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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 58 70 242 0.3 it is the complementary color RGBA 197 185 13 0.3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 58 70 242 0.3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 58 70 242 0.3: RGBA 63 70 237 0.3, RGBA 80 88 255 0.3, RGBA 97 106 255 0.3, RGBA 114 124 255 0.3 and RGBA 131 142 255 0.3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 58 70 242 0.3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 58 70 242 0.3: RGBA 58 70 242 0.3, RGBA 41 52 223 0.3, RGBA 24 34 204 0.3, RGBA 7 16 185 0.3 and RGBA 0 0 166 0.3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 21 / 0 / 2

HEX #3A46F24C

RGBA 58 70 242 0.3

HSLA 236.09, 0.88%, 0.59%, 0.3

LABA 40.72, 52.72, -86.51, 0.3

 

Complementary color

CMYK 0 / 2 / 28 / 7

HEX #C5B90D4C

RGBA 197 185 13 0.3

HSLA 56.09, 0.88%, 0.41%, 0.3

LABA 73.93, -11.55, 74.02, 0.3

 

CMYK 22 / 21 / 0 / 2

HEX #3F46ED4C

RGBA 63 70 237 0.3

HSLA 237.59, 0.83%, 0.59%, 0.3

LABA 40.49, 51.52, -84.05, 0.3

 

CMYK 21 / 20 / 0 / 0

HEX #5058FF4C

RGBA 80 88 255 0.3

HSLA 237.26, 1%, 0.66%, 0.3

LABA 46.85, 48.81, -83.66, 0.3

 

CMYK 19 / 18 / 0 / 0

HEX #616AFF4C

RGBA 97 106 255 0.3

HSLA 236.58, 1%, 0.69%, 0.3

LABA 51.92, 40.48, -75.35, 0.3

 

CMYK 17 / 15 / 0 / 0

HEX #727CFF4C

RGBA 114 124 255 0.3

HSLA 235.74, 1%, 0.72%, 0.3

LABA 57.28, 32.68, -66.61, 0.3

 

CMYK 15 / 13 / 0 / 0

HEX #838EFF4C

RGBA 131 142 255 0.3

HSLA 234.68, 1%, 0.76%, 0.3

LABA 62.84, 25.54, -57.64, 0.3

 

CMYK 23 / 21 / 0 / 2

HEX #3A46F24C

RGBA 58 70 242 0.3

HSLA 236.09, 0.88%, 0.59%, 0.3

LABA 40.72, 52.72, -86.51, 0.3

 

CMYK 24 / 23 / 0 / 4

HEX #2934DF4C

RGBA 41 52 223 0.3

HSLA 236.37, 0.74%, 0.52%, 0.3

LABA 34.51, 55.24, -86.01, 0.3

 

CMYK 26 / 25 / 0 / 6

HEX #1822CC4C

RGBA 24 34 204 0.3

HSLA 236.67, 0.79%, 0.45%, 0.3

LABA 28.64, 57.37, -84.79, 0.3

 

CMYK 29 / 27 / 0 / 8

HEX #0710B94C

RGBA 7 16 185 0.3

HSLA 236.97, 0.93%, 0.38%, 0.3

LABA 23.4, 58.32, -82.33, 0.3

 

CMYK 30 / 30 / 0 / 10

HEX #0000A64C

RGBA 0 0 166 0.3

HSLA 240, 1%, 0.33%, 0.3

LABA 19.03, 57.43, -78.22, 0.3

 

CMYK 23 / 21 / 0 / 2

HEX #3A46F24C

RGBA 58 70 242 0.3

HSLA 236.09, 0.88%, 0.59%, 0.3

LABA 40.72, 52.72, -86.51, 0.3

 

CMYK 21 / 23 / 0 / 2

HEX #4C3AF24C

RGBA 76 58 242 0.3

HSLA 245.87, 0.88%, 0.59%, 0.3

LABA 39.54, 60.58, -88.43, 0.3

 

CMYK 17 / 23 / 0 / 2

HEX #6B3AF24C

RGBA 107 58 242 0.3

HSLA 255.98, 0.88%, 0.59%, 0.3

LABA 42.1, 63.86, -84.12, 0.3

 

CMYK 13 / 23 / 0 / 2

HEX #8A3AF24C

RGBA 138 58 242 0.3

HSLA 266.09, 0.88%, 0.59%, 0.3

LABA 45.41, 68.06, -78.55, 0.3

 

CMYK 9 / 23 / 0 / 2

HEX #A83AF24C

RGBA 168 58 242 0.3

HSLA 275.87, 0.88%, 0.59%, 0.3

LABA 49.21, 72.79, -72.2, 0.3

 

