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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 5 77 152 0.6 it is the complementary color RGBA 250 178 103 0.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 5 77 152 0.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 5 77 152 0.6 shade: RGBA 10 77 147 0.6, RGBA 27 95 166 0.6, RGBA 44 113 185 0.6, RGBA 61 131 204 0.6 and RGBA 78 149 223 0.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 5 77 152 0.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 5 77 152 0.6 shade: RGBA 5 77 152 0.6, RGBA 0 59 133 0.6, RGBA 0 41 114 0.6, RGBA 0 23 95 0.6 and RGBA 0 5 76 0.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 5 77 152 0.6 shade: RGB 4 77 153, RGB 4 37 153, RGB 12 4 153, RGB 52 4 153 and RGB 92 4 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 5 77 152 0.6 shade: RGB 4 77 153, RGB 4 37 153 and RGB 4 4 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 5 77 152 0.6 shade matches the following richer shades: RGB 4 77 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 5 77 152 0.6 shade: RGB 4 77 153, RGB 17 77 140, RGB 30 78 127, RGB 43 78 114 and RGB 55 78 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 5 77 152 0.6 shade: RGB 4 153 148, RGB 4 118 153, RGB 4 79 153, RGB 4 39 153 and RGB 9 4 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 5 77 152 0.6 shade: RGB 2 37 73, RGB 3 57 113, RGB 4 77 153, RGB 5 97 193 and RGB 7 118 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 5 77 152 0.6 shade: RGB 5 77 152, RGB 108 4 153 and RGB 138 153 4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 5 77 152 0.6 shade: RGB 5 77 152, RGB 153 4 79 and RGB 79 153 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 5 77 152 0.6 shade: RGB 5 77 152, RGB 108 4 153, RGB 153 79 4 and RGB 49 153 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 5 77 152 0.6 shade: RGB 5 77 152, RGB 153 4 153, RGB 153 79 4 and RGB 4 153 4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 30 / 0 / 24

HEX #054D9899

RGBA 5 77 152 0.6

HSLA 210.61, 0.94%, 0.31%, 0.6

LABA 33.15, 10.72, -46.45, 0.6

 

Complementary color

CMYK 0 / 17 / 35 / 1

HEX #FAB26799

RGBA 250 178 103 0.6

HSLA 30.61, 0.94%, 0.69%, 0.6

LABA 77.96, 18.59, 48.23, 0.6

 

CMYK 56 / 29 / 0 / 25

HEX #0A4D9399

RGBA 10 77 147 0.6

HSLA 210.66, 0.87%, 0.31%, 0.6

LABA 32.87, 8.88, -43.86, 0.6

 

CMYK 50 / 26 / 0 / 21

HEX #1B5FA699

RGBA 27 95 166 0.6

HSLA 210.65, 0.72%, 0.38%, 0.6

LABA 39.87, 5.97, -44.03, 0.6

 

CMYK 46 / 23 / 0 / 16

HEX #2C71B999

RGBA 44 113 185 0.6

HSLA 210.64, 0.62%, 0.45%, 0.6

LABA 46.78, 3.76, -44.12, 0.6

 

CMYK 42 / 21 / 0 / 12

HEX #3D83CC99

RGBA 61 131 204 0.6

HSLA 210.63, 0.58%, 0.52%, 0.6

LABA 53.58, 2.06, -44.17, 0.6

 

CMYK 39 / 20 / 0 / 8

HEX #4E95DF99

RGBA 78 149 223 0.6

HSLA 210.62, 0.69%, 0.59%, 0.6

LABA 60.29, 0.71, -44.21, 0.6

 

CMYK 58 / 30 / 0 / 24

HEX #054D9899

RGBA 5 77 152 0.6

HSLA 210.61, 0.94%, 0.31%, 0.6

LABA 33.15, 10.72, -46.45, 0.6

 

CMYK 60 / 33 / 0 / 29

HEX #003B8599

RGBA 0 59 133 0.6

HSLA 213.38, 1%, 0.26%, 0.6

LABA 26.22, 14.84, -46, 0.6

 

