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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 57 160 201 0.75 it is the complementary color RGBA 198 95 54 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 57 160 201 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 57 160 201 0.75 shade: RGBA 62 160 196 0.75, RGBA 79 178 215 0.75, RGBA 96 196 234 0.75, RGBA 113 214 253 0.75 and RGBA 130 232 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 57 160 201 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 57 160 201 0.75 shade: RGBA 57 160 201 0.75, RGBA 40 142 182 0.75, RGBA 23 124 163 0.75, RGBA 6 106 144 0.75 and RGBA 0 88 125 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 57 160 201 0.75 shade: RGB 59 161 201, RGB 59 122 201, RGB 59 84 201, RGB 72 59 201 and RGB 111 59 201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 57 160 201 0.75 shade: RGB 59 161 201, RGB 59 122 201, RGB 59 84 201 and RGB 59 59 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 57 160 201 0.75 shade matches the following richer shades: RGB 59 161 201, RGB 39 169 221 and RGB 18 178 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 57 160 201 0.75 shade: RGB 59 161 201, RGB 79 152 181, RGB 99 143 161, RGB 119 135 141 and RGB 140 126 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 57 160 201 0.75 shade: RGB 59 201 166, RGB 59 199 201, RGB 59 161 201, RGB 59 123 201 and RGB 59 85 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 57 160 201 0.75 shade: RGB 38 111 139, RGB 47 136 172, RGB 59 161 201, RGB 91 176 210 and RGB 124 192 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 57 160 201 0.75 shade: RGB 57 160 201, RGB 128 59 201 and RGB 201 185 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 57 160 201 0.75 shade: RGB 57 160 201, RGB 201 59 161 and RGB 161 201 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 57 160 201 0.75 shade: RGB 57 160 201, RGB 128 59 201, RGB 201 99 59 and RGB 132 201 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 57 160 201 0.75 shade: RGB 57 160 201, RGB 170 59 201, RGB 201 99 59 and RGB 90 201 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 15 / 0 / 16

HEX #39A0C9BF

RGBA 57 160 201 0.75

HSLA 197.08, 0.57%, 0.51%, 0.75

LABA 61.85, -16.06, -29.55, 0.75

 

Complementary color

CMYK 0 / 39 / 55 / 17

HEX #C65F36BF

RGBA 198 95 54 0.75

HSLA 17.08, 0.57%, 0.49%, 0.75

LABA 52.35, 38.27, 41.9, 0.75

 

CMYK 51 / 14 / 0 / 17

HEX #3EA0C4BF

RGBA 62 160 196 0.75

HSLA 196.12, 0.53%, 0.51%, 0.75

LABA 61.78, -16.98, -26.84, 0.75

 

CMYK 47 / 13 / 0 / 12

HEX #4FB2D7BF

RGBA 79 178 215 0.75

HSLA 196.32, 0.63%, 0.58%, 0.75

LABA 68.32, -17.77, -27.27, 0.75

 

CMYK 44 / 12 / 0 / 6

HEX #60C4EABF

RGBA 96 196 234 0.75

HSLA 196.52, 0.77%, 0.65%, 0.75

LABA 74.77, -18.38, -27.67, 0.75

 

CMYK 42 / 12 / 0 / 1

HEX #71D6FDBF

RGBA 113 214 253 0.75

HSLA 196.71, 0.97%, 0.72%, 0.75

LABA 81.12, -18.85, -28.04, 0.75

 

CMYK 37 / 7 / 0 / 0

HEX #82E8FFBF

RGBA 130 232 255 0.75

HSLA 191.04, 1%, 0.75%, 0.75

LABA 86.84, -23.83, -20.35, 0.75

 

CMYK 54 / 15 / 0 / 16

HEX #39A0C9BF

RGBA 57 160 201 0.75

HSLA 197.08, 0.57%, 0.51%, 0.75

LABA 61.85, -16.06, -29.55, 0.75

 

CMYK 59 / 16 / 0 / 21

HEX #288EB6BF

RGBA 40 142 182 0.75

HSLA 196.9, 0.64%, 0.44%, 0.75

LABA 55.25, -14.81, -29.08, 0.75

 

CMYK 64 / 18 / 0 / 27

HEX #177CA3BF

RGBA 23 124 163 0.75

HSLA 196.71, 0.75%, 0.36%, 0.75

LABA 48.56, -13.16, -28.54, 0.75

 

