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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 57 147 199 0.75 it is the complementary color RGBA 198 108 56 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 57 147 199 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 57 147 199 0.75 shade: RGBA 62 147 194 0.75, RGBA 79 165 213 0.75, RGBA 96 183 232 0.75, RGBA 113 201 251 0.75 and RGBA 130 219 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 57 147 199 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 57 147 199 0.75 shade: RGBA 57 147 199 0.75, RGBA 40 129 180 0.75, RGBA 23 111 161 0.75, RGBA 6 93 142 0.75 and RGBA 0 75 123 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 57 147 199 0.75 shade: RGB 56 147 199, RGB 56 108 199, RGB 56 70 199, RGB 81 56 199 and RGB 120 56 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 57 147 199 0.75 shade: RGB 56 147 199, RGB 56 108 199, RGB 56 70 199 and RGB 56 56 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 57 147 199 0.75 shade matches the following richer shades: RGB 56 147 199, RGB 35 152 220 and RGB 15 158 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 57 147 199 0.75 shade: RGB 56 147 199, RGB 77 141 178, RGB 97 136 158, RGB 118 130 137 and RGB 139 125 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 57 147 199 0.75 shade: RGB 56 199 173, RGB 56 187 199, RGB 56 149 199, RGB 56 111 199 and RGB 56 73 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 57 147 199 0.75 shade: RGB 38 99 135, RGB 47 123 167, RGB 56 147 199, RGB 88 164 208 and RGB 120 182 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 57 147 199 0.75 shade: RGB 57 147 199, RGB 135 56 199 and RGB 199 192 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 57 147 199 0.75 shade: RGB 57 147 199, RGB 199 56 149 and RGB 149 199 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 57 147 199 0.75 shade: RGB 57 147 199, RGB 135 56 199, RGB 199 106 56 and RGB 120 199 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 57 147 199 0.75 shade: RGB 57 147 199, RGB 177 56 199, RGB 199 106 56 and RGB 78 199 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 20 / 0 / 16

HEX #3993C7BF

RGBA 57 147 199 0.75

HSLA 201.97, 0.56%, 0.5%, 0.75

LABA 57.9, -9.57, -34.56, 0.75

 

Complementary color

CMYK 0 / 34 / 54 / 17

HEX #C66C38BF

RGBA 198 108 56 0.75

HSLA 21.97, 0.56%, 0.5%, 0.75

LABA 55.09, 31.59, 43.86, 0.75

 

CMYK 51 / 18 / 0 / 18

HEX #3E93C2BF

RGBA 62 147 194 0.75

HSLA 201.36, 0.52%, 0.5%, 0.75

LABA 57.83, -10.52, -31.83, 0.75

 

CMYK 47 / 17 / 0 / 12

HEX #4FA5D5BF

RGBA 79 165 213 0.75

HSLA 201.49, 0.61%, 0.57%, 0.75

LABA 64.46, -11.43, -32.12, 0.75

 

CMYK 44 / 16 / 0 / 7

HEX #60B7E8BF

RGBA 96 183 232 0.75

HSLA 201.62, 0.75%, 0.64%, 0.75

LABA 70.99, -12.14, -32.39, 0.75

 

CMYK 41 / 15 / 0 / 1

HEX #71C9FBBF

RGBA 113 201 251 0.75

HSLA 201.74, 0.95%, 0.71%, 0.75

LABA 77.43, -12.7, -32.65, 0.75

 

CMYK 37 / 11 / 0 / 0

HEX #82DBFFBF

RGBA 130 219 255 0.75

HSLA 197.28, 1%, 0.75%, 0.75

LABA 83.25, -17.31, -25.8, 0.75

 

CMYK 54 / 20 / 0 / 16

HEX #3993C7BF

RGBA 57 147 199 0.75

HSLA 201.97, 0.56%, 0.5%, 0.75

LABA 57.9, -9.57, -34.56, 0.75

 

CMYK 58 / 21 / 0 / 22

HEX #2881B4BF

RGBA 40 129 180 0.75

HSLA 201.86, 0.64%, 0.43%, 0.75

LABA 51.21, -8.17, -34.24, 0.75

 

CMYK 64 / 23 / 0 / 28

HEX #176FA1BF

RGBA 23 111 161 0.75

HSLA 201.74, 0.75%, 0.36%, 0.75

LABA 44.41, -6.32, -33.87, 0.75

 

