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Color name
RGBA 59 117 53 0.25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 59 117 53 0.25 it is the complementary color RGBA 196 138 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 59 117 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 59 117 53 0.25 shade: RGBA 64 117 48 0.25, RGBA 81 135 67 0.25, RGBA 98 153 86 0.25, RGBA 115 171 105 0.25 and RGBA 132 189 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 59 117 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 59 117 53 0.25 shade: RGBA 59 117 53 0.25, RGBA 42 99 34 0.25, RGBA 25 81 15 0.25, RGBA 8 63 0 0.25 and RGBA 0 45 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 59 117 53 0.25 shade: RGB 58 116 52, RGB 75 116 52, RGB 93 116 52, RGB 110 116 52 and RGB 116 105 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 59 117 53 0.25 shade: RGB 58 116 52, RGB 52 116 63, RGB 52 116 81, RGB 52 116 98 and RGB 52 116 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 59 117 53 0.25 shade matches the following richer shades: RGB 58 116 52, RGB 47 130 39, RGB 36 143 25 and RGB 25 157 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 59 117 53 0.25 shade: RGB 58 116 52, RGB 69 103 66, RGB 80 89 79, RGB 91 75 93 and RGB 102 62 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 59 117 53 0.25 shade: RGB 93 116 52, RGB 76 116 52, RGB 59 116 52, RGB 52 116 63 and RGB 52 116 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 59 117 53 0.25 shade: RGB 30 59 27, RGB 44 88 39, RGB 58 116 52, RGB 72 145 65 and RGB 87 173 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 59 117 53 0.25 shade: RGB 59 117 53, RGB 52 110 116 and RGB 116 52 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 59 117 53 0.25 shade: RGB 59 117 53, RGB 52 59 116 and RGB 116 52 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 59 117 53 0.25 shade: RGB 59 117 53, RGB 52 110 116, RGB 110 52 116 and RGB 116 59 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 59 117 53 0.25 shade: RGB 59 117 53, RGB 52 91 116, RGB 110 52 116 and RGB 116 78 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 14 / 14

HEX #3B75353F

RGBA 59 117 53 0.25

HSLA 114.38, 0.38%, 0.33%, 0.25

LABA 44.1, -32.8, 29.3, 0.25

 

Complementary color

CMYK 1 / 8 / 0 / 5

HEX #C48ACA3F

RGBA 196 138 202 0.25

HSLA 294.38, 0.38%, 0.67%, 0.25

LABA 65.1, 32.8, -24.35, 0.25

 

CMYK 11 / 0 / 15 / 14

HEX #4075303F

RGBA 64 117 48 0.25

HSLA 106.09, 0.42%, 0.32%, 0.25

LABA 44.27, -31.81, 32.16, 0.25

 

CMYK 10 / 0 / 13 / 12

HEX #5187433F

RGBA 81 135 67 0.25

HSLA 107.65, 0.34%, 0.4%, 0.25

LABA 51.25, -31.78, 30.86, 0.25

 

CMYK 9 / 0 / 11 / 10

HEX #6299563F

RGBA 98 153 86 0.25

HSLA 109.25, 0.28%, 0.47%, 0.25

LABA 58.09, -31.63, 29.56, 0.25

 

CMYK 8 / 0 / 10 / 8

HEX #73AB693F

RGBA 115 171 105 0.25

HSLA 110.91, 0.28%, 0.54%, 0.25

LABA 64.8, -31.43, 28.31, 0.25

 

CMYK 8 / 0 / 9 / 6

HEX #84BD7C3F

RGBA 132 189 124 0.25

HSLA 112.62, 0.33%, 0.61%, 0.25

LABA 71.39, -31.21, 27.12, 0.25

 

CMYK 12 / 0 / 14 / 14

HEX #3B75353F

RGBA 59 117 53 0.25

HSLA 114.38, 0.38%, 0.33%, 0.25

LABA 44.1, -32.8, 29.3, 0.25

 

CMYK 14 / 0 / 16 / 15

HEX #2A63223F

RGBA 42 99 34 0.25

HSLA 112.62, 0.49%, 0.26%, 0.25

LABA 36.99, -32.62, 30.6, 0.25

 

CMYK 17 / 0 / 20 / 17

HEX #19510F3F

RGBA 25 81 15 0.25

HSLA 110.91, 0.69%, 0.19%, 0.25

LABA 29.73, -31.88, 31.4, 0.25

 

