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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 56 95 197 0 it is the complementary color RGBA 199 160 58 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 56 95 197 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 56 95 197 0 shade: RGBA 61 95 192 0, RGBA 78 113 211 0, RGBA 95 131 230 0, RGBA 112 149 249 0 and RGBA 129 167 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 56 95 197 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 56 95 197 0 shade: RGBA 56 95 197 0, RGBA 39 77 178 0, RGBA 22 59 159 0, RGBA 5 41 140 0 and RGBA 0 23 121 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 56 95 197 0 shade: RGB 56 96 199, RGB 56 57 199, RGB 94 56 199, RGB 132 56 199 and RGB 171 56 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 56 95 197 0 shade: RGB 56 96 199, RGB 56 57 199 and RGB 56 56 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 56 95 197 0 shade matches the following richer shades: RGB 56 96 199, RGB 35 86 220 and RGB 15 77 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 56 95 197 0 shade: RGB 56 96 199, RGB 77 105 178, RGB 97 114 158, RGB 118 123 137 and RGB 139 132 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 56 95 197 0 shade: RGB 56 173 199, RGB 56 135 199, RGB 56 97 199, RGB 56 58 199 and RGB 92 56 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 56 95 197 0 shade: RGB 38 65 135, RGB 47 80 167, RGB 56 96 199, RGB 88 121 208 and RGB 120 147 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 56 95 197 0 shade: RGB 56 95 197, RGB 187 56 199 and RGB 154 199 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 56 95 197 0 shade: RGB 56 95 197, RGB 199 56 97 and RGB 97 199 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 56 95 197 0 shade: RGB 56 95 197, RGB 187 56 199, RGB 199 158 56 and RGB 68 199 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 56 95 197 0 shade: RGB 56 95 197, RGB 199 56 168, RGB 199 158 56 and RGB 56 199 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #385FC500

RGBA 56 95 197 0

HSLA 223.4, 0.56%, 0.5%, 0

LABA 42.85, 21.27, -57.35, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #C7A03A00

RGBA 199 160 58 0

HSLA 43.4, 0.56%, 0.5%, 0

LABA 67.72, 3.86, 56.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3D5FC000

RGBA 61 95 192 0

HSLA 224.43, 0.52%, 0.5%, 0

LABA 42.74, 20.18, -54.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4E71D300

RGBA 78 113 211 0

HSLA 224.21, 0.6%, 0.57%, 0

LABA 49.66, 18.33, -54.36, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5F83E600

RGBA 95 131 230 0

HSLA 224, 0.73%, 0.64%, 0

LABA 56.46, 16.82, -54.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7095F900

RGBA 112 149 249 0

HSLA 223.8, 0.92%, 0.71%, 0

LABA 63.16, 15.56, -53.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #81A7FF00

RGBA 129 167 255 0

HSLA 221.9, 1%, 0.75%, 0

LABA 69.13, 10.61, -47.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #385FC500

RGBA 56 95 197 0

HSLA 223.4, 0.56%, 0.5%, 0

LABA 42.85, 21.27, -57.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #274DB200

RGBA 39 77 178 0

HSLA 223.6, 0.64%, 0.43%, 0

LABA 35.89, 23.81, -57.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #163B9F00

RGBA 22 59 159 0

HSLA 223.8, 0.76%, 0.35%, 0

LABA 28.91, 26.95, -57.58, 0

 

CMYK 0 / 0 / 0 / 0

HEX #05298C00

RGBA 5 41 140 0

HSLA 224, 0.93%, 0.28%, 0

LABA 21.99, 30.7, -57.29, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00177900

RGBA 0 23 121 0

HSLA 228.6, 1%, 0.24%, 0

LABA 15.45, 34.76, -56.1, 0

 

CMYK 72 / 52 / 0 / 22

HEX #3860C7

RGB 56 96 199

HSL 223.22, 0.56%, 0.5%

LAB 43.26, 21.37, -57.84

 

