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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 63 90 53 0 it is the complementary color RGBA 192 165 202 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 63 90 53 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 63 90 53 0 shade: RGBA 68 90 48 0, RGBA 85 108 67 0, RGBA 102 126 86 0, RGBA 119 144 105 0 and RGBA 136 162 124 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 63 90 53 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 63 90 53 0 shade: RGBA 63 90 53 0, RGBA 46 72 34 0, RGBA 29 54 15 0, RGBA 12 36 0 0 and RGBA 0 18 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 63 90 53 0 shade: RGB 63 90 53, RGB 73 90 53, RGB 83 90 53, RGB 90 87 53 and RGB 90 77 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 63 90 53 0 shade: RGB 63 90 53, RGB 53 90 53, RGB 53 90 63, RGB 53 90 73 and RGB 53 90 83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 63 90 53 0 shade matches the following richer shades: RGB 63 90 53, RGB 58 102 41, RGB 52 113 30, RGB 47 125 18 and RGB 42 136 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 63 90 53 0 shade: RGB 63 90 53, RGB 68 78 64, RGB 73 67 76, RGB 79 55 87 and RGB 84 44 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 63 90 53 0 shade: RGB 83 90 53, RGB 73 90 53, RGB 63 90 53, RGB 53 90 53 and RGB 53 90 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 63 90 53 0 shade: RGB 27 38 22, RGB 45 64 38, RGB 63 90 53, RGB 81 116 68 and RGB 99 142 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 63 90 53 0 shade: RGB 63 90 53, RGB 53 90 87 and RGB 90 53 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 63 90 53 0 shade: RGB 63 90 53, RGB 53 63 90 and RGB 90 53 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 63 90 53 0 shade: RGB 63 90 53, RGB 53 90 87, RGB 79 53 90 and RGB 90 53 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 63 90 53 0 shade: RGB 63 90 53, RGB 53 82 90, RGB 79 53 90 and RGB 90 61 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #3F5A3500

RGBA 63 90 53 0

HSLA 103.78, 0.26%, 0.28%, 0

LABA 35.25, -18.05, 18.22, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #C0A5CA00

RGBA 192 165 202 0

HSLA 283.78, 0.26%, 0.72%, 0

LABA 71.13, 16.58, -15.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #445A3000

RGBA 68 90 48 0

HSLA 91.43, 0.3%, 0.27%, 0

LABA 35.51, -16.78, 21.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #556C4300

RGBA 85 108 67 0

HSLA 93.66, 0.23%, 0.34%, 0

LABA 42.86, -16.69, 20.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #667E5600

RGBA 102 126 86 0

HSLA 96, 0.19%, 0.42%, 0

LABA 50, -16.58, 19.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #77906900

RGBA 119 144 105 0

HSLA 98.46, 0.16%, 0.49%, 0

LABA 56.97, -16.47, 17.88, 0

 

CMYK 0 / 0 / 0 / 0

HEX #88A27C00

RGBA 136 162 124 0

HSLA 101.05, 0.17%, 0.56%, 0

LABA 63.78, -16.36, 16.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3F5A3500

RGBA 63 90 53 0

HSLA 103.78, 0.26%, 0.28%, 0

LABA 35.25, -18.05, 18.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2E482200

RGBA 46 72 34 0

HSLA 101.05, 0.36%, 0.21%, 0

LABA 27.66, -18.22, 19.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1D360F00

RGBA 29 54 15 0

HSLA 98.46, 0.57%, 0.14%, 0

LABA 19.78, -18.23, 20.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0C240000

RGBA 12 36 0 0

HSLA 100, 1%, 0.07%, 0

LABA 11.55, -17.74, 16.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00120000

RGBA 0 18 0 0

HSLA 120, 1%, 0.04%, 0

LABA 3.91, -7.98, 5.71, 0

 

CMYK 30 / 0 / 41 / 65

HEX #3F5A35

RGB 63 90 53

HSL 103.78, 0.26%, 0.28%

LAB 35.25, -18.05, 18.22

 

CMYK 19 / 0 / 41 / 65

HEX #495A35

RGB 73 90 53

HSL 87.57, 0.26%, 0.28%

LAB 35.96, -13.91, 19.27

 