CMYK 22 / 0 / 25 / 19

HEX #083F003F

RGBA 8 63 0 0.25

HSLA 112.38, 1%, 0.12%, 0.25

LABA 22.33, -30.03, 29.95, 0.25

 

CMYK 25 / 0 / 25 / 21

HEX #002D003F

RGBA 0 45 0 0.25

HSLA 120, 1%, 0.09%, 0.25

LABA 14.83, -25.61, 21.09, 0.25

 

CMYK 50 / 0 / 55 / 55

HEX #3A7434

RGB 58 116 52

HSL 114.38, 0.38%, 0.33%

LAB 43.71, -32.81, 29.34

 

CMYK 35 / 0 / 55 / 55

HEX #4B7434

RGB 75 116 52

HSL 98.44, 0.38%, 0.33%

LAB 44.57, -26.87, 30.58

 

CMYK 20 / 0 / 55 / 55

HEX #5D7434

RGB 93 116 52

HSL 81.56, 0.38%, 0.33%

LAB 45.72, -19.62, 32.23

 

CMYK 5 / 0 / 55 / 55

HEX #6E7434

RGB 110 116 52

HSL 65.63, 0.38%, 0.33%

LAB 47.04, -12.19, 34.11

 

CMYK 0 / 9 / 55 / 55

HEX #746934

RGB 116 105 52

HSL 49.69, 0.38%, 0.33%

LAB 44.32, -3.24, 31.05

 

CMYK 50 / 0 / 55 / 55

HEX #3A7434

RGB 58 116 52

HSL 114.38, 0.38%, 0.33%

LAB 43.71, -32.81, 29.34

 

CMYK 55 / 0 / 46 / 55

HEX #34743F

RGB 52 116 63

HSL 130.31, 0.38%, 0.33%

LAB 43.62, -32.89, 23.17

 

CMYK 55 / 0 / 30 / 55

HEX #347451

RGB 52 116 81

HSL 147.19, 0.38%, 0.33%

LAB 43.97, -29.35, 13.25

 

CMYK 55 / 0 / 16 / 55

HEX #347462

RGB 52 116 98

HSL 163.13, 0.38%, 0.33%

LAB 44.38, -25.27, 3.74

 

CMYK 55 / 0 / 1 / 55

HEX #347473

RGB 52 116 115

HSL 179.06, 0.38%, 0.33%

LAB 44.88, -20.58, -5.69

 

CMYK 50 / 0 / 55 / 55

HEX #3A7434

RGB 58 116 52

HSL 114.38, 0.38%, 0.33%

LAB 43.71, -32.81, 29.34

 

CMYK 64 / 0 / 70 / 49

HEX #2F8227

RGB 47 130 39

HSL 114.73, 0.54%, 0.33%

LAB 47.9, -43.22, 40.29

 

CMYK 75 / 0 / 83 / 44

HEX #248F19

RGB 36 143 25

HSL 114.41, 0.7%, 0.33%

LAB 51.94, -51.22, 49.39

 

CMYK 84 / 0 / 93 / 38

HEX #199D0B

RGB 25 157 11

HSL 114.25, 0.87%, 0.33%

LAB 56.43, -57.81, 56.48

 

CMYK 50 / 0 / 55 / 55

HEX #3A7434

RGB 58 116 52

HSL 114.38, 0.38%, 0.33%

LAB 43.71, -32.81, 29.34

 

CMYK 33 / 0 / 36 / 60

HEX #456742

RGB 69 103 66

HSL 115.14, 0.22%, 0.33%

LAB 40.18, -20.43, 17.08

 

CMYK 10 / 0 / 11 / 65

HEX #50594F

RGB 80 89 79

HSL 114, 0.06%, 0.33%

LAB 36.77, -5.7, 4.59

 

CMYK 2 / 19 / 0 / 64

HEX #5B4B5D

RGB 91 75 93

HSL 293.33, 0.11%, 0.33%

LAB 34.08, 10.39, -8.04

 

CMYK 5 / 42 / 0 / 58

HEX #663E6B

RGB 102 62 107

HSL 293.33, 0.27%, 0.33%

LAB 32.55, 25.64, -19.14

 

CMYK 20 / 0 / 55 / 55

HEX #5D7434

RGB 93 116 52

HSL 81.56, 0.38%, 0.33%

LAB 45.72, -19.62, 32.23

 

CMYK 34 / 0 / 55 / 55

HEX #4C7434

RGB 76 116 52

HSL 97.5, 0.38%, 0.33%

LAB 44.63, -26.49, 30.66

 

