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Color name
RGBA 62 117 53 0.25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 62 117 53 0.25 it is the complementary color RGBA 193 138 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 62 117 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 62 117 53 0.25 shade: RGBA 67 117 48 0.25, RGBA 84 135 67 0.25, RGBA 101 153 86 0.25, RGBA 118 171 105 0.25 and RGBA 135 189 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 62 117 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 62 117 53 0.25 shade: RGBA 62 117 53 0.25, RGBA 45 99 34 0.25, RGBA 28 81 15 0.25, RGBA 11 63 0 0.25 and RGBA 0 45 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 62 117 53 0.25 shade: RGB 61 116 52, RGB 78 116 52, RGB 96 116 52, RGB 113 116 52 and RGB 116 102 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 62 117 53 0.25 shade: RGB 61 116 52, RGB 52 116 60, RGB 52 116 78, RGB 52 116 95 and RGB 52 116 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 62 117 53 0.25 shade matches the following richer shades: RGB 61 116 52, RGB 51 130 39, RGB 42 143 25 and RGB 32 157 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 62 117 53 0.25 shade: RGB 61 116 52, RGB 71 103 66, RGB 81 89 79, RGB 91 75 93 and RGB 100 62 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 62 117 53 0.25 shade: RGB 96 116 52, RGB 79 116 52, RGB 62 116 52, RGB 52 116 60 and RGB 52 116 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 62 117 53 0.25 shade: RGB 31 59 27, RGB 46 88 39, RGB 61 116 52, RGB 76 145 65 and RGB 91 173 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 62 117 53 0.25 shade: RGB 62 117 53, RGB 52 113 116 and RGB 116 52 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 62 117 53 0.25 shade: RGB 62 117 53, RGB 52 62 116 and RGB 116 52 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 62 117 53 0.25 shade: RGB 62 117 53, RGB 52 113 116, RGB 107 52 116 and RGB 116 55 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 62 117 53 0.25 shade: RGB 62 117 53, RGB 52 94 116, RGB 107 52 116 and RGB 116 75 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 14 / 14

HEX #3E75353F

RGBA 62 117 53 0.25

HSLA 111.56, 0.38%, 0.33%, 0.25

LABA 44.24, -31.83, 29.49, 0.25

 

Complementary color

CMYK 1 / 8 / 0 / 5

HEX #C18ACA3F

RGBA 193 138 202 0.25

HSLA 291.56, 0.38%, 0.67%, 0.25

LABA 64.79, 31.84, -24.86, 0.25

 

CMYK 11 / 0 / 15 / 14

HEX #4375303F

RGBA 67 117 48 0.25

HSLA 103.48, 0.42%, 0.32%, 0.25

LABA 44.42, -30.77, 32.37, 0.25

 

CMYK 9 / 0 / 13 / 12

HEX #5487433F

RGBA 84 135 67 0.25

HSLA 105, 0.34%, 0.4%, 0.25

LABA 51.4, -30.73, 31.09, 0.25

 

CMYK 8 / 0 / 11 / 10

HEX #6599563F

RGBA 101 153 86 0.25

HSLA 106.57, 0.28%, 0.47%, 0.25

LABA 58.25, -30.59, 29.8, 0.25

 

CMYK 8 / 0 / 10 / 8

HEX #76AB693F

RGBA 118 171 105 0.25

HSLA 108.18, 0.28%, 0.54%, 0.25

LABA 64.96, -30.4, 28.55, 0.25

 

CMYK 7 / 0 / 9 / 6

HEX #87BD7C3F

RGBA 135 189 124 0.25

HSLA 109.85, 0.33%, 0.61%, 0.25

LABA 71.56, -30.19, 27.37, 0.25

 

CMYK 12 / 0 / 14 / 14

HEX #3E75353F

RGBA 62 117 53 0.25

HSLA 111.56, 0.38%, 0.33%, 0.25

LABA 44.24, -31.83, 29.49, 0.25

 

CMYK 14 / 0 / 16 / 15

HEX #2D63223F

RGBA 45 99 34 0.25

HSLA 109.85, 0.49%, 0.26%, 0.25

LABA 37.11, -31.7, 30.77, 0.25

 

CMYK 16 / 0 / 20 / 17

HEX #1C510F3F

RGBA 28 81 15 0.25

HSLA 108.18, 0.69%, 0.19%, 0.25

LABA 29.83, -31.07, 31.53, 0.25

 