CMYK 72 / 20 / 0 / 33

HEX #066A90BF

RGBA 6 106 144 0.75

HSLA 196.52, 0.92%, 0.29%, 0.75

LABA 41.78, -10.97, -27.9, 0.75

 

CMYK 75 / 22 / 0 / 38

HEX #00587DBF

RGBA 0 88 125 0.75

HSLA 197.76, 1%, 0.25%, 0.75

LABA 34.92, -8.02, -27.12, 0.75

 

CMYK 71 / 20 / 0 / 21

HEX #3BA1C9

RGB 59 161 201

HSL 196.9, 0.57%, 0.51%

LAB 62.2, -16.32, -29

 

CMYK 71 / 39 / 0 / 21

HEX #3B7AC9

RGB 59 122 201

HSL 213.38, 0.57%, 0.51%

LAB 50.76, 6.14, -46.94

 

CMYK 71 / 58 / 0 / 21

HEX #3B54C9

RGB 59 84 201

HSL 229.44, 0.57%, 0.51%

LAB 40.39, 30.21, -63.64

 

CMYK 64 / 71 / 0 / 21

HEX #483BC9

RGB 72 59 201

HSL 245.49, 0.57%, 0.51%

LAB 35.44, 47.12, -71.7

 

CMYK 45 / 71 / 0 / 21

HEX #6F3BC9

RGB 111 59 201

HSL 261.97, 0.57%, 0.51%

LAB 39.11, 53.06, -65.55

 

CMYK 71 / 20 / 0 / 21

HEX #3BA1C9

RGB 59 161 201

HSL 196.9, 0.57%, 0.51%

LAB 62.2, -16.32, -29

 

CMYK 71 / 39 / 0 / 21

HEX #3B7AC9

RGB 59 122 201

HSL 213.38, 0.57%, 0.51%

LAB 50.76, 6.14, -46.94

 

CMYK 71 / 58 / 0 / 21

HEX #3B54C9

RGB 59 84 201

HSL 229.44, 0.57%, 0.51%

LAB 40.39, 30.21, -63.64

 

CMYK 71 / 71 / 0 / 21

HEX #3B3BC9

RGB 59 59 201

HSL 240, 0.57%, 0.51%

LAB 34.55, 45.61, -73.2

 

CMYK 71 / 20 / 0 / 21

HEX #3BA1C9

RGB 59 161 201

HSL 196.9, 0.57%, 0.51%

LAB 62.2, -16.32, -29

 

CMYK 82 / 24 / 0 / 13

HEX #27A9DD

RGB 39 169 221

HSL 197.14, 0.73%, 0.51%

LAB 64.98, -16.08, -35.81

 

CMYK 93 / 26 / 0 / 5

HEX #12B2F2

RGB 18 178 242

HSL 197.14, 0.9%, 0.51%

LAB 68.3, -14.81, -42.15

 

CMYK 71 / 20 / 0 / 21

HEX #3BA1C9

RGB 59 161 201

HSL 196.9, 0.57%, 0.51%

LAB 62.2, -16.32, -29

 

CMYK 56 / 16 / 0 / 29

HEX #4F98B5

RGB 79 152 181

HSL 197.06, 0.41%, 0.51%

LAB 59.39, -14.33, -22.03

 

CMYK 39 / 11 / 0 / 37

HEX #638FA1

RGB 99 143 161

HSL 197.42, 0.25%, 0.51%

LAB 56.95, -10.25, -14.28

 

CMYK 16 / 4 / 0 / 45

HEX #77878D

RGB 119 135 141

HSL 196.36, 0.09%, 0.51%

LAB 55.25, -4.46, -5.18

 

CMYK 0 / 10 / 14 / 45

HEX #8C7E78

RGB 140 126 120

HSL 18, 0.08%, 0.51%

LAB 53.87, 4.27, 5.2

SW® 6039

CMYK 71 / 0 / 17 / 21

HEX #3BC9A6

RGB 59 201 166

HSL 165.21, 0.57%, 0.51%

LAB 73.19, -45.63, 6.71

 

CMYK 71 / 1 / 0 / 21

HEX #3BC7C9

RGB 59 199 201

HSL 180.85, 0.57%, 0.51%

LAB 73.54, -35.35, -11.75

 

CMYK 71 / 20 / 0 / 21

HEX #3BA1C9

RGB 59 161 201

HSL 196.9, 0.57%, 0.51%

LAB 62.2, -16.32, -29

 