CMYK 72 / 26 / 0 / 33

HEX #065D8EBF

RGBA 6 93 142 0.75

HSLA 201.62, 0.92%, 0.29%, 0.75

LABA 37.52, -3.87, -33.41, 0.75

 

CMYK 75 / 29 / 0 / 39

HEX #004B7BBF

RGBA 0 75 123 0.75

HSLA 203.41, 1%, 0.24%, 0.75

LABA 30.55, -0.56, -32.79, 0.75

 

CMYK 72 / 26 / 0 / 22

HEX #3893C7

RGB 56 147 199

HSL 201.82, 0.56%, 0.5%

LAB 57.88, -9.71, -34.6

 

CMYK 72 / 46 / 0 / 22

HEX #386CC7

RGB 56 108 199

HSL 218.18, 0.56%, 0.5%

LAB 46.56, 13.7, -52.51

 

CMYK 72 / 65 / 0 / 22

HEX #3846C7

RGB 56 70 199

HSL 234.13, 0.56%, 0.5%

LAB 36.64, 37.98, -68.61

 

CMYK 59 / 72 / 0 / 22

HEX #5138C7

RGB 81 56 199

HSL 250.49, 0.56%, 0.5%

LAB 35.4, 49.34, -70.57

 

CMYK 40 / 72 / 0 / 22

HEX #7838C7

RGB 120 56 199

HSL 266.85, 0.56%, 0.5%

LAB 39.49, 55.57, -63.73

 

CMYK 72 / 26 / 0 / 22

HEX #3893C7

RGB 56 147 199

HSL 201.82, 0.56%, 0.5%

LAB 57.88, -9.71, -34.6

 

CMYK 72 / 46 / 0 / 22

HEX #386CC7

RGB 56 108 199

HSL 218.18, 0.56%, 0.5%

LAB 46.56, 13.7, -52.51

 

CMYK 72 / 65 / 0 / 22

HEX #3846C7

RGB 56 70 199

HSL 234.13, 0.56%, 0.5%

LAB 36.64, 37.98, -68.61

 

CMYK 72 / 72 / 0 / 22

HEX #3838C7

RGB 56 56 199

HSL 240, 0.56%, 0.5%

LAB 33.55, 46.37, -73.69

 

CMYK 72 / 26 / 0 / 22

HEX #3893C7

RGB 56 147 199

HSL 201.82, 0.56%, 0.5%

LAB 57.88, -9.71, -34.6

 

CMYK 84 / 31 / 0 / 14

HEX #2398DC

RGB 35 152 220

HSL 202.05, 0.73%, 0.5%

LAB 59.87, -7.36, -43.27

 

CMYK 94 / 34 / 0 / 6

HEX #0F9EF0

RGB 15 158 240

HSL 201.87, 0.88%, 0.5%

LAB 62.38, -4.54, -50.39

 

CMYK 72 / 26 / 0 / 22

HEX #3893C7

RGB 56 147 199

HSL 201.82, 0.56%, 0.5%

LAB 57.88, -9.71, -34.6

 

CMYK 57 / 21 / 0 / 30

HEX #4D8DB2

RGB 77 141 178

HSL 201.98, 0.4%, 0.5%

LAB 55.93, -9.6, -25.66

 

CMYK 39 / 14 / 0 / 38

HEX #61889E

RGB 97 136 158

HSL 201.64, 0.24%, 0.5%

LAB 54.68, -7.72, -16.01

 

CMYK 14 / 5 / 0 / 46

HEX #768289

RGB 118 130 137

HSL 202.11, 0.07%, 0.5%

LAB 53.62, -2.86, -5.28

 

CMYK 0 / 10 / 17 / 45

HEX #8B7D74

RGB 139 125 116

HSL 23.48, 0.09%, 0.5%

LAB 53.4, 3.76, 6.84

 

CMYK 72 / 0 / 13 / 22

HEX #38C7AD

RGB 56 199 173

HSL 169.09, 0.56%, 0.5%

LAB 72.7, -43.41, 2.2

 

CMYK 72 / 6 / 0 / 22

HEX #38BBC7

RGB 56 187 199

HSL 185.03, 0.56%, 0.5%

LAB 69.83, -30.61, -16.25

 

CMYK 72 / 25 / 0 / 22

HEX #3895C7

RGB 56 149 199

HSL 200.98, 0.56%, 0.5%

LAB 58.47, -10.83, -33.68

 

