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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 69 94 53 0.81 it is the complementary color RGBA 186 161 202 0.81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 69 94 53 0.81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 69 94 53 0.81 shade: RGBA 74 94 48 0.81, RGBA 91 112 67 0.81, RGBA 108 130 86 0.81, RGBA 125 148 105 0.81 and RGBA 142 166 124 0.81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 69 94 53 0.81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 69 94 53 0.81 shade: RGBA 69 94 53 0.81, RGBA 52 76 34 0.81, RGBA 35 58 15 0.81, RGBA 18 40 0 0.81 and RGBA 1 22 0 0.81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 69 94 53 0.81 shade: RGB 69 95 53, RGB 81 95 53, RGB 92 95 53, RGB 95 86 53 and RGB 95 75 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 69 94 53 0.81 shade: RGB 69 95 53, RGB 58 95 53, RGB 53 95 59, RGB 53 95 71 and RGB 53 95 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 69 94 53 0.81 shade matches the following richer shades: RGB 69 95 53, RGB 67 107 41, RGB 64 119 29, RGB 62 131 17 and RGB 59 143 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 69 94 53 0.81 shade: RGB 69 95 53, RGB 72 83 65, RGB 75 71 77, RGB 77 59 89 and RGB 80 47 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 69 94 53 0.81 shade: RGB 92 95 53, RGB 81 95 53, RGB 70 95 53, RGB 59 95 53 and RGB 53 95 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 69 94 53 0.81 shade: RGB 31 42 24, RGB 50 68 38, RGB 69 95 53, RGB 89 121 68 and RGB 108 147 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 69 94 53 0.81 shade: RGB 69 94 53, RGB 53 95 86 and RGB 95 53 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 69 94 53 0.81 shade: RGB 69 94 53, RGB 53 70 95 and RGB 95 53 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 69 94 53 0.81 shade: RGB 69 94 53, RGB 53 95 86, RGB 78 53 95 and RGB 95 53 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 69 94 53 0.81 shade: RGB 69 94 53, RGB 53 91 95, RGB 78 53 95 and RGB 95 57 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 35 / 51

HEX #455E35CE

RGBA 69 94 53 0.81

HSLA 96.59, 0.28%, 0.29%, 0.81

LABA 36.98, -17.79, 20.53, 0.81

 

Complementary color

CMYK 6 / 16 / 0 / 17

HEX #BAA1CACE

RGBA 186 161 202 0.81

HSLA 276.59, 0.28%, 0.71%, 0.81

LABA 69.61, 16.78, -17.58, 0.81

 

CMYK 17 / 0 / 40 / 51

HEX #4A5E30CE

RGBA 74 94 48 0.81

HSLA 86.09, 0.32%, 0.28%, 0.81

LABA 37.25, -16.42, 23.83, 0.81

 

CMYK 15 / 0 / 33 / 45

HEX #5B7043CE

RGBA 91 112 67 0.81

HSLA 88, 0.25%, 0.35%, 0.81

LABA 44.54, -16.41, 22.52, 0.81

 

CMYK 14 / 0 / 27 / 40

HEX #6C8256CE

RGBA 108 130 86 0.81

HSLA 90, 0.2%, 0.42%, 0.81

LABA 51.64, -16.36, 21.28, 0.81

 

CMYK 13 / 0 / 24 / 34

HEX #7D9469CE

RGBA 125 148 105 0.81

HSLA 92.09, 0.17%, 0.5%, 0.81

LABA 58.56, -16.29, 20.13, 0.81

 

CMYK 12 / 0 / 20 / 28

HEX #8EA67CCE

RGBA 142 166 124 0.81

HSLA 94.29, 0.19%, 0.57%, 0.81

LABA 65.34, -16.22, 19.05, 0.81

 

CMYK 22 / 0 / 35 / 51

HEX #455E35CE

RGBA 69 94 53 0.81

HSLA 96.59, 0.28%, 0.29%, 0.81

LABA 36.98, -17.79, 20.53, 0.81

 

CMYK 26 / 0 / 45 / 57

HEX #344C22CE

RGBA 52 76 34 0.81

HSLA 94.29, 0.38%, 0.22%, 0.81

LABA 29.45, -17.89, 21.91, 0.81

 

CMYK 32 / 0 / 60 / 63

HEX #233A0FCE

RGBA 35 58 15 0.81

HSLA 92.09, 0.59%, 0.14%, 0.81

LABA 21.65, -17.8, 23.15, 0.81

 