CMYK 23 / 21 / 0 / 2

HEX #3A46F24C

RGBA 58 70 242 0.3

HSLA 236.09, 0.88%, 0.59%, 0.3

LABA 40.72, 52.72, -86.51, 0.3

 

CMYK 23 / 21 / 0 / 26

HEX #090B264C

RGBA 9 11 38 0.3

HSLA 235.86, 0.62%, 0.09%, 0.3

LABA 3.95, 6.82, -17.36, 0.3

 

CMYK 23 / 21 / 0 / 20

HEX #151A594C

RGBA 21 26 89 0.3

HSLA 235.59, 0.62%, 0.22%, 0.3

LABA 13.35, 21.83, -38.52, 0.3

 

CMYK 23 / 21 / 0 / 14

HEX #22288C4C

RGBA 34 40 140 0.3

HSLA 236.6, 0.61%, 0.34%, 0.3

LABA 22.83, 33.38, -55.86, 0.3

 

CMYK 23 / 21 / 0 / 8

HEX #2E37BF4C

RGBA 46 55 191 0.3

HSLA 236.28, 0.61%, 0.46%, 0.3

LABA 31.98, 43.32, -71.61, 0.3

 

CMYK 23 / 21 / 0 / 2

HEX #3A46F24C

RGBA 58 70 242 0.3

HSLA 236.09, 0.88%, 0.59%, 0.3

LABA 40.72, 52.72, -86.51, 0.3

 

CMYK 0 / 23 / 3 / 2

HEX #F23AD94C

RGBA 242 58 217 0.3

HSLA 308.15, 0.88%, 0.59%, 0.3

LABA 58.89, 82.57, -41.97, 0.3

 

CMYK 12 / 0 / 23 / 2

HEX #90F23A4C

RGBA 144 242 58 0.3

HSLA 91.96, 0.88%, 0.59%, 0.3

LABA 86.87, -56.56, 73.74, 0.3

 

CMYK 23 / 21 / 0 / 2

HEX #3A46F24C

RGBA 58 70 242 0.3

HSLA 236.09, 0.88%, 0.59%, 0.3

LABA 40.72, 52.72, -86.51, 0.3

 

CMYK 0 / 23 / 21 / 2

HEX #F23A464C

RGBA 242 58 70 0.3

HSLA 356.09, 0.88%, 0.59%, 0.3

LABA 54.39, 68.88, 37.46, 0.3

 

CMYK 21 / 0 / 23 / 2

HEX #46F23A4C

RGBA 70 242 58 0.3

HSLA 116.09, 0.88%, 0.59%, 0.3

LABA 84.54, -74.84, 70.69, 0.3

 

CMYK 23 / 21 / 0 / 2

HEX #3A46F24C

RGBA 58 70 242 0.3

HSLA 236.09, 0.88%, 0.59%, 0.3

LABA 40.72, 52.72, -86.51, 0.3

 

CMYK 0 / 23 / 3 / 2

HEX #F23AD94C

RGBA 242 58 217 0.3

HSLA 308.15, 0.88%, 0.59%, 0.3

LABA 58.89, 82.57, -41.97, 0.3

 

CMYK 0 / 1 / 23 / 2

HEX #F2E63A4C

RGBA 242 230 58 0.3

HSLA 56.09, 0.88%, 0.59%, 0.3

LABA 89.76, -13.8, 78.66, 0.3

 

CMYK 23 / 0 / 20 / 2

HEX #3AF2524C

RGBA 58 242 82 0.3

HSLA 127.83, 0.88%, 0.59%, 0.3

LABA 84.49, -74.7, 62.12, 0.3

 

CMYK 23 / 21 / 0 / 2

HEX #3A46F24C

RGBA 58 70 242 0.3

HSLA 236.09, 0.88%, 0.59%, 0.3

LABA 40.72, 52.72, -86.51, 0.3

 

CMYK 0 / 23 / 10 / 2

HEX #F23AA24C

RGBA 242 58 162 0.3

HSLA 326.09, 0.88%, 0.59%, 0.3

LABA 56.6, 75.78, -13.84, 0.3

 

CMYK 0 / 1 / 23 / 2

HEX #F2E63A4C

RGBA 242 230 58 0.3

HSLA 56.09, 0.88%, 0.59%, 0.3

LABA 89.76, -13.8, 78.66, 0.3

 

CMYK 23 / 0 / 13 / 2

HEX #3AF28A4C

RGBA 58 242 138 0.3

HSLA 146.09, 0.88%, 0.59%, 0.3

LABA 85.12, -67.24, 37.57, 0.3

 

Description

Color code: RGBA 58 70 242 0.3 | qconv.com Color code: RGBA 58 70 242 0.3 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 70 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 70 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 21 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 21% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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