CMYK 72 / 44 / 0 / 22

HEX #386FC7

RGB 56 111 199

HSL 216.92, 0.56%, 0.5%

LAB 47.41, 11.81, -51.16

 

CMYK 72 / 63 / 0 / 22

HEX #3849C7

RGB 56 73 199

HSL 232.87, 0.56%, 0.5%

LAB 37.35, 36.1, -67.44

 

CMYK 72 / 27 / 0 / 47

HEX #266387

RGB 38 99 135

HSL 202.27, 0.56%, 0.34%

LAB 39.72, -7.06, -25.66

 

CMYK 72 / 26 / 0 / 35

HEX #2F7BA7

RGB 47 123 167

HSL 202, 0.56%, 0.42%

LAB 48.96, -8.42, -30.22

 

CMYK 72 / 26 / 0 / 22

HEX #3893C7

RGB 56 147 199

HSL 201.82, 0.56%, 0.5%

LAB 57.88, -9.71, -34.6

 

CMYK 58 / 21 / 0 / 18

HEX #58A4D0

RGB 88 164 208

HSL 202, 0.56%, 0.58%

LAB 64.31, -10.76, -29.57

 

CMYK 45 / 16 / 0 / 15

HEX #78B6D9

RGB 120 182 217

HSL 201.65, 0.56%, 0.66%

LAB 71.19, -10.73, -23.83

 

CMYK 71 / 26 / 0 / 22

HEX #3993C7

RGB 57 147 199

HSL 201.97, 0.56%, 0.5%

LAB 57.9, -9.57, -34.56

 

CMYK 32 / 72 / 0 / 22

HEX #8738C7

RGB 135 56 199

HSL 273.15, 0.56%, 0.5%

LAB 41.38, 58.34, -60.57

 

CMYK 0 / 4 / 72 / 22

HEX #C7C038

RGB 199 192 56

HSL 57.06, 0.56%, 0.5%

LAB 76.15, -13, 65.32

 

CMYK 71 / 26 / 0 / 22

HEX #3993C7

RGB 57 147 199

HSL 201.97, 0.56%, 0.5%

LAB 57.9, -9.57, -34.56

 

CMYK 0 / 72 / 25 / 22

HEX #C73895

RGB 199 56 149

HSL 320.98, 0.56%, 0.5%

LAB 48.44, 64.17, -19.25

 

CMYK 25 / 0 / 72 / 22

HEX #95C738

RGB 149 199 56

HSL 80.98, 0.56%, 0.5%

LAB 74.52, -36.88, 62.51

 

CMYK 71 / 26 / 0 / 22

HEX #3993C7

RGB 57 147 199

HSL 201.97, 0.56%, 0.5%

LAB 57.9, -9.57, -34.56

 

CMYK 32 / 72 / 0 / 22

HEX #8738C7

RGB 135 56 199

HSL 273.15, 0.56%, 0.5%

LAB 41.38, 58.34, -60.57

 

CMYK 0 / 47 / 72 / 22

HEX #C76A38

RGB 199 106 56

HSL 20.98, 0.56%, 0.5%

LAB 54.8, 33.06, 43.59

 

CMYK 40 / 0 / 72 / 22

HEX #78C738

RGB 120 199 56

HSL 93.15, 0.56%, 0.5%

LAB 72.97, -47.36, 60.46

 

CMYK 71 / 26 / 0 / 22

HEX #3993C7

RGB 57 147 199

HSL 201.97, 0.56%, 0.5%

LAB 57.9, -9.57, -34.56

 

CMYK 11 / 72 / 0 / 22

HEX #B138C7

RGB 177 56 199

HSL 290.77, 0.56%, 0.5%

LAB 47.36, 66.76, -50.61

 

CMYK 0 / 47 / 72 / 22

HEX #C76A38

RGB 199 106 56

HSL 20.98, 0.56%, 0.5%

LAB 54.8, 33.06, 43.59

 

CMYK 61 / 0 / 72 / 22

HEX #4EC738

RGB 78 199 56

HSL 110.77, 0.56%, 0.5%

LAB 71.39, -59.42, 58.33

 

Description

Color code: RGBA 57 147 199 0.75 | qconv.com Color code: RGBA 57 147 199 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 147 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 147 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 20 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 20% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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