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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 58 57 50 0 it is the complementary color RGBA 197 198 205 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 58 57 50 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 58 57 50 0 shade: RGBA 63 57 45 0, RGBA 80 75 64 0, RGBA 97 93 83 0, RGBA 114 111 102 0 and RGBA 131 129 121 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 58 57 50 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 58 57 50 0 shade: RGBA 58 57 50 0, RGBA 41 39 31 0, RGBA 24 21 12 0 and RGBA 7 3 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 58 57 50 0 shade: RGB 57 56 50, RGB 57 54 50, RGB 57 52 50 and RGB 57 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 58 57 50 0 shade: RGB 57 56 50, RGB 56 57 50, RGB 54 57 50, RGB 52 57 50 and RGB 50 57 50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 58 57 50 0 shade matches the following richer shades: RGB 57 56 50, RGB 66 63 41, RGB 75 69 32, RGB 83 76 24 and RGB 92 82 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 58 57 50 0 shade: RGB 57 56 50, RGB 49 50 58, RGB 40 43 67, RGB 31 37 76 and RGB 23 30 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 58 57 50 0 shade: RGB 57 52 50, RGB 57 54 50, RGB 57 56 50, RGB 56 57 50 and RGB 54 57 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 58 57 50 0 shade: RGB 13 13 11, RGB 35 35 31, RGB 57 56 50, RGB 79 78 69 and RGB 101 100 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 58 57 50 0 shade: RGB 58 57 50, RGB 50 57 50 and RGB 53 50 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 58 57 50 0 shade: RGB 58 57 50, RGB 50 57 56 and RGB 56 50 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 58 57 50 0 shade: RGB 58 57 50, RGB 50 57 50, RGB 50 51 57 and RGB 57 50 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 58 57 50 0 shade: RGB 58 57 50, RGB 50 57 53, RGB 50 51 57 and RGB 57 50 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #3A393200

RGBA 58 57 50 0

HSLA 52.5, 0.07%, 0.21%, 0

LABA 23.86, -1.07, 4.52, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #C5C6CD00

RGBA 197 198 205 0

HSLA 232.5, 0.07%, 0.79%, 0

LABA 79.99, 0.97, -3.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3F392D00

RGBA 63 57 45 0

HSLA 40, 0.17%, 0.21%, 0

LABA 24.23, 0.3, 8.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #504B4000

RGBA 80 75 64 0

HSLA 41.25, 0.11%, 0.28%, 0

LABA 32.05, -0.06, 7.31, 0

 

CMYK 0 / 0 / 0 / 0

HEX #615D5300

RGBA 97 93 83 0

HSLA 42.86, 0.08%, 0.35%, 0

LABA 39.57, -0.34, 6.31, 0

 

CMYK 0 / 0 / 0 / 0

HEX #726F6600

RGBA 114 111 102 0

HSLA 45, 0.06%, 0.42%, 0

LABA 46.85, -0.57, 5.42, 0

 

CMYK 0 / 0 / 0 / 0

HEX #83817900

RGBA 131 129 121 0

HSLA 48, 0.04%, 0.49%, 0

LABA 53.93, -0.77, 4.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3A393200

RGBA 58 57 50 0

HSLA 52.5, 0.07%, 0.21%, 0

LABA 23.86, -1.07, 4.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #29271F00

RGBA 41 39 31 0

HSLA 48, 0.14%, 0.14%, 0

LABA 15.6, -0.81, 5.63, 0

 

CMYK 0 / 0 / 0 / 0

HEX #18150C00

RGBA 24 21 12 0

HSLA 45, 0.33%, 0.07%, 0

LABA 6.84, -0.34, 5.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #07030000

RGBA 7 3 0 0

HSLA 25.71, 1%, 0.01%, 0

LABA 1, 0.63, 1.5, 0

 

CMYK 0 / 2 / 12 / 78

HEX #393832

RGB 57 56 50

HSL 51.43, 0.07%, 0.21%

LAB 23.43, -0.86, 3.9

 

