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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 71 58 96 0.62 it is the complementary color RGBA 184 197 159 0.62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 71 58 96 0.62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 71 58 96 0.62 shade: RGBA 76 58 91 0.62, RGBA 93 76 110 0.62, RGBA 110 94 129 0.62, RGBA 127 112 148 0.62 and RGBA 144 130 167 0.62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 71 58 96 0.62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 71 58 96 0.62 shade: RGBA 71 58 96 0.62, RGBA 54 40 77 0.62, RGBA 37 22 58 0.62, RGBA 20 4 39 0.62 and RGBA 3 0 20 0.62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 71 58 96 0.62 shade: RGB 70 57 95, RGB 80 57 95, RGB 91 57 95, RGB 95 57 89 and RGB 95 57 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 71 58 96 0.62 shade: RGB 70 57 95, RGB 60 57 95 and RGB 57 57 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 71 58 96 0.62 shade matches the following richer shades: RGB 70 57 95, RGB 66 44 108, RGB 62 32 120, RGB 58 20 132 and RGB 54 7 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 71 58 96 0.62 shade: RGB 70 57 95, RGB 74 69 83, RGB 78 82 70, RGB 82 94 58 and RGB 86 106 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 71 58 96 0.62 shade: RGB 57 65 95, RGB 59 57 95, RGB 70 57 95, RGB 80 57 95 and RGB 90 57 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 71 58 96 0.62 shade: RGB 32 26 44, RGB 51 41 69, RGB 70 57 95, RGB 89 72 121 and RGB 108 88 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 71 58 96 0.62 shade: RGB 71 58 96, RGB 95 57 75 and RGB 59 95 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 71 58 96 0.62 shade: RGB 71 58 96, RGB 95 70 57 and RGB 57 95 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 71 58 96 0.62 shade: RGB 71 58 96, RGB 95 57 75, RGB 82 95 57 and RGB 57 95 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 71 58 96 0.62 shade: RGB 71 58 96, RGB 95 57 63, RGB 82 95 57 and RGB 57 95 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 25 / 0 / 39

HEX #473A609E

RGBA 71 58 96 0.62

HSLA 260.53, 0.25%, 0.3%, 0.62

LABA 27.33, 14.77, -20.5, 0.62

 

Complementary color

CMYK 4 / 0 / 12 / 14

HEX #B8C59F9E

RGBA 184 197 159 0.62

HSLA 80.53, 0.25%, 0.7%, 0.62

LABA 77.65, -11.14, 17.6, 0.62

 

CMYK 10 / 22 / 0 / 40

HEX #4C3A5B9E

RGBA 76 58 91 0.62

HSLA 272.73, 0.22%, 0.29%, 0.62

LABA 27.62, 15.2, -16.76, 0.62

 

CMYK 10 / 19 / 0 / 35

HEX #5D4C6E9E

RGBA 93 76 110 0.62

HSLA 270, 0.18%, 0.36%, 0.62

LABA 35.25, 14.47, -16.95, 0.62

 

CMYK 9 / 17 / 0 / 31

HEX #6E5E819E

RGBA 110 94 129 0.62

HSLA 267.43, 0.16%, 0.44%, 0.62

LABA 42.62, 13.85, -17.17, 0.62

 

CMYK 9 / 15 / 0 / 26

HEX #7F70949E

RGBA 127 112 148 0.62

HSLA 265, 0.14%, 0.51%, 0.62

LABA 49.78, 13.31, -17.42, 0.62

 

CMYK 9 / 14 / 0 / 21

HEX #9082A79E

RGBA 144 130 167 0.62

HSLA 262.7, 0.17%, 0.58%, 0.62

LABA 56.77, 12.83, -17.7, 0.62

 

CMYK 16 / 25 / 0 / 39

HEX #473A609E

RGBA 71 58 96 0.62

HSLA 260.53, 0.25%, 0.3%, 0.62

LABA 27.33, 14.77, -20.5, 0.62

 

CMYK 19 / 30 / 0 / 43

HEX #36284D9E

RGBA 54 40 77 0.62

HSLA 262.7, 0.32%, 0.23%, 0.62

LABA 19.38, 15.71, -20.53, 0.62

 

CMYK 22 / 38 / 0 / 48

HEX #25163A9E

RGBA 37 22 58 0.62

HSLA 265, 0.45%, 0.16%, 0.62

LABA 11.08, 16.87, -20.63, 0.62

 