CMYK 45 / 0 / 81 / 68

HEX #122800CE

RGBA 18 40 0 0.81

HSLA 93, 1%, 0.08%, 0.81

LABA 13.51, -17.33, 19.51, 0.81

 

CMYK 77 / 0 / 81 / 74

HEX #011600CE

RGBA 1 22 0 0.81

HSLA 117.27, 1%, 0.04%, 0.81

LABA 5.24, -10.33, 7.66, 0.81

 

CMYK 27 / 0 / 44 / 63

HEX #455F35

RGB 69 95 53

HSL 97.14, 0.28%, 0.29%

LAB 37.31, -18.33, 20.96

 

CMYK 15 / 0 / 44 / 63

HEX #515F35

RGB 81 95 53

HSL 80, 0.28%, 0.29%

LAB 38.18, -13.26, 22.25

 

CMYK 3 / 0 / 44 / 63

HEX #5C5F35

RGB 92 95 53

HSL 64.29, 0.28%, 0.29%

LAB 39.1, -8.35, 23.6

 

CMYK 0 / 9 / 44 / 63

HEX #5F5635

RGB 95 86 53

HSL 47.14, 0.28%, 0.29%

LAB 36.64, -1.65, 20.53

 

CMYK 0 / 21 / 44 / 63

HEX #5F4B35

RGB 95 75 53

HSL 31.43, 0.28%, 0.29%

LAB 33.4, 5.08, 16.31

 

CMYK 27 / 0 / 44 / 63

HEX #455F35

RGB 69 95 53

HSL 97.14, 0.28%, 0.29%

LAB 37.31, -18.33, 20.96

 

CMYK 39 / 0 / 44 / 63

HEX #3A5F35

RGB 58 95 53

HSL 112.86, 0.28%, 0.29%

LAB 36.63, -22.61, 19.95

 

CMYK 44 / 0 / 38 / 63

HEX #355F3B

RGB 53 95 59

HSL 128.57, 0.28%, 0.29%

LAB 36.47, -23.3, 16.14

 

CMYK 44 / 0 / 25 / 63

HEX #355F47

RGB 53 95 71

HSL 145.71, 0.28%, 0.29%

LAB 36.74, -20.79, 9.23

 

CMYK 44 / 0 / 14 / 63

HEX #355F52

RGB 53 95 82

HSL 161.43, 0.28%, 0.29%

LAB 37.02, -18.14, 2.86

 

CMYK 27 / 0 / 44 / 63

HEX #455F35

RGB 69 95 53

HSL 97.14, 0.28%, 0.29%

LAB 37.31, -18.33, 20.96

 

CMYK 37 / 0 / 62 / 58

HEX #436B29

RGB 67 107 41

HSL 96.36, 0.45%, 0.29%

LAB 41.01, -26.85, 31.98

 

CMYK 46 / 0 / 76 / 53

HEX #40771D

RGB 64 119 29

HSL 96.67, 0.61%, 0.29%

LAB 44.76, -34.58, 41.38

 

CMYK 53 / 0 / 87 / 49

HEX #3E8311

RGB 62 131 17

HSL 96.32, 0.77%, 0.29%

LAB 48.63, -40.95, 48.88

 

CMYK 59 / 0 / 97 / 44

HEX #3B8F05

RGB 59 143 5

HSL 96.52, 0.93%, 0.29%

LAB 52.49, -46.83, 54.48

 

CMYK 27 / 0 / 44 / 63

HEX #455F35

RGB 69 95 53

HSL 97.14, 0.28%, 0.29%

LAB 37.31, -18.33, 20.96

 

CMYK 13 / 0 / 22 / 67

HEX #485341

RGB 72 83 65

HSL 96.67, 0.12%, 0.29%

LAB 33.87, -8.21, 9.12

 

CMYK 3 / 8 / 0 / 70

HEX #4B474D

RGB 75 71 77

HSL 280, 0.04%, 0.29%

LAB 30.73, 2.98, -2.99

 

CMYK 13 / 34 / 0 / 65

HEX #4D3B59

RGB 77 59 89

HSL 276, 0.2%, 0.29%

LAB 27.92, 14.41, -14.99

 

CMYK 21 / 53 / 0 / 60

HEX #502F65

RGB 80 47 101

HSL 276.67, 0.36%, 0.29%

LAB 25.8, 26.11, -26.07

 

CMYK 3 / 0 / 44 / 63

HEX #5C5F35

RGB 92 95 53

HSL 64.29, 0.28%, 0.29%

LAB 39.1, -8.35, 23.6

 