CMYK 0 / 5 / 12 / 78

HEX #393632

RGB 57 54 50

HSL 34.29, 0.07%, 0.21%

LAB 22.79, 0.45, 2.98

 

CMYK 0 / 9 / 12 / 78

HEX #393432

RGB 57 52 50

HSL 17.14, 0.07%, 0.21%

LAB 22.15, 1.78, 2.06

 

CMYK 0 / 12 / 12 / 78

HEX #393232

RGB 57 50 50

HSL 0, 0.07%, 0.21%

LAB 21.51, 3.12, 1.14

 

CMYK 0 / 2 / 12 / 78

HEX #393832

RGB 57 56 50

HSL 51.43, 0.07%, 0.21%

LAB 23.43, -0.86, 3.9

 

CMYK 2 / 0 / 12 / 78

HEX #383932

RGB 56 57 50

HSL 68.57, 0.07%, 0.21%

LAB 23.66, -1.97, 4.22

 

CMYK 5 / 0 / 12 / 78

HEX #363932

RGB 54 57 50

HSL 85.71, 0.07%, 0.21%

LAB 23.47, -2.86, 3.92

 

CMYK 9 / 0 / 12 / 78

HEX #343932

RGB 52 57 50

HSL 102.86, 0.07%, 0.21%

LAB 23.29, -3.74, 3.64

 

CMYK 12 / 0 / 12 / 78

HEX #323932

RGB 50 57 50

HSL 120, 0.07%, 0.21%

LAB 23.12, -4.6, 3.37

 

CMYK 0 / 2 / 12 / 78

HEX #393832

RGB 57 56 50

HSL 51.43, 0.07%, 0.21%

LAB 23.43, -0.86, 3.9

 

CMYK 0 / 5 / 38 / 74

HEX #423F29

RGB 66 63 41

HSL 52.8, 0.23%, 0.21%

LAB 26.37, -2.77, 13.98

 

CMYK 0 / 8 / 57 / 71

HEX #4B4520

RGB 75 69 32

HSL 51.63, 0.4%, 0.21%

LAB 29.05, -3.26, 23.05

 

CMYK 0 / 8 / 71 / 67

HEX #534C18

RGB 83 76 24

HSL 52.88, 0.55%, 0.21%

LAB 31.97, -4.26, 30.87

 

CMYK 0 / 11 / 84 / 64

HEX #5C520F

RGB 92 82 15

HSL 52.21, 0.72%, 0.21%

LAB 34.69, -3.87, 37.74

 

CMYK 0 / 2 / 12 / 78

HEX #393832

RGB 57 56 50

HSL 51.43, 0.07%, 0.21%

LAB 23.43, -0.86, 3.9

 

CMYK 16 / 14 / 0 / 77

HEX #31323A

RGB 49 50 58

HSL 233.33, 0.08%, 0.21%

LAB 20.98, 1.57, -5.19

 

CMYK 40 / 36 / 0 / 74

HEX #282B43

RGB 40 43 67

HSL 233.33, 0.25%, 0.21%

LAB 18.29, 5.71, -15.53

 

CMYK 59 / 51 / 0 / 70

HEX #1F254C

RGB 31 37 76

HSL 232, 0.42%, 0.21%

LAB 16.19, 10.58, -25.07

 

CMYK 73 / 64 / 0 / 67

HEX #171E54

RGB 23 30 84

HSL 233.11, 0.57%, 0.21%

LAB 14.12, 17.22, -33.87

 

CMYK 0 / 9 / 12 / 78

HEX #393432

RGB 57 52 50

HSL 17.14, 0.07%, 0.21%

LAB 22.15, 1.78, 2.06

 

CMYK 0 / 5 / 12 / 78

HEX #393632

RGB 57 54 50

HSL 34.29, 0.07%, 0.21%

LAB 22.79, 0.45, 2.98

 

CMYK 0 / 2 / 12 / 78

HEX #393832

RGB 57 56 50

HSL 51.43, 0.07%, 0.21%

LAB 23.43, -0.86, 3.9

 

CMYK 2 / 0 / 12 / 78

HEX #383932

RGB 56 57 50

HSL 68.57, 0.07%, 0.21%

LAB 23.66, -1.97, 4.22

 