CMYK 71 / 39 / 0 / 21

HEX #3B7BC9

RGB 59 123 201

HSL 212.96, 0.57%, 0.51%

LAB 51.05, 5.53, -46.49

 

CMYK 71 / 58 / 0 / 21

HEX #3B55C9

RGB 59 85 201

HSL 229.01, 0.57%, 0.51%

LAB 40.64, 29.57, -63.23

 

CMYK 73 / 20 / 0 / 45

HEX #266F8B

RGB 38 111 139

HSL 196.63, 0.57%, 0.35%

LAB 43.72, -12.69, -21.86

 

CMYK 73 / 21 / 0 / 33

HEX #2F88AC

RGB 47 136 172

HSL 197.28, 0.57%, 0.43%

LAB 53.16, -14.07, -26.58

 

CMYK 71 / 20 / 0 / 21

HEX #3BA1C9

RGB 59 161 201

HSL 196.9, 0.57%, 0.51%

LAB 62.2, -16.32, -29

 

CMYK 57 / 16 / 0 / 18

HEX #5BB0D2

RGB 91 176 210

HSL 197.14, 0.57%, 0.59%

LAB 67.97, -16.01, -25.03

 

CMYK 43 / 12 / 0 / 14

HEX #7CC0DB

RGB 124 192 219

HSL 197.05, 0.57%, 0.67%

LAB 74.25, -14.49, -20.24

 

CMYK 72 / 20 / 0 / 21

HEX #39A0C9

RGB 57 160 201

HSL 197.08, 0.57%, 0.51%

LAB 61.85, -16.06, -29.55

 

CMYK 36 / 71 / 0 / 21

HEX #803BC9

RGB 128 59 201

HSL 269.15, 0.57%, 0.51%

LAB 41.11, 56.14, -62.21

 

CMYK 0 / 8 / 71 / 21

HEX #C9B93B

RGB 201 185 59

HSL 53.24, 0.57%, 0.51%

LAB 74.46, -8.42, 62.64

 

CMYK 72 / 20 / 0 / 21

HEX #39A0C9

RGB 57 160 201

HSL 197.08, 0.57%, 0.51%

LAB 61.85, -16.06, -29.55

 

CMYK 0 / 71 / 20 / 21

HEX #C93BA1

RGB 201 59 161

HSL 316.9, 0.57%, 0.51%

LAB 49.64, 65.21, -24.51

 

CMYK 20 / 0 / 71 / 21

HEX #A1C93B

RGB 161 201 59

HSL 76.9, 0.57%, 0.51%

LAB 75.86, -32.95, 63.01

 

CMYK 72 / 20 / 0 / 21

HEX #39A0C9

RGB 57 160 201

HSL 197.08, 0.57%, 0.51%

LAB 61.85, -16.06, -29.55

 

CMYK 36 / 71 / 0 / 21

HEX #803BC9

RGB 128 59 201

HSL 269.15, 0.57%, 0.51%

LAB 41.11, 56.14, -62.21

 

CMYK 0 / 51 / 71 / 21

HEX #C9633B

RGB 201 99 59

HSL 16.9, 0.57%, 0.51%

LAB 53.66, 37.65, 40.87

 

CMYK 34 / 0 / 71 / 21

HEX #84C93B

RGB 132 201 59

HSL 89.15, 0.57%, 0.51%

LAB 74.19, -43.85, 60.78

 

CMYK 72 / 20 / 0 / 21

HEX #39A0C9

RGB 57 160 201

HSL 197.08, 0.57%, 0.51%

LAB 61.85, -16.06, -29.55

 

CMYK 15 / 71 / 0 / 21

HEX #AA3BC9

RGB 170 59 201

HSL 286.9, 0.57%, 0.51%

LAB 46.83, 64.56, -52.68

 

CMYK 0 / 51 / 71 / 21

HEX #C9633B

RGB 201 99 59

HSL 16.9, 0.57%, 0.51%

LAB 53.66, 37.65, 40.87

 

CMYK 55 / 0 / 71 / 21

HEX #5AC93B

RGB 90 201 59

HSL 106.9, 0.57%, 0.51%

LAB 72.4, -56.92, 58.39

 

Description

Color code: RGBA 57 160 201 0.75 | qconv.com Color code: RGBA 57 160 201 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 160 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 160 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 15 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 15% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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