CMYK 8 / 0 / 41 / 65

HEX #535A35

RGB 83 90 53

HSL 71.35, 0.26%, 0.28%

LAB 36.76, -9.52, 20.46

 

CMYK 0 / 3 / 41 / 65

HEX #5A5735

RGB 90 87 53

HSL 55.14, 0.26%, 0.28%

LAB 36.46, -4.57, 20.2

 

CMYK 0 / 14 / 41 / 65

HEX #5A4D35

RGB 90 77 53

HSL 38.92, 0.26%, 0.28%

LAB 33.43, 1.51, 16.25

 

CMYK 30 / 0 / 41 / 65

HEX #3F5A35

RGB 63 90 53

HSL 103.78, 0.26%, 0.28%

LAB 35.25, -18.05, 18.22

 

CMYK 41 / 0 / 41 / 65

HEX #355A35

RGB 53 90 53

HSL 120, 0.26%, 0.28%

LAB 34.65, -21.86, 17.32

 

CMYK 41 / 0 / 30 / 65

HEX #355A3F

RGB 53 90 63

HSL 136.22, 0.26%, 0.28%

LAB 34.86, -19.9, 11.53

 

CMYK 41 / 0 / 19 / 65

HEX #355A49

RGB 53 90 73

HSL 152.43, 0.26%, 0.28%

LAB 35.1, -17.64, 5.69

 

CMYK 41 / 0 / 8 / 65

HEX #355A53

RGB 53 90 83

HSL 168.65, 0.26%, 0.28%

LAB 35.39, -15.1, -0.13

 

CMYK 30 / 0 / 41 / 65

HEX #3F5A35

RGB 63 90 53

HSL 103.78, 0.26%, 0.28%

LAB 35.25, -18.05, 18.22

 

CMYK 43 / 0 / 60 / 60

HEX #3A6629

RGB 58 102 41

HSL 103.28, 0.43%, 0.28%

LAB 38.83, -27.81, 29.34

 

CMYK 54 / 0 / 73 / 56

HEX #34711E

RGB 52 113 30

HSL 104.1, 0.58%, 0.28%

LAB 42.21, -35.9, 38.2

 

CMYK 62 / 0 / 86 / 51

HEX #2F7D12

RGB 47 125 18

HSL 103.74, 0.75%, 0.28%

LAB 46.06, -42.91, 46.1

 

CMYK 69 / 0 / 95 / 47

HEX #2A8807

RGB 42 136 7

HSL 103.72, 0.9%, 0.28%

LAB 49.64, -48.48, 51.57

 

CMYK 30 / 0 / 41 / 65

HEX #3F5A35

RGB 63 90 53

HSL 103.78, 0.26%, 0.28%

LAB 35.25, -18.05, 18.22

 

CMYK 13 / 0 / 18 / 69

HEX #444E40

RGB 68 78 64

HSL 102.86, 0.1%, 0.28%

LAB 31.92, -7.07, 6.96

 

CMYK 4 / 12 / 0 / 70

HEX #49434C

RGB 73 67 76

HSL 280, 0.06%, 0.28%

LAB 29.29, 4.51, -4.5

 

CMYK 9 / 37 / 0 / 66

HEX #4F3757

RGB 79 55 87

HSL 285, 0.23%, 0.28%

LAB 26.97, 17.26, -15.13

 

CMYK 15 / 56 / 0 / 61

HEX #542C63

RGB 84 44 99

HSL 283.64, 0.38%, 0.28%

LAB 25.52, 28.68, -25.17

 

CMYK 8 / 0 / 41 / 65

HEX #535A35

RGB 83 90 53

HSL 71.35, 0.26%, 0.28%

LAB 36.76, -9.52, 20.46

 

CMYK 19 / 0 / 41 / 65

HEX #495A35

RGB 73 90 53

HSL 87.57, 0.26%, 0.28%

LAB 35.96, -13.91, 19.27

 

CMYK 30 / 0 / 41 / 65

HEX #3F5A35

RGB 63 90 53

HSL 103.78, 0.26%, 0.28%

LAB 35.25, -18.05, 18.22

 