CMYK 5 / 0 / 12 / 78

HEX #363932

RGB 54 57 50

HSL 85.71, 0.07%, 0.21%

LAB 23.47, -2.86, 3.92

 

CMYK 0 / 0 / 15 / 95

HEX #0D0D0B

RGB 13 13 11

HSL 60, 0.08%, 0.05%

LAB 3.59, -0.31, 0.84

 

CMYK 0 / 0 / 11 / 86

HEX #23231F

RGB 35 35 31

HSL 60, 0.06%, 0.13%

LAB 13.58, -0.94, 2.69

 

CMYK 0 / 2 / 12 / 78

HEX #393832

RGB 57 56 50

HSL 51.43, 0.07%, 0.21%

LAB 23.43, -0.86, 3.9

 

CMYK 0 / 1 / 13 / 69

HEX #4F4E45

RGB 79 78 69

HSL 54, 0.07%, 0.29%

LAB 33.01, -1.43, 5.48

 

CMYK 0 / 1 / 13 / 60

HEX #656458

RGB 101 100 88

HSL 55.38, 0.07%, 0.37%

LAB 42.13, -1.95, 6.95

 

CMYK 0 / 2 / 14 / 77

HEX #3A3932

RGB 58 57 50

HSL 52.5, 0.07%, 0.21%

LAB 23.86, -1.07, 4.52

 

CMYK 12 / 0 / 12 / 78

HEX #323932

RGB 50 57 50

HSL 120, 0.07%, 0.21%

LAB 23.12, -4.6, 3.37

 

CMYK 7 / 12 / 0 / 78

HEX #353239

RGB 53 50 57

HSL 265.71, 0.07%, 0.21%

LAB 21.33, 2.97, -3.94

 

CMYK 0 / 2 / 14 / 77

HEX #3A3932

RGB 58 57 50

HSL 52.5, 0.07%, 0.21%

LAB 23.86, -1.07, 4.52

 

CMYK 12 / 0 / 2 / 78

HEX #323938

RGB 50 57 56

HSL 171.43, 0.07%, 0.21%

LAB 23.3, -3.19, -0.39

 

CMYK 2 / 12 / 0 / 78

HEX #383239

RGB 56 50 57

HSL 291.43, 0.07%, 0.21%

LAB 21.64, 4.25, -3.45

 

CMYK 0 / 2 / 14 / 77

HEX #3A3932

RGB 58 57 50

HSL 52.5, 0.07%, 0.21%

LAB 23.86, -1.07, 4.52

 

CMYK 12 / 0 / 12 / 78

HEX #323932

RGB 50 57 50

HSL 120, 0.07%, 0.21%

LAB 23.12, -4.6, 3.37

 

CMYK 12 / 11 / 0 / 78

HEX #323339

RGB 50 51 57

HSL 231.43, 0.07%, 0.21%

LAB 21.36, 1.04, -3.93

 

CMYK 0 / 12 / 0 / 78

HEX #393239

RGB 57 50 57

HSL 300, 0.07%, 0.21%

LAB 21.75, 4.68, -3.28

 

CMYK 0 / 2 / 14 / 77

HEX #3A3932

RGB 58 57 50

HSL 52.5, 0.07%, 0.21%

LAB 23.86, -1.07, 4.52

 

CMYK 12 / 0 / 7 / 78

HEX #323935

RGB 50 57 53

HSL 145.71, 0.07%, 0.21%

LAB 23.21, -3.91, 1.49

 

CMYK 12 / 11 / 0 / 78

HEX #323339

RGB 50 51 57

HSL 231.43, 0.07%, 0.21%

LAB 21.36, 1.04, -3.93

 

CMYK 0 / 12 / 4 / 78

HEX #393237

RGB 57 50 55

HSL 317.14, 0.07%, 0.21%

LAB 21.68, 4.22, -2.02

 

Description

Color code: RGBA 58 57 50 0 | qconv.com Color code: RGBA 58 57 50 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 57 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 57 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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