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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 56 53 37 0.81 it is the complementary color RGBA 199 202 218 0.81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 56 53 37 0.81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 56 53 37 0.81 shade: RGBA 61 53 32 0.81, RGBA 78 71 51 0.81, RGBA 95 89 70 0.81, RGBA 112 107 89 0.81 and RGBA 129 125 108 0.81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 56 53 37 0.81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 56 53 37 0.81 shade: RGBA 56 53 37 0.81, RGBA 39 35 18 0.81, RGBA 22 17 0 0.81, RGBA 5 0 0 0.81 and RGBA 0 0 0 0.81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 56 53 37 0.81 shade: RGB 55 52 37, RGB 55 47 37, RGB 55 42 37 and RGB 55 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 56 53 37 0.81 shade: RGB 55 52 37, RGB 53 55 37, RGB 48 55 37, RGB 43 55 37 and RGB 38 55 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 56 53 37 0.81 shade matches the following richer shades: RGB 55 52 37, RGB 63 57 29, RGB 70 62 22, RGB 77 67 14 and RGB 85 73 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 56 53 37 0.81 shade: RGB 55 52 37, RGB 48 47 44, RGB 40 42 52, RGB 33 37 59 and RGB 25 32 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 56 53 37 0.81 shade: RGB 55 42 37, RGB 55 47 37, RGB 55 52 37, RGB 53 55 37 and RGB 48 55 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 56 53 37 0.81 shade: RGB 6 5 4, RGB 30 29 20, RGB 55 52 37, RGB 80 76 53 and RGB 105 99 70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 56 53 37 0.81 shade: RGB 56 53 37, RGB 37 55 37 and RGB 45 37 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 56 53 37 0.81 shade: RGB 56 53 37, RGB 37 55 52 and RGB 52 37 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 56 53 37 0.81 shade: RGB 56 53 37, RGB 37 55 37, RGB 37 40 55 and RGB 55 37 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 56 53 37 0.81 shade: RGB 56 53 37, RGB 37 55 43, RGB 37 40 55 and RGB 55 37 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 27 / 63

HEX #383525CE

RGBA 56 53 37 0.81

HSLA 50.53, 0.2%, 0.18%, 0.81

LABA 22.02, -1.79, 10.59, 0.81

 

Complementary color

CMYK 7 / 6 / 0 / 12

HEX #C7CADACE

RGBA 199 202 218 0.81

HSLA 230.53, 0.2%, 0.82%, 0.81

LABA 81.54, 2.04, -8.29, 0.81

 

CMYK 0 / 11 / 39 / 62

HEX #3D3520CE

RGBA 61 53 32 0.81

HSLA 43.45, 0.31%, 0.18%, 0.81

LABA 22.45, -0.06, 14.54, 0.81

 

CMYK 0 / 7 / 28 / 56

HEX #4E4733CE

RGBA 78 71 51 0.81

HSLA 44.44, 0.21%, 0.25%, 0.81

LABA 30.32, -0.63, 13.12, 0.81

 

CMYK 0 / 5 / 21 / 51

HEX #5F5946CE

RGBA 95 89 70 0.81

HSLA 45.6, 0.15%, 0.32%, 0.81

LABA 37.88, -1.03, 11.89, 0.81

 

CMYK 0 / 4 / 17 / 45

HEX #706B59CE

RGBA 112 107 89 0.81

HSLA 46.96, 0.11%, 0.39%, 0.81

LABA 45.19, -1.34, 10.8, 0.81

 

CMYK 0 / 3 / 13 / 40

HEX #817D6CCE

RGBA 129 125 108 0.81

HSLA 48.57, 0.09%, 0.46%, 0.81

LABA 52.31, -1.59, 9.82, 0.81

 

CMYK 0 / 4 / 27 / 63

HEX #383525CE

RGBA 56 53 37 0.81

HSLA 50.53, 0.2%, 0.18%, 0.81

LABA 22.02, -1.79, 10.59, 0.81

 

CMYK 0 / 8 / 44 / 69

HEX #272312CE

RGBA 39 35 18 0.81

HSLA 48.57, 0.37%, 0.11%, 0.81

LABA 13.69, -1.27, 11.96, 0.81

 

CMYK 0 / 18 / 81 / 74

HEX #161100CE

RGBA 22 17 0 0.81

HSLA 46.36, 1%, 0.04%, 0.81

LABA 5.16, -0.49, 7.72, 0.81

 