CMYK 72 / 71 / 0 / 22

HEX #3839C7

RGB 56 57 199

HSL 239.58, 0.56%, 0.5%

LAB 33.75, 45.79, -73.35

 

CMYK 53 / 72 / 0 / 22

HEX #5E38C7

RGB 94 56 199

HSL 255.94, 0.56%, 0.5%

LAB 36.61, 51.23, -68.54

 

CMYK 34 / 72 / 0 / 22

HEX #8438C7

RGB 132 56 199

HSL 271.89, 0.56%, 0.5%

LAB 40.99, 57.77, -61.22

 

CMYK 14 / 72 / 0 / 22

HEX #AB38C7

RGB 171 56 199

HSL 288.25, 0.56%, 0.5%

LAB 46.46, 65.51, -52.12

 

CMYK 72 / 52 / 0 / 22

HEX #3860C7

RGB 56 96 199

HSL 223.22, 0.56%, 0.5%

LAB 43.26, 21.37, -57.84

 

CMYK 72 / 71 / 0 / 22

HEX #3839C7

RGB 56 57 199

HSL 239.58, 0.56%, 0.5%

LAB 33.75, 45.79, -73.35

 

CMYK 72 / 72 / 0 / 22

HEX #3838C7

RGB 56 56 199

HSL 240, 0.56%, 0.5%

LAB 33.55, 46.37, -73.69

 

CMYK 72 / 52 / 0 / 22

HEX #3860C7

RGB 56 96 199

HSL 223.22, 0.56%, 0.5%

LAB 43.26, 21.37, -57.84

 

CMYK 84 / 61 / 0 / 14

HEX #2356DC

RGB 35 86 220

HSL 223.46, 0.73%, 0.5%

LAB 41.5, 33.53, -72.79

 

CMYK 94 / 68 / 0 / 6

HEX #0F4DF0

RGB 15 77 240

HSL 223.47, 0.88%, 0.5%

LAB 40.74, 45.63, -85.4

 

CMYK 72 / 52 / 0 / 22

HEX #3860C7

RGB 56 96 199

HSL 223.22, 0.56%, 0.5%

LAB 43.26, 21.37, -57.84

 

CMYK 57 / 41 / 0 / 30

HEX #4D69B2

RGB 77 105 178

HSL 223.37, 0.4%, 0.5%

LAB 45.49, 11.88, -42.01

 

CMYK 39 / 28 / 0 / 38

HEX #61729E

RGB 97 114 158

HSL 223.28, 0.24%, 0.5%

LAB 48.32, 5.14, -25.77

 

CMYK 14 / 10 / 0 / 46

HEX #767B89

RGB 118 123 137

HSL 224.21, 0.07%, 0.5%

LAB 51.64, 1.17, -8.24

 

CMYK 0 / 5 / 17 / 45

HEX #8B8474

RGB 139 132 116

HSL 41.74, 0.09%, 0.5%

LAB 55.33, -0.23, 9.58

 

CMYK 72 / 13 / 0 / 22

HEX #38ADC7

RGB 56 173 199

HSL 190.91, 0.56%, 0.5%

LAB 65.63, -23.66, -22.62

 

CMYK 72 / 32 / 0 / 22

HEX #3887C7

RGB 56 135 199

HSL 206.85, 0.56%, 0.5%

LAB 54.34, -2.81, -40.16

 

CMYK 72 / 51 / 0 / 22

HEX #3861C7

RGB 56 97 199

HSL 222.8, 0.56%, 0.5%

LAB 43.53, 20.72, -57.4

 

CMYK 72 / 71 / 0 / 22

HEX #383AC7

RGB 56 58 199

HSL 239.16, 0.56%, 0.5%

LAB 33.96, 45.21, -73.01

 

CMYK 54 / 72 / 0 / 22

HEX #5C38C7

RGB 92 56 199

HSL 255.1, 0.56%, 0.5%

LAB 36.42, 50.92, -68.87

 