CMYK 30 / 56 / 0 / 53

HEX #1404279E

RGBA 20 4 39 0.62

HSLA 267.43, 0.81%, 0.08%, 0.62

LABA 3.45, 13.72, -18.85, 0.62

 

CMYK 53 / 62 / 0 / 57

HEX #0300149E

RGBA 3 0 20 0.62

HSLA 249, 1%, 0.04%, 0.62

LABA 0.63, 3.99, -8.45, 0.62

 

CMYK 26 / 40 / 0 / 63

HEX #46395F

RGB 70 57 95

HSL 260.53, 0.25%, 0.3%

LAB 26.89, 14.82, -20.54

 

CMYK 16 / 40 / 0 / 63

HEX #50395F

RGB 80 57 95

HSL 276.32, 0.25%, 0.3%

LAB 28, 18.28, -18.73

 

CMYK 4 / 40 / 0 / 63

HEX #5B395F

RGB 91 57 95

HSL 293.68, 0.25%, 0.3%

LAB 29.35, 22.19, -16.53

 

CMYK 0 / 40 / 6 / 63

HEX #5F3959

RGB 95 57 89

HSL 309.47, 0.25%, 0.3%

LAB 29.61, 22.38, -12.2

 

CMYK 0 / 40 / 17 / 63

HEX #5F394F

RGB 95 57 79

HSL 325.26, 0.25%, 0.3%

LAB 29.22, 20.44, -6.29

 

CMYK 26 / 40 / 0 / 63

HEX #46395F

RGB 70 57 95

HSL 260.53, 0.25%, 0.3%

LAB 26.89, 14.82, -20.54

 

CMYK 37 / 40 / 0 / 63

HEX #3C395F

RGB 60 57 95

HSL 244.74, 0.25%, 0.3%

LAB 25.9, 11.51, -22.16

 

CMYK 40 / 40 / 0 / 63

HEX #39395F

RGB 57 57 95

HSL 240, 0.25%, 0.3%

LAB 25.63, 10.57, -22.61

 

CMYK 26 / 40 / 0 / 63

HEX #46395F

RGB 70 57 95

HSL 260.53, 0.25%, 0.3%

LAB 26.89, 14.82, -20.54

 

CMYK 39 / 59 / 0 / 58

HEX #422C6C

RGB 66 44 108

HSL 260.63, 0.42%, 0.3%

LAB 23.81, 25.86, -33.87

 

CMYK 48 / 73 / 0 / 53

HEX #3E2078

RGB 62 32 120

HSL 260.45, 0.58%, 0.3%

LAB 21.63, 35.71, -45.13

 

CMYK 56 / 85 / 0 / 48

HEX #3A1484

RGB 58 20 132

HSL 260.36, 0.74%, 0.3%

LAB 20.31, 44.35, -54.94

 

CMYK 63 / 95 / 0 / 43

HEX #360791

RGB 54 7 145

HSL 260.43, 0.91%, 0.3%

LAB 19.97, 51.6, -63.66

 

CMYK 26 / 40 / 0 / 63

HEX #46395F

RGB 70 57 95

HSL 260.53, 0.25%, 0.3%

LAB 26.89, 14.82, -20.54

 

CMYK 11 / 17 / 0 / 67

HEX #4A4553

RGB 74 69 83

HSL 261.43, 0.09%, 0.3%

LAB 30.25, 5.27, -7.59

 

CMYK 5 / 0 / 15 / 68

HEX #4E5246

RGB 78 82 70

HSL 80, 0.08%, 0.3%

LAB 34.18, -4.11, 6.5

 

CMYK 13 / 0 / 38 / 63

HEX #525E3A

RGB 82 94 58

HSL 80, 0.24%, 0.3%

LAB 38.03, -11.54, 19.14

 

CMYK 19 / 0 / 57 / 58

HEX #566A2E

RGB 86 106 46

HSL 80, 0.39%, 0.3%

LAB 41.97, -17.97, 30.84

 

CMYK 40 / 32 / 0 / 63

HEX #39415F

RGB 57 65 95

HSL 227.37, 0.25%, 0.3%

LAB 28.05, 5.18, -18.82

 

CMYK 38 / 40 / 0 / 63

HEX #3B395F

RGB 59 57 95

HSL 243.16, 0.25%, 0.3%

LAB 25.81, 11.19, -22.31

 