CMYK 21 / 0 / 25 / 19

HEX #0B3F003F

RGBA 11 63 0 0.25

HSLA 109.52, 1%, 0.12%, 0.25

LABA 22.39, -29.43, 30.04, 0.25

 

CMYK 25 / 0 / 25 / 21

HEX #002D003F

RGBA 0 45 0 0.25

HSLA 120, 1%, 0.09%, 0.25

LABA 14.83, -25.61, 21.09, 0.25

 

CMYK 47 / 0 / 55 / 55

HEX #3D7434

RGB 61 116 52

HSL 111.56, 0.38%, 0.33%

LAB 43.84, -31.84, 29.54

 

CMYK 33 / 0 / 55 / 55

HEX #4E7434

RGB 78 116 52

HSL 95.63, 0.38%, 0.33%

LAB 44.74, -25.72, 30.83

 

CMYK 17 / 0 / 55 / 55

HEX #607434

RGB 96 116 52

HSL 78.75, 0.38%, 0.33%

LAB 45.94, -18.34, 32.54

 

CMYK 3 / 0 / 55 / 55

HEX #717434

RGB 113 116 52

HSL 62.81, 0.38%, 0.33%

LAB 47.3, -10.84, 34.48

 

CMYK 0 / 12 / 55 / 55

HEX #746634

RGB 116 102 52

HSL 46.88, 0.38%, 0.33%

LAB 43.45, -1.5, 30.01

 

CMYK 47 / 0 / 55 / 55

HEX #3D7434

RGB 61 116 52

HSL 111.56, 0.38%, 0.33%

LAB 43.84, -31.84, 29.54

 

CMYK 55 / 0 / 48 / 55

HEX #34743C

RGB 52 116 60

HSL 127.5, 0.38%, 0.33%

LAB 43.58, -33.4, 24.78

 

CMYK 55 / 0 / 33 / 55

HEX #34744E

RGB 52 116 78

HSL 144.38, 0.38%, 0.33%

LAB 43.9, -29.99, 14.92

 

CMYK 55 / 0 / 18 / 55

HEX #34745F

RGB 52 116 95

HSL 160.31, 0.38%, 0.33%

LAB 44.3, -26.04, 5.42

 

CMYK 55 / 0 / 3 / 55

HEX #347470

RGB 52 116 112

HSL 176.25, 0.38%, 0.33%

LAB 44.79, -21.45, -4.03

 

CMYK 47 / 0 / 55 / 55

HEX #3D7434

RGB 61 116 52

HSL 111.56, 0.38%, 0.33%

LAB 43.84, -31.84, 29.54

 

CMYK 61 / 0 / 70 / 49

HEX #338227

RGB 51 130 39

HSL 112.09, 0.54%, 0.33%

LAB 48.03, -42.21, 40.47

 

CMYK 71 / 0 / 83 / 44

HEX #2A8F19

RGB 42 143 25

HSL 111.36, 0.7%, 0.33%

LAB 52.07, -50.1, 49.56

 

CMYK 80 / 0 / 93 / 38

HEX #209D0B

RGB 32 157 11

HSL 111.37, 0.87%, 0.33%

LAB 56.53, -56.93, 56.6

 

CMYK 47 / 0 / 55 / 55

HEX #3D7434

RGB 61 116 52

HSL 111.56, 0.38%, 0.33%

LAB 43.84, -31.84, 29.54

 

CMYK 31 / 0 / 36 / 60

HEX #476742

RGB 71 103 66

HSL 111.89, 0.22%, 0.33%

LAB 40.3, -19.68, 17.27

 

CMYK 9 / 0 / 11 / 65

HEX #51594F

RGB 81 89 79

HSL 108, 0.06%, 0.33%

LAB 36.85, -5.3, 4.72

 

CMYK 2 / 19 / 0 / 64

HEX #5B4B5D

RGB 91 75 93

HSL 293.33, 0.11%, 0.33%

LAB 34.08, 10.39, -8.04

 

CMYK 7 / 42 / 0 / 58

HEX #643E6B

RGB 100 62 107

HSL 290.67, 0.27%, 0.33%

LAB 32.29, 24.95, -19.56

 

CMYK 17 / 0 / 55 / 55

HEX #607434

RGB 96 116 52

HSL 78.75, 0.38%, 0.33%

LAB 45.94, -18.34, 32.54

 

CMYK 32 / 0 / 55 / 55

HEX #4F7434

RGB 79 116 52

HSL 94.69, 0.38%, 0.33%

LAB 44.8, -25.33, 30.92

 