CMYK 0 / 81 / 81 / 79

HEX #050000CE

RGBA 5 0 0 0.81

HSLA 0, 1%, 0.01%, 0.81

LABA 0.29, 1.31, 0.46, 0.81

 

CMYK 0 / 0 / 0 / 100

HEX #000000CE

RGBA 0 0 0 0.81

HSLA 0, 0%, 0%, 0.81

LABA 0, 0, 0, 0.81

 

CMYK 0 / 5 / 33 / 78

HEX #373425

RGB 55 52 37

HSL 50, 0.2%, 0.18%

LAB 21.59, -1.62, 9.99

 

CMYK 0 / 15 / 33 / 78

HEX #372F25

RGB 55 47 37

HSL 33.33, 0.2%, 0.18%

LAB 19.96, 1.71, 7.76

 

CMYK 0 / 24 / 33 / 78

HEX #372A25

RGB 55 42 37

HSL 16.67, 0.2%, 0.18%

LAB 18.37, 5.11, 5.56

 

CMYK 0 / 33 / 33 / 78

HEX #372525

RGB 55 37 37

HSL 0, 0.2%, 0.18%

LAB 16.84, 8.54, 3.39

 

CMYK 0 / 5 / 33 / 78

HEX #373425

RGB 55 52 37

HSL 50, 0.2%, 0.18%

LAB 21.59, -1.62, 9.99

 

CMYK 4 / 0 / 33 / 78

HEX #353725

RGB 53 55 37

HSL 66.67, 0.2%, 0.18%

LAB 22.38, -4.53, 11.03

 

CMYK 13 / 0 / 33 / 78

HEX #303725

RGB 48 55 37

HSL 83.33, 0.2%, 0.18%

LAB 21.92, -6.88, 10.33

 

CMYK 22 / 0 / 33 / 78

HEX #2B3725

RGB 43 55 37

HSL 100, 0.2%, 0.18%

LAB 21.5, -9.16, 9.69

 

CMYK 31 / 0 / 33 / 78

HEX #263725

RGB 38 55 37

HSL 116.67, 0.2%, 0.18%

LAB 21.12, -11.33, 9.11

 

CMYK 0 / 5 / 33 / 78

HEX #373425

RGB 55 52 37

HSL 50, 0.2%, 0.18%

LAB 21.59, -1.62, 9.99

 

CMYK 0 / 10 / 54 / 75

HEX #3F391D

RGB 63 57 29

HSL 49.41, 0.37%, 0.18%

LAB 23.91, -2.03, 18.32

 

CMYK 0 / 11 / 69 / 73

HEX #463E16

RGB 70 62 22

HSL 50, 0.52%, 0.18%

LAB 26.17, -2.34, 25.25

 

CMYK 0 / 13 / 82 / 70

HEX #4D430E

RGB 77 67 14

HSL 50.48, 0.69%, 0.18%

LAB 28.44, -2.4, 31.75

 

CMYK 0 / 14 / 92 / 67

HEX #554907

RGB 85 73 7

HSL 50.77, 0.85%, 0.18%

LAB 31.14, -2.28, 37.13

 

CMYK 0 / 5 / 33 / 78

HEX #373425

RGB 55 52 37

HSL 50, 0.2%, 0.18%

LAB 21.59, -1.62, 9.99

 

CMYK 0 / 2 / 8 / 81

HEX #302F2C

RGB 48 47 44

HSL 45, 0.04%, 0.18%

LAB 19.4, -0.23, 2.08

 

CMYK 23 / 19 / 0 / 80

HEX #282A34

RGB 40 42 52

HSL 230, 0.13%, 0.18%

LAB 17.25, 1.78, -6.75

 

CMYK 44 / 37 / 0 / 77

HEX #21253B

RGB 33 37 59

HSL 230.77, 0.28%, 0.18%

LAB 15.29, 4.95, -14.72

 

CMYK 62 / 52 / 0 / 74

HEX #192042

RGB 25 32 66

HSL 229.76, 0.45%, 0.18%

LAB 13.43, 8.86, -22.6

 

CMYK 0 / 24 / 33 / 78

HEX #372A25

RGB 55 42 37

HSL 16.67, 0.2%, 0.18%

LAB 18.37, 5.11, 5.56

 

CMYK 0 / 15 / 33 / 78

HEX #372F25

RGB 55 47 37

HSL 33.33, 0.2%, 0.18%

LAB 19.96, 1.71, 7.76

 