CMYK 26 / 40 / 0 / 63

HEX #46395F

RGB 70 57 95

HSL 260.53, 0.25%, 0.3%

LAB 26.89, 14.82, -20.54

 

CMYK 16 / 40 / 0 / 63

HEX #50395F

RGB 80 57 95

HSL 276.32, 0.25%, 0.3%

LAB 28, 18.28, -18.73

 

CMYK 5 / 40 / 0 / 63

HEX #5A395F

RGB 90 57 95

HSL 292.11, 0.25%, 0.3%

LAB 29.23, 21.83, -16.73

 

CMYK 27 / 41 / 0 / 83

HEX #201A2C

RGB 32 26 44

HSL 260, 0.26%, 0.14%

LAB 10.76, 7.79, -11.05

 

CMYK 26 / 41 / 0 / 73

HEX #332945

RGB 51 41 69

HSL 261.43, 0.25%, 0.22%

LAB 18.88, 11.64, -15.9

 

CMYK 26 / 40 / 0 / 63

HEX #46395F

RGB 70 57 95

HSL 260.53, 0.25%, 0.3%

LAB 26.89, 14.82, -20.54

 

CMYK 26 / 40 / 0 / 53

HEX #594879

RGB 89 72 121

HSL 260.82, 0.25%, 0.38%

LAB 34.27, 18.48, -25.36

 

CMYK 27 / 40 / 0 / 42

HEX #6C5893

RGB 108 88 147

HSL 260.34, 0.25%, 0.46%

LAB 41.65, 21.36, -29.56

 

CMYK 26 / 40 / 0 / 62

HEX #473A60

RGB 71 58 96

HSL 260.53, 0.25%, 0.3%

LAB 27.33, 14.77, -20.5

 

CMYK 0 / 40 / 21 / 63

HEX #5F394B

RGB 95 57 75

HSL 331.58, 0.25%, 0.3%

LAB 29.07, 19.72, -3.89

 

CMYK 38 / 0 / 40 / 63

HEX #3B5F39

RGB 59 95 57

HSL 116.84, 0.25%, 0.3%

LAB 36.76, -21.55, 17.77

 

CMYK 26 / 40 / 0 / 62

HEX #473A60

RGB 71 58 96

HSL 260.53, 0.25%, 0.3%

LAB 27.33, 14.77, -20.5

 

CMYK 0 / 26 / 40 / 63

HEX #5F4639

RGB 95 70 57

HSL 20.53, 0.25%, 0.3%

LAB 32.05, 8.74, 12

 

CMYK 40 / 0 / 26 / 63

HEX #395F46

RGB 57 95 70

HSL 140.53, 0.25%, 0.3%

LAB 36.92, -19.69, 10.13

 

CMYK 26 / 40 / 0 / 62

HEX #473A60

RGB 71 58 96

HSL 260.53, 0.25%, 0.3%

LAB 27.33, 14.77, -20.5

 

CMYK 0 / 40 / 21 / 63

HEX #5F394B

RGB 95 57 75

HSL 331.58, 0.25%, 0.3%

LAB 29.07, 19.72, -3.89

 

CMYK 14 / 0 / 40 / 63

HEX #525F39

RGB 82 95 57

HSL 80.53, 0.25%, 0.3%

LAB 38.33, -12.26, 20.12

 

CMYK 40 / 0 / 19 / 63

HEX #395F4D

RGB 57 95 77

HSL 151.58, 0.25%, 0.3%

LAB 37.1, -18.1, 6.08

 

CMYK 26 / 40 / 0 / 62

HEX #473A60

RGB 71 58 96

HSL 260.53, 0.25%, 0.3%

LAB 27.33, 14.77, -20.5

 

CMYK 0 / 40 / 34 / 63

HEX #5F393F

RGB 95 57 63

HSL 350.53, 0.25%, 0.3%

LAB 28.69, 17.75, 3.42

 

CMYK 14 / 0 / 40 / 63

HEX #525F39

RGB 82 95 57

HSL 80.53, 0.25%, 0.3%

LAB 38.33, -12.26, 20.12

 

CMYK 40 / 0 / 6 / 63

HEX #395F59

RGB 57 95 89

HSL 170.53, 0.25%, 0.3%

LAB 37.44, -15.09, -0.84

 

Description

Color code: RGBA 71 58 96 0.62 | qconv.com Color code: RGBA 71 58 96 0.62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 58 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 58 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 25 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 25% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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