CMYK 72 / 52 / 0 / 47

HEX #264187

RGB 38 65 135

HSL 223.3, 0.56%, 0.34%

LAB 29.27, 15.1, -42.26

 

CMYK 72 / 52 / 0 / 35

HEX #2F50A7

RGB 47 80 167

HSL 223.5, 0.56%, 0.42%

LAB 36.24, 18.62, -50.43

 

CMYK 72 / 52 / 0 / 22

HEX #3860C7

RGB 56 96 199

HSL 223.22, 0.56%, 0.5%

LAB 43.26, 21.37, -57.84

 

CMYK 58 / 42 / 0 / 18

HEX #5879D0

RGB 88 121 208

HSL 223.5, 0.56%, 0.58%

LAB 52.18, 14.27, -48.6

 

CMYK 45 / 32 / 0 / 15

HEX #7893D9

RGB 120 147 217

HSL 223.3, 0.56%, 0.66%

LAB 61.54, 8.84, -38.75

 

CMYK 72 / 52 / 0 / 23

HEX #385FC5

RGB 56 95 197

HSL 223.4, 0.56%, 0.5%

LAB 42.85, 21.27, -57.35

 

CMYK 6 / 72 / 0 / 22

HEX #BB38C7

RGB 187 56 199

HSL 294.97, 0.56%, 0.5%

LAB 48.9, 68.86, -48.06

 

CMYK 23 / 0 / 72 / 22

HEX #9AC738

RGB 154 199 56

HSL 78.88, 0.56%, 0.5%

LAB 74.83, -34.95, 62.91

 

CMYK 72 / 52 / 0 / 23

HEX #385FC5

RGB 56 95 197

HSL 223.4, 0.56%, 0.5%

LAB 42.85, 21.27, -57.35

 

CMYK 0 / 72 / 51 / 22

HEX #C73861

RGB 199 56 97

HSL 342.8, 0.56%, 0.5%

LAB 46.76, 58.69, 9.88

 

CMYK 51 / 0 / 72 / 22

HEX #61C738

RGB 97 199 56

HSL 102.8, 0.56%, 0.5%

LAB 72.01, -54.5, 59.17

 

CMYK 72 / 52 / 0 / 23

HEX #385FC5

RGB 56 95 197

HSL 223.4, 0.56%, 0.5%

LAB 42.85, 21.27, -57.35

 

CMYK 6 / 72 / 0 / 22

HEX #BB38C7

RGB 187 56 199

HSL 294.97, 0.56%, 0.5%

LAB 48.9, 68.86, -48.06

 

CMYK 0 / 21 / 72 / 22

HEX #C79E38

RGB 199 158 56

HSL 42.8, 0.56%, 0.5%

LAB 67.19, 4.84, 56.51

 

CMYK 66 / 0 / 72 / 22

HEX #44C738

RGB 68 199 56

HSL 114.97, 0.56%, 0.5%

LAB 71.12, -61.6, 57.97

 

CMYK 72 / 52 / 0 / 23

HEX #385FC5

RGB 56 95 197

HSL 223.4, 0.56%, 0.5%

LAB 42.85, 21.27, -57.35

 

CMYK 0 / 72 / 16 / 22

HEX #C738A8

RGB 199 56 168

HSL 313.01, 0.56%, 0.5%

LAB 49.25, 66.71, -29.28

 

CMYK 0 / 21 / 72 / 22

HEX #C79E38

RGB 199 158 56

HSL 42.8, 0.56%, 0.5%

LAB 67.19, 4.84, 56.51

 

CMYK 72 / 0 / 56 / 22

HEX #38C757

RGB 56 199 87

HSL 133.01, 0.56%, 0.5%

LAB 71.13, -60.52, 44.81

 

Description

Color code: RGBA 56 95 197 0 | qconv.com Color code: RGBA 56 95 197 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 95 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 95 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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