83, -32.28

 

CMYK 70 / 37 / 0 / 3

HEX #4B9CF7

RGB 75 156 247

HSL 211.74, 0.91%, 0.63%

LAB 63.33, 4.35, -52.64

 

CMYK 70 / 56 / 0 / 3

HEX #4B6DF7

RGB 75 109 247

HSL 228.14, 0.91%, 0.63%

LAB 50.86, 32.84, -72.67

 

CMYK 70 / 70 / 0 / 3

HEX #4B4BF7

RGB 75 75 247

HSL 240, 0.91%, 0.63%

LAB 43.13, 53.09, -85.32

 

CMYK 70 / 18 / 0 / 3

HEX #4BCAF7

RGB 75 202 247

HSL 195.7, 0.91%, 0.63%

LAB 76.35, -20.83, -32.28

 

CMYK 70 / 18 / 0 / 3

HEX #4BCAF7

RGB 75 202 247

HSL 195.7, 0.91%, 0.63%

LAB 76.35, -20.83, -32.28

 

CMYK 61 / 16 / 0 / 9

HEX #5AC3E7

RGB 90 195 231

HSL 195.32, 0.75%, 0.63%

LAB 74.17, -19.83, -26.98

 

CMYK 51 / 13 / 0 / 15

HEX #69BBD8

RGB 105 187 216

HSL 195.68, 0.59%, 0.63%

LAB 71.89, -17.12, -22.27

 

CMYK 40 / 10 / 0 / 21

HEX #79B4C9

RGB 121 180 201

HSL 195.75, 0.43%, 0.63%

LAB 70.12, -13.7, -16.68

 

CMYK 26 / 6 / 0 / 27

HEX #88ADB9

RGB 136 173 185

HSL 194.69, 0.26%, 0.63%

LAB 68.48, -9.7, -10.25

 

CMYK 70 / 0 / 20 / 3

HEX #4BF7C6

RGB 75 247 198

HSL 162.91, 0.91%, 0.63%

LAB 88.01, -54.76, 11.02

 

CMYK 70 / 0 / 1 / 3

HEX #4BF7F4

RGB 75 247 244

HSL 178.95, 0.91%, 0.63%

LAB 89.18, -43.14, -11.23

 

CMYK 70 / 17 / 0 / 3

HEX #4BCCF7

RGB 75 204 247

HSL 195, 0.91%, 0.63%

LAB 76.92, -21.85, -31.4

 

CMYK 70 / 36 / 0 / 3

HEX #4B9EF7

RGB 75 158 247

HSL 211.05, 0.91%, 0.63%

LAB 63.89, 3.19, -51.76

 

CMYK 70 / 55 / 0 / 3

HEX #4B70F7

RGB 75 112 247

HSL 227.09, 0.91%, 0.63%

LAB 51.61, 30.99, -71.46

 

CMYK 95 / 25 / 0 / 11

HEX #0BACE4

RGB 11 172 228

HSL 195.48, 0.91%, 0.47%

LAB 65.89, -16.76, -38.28

 

CMYK 86 / 22 / 0 / 4

HEX #23BEF5

RGB 35 190 245

HSL 195.71, 0.91%, 0.55%

LAB 72.08, -19.27, -37.87

 

CMYK 70 / 18 / 0 / 3

HEX #4BCAF7

RGB 75 202 247

HSL 195.7, 0.91%, 0.63%

LAB 76.35, -20.83, -32.28

 

CMYK 54 / 14 / 0 / 3

HEX #72D5F8

RGB 114 213 248

HSL 195.67, 0.91%, 0.71%

LAB 80.71, -19.56, -26.02

 

CMYK 38 / 10 / 0 / 2

HEX #9AE1FA

RGB 154 225 250

HSL 195.63, 0.91%, 0.79%

LAB 85.82, -15.97, -19.16

 

CMYK 70 / 18 / 0 / 4

HEX #49C9F6

RGB 73 201 246

HSL 195.61, 0.91%, 0.63%

LAB 75.97, -20.9, -32.33

 

CMYK 38 / 70 / 0 / 3

HEX #984BF7

RGB 152 75 247

HSL 266.86, 0.91%, 0.63%

LAB 50.01, 64.25, -73.79

 

CMYK 0 / 11 / 70 / 3

HEX #F7DD4B

RGB 247 221 75

HSL 50.93, 0.91%, 0.63%

LAB 87.97, -6.52, 71.34

 

CMYK 70 / 18 / 0 / 4

HEX #49C9F6

RGB 73 201 246

HSL 195.61, 0.91%, 0.63%

LAB 75.97, -20.9, -32.33

 

CMYK 0 / 70 / 17 / 3

HEX #F74BCC

RGB 247 75 204

HSL 315, 0.91%, 0.63%

LAB 60.93, 76.76, -31.36

 

CMYK 17 / 0 / 70 / 3

HEX #CCF74B

RGB 204 247 75

HSL 75, 0.91%, 0.63%

LAB 91.63, -36.34, 73.92

 

CMYK 70 / 18 / 0 / 4

HEX #49C9F6

RGB 73 201 246

HSL 195.61, 0.91%, 0.63%

LAB 75.97, -20.9, -32.33

 

CMYK 38 / 70 / 0 / 3

HEX #984BF7

RGB 152 75 247

HSL 266.86, 0.91%, 0.63%

LAB 50.01, 64.25, -73.79

 

CMYK 0 / 52 / 70 / 3

HEX #F7764B

RGB 247 118 75

HSL 15, 0.91%, 0.63%

LAB 64.35, 46.51, 46.41

 

CMYK 32 / 0 / 70 / 3

HEX #A9F74B

RGB 169 247 75

HSL 87.21, 0.91%, 0.63%

LAB 89.61, -49.2, 71.23

 

CMYK 70 / 18 / 0 / 4

HEX #49C9F6

RGB 73 201 246

HSL 195.61, 0.91%, 0.63%

LAB 75.97, -20.9, -32.33

 

CMYK 17 / 70 / 0 / 3

HEX #CC4BF7

RGB 204 75 247

HSL 285, 0.91%, 0.63%

LAB 56.67, 74.17, -62.69

 

CMYK 0 / 52 / 70 / 3

HEX #F7764B

RGB 247 118 75

HSL 15, 0.91%, 0.63%

LAB 64.35, 46.51, 46.41

 

CMYK 52 / 0 / 70 / 3

HEX #76F74B

RGB 118 247 75

HSL 105, 0.91%, 0.63%

LAB 87.43, -64.96, 68.3

 

Description

Color code: RGBA 73 201 246 0.75 | qconv.com Color code: RGBA 73 201 246 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 201 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 201 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 14 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 14% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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