CMYK 60 / 38 / 0 / 33

HEX #00297299

RGBA 0 41 114 0.6

HSLA 218.42, 1%, 0.22%, 0.6

LABA 19.23, 19.58, -45.37, 0.6

 

CMYK 60 / 45 / 0 / 38

HEX #00175F99

RGBA 0 23 95 0.6

HSLA 225.47, 1%, 0.19%, 0.6

LABA 12.21, 24.5, -44.44, 0.6

 

CMYK 60 / 56 / 0 / 42

HEX #00054C99

RGBA 0 5 76 0.6

HSLA 236.05, 1%, 0.15%, 0.6

LABA 5.69, 27.84, -42.29, 0.6

 

CMYK 97 / 50 / 0 / 40

HEX #044D99

RGB 4 77 153

HSL 210.6, 0.95%, 0.31%

LAB 33.21, 11.09, -46.96

 

CMYK 97 / 76 / 0 / 40

HEX #042599

RGB 4 37 153

HSL 226.71, 0.95%, 0.31%

LAB 22.47, 38.22, -64.53

 

CMYK 92 / 97 / 0 / 40

HEX #0C0499

RGB 12 4 153

HSL 243.22, 0.95%, 0.31%

LAB 17.76, 52.96, -72.37

 

CMYK 66 / 97 / 0 / 40

HEX #340499

RGB 52 4 153

HSL 259.33, 0.95%, 0.31%

LAB 20.51, 54.3, -67.72

 

CMYK 40 / 97 / 0 / 40

HEX #5C0499

RGB 92 4 153

HSL 275.44, 0.95%, 0.31%

LAB 25.75, 57.7, -58.88

 

CMYK 97 / 50 / 0 / 40

HEX #044D99

RGB 4 77 153

HSL 210.6, 0.95%, 0.31%

LAB 33.21, 11.09, -46.96

 

CMYK 97 / 76 / 0 / 40

HEX #042599

RGB 4 37 153

HSL 226.71, 0.95%, 0.31%

LAB 22.47, 38.22, -64.53

 

CMYK 97 / 97 / 0 / 40

HEX #040499

RGB 4 4 153

HSL 240, 0.95%, 0.31%

LAB 17.52, 52.86, -72.78

 

CMYK 97 / 50 / 0 / 40

HEX #044D99

RGB 4 77 153

HSL 210.6, 0.95%, 0.31%

LAB 33.21, 11.09, -46.96

 

CMYK 97 / 50 / 0 / 40

HEX #044D99

RGB 4 77 153

HSL 210.6, 0.95%, 0.31%

LAB 33.21, 11.09, -46.96

 

CMYK 88 / 45 / 0 / 45

HEX #114D8C

RGB 17 77 140

HSL 210.73, 0.78%, 0.31%

LAB 32.53, 6.42, -40.13

 

CMYK 76 / 39 / 0 / 50

HEX #1E4E7F

RGB 30 78 127

HSL 210.31, 0.62%, 0.31%

LAB 32.39, 1.93, -32.32

 

CMYK 62 / 32 / 0 / 55

HEX #2B4E72

RGB 43 78 114

HSL 210.42, 0.45%, 0.31%

LAB 32.21, -0.65, -24.47

 

CMYK 46 / 24 / 0 / 60

HEX #374E66

RGB 55 78 102

HSL 210.64, 0.3%, 0.31%

LAB 32.3, -1.68, -16.72

 

CMYK 97 / 0 / 3 / 40

HEX #049994

RGB 4 153 148

HSL 177.99, 0.95%, 0.31%

LAB 57.02, -34.23, -7

 

CMYK 97 / 23 / 0 / 40

HEX #047699

RGB 4 118 153

HSL 194.09, 0.95%, 0.31%

LAB 46.02, -14.57, -26.65

 

CMYK 97 / 48 / 0 / 40

HEX #044F99

RGB 4 79 153

HSL 209.8, 0.95%, 0.31%

LAB 33.81, 9.73, -45.99

 

CMYK 97 / 75 / 0 / 40

HEX #042799

RGB 4 39 153

HSL 225.91, 0.95%, 0.31%

LAB 22.92, 36.98, -63.79

 