CMYK 49 / 0 / 55 / 55

HEX #3B7434

RGB 59 116 52

HSL 113.44, 0.38%, 0.33%

LAB 43.75, -32.49, 29.41

 

CMYK 55 / 0 / 46 / 55

HEX #34743F

RGB 52 116 63

HSL 130.31, 0.38%, 0.33%

LAB 43.62, -32.89, 23.17

 

CMYK 55 / 0 / 31 / 55

HEX #347450

RGB 52 116 80

HSL 146.25, 0.38%, 0.33%

LAB 43.94, -29.57, 13.81

 

CMYK 49 / 0 / 54 / 77

HEX #1E3B1B

RGB 30 59 27

HSL 114.38, 0.37%, 0.17%

LAB 21.88, -18.73, 16.45

 

CMYK 50 / 0 / 56 / 65

HEX #2C5827

RGB 44 88 39

HSL 113.88, 0.39%, 0.25%

LAB 33.27, -26.34, 23.61

 

CMYK 50 / 0 / 55 / 55

HEX #3A7434

RGB 58 116 52

HSL 114.38, 0.38%, 0.33%

LAB 43.71, -32.81, 29.34

 

CMYK 50 / 0 / 55 / 43

HEX #489141

RGB 72 145 65

HSL 114.75, 0.38%, 0.41%

LAB 54.04, -39.4, 35.2

 

CMYK 50 / 0 / 55 / 32

HEX #57AD4E

RGB 87 173 78

HSL 114.32, 0.38%, 0.49%

LAB 63.72, -45.01, 40.5

 

CMYK 50 / 0 / 55 / 54

HEX #3B7535

RGB 59 117 53

HSL 114.38, 0.38%, 0.33%

LAB 44.1, -32.8, 29.3

 

CMYK 55 / 5 / 0 / 55

HEX #346E74

RGB 52 110 116

HSL 185.63, 0.38%, 0.33%

LAB 42.98, -17.04, -9.14

 

CMYK 0 / 55 / 28 / 55

HEX #743454

RGB 116 52 84

HSL 330, 0.38%, 0.33%

LAB 31.37, 32.11, -6.01

 

CMYK 50 / 0 / 55 / 54

HEX #3B7535

RGB 59 117 53

HSL 114.38, 0.38%, 0.33%

LAB 44.1, -32.8, 29.3

 

CMYK 55 / 49 / 0 / 55

HEX #343B74

RGB 52 59 116

HSL 233.44, 0.38%, 0.33%

LAB 27.07, 14.89, -33.83

 

CMYK 0 / 55 / 49 / 55

HEX #74343B

RGB 116 52 59

HSL 353.44, 0.38%, 0.33%

LAB 30.6, 28.86, 9.2

 

CMYK 50 / 0 / 55 / 54

HEX #3B7535

RGB 59 117 53

HSL 114.38, 0.38%, 0.33%

LAB 44.1, -32.8, 29.3

 

CMYK 55 / 5 / 0 / 55

HEX #346E74

RGB 52 110 116

HSL 185.63, 0.38%, 0.33%

LAB 42.98, -17.04, -9.14

 

CMYK 5 / 55 / 0 / 55

HEX #6E3474

RGB 110 52 116

HSL 294.38, 0.38%, 0.33%

LAB 31.88, 35.88, -25.8

 

CMYK 0 / 49 / 55 / 55

HEX #743B34

RGB 116 59 52

HSL 6.56, 0.38%, 0.33%

LAB 32.01, 24.18, 15.62

 

CMYK 50 / 0 / 55 / 54

HEX #3B7535

RGB 59 117 53

HSL 114.38, 0.38%, 0.33%

LAB 44.1, -32.8, 29.3

 

CMYK 55 / 22 / 0 / 55

HEX #345B74

RGB 52 91 116

HSL 203.44, 0.38%, 0.33%

LAB 36.88, -6.02, -18.42

 

CMYK 5 / 55 / 0 / 55

HEX #6E3474

RGB 110 52 116

HSL 294.38, 0.38%, 0.33%

LAB 31.88, 35.88, -25.8

 

CMYK 0 / 33 / 55 / 55

HEX #744E34

RGB 116 78 52

HSL 24.38, 0.38%, 0.33%

LAB 36.76, 12.85, 21.77

 

Description

Color code: RGBA 59 117 53 0.25 | qconv.com Color code: RGBA 59 117 53 0.25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 117 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 117 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 14 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 14% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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