CMYK 47 / 0 / 55 / 55

HEX #3E7434

RGB 62 116 52

HSL 110.63, 0.38%, 0.33%

LAB 43.89, -31.51, 29.6

 

CMYK 55 / 0 / 48 / 55

HEX #34743C

RGB 52 116 60

HSL 127.5, 0.38%, 0.33%

LAB 43.58, -33.4, 24.78

 

CMYK 55 / 0 / 34 / 55

HEX #34744D

RGB 52 116 77

HSL 143.44, 0.38%, 0.33%

LAB 43.88, -30.21, 15.48

 

CMYK 47 / 0 / 54 / 77

HEX #1F3B1B

RGB 31 59 27

HSL 112.5, 0.37%, 0.17%

LAB 21.94, -18.35, 16.53

 

CMYK 48 / 0 / 56 / 65

HEX #2E5827

RGB 46 88 39

HSL 111.43, 0.39%, 0.25%

LAB 33.36, -25.65, 23.75

 

CMYK 47 / 0 / 55 / 55

HEX #3D7434

RGB 61 116 52

HSL 111.56, 0.38%, 0.33%

LAB 43.84, -31.84, 29.54

 

CMYK 48 / 0 / 55 / 43

HEX #4C9141

RGB 76 145 65

HSL 111.75, 0.38%, 0.41%

LAB 54.21, -38.18, 35.44

 

CMYK 47 / 0 / 55 / 32

HEX #5BAD4E

RGB 91 173 78

HSL 111.79, 0.38%, 0.49%

LAB 63.89, -43.83, 40.73

 

CMYK 47 / 0 / 55 / 54

HEX #3E7535

RGB 62 117 53

HSL 111.56, 0.38%, 0.33%

LAB 44.24, -31.83, 29.49

 

CMYK 55 / 3 / 0 / 55

HEX #347174

RGB 52 113 116

HSL 182.81, 0.38%, 0.33%

LAB 43.95, -18.68, -7.69

 

CMYK 0 / 55 / 25 / 55

HEX #743457

RGB 116 52 87

HSL 327.19, 0.38%, 0.33%

LAB 31.48, 32.57, -7.79

 

CMYK 47 / 0 / 55 / 54

HEX #3E7535

RGB 62 117 53

HSL 111.56, 0.38%, 0.33%

LAB 44.24, -31.83, 29.49

 

CMYK 55 / 47 / 0 / 55

HEX #343E74

RGB 52 62 116

HSL 230.63, 0.38%, 0.33%

LAB 27.94, 12.85, -32.44

 

CMYK 0 / 55 / 47 / 55

HEX #74343E

RGB 116 52 62

HSL 350.63, 0.38%, 0.33%

LAB 30.68, 29.19, 7.34

 

CMYK 47 / 0 / 55 / 54

HEX #3E7535

RGB 62 117 53

HSL 111.56, 0.38%, 0.33%

LAB 44.24, -31.83, 29.49

 

CMYK 55 / 3 / 0 / 55

HEX #347174

RGB 52 113 116

HSL 182.81, 0.38%, 0.33%

LAB 43.95, -18.68, -7.69

 

CMYK 8 / 55 / 0 / 55

HEX #6B3474

RGB 107 52 116

HSL 291.56, 0.38%, 0.33%

LAB 31.45, 34.97, -26.51

 

CMYK 0 / 53 / 55 / 55

HEX #743734

RGB 116 55 52

HSL 2.81, 0.38%, 0.33%

LAB 31.1, 26.47, 14.41

 

CMYK 47 / 0 / 55 / 54

HEX #3E7535

RGB 62 117 53

HSL 111.56, 0.38%, 0.33%

LAB 44.24, -31.83, 29.49

 

CMYK 55 / 19 / 0 / 55

HEX #345E74

RGB 52 94 116

HSL 200.63, 0.38%, 0.33%

LAB 37.84, -7.83, -16.95

 

CMYK 8 / 55 / 0 / 55

HEX #6B3474

RGB 107 52 116

HSL 291.56, 0.38%, 0.33%

LAB 31.45, 34.97, -26.51

 

CMYK 0 / 35 / 55 / 55

HEX #744B34

RGB 116 75 52

HSL 21.56, 0.38%, 0.33%

LAB 35.97, 14.66, 20.77

 

Description

Color code: RGBA 62 117 53 0.25 | qconv.com Color code: RGBA 62 117 53 0.25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 117 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 117 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 14 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 14% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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