CMYK 15 / 0 / 44 / 63

HEX #515F35

RGB 81 95 53

HSL 80, 0.28%, 0.29%

LAB 38.18, -13.26, 22.25

 

CMYK 26 / 0 / 44 / 63

HEX #465F35

RGB 70 95 53

HSL 95.71, 0.28%, 0.29%

LAB 37.38, -17.93, 21.06

 

CMYK 38 / 0 / 44 / 63

HEX #3B5F35

RGB 59 95 53

HSL 111.43, 0.28%, 0.29%

LAB 36.69, -22.24, 20.03

 

CMYK 44 / 0 / 38 / 63

HEX #355F3B

RGB 53 95 59

HSL 128.57, 0.28%, 0.29%

LAB 36.47, -23.3, 16.14

 

CMYK 26 / 0 / 43 / 84

HEX #1F2A18

RGB 31 42 24

HSL 96.67, 0.27%, 0.13%

LAB 15.56, -9.01, 10.27

 

CMYK 26 / 0 / 44 / 73

HEX #324426

RGB 50 68 38

HSL 96, 0.28%, 0.21%

LAB 26.6, -13.66, 15.91

 

CMYK 27 / 0 / 44 / 63

HEX #455F35

RGB 69 95 53

HSL 97.14, 0.28%, 0.29%

LAB 37.31, -18.33, 20.96

 

CMYK 26 / 0 / 44 / 53

HEX #597944

RGB 89 121 68

HSL 96.23, 0.28%, 0.37%

LAB 47.26, -21.82, 25.41

 

CMYK 27 / 0 / 44 / 42

HEX #6C9353

RGB 108 147 83

HSL 96.56, 0.28%, 0.45%

LAB 56.76, -25.55, 29.59

 

CMYK 27 / 0 / 44 / 63

HEX #455E35

RGB 69 94 53

HSL 96.59, 0.28%, 0.29%

LAB 36.98, -17.79, 20.53

 

CMYK 44 / 0 / 9 / 63

HEX #355F56

RGB 53 95 86

HSL 167.14, 0.28%, 0.29%

LAB 37.14, -17.09, 0.56

 

CMYK 0 / 44 / 9 / 63

HEX #5F3556

RGB 95 53 86

HSL 312.86, 0.28%, 0.29%

LAB 28.51, 24.22, -11.93

 

CMYK 27 / 0 / 44 / 63

HEX #455E35

RGB 69 94 53

HSL 96.59, 0.28%, 0.29%

LAB 36.98, -17.79, 20.53

 

CMYK 44 / 26 / 0 / 63

HEX #35465F

RGB 53 70 95

HSL 215.71, 0.28%, 0.29%

LAB 29.32, 0.64, -16.88

 

CMYK 0 / 44 / 26 / 63

HEX #5F3546

RGB 95 53 70

HSL 335.71, 0.28%, 0.29%

LAB 27.9, 21.32, -2.34

 

CMYK 27 / 0 / 44 / 63

HEX #455E35

RGB 69 94 53

HSL 96.59, 0.28%, 0.29%

LAB 36.98, -17.79, 20.53

 

CMYK 44 / 0 / 9 / 63

HEX #355F56

RGB 53 95 86

HSL 167.14, 0.28%, 0.29%

LAB 37.14, -17.09, 0.56

 

CMYK 18 / 44 / 0 / 63

HEX #4E355F

RGB 78 53 95

HSL 275.71, 0.28%, 0.29%

LAB 26.71, 20.16, -20.76

 

CMYK 0 / 44 / 35 / 63

HEX #5F353E

RGB 95 53 62

HSL 347.14, 0.28%, 0.29%

LAB 27.65, 20.06, 2.58

 

CMYK 27 / 0 / 44 / 63

HEX #455E35

RGB 69 94 53

HSL 96.59, 0.28%, 0.29%

LAB 36.98, -17.79, 20.53

 

CMYK 44 / 4 / 0 / 63

HEX #355B5F

RGB 53 91 95

HSL 185.71, 0.28%, 0.29%

LAB 36.11, -12.32, -6.56

 

CMYK 18 / 44 / 0 / 63

HEX #4E355F

RGB 78 53 95

HSL 275.71, 0.28%, 0.29%

LAB 26.71, 20.16, -20.76

 

CMYK 0 / 40 / 44 / 63

HEX #5F3935

RGB 95 57 53

HSL 5.71, 0.28%, 0.29%

LAB 28.42, 16.35, 9.6

 

Description

Color code: RGBA 69 94 53 0.81 | qconv.com Color code: RGBA 69 94 53 0.81 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 94 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 94 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 35 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 35% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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