CMYK 0 / 5 / 33 / 78

HEX #373425

RGB 55 52 37

HSL 50, 0.2%, 0.18%

LAB 21.59, -1.62, 9.99

 

CMYK 4 / 0 / 33 / 78

HEX #353725

RGB 53 55 37

HSL 66.67, 0.2%, 0.18%

LAB 22.38, -4.53, 11.03

 

CMYK 13 / 0 / 33 / 78

HEX #303725

RGB 48 55 37

HSL 83.33, 0.2%, 0.18%

LAB 21.92, -6.88, 10.33

 

CMYK 0 / 17 / 33 / 98

HEX #060504

RGB 6 5 4

HSL 30, 0.2%, 0.02%

LAB 1.41, 0.12, 0.47

 

CMYK 0 / 3 / 33 / 88

HEX #1E1D14

RGB 30 29 20

HSL 54, 0.2%, 0.1%

LAB 10.6, -1.5, 6.31

 

CMYK 0 / 5 / 33 / 78

HEX #373425

RGB 55 52 37

HSL 50, 0.2%, 0.18%

LAB 21.59, -1.62, 9.99

 

CMYK 0 / 5 / 34 / 69

HEX #504C35

RGB 80 76 53

HSL 51.11, 0.2%, 0.26%

LAB 32.1, -2.51, 14.31

 

CMYK 0 / 6 / 33 / 59

HEX #696346

RGB 105 99 70

HSL 49.71, 0.2%, 0.34%

LAB 41.8, -2.59, 17.37

 

CMYK 0 / 5 / 34 / 78

HEX #383525

RGB 56 53 37

HSL 50.53, 0.2%, 0.18%

LAB 22.02, -1.79, 10.59

 

CMYK 33 / 0 / 33 / 78

HEX #253725

RGB 37 55 37

HSL 120, 0.2%, 0.18%

LAB 21.05, -11.75, 9.01

 

CMYK 18 / 33 / 0 / 78

HEX #2D2537

RGB 45 37 55

HSL 266.67, 0.2%, 0.18%

LAB 16.29, 8.18, -10.27

 

CMYK 0 / 5 / 34 / 78

HEX #383525

RGB 56 53 37

HSL 50.53, 0.2%, 0.18%

LAB 22.02, -1.79, 10.59

 

CMYK 33 / 0 / 5 / 78

HEX #253734

RGB 37 55 52

HSL 170, 0.2%, 0.18%

LAB 21.48, -8.08, -0.48

 

CMYK 5 / 33 / 0 / 78

HEX #342537

RGB 52 37 55

HSL 290, 0.2%, 0.18%

LAB 17.13, 11.03, -8.91

 

CMYK 0 / 5 / 34 / 78

HEX #383525

RGB 56 53 37

HSL 50.53, 0.2%, 0.18%

LAB 22.02, -1.79, 10.59

 

CMYK 33 / 0 / 33 / 78

HEX #253725

RGB 37 55 37

HSL 120, 0.2%, 0.18%

LAB 21.05, -11.75, 9.01

 

CMYK 33 / 27 / 0 / 78

HEX #252837

RGB 37 40 55

HSL 230, 0.2%, 0.18%

LAB 16.44, 2.92, -10.11

 

CMYK 0 / 33 / 2 / 78

HEX #372536

RGB 55 37 54

HSL 303.33, 0.2%, 0.18%

LAB 17.47, 12.03, -7.66

 

CMYK 0 / 5 / 34 / 78

HEX #383525

RGB 56 53 37

HSL 50.53, 0.2%, 0.18%

LAB 22.02, -1.79, 10.59

 

CMYK 33 / 0 / 22 / 78

HEX #25372B

RGB 37 55 43

HSL 140, 0.2%, 0.18%

LAB 21.21, -10.4, 5.21

 

CMYK 33 / 27 / 0 / 78

HEX #252837

RGB 37 40 55

HSL 230, 0.2%, 0.18%

LAB 16.44, 2.92, -10.11

 

CMYK 0 / 33 / 11 / 78

HEX #372531

RGB 55 37 49

HSL 320, 0.2%, 0.18%

LAB 17.26, 10.91, -4.46

 

Description

Color code: RGBA 56 53 37 0.81 | qconv.com Color code: RGBA 56 53 37 0.81 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 53 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 53 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 27 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 27% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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