CMYK 41 / 0 / 41 / 65

HEX #355A35

RGB 53 90 53

HSL 120, 0.26%, 0.28%

LAB 34.65, -21.86, 17.32

 

CMYK 41 / 0 / 31 / 65

HEX #355A3E

RGB 53 90 62

HSL 134.59, 0.26%, 0.28%

LAB 34.84, -20.11, 12.11

 

CMYK 29 / 0 / 42 / 85

HEX #1B2616

RGB 27 38 22

HSL 101.25, 0.27%, 0.12%

LAB 13.69, -8.72, 9.11

 

CMYK 30 / 0 / 41 / 75

HEX #2D4026

RGB 45 64 38

HSL 103.85, 0.25%, 0.2%

LAB 24.84, -13.5, 13.54

 

CMYK 30 / 0 / 41 / 65

HEX #3F5A35

RGB 63 90 53

HSL 103.78, 0.26%, 0.28%

LAB 35.25, -18.05, 18.22

 

CMYK 30 / 0 / 41 / 55

HEX #517444

RGB 81 116 68

HSL 103.75, 0.26%, 0.36%

LAB 45.16, -22.33, 22.62

 

CMYK 30 / 0 / 42 / 44

HEX #638E53

RGB 99 142 83

HSL 103.73, 0.26%, 0.44%

LAB 54.68, -26.42, 26.82

 

CMYK 30 / 0 / 41 / 65

HEX #3F5A35

RGB 63 90 53

HSL 103.78, 0.26%, 0.28%

LAB 35.25, -18.05, 18.22

 

CMYK 41 / 0 / 3 / 65

HEX #355A57

RGB 53 90 87

HSL 175.14, 0.26%, 0.28%

LAB 35.51, -14.02, -2.45

 

CMYK 0 / 41 / 13 / 65

HEX #5A354E

RGB 90 53 78

HSL 319.46, 0.26%, 0.28%

LAB 27.49, 20.77, -8.3

 

CMYK 30 / 0 / 41 / 65

HEX #3F5A35

RGB 63 90 53

HSL 103.78, 0.26%, 0.28%

LAB 35.25, -18.05, 18.22

 

CMYK 41 / 30 / 0 / 65

HEX #353F5A

RGB 53 63 90

HSL 223.78, 0.26%, 0.28%

LAB 26.88, 3.66, -17.44

 

CMYK 0 / 41 / 30 / 65

HEX #5A353F

RGB 90 53 63

HSL 343.78, 0.26%, 0.28%

LAB 26.96, 18.11, 0.83

 

CMYK 30 / 0 / 41 / 65

HEX #3F5A35

RGB 63 90 53

HSL 103.78, 0.26%, 0.28%

LAB 35.25, -18.05, 18.22

 

CMYK 41 / 0 / 3 / 65

HEX #355A57

RGB 53 90 87

HSL 175.14, 0.26%, 0.28%

LAB 35.51, -14.02, -2.45

 

CMYK 12 / 41 / 0 / 65

HEX #4F355A

RGB 79 53 90

HSL 282.16, 0.26%, 0.28%

LAB 26.58, 19.27, -17.69

 

CMYK 0 / 41 / 38 / 65

HEX #5A3538

RGB 90 53 56

HSL 355.14, 0.26%, 0.28%

LAB 26.75, 17.04, 5.18

 

CMYK 30 / 0 / 41 / 65

HEX #3F5A35

RGB 63 90 53

HSL 103.78, 0.26%, 0.28%

LAB 35.25, -18.05, 18.22

 

CMYK 41 / 9 / 0 / 65

HEX #35525A

RGB 53 82 90

HSL 192.97, 0.26%, 0.28%

LAB 32.98, -8.45, -8.1

 

CMYK 12 / 41 / 0 / 65

HEX #4F355A

RGB 79 53 90

HSL 282.16, 0.26%, 0.28%

LAB 26.58, 19.27, -17.69

 

CMYK 0 / 32 / 41 / 65

HEX #5A3D35

RGB 90 61 53

HSL 12.97, 0.26%, 0.28%

LAB 28.82, 11.57, 10.04

 

Description

Color code: RGBA 63 90 53 0 | qconv.com Color code: RGBA 63 90 53 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 90 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 90 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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