CMYK 94 / 97 / 0 / 40

HEX #090499

RGB 9 4 153

HSL 242.01, 0.95%, 0.31%

LAB 17.67, 52.92, -72.52

 

CMYK 97 / 49 / 0 / 71

HEX #022549

RGB 2 37 73

HSL 210.42, 0.95%, 0.15%

LAB 14.5, 3.99, -25.8

 

CMYK 97 / 50 / 0 / 56

HEX #033971

RGB 3 57 113

HSL 210.55, 0.95%, 0.23%

LAB 24.12, 7.69, -36.77

 

CMYK 97 / 50 / 0 / 40

HEX #044D99

RGB 4 77 153

HSL 210.6, 0.95%, 0.31%

LAB 33.21, 11.09, -46.96

 

CMYK 97 / 50 / 0 / 24

HEX #0561C1

RGB 5 97 193

HSL 210.64, 0.95%, 0.39%

LAB 41.89, 14.28, -56.63

 

CMYK 97 / 49 / 0 / 9

HEX #0776E9

RGB 7 118 233

HSL 210.53, 0.94%, 0.47%

LAB 50.55, 16.72, -65.43

 

CMYK 97 / 49 / 0 / 40

HEX #054D98

RGB 5 77 152

HSL 210.61, 0.94%, 0.31%

LAB 33.15, 10.72, -46.45

 

CMYK 29 / 97 / 0 / 40

HEX #6C0499

RGB 108 4 153

HSL 281.88, 0.95%, 0.31%

LAB 28.31, 59.67, -54.58

 

CMYK 10 / 0 / 97 / 40

HEX #8A9904

RGB 138 153 4

HSL 66.04, 0.95%, 0.31%

LAB 60.06, -21.36, 62.5

 

CMYK 97 / 49 / 0 / 40

HEX #054D98

RGB 5 77 152

HSL 210.61, 0.94%, 0.31%

LAB 33.15, 10.72, -46.45

 

CMYK 0 / 97 / 48 / 40

HEX #99044F

RGB 153 4 79

HSL 329.8, 0.95%, 0.31%

LAB 32.75, 57.59, 0.08

 

CMYK 48 / 0 / 97 / 40

HEX #4F9904

RGB 79 153 4

HSL 89.8, 0.95%, 0.31%

LAB 56.54, -44.66, 58.23

 

CMYK 97 / 49 / 0 / 40

HEX #054D98

RGB 5 77 152

HSL 210.61, 0.94%, 0.31%

LAB 33.15, 10.72, -46.45

 

CMYK 29 / 97 / 0 / 40

HEX #6C0499

RGB 108 4 153

HSL 281.88, 0.95%, 0.31%

LAB 28.31, 59.67, -54.58

 

CMYK 0 / 48 / 97 / 40

HEX #994F04

RGB 153 79 4

HSL 30.2, 0.95%, 0.31%

LAB 41.8, 26.67, 50.05

 

CMYK 68 / 0 / 97 / 40

HEX #319904

RGB 49 153 4

HSL 101.88, 0.95%, 0.31%

LAB 55.53, -52.82, 56.99

 

CMYK 97 / 49 / 0 / 40

HEX #054D98

RGB 5 77 152

HSL 210.61, 0.94%, 0.31%

LAB 33.15, 10.72, -46.45

 

CMYK 0 / 97 / 0 / 40

HEX #990499

RGB 153 4 153

HSL 300, 0.95%, 0.31%

LAB 36.29, 66.61, -41.29

 

CMYK 0 / 48 / 97 / 40

HEX #994F04

RGB 153 79 4

HSL 30.2, 0.95%, 0.31%

LAB 41.8, 26.67, 50.05

 

CMYK 97 / 0 / 97 / 40

HEX #049904

RGB 4 153 4

HSL 120, 0.95%, 0.31%

LAB 54.88, -58.5, 56.2

 

Description

Color code: RGBA 5 77 152 0.6 | qconv.com Color code: RGBA 5 77 152 0.6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 77 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 77 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 30 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 30% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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