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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 56 111 53 0 it is the complementary color RGBA 199 144 202 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 56 111 53 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 56 111 53 0 shade: RGBA 61 111 48 0, RGBA 78 129 67 0, RGBA 95 147 86 0, RGBA 112 165 105 0 and RGBA 129 183 124 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 56 111 53 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 56 111 53 0 shade: RGBA 56 111 53 0, RGBA 39 93 34 0, RGBA 22 75 15 0, RGBA 5 57 0 0 and RGBA 0 39 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 56 111 53 0 shade: RGB 56 110 53, RGB 71 110 53, RGB 87 110 53, RGB 102 110 53 and RGB 110 103 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 56 111 53 0 shade: RGB 56 110 53, RGB 53 110 65, RGB 53 110 81, RGB 53 110 96 and RGB 53 109 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 56 111 53 0 shade matches the following richer shades: RGB 56 110 53, RGB 44 123 40, RGB 32 137 27, RGB 20 150 13 and RGB 9 163 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 56 111 53 0 shade: RGB 56 110 53, RGB 68 97 66, RGB 80 84 79, RGB 92 71 93 and RGB 103 57 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 56 111 53 0 shade: RGB 87 110 53, RGB 72 110 53, RGB 57 110 53, RGB 53 110 64 and RGB 53 110 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 56 111 53 0 shade: RGB 28 54 26, RGB 42 82 40, RGB 56 110 53, RGB 70 138 66 and RGB 84 166 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 56 111 53 0 shade: RGB 56 111 53, RGB 53 103 110 and RGB 110 53 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 56 111 53 0 shade: RGB 56 111 53, RGB 53 57 110 and RGB 110 53 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 56 111 53 0 shade: RGB 56 111 53, RGB 53 103 110, RGB 106 53 110 and RGB 110 61 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 56 111 53 0 shade: RGB 56 111 53, RGB 53 85 110, RGB 106 53 110 and RGB 110 78 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #386F3500

RGBA 56 111 53 0

HSLA 116.9, 0.35%, 0.32%, 0

LABA 41.95, -31.04, 26.63, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #C790CA00

RGBA 199 144 202 0

HSLA 296.9, 0.35%, 0.68%, 0

LABA 66.79, 30.49, -21.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3D6F3000

RGBA 61 111 48 0

HSLA 107.62, 0.4%, 0.31%, 0

LABA 42.11, -30.08, 29.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4E814300

RGBA 78 129 67 0

HSLA 109.35, 0.32%, 0.38%, 0

LABA 49.16, -30, 28.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5F935600

RGBA 95 147 86 0

HSLA 111.15, 0.26%, 0.46%, 0

LABA 56.06, -29.82, 26.92, 0

 

CMYK 0 / 0 / 0 / 0

HEX #70A56900

RGBA 112 165 105 0

HSLA 113, 0.25%, 0.53%, 0

LABA 62.82, -29.6, 25.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #81B77C00

RGBA 129 183 124 0

HSLA 114.92, 0.29%, 0.6%, 0

LABA 69.46, -29.36, 24.51, 0

 

CMYK 0 / 0 / 0 / 0

HEX #386F3500

RGBA 56 111 53 0

HSLA 116.9, 0.35%, 0.32%, 0

LABA 41.95, -31.04, 26.63, 0

 

CMYK 0 / 0 / 0 / 0

HEX #275D2200

RGBA 39 93 34 0

HSLA 114.92, 0.46%, 0.25%, 0

LABA 34.75, -30.92, 28.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #164B0F00

RGBA 22 75 15 0

HSLA 113, 0.67%, 0.18%, 0

LABA 27.4, -30.24, 29.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #05390000

RGBA 5 57 0 0

HSLA 114.74, 1%, 0.11%, 0

LABA 19.88, -28.51, 27.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00270000

RGBA 0 39 0 0

HSLA 120, 1%, 0.08%, 0

LABA 12.29, -23.27, 17.74, 0

 

CMYK 49 / 0 / 52 / 57

HEX #386E35

RGB 56 110 53

HSL 116.84, 0.35%, 0.32%

LAB 41.61, -30.58, 26.22

 

CMYK 35 / 0 / 52 / 57

HEX #476E35

RGB 71 110 53

HSL 101.05, 0.35%, 0.32%

LAB 42.38, -25.3, 27.34

 

CMYK 21 / 0 / 52 / 57

HEX #576E35

RGB 87 110 53

HSL 84.21, 0.35%, 0.32%

LAB 43.41, -18.88, 28.83

 

CMYK 7 / 0 / 52 / 57

HEX #666E35

RGB 102 110 53

HSL 68.42, 0.35%, 0.32%

LAB 44.57, -12.35, 30.5

 

CMYK 0 / 6 / 52 / 57

HEX #6E6735

RGB 110 103 53

HSL 52.63, 0.35%, 0.32%

LAB 43.17, -4.75, 28.99

 

CMYK 49 / 0 / 52 / 57

HEX #386E35

RGB 56 110 53

HSL 116.84, 0.35%, 0.32%

LAB 41.61, -30.58, 26.22

 

CMYK 52 / 0 / 41 / 57

HEX #356E41

RGB 53 110 65

HSL 132.63, 0.35%, 0.32%

LAB 41.67, -29.49, 19.5

 

CMYK 52 / 0 / 26 / 57

HEX #356E51

RGB 53 110 81

HSL 149.47, 0.35%, 0.32%

LAB 42, -26.17, 10.54

 

CMYK 52 / 0 / 13 / 57

HEX #356E60

RGB 53 110 96

HSL 165.26, 0.35%, 0.32%

LAB 42.39, -22.48, 2.07

 

CMYK 52 / 1 / 0 / 57

HEX #356D6E

RGB 53 109 110

HSL 181.05, 0.35%, 0.32%

LAB 42.49, -18.05, -6.24

 

CMYK 49 / 0 / 52 / 57

HEX #386E35

RGB 56 110 53

HSL 116.84, 0.35%, 0.32%

LAB 41.61, -30.58, 26.22

 

CMYK 64 / 0 / 67 / 52

HEX #2C7B28

RGB 44 123 40

HSL 117.11, 0.51%, 0.32%

LAB 45.43, -41.17, 37.15

 

CMYK 77 / 0 / 80 / 46

HEX #20891B

RGB 32 137 27

HSL 117.27, 0.67%, 0.32%

LAB 49.83, -49.78, 46.73

 

CMYK 87 / 0 / 91 / 41

HEX #14960D

RGB 20 150 13

HSL 116.93, 0.84%, 0.32%

LAB 54.02, -56.18, 54.06

 

CMYK 94 / 0 / 100 / 36

HEX #09A300

RGB 9 163 0

HSL 116.69, 1%, 0.32%

LAB 58.28, -61.16, 59.58

 

CMYK 49 / 0 / 52 / 57

HEX #386E35

RGB 56 110 53

HSL 116.84, 0.35%, 0.32%

LAB 41.61, -30.58, 26.22

 

CMYK 30 / 0 / 32 / 62

HEX #446142

RGB 68 97 66

HSL 116.13, 0.19%, 0.32%

LAB 38.15, -17.6, 14.34

 

CMYK 5 / 0 / 6 / 67

HEX #50544F

RGB 80 84 79

HSL 108, 0.03%, 0.32%

LAB 35.22, -2.68, 2.36

 

CMYK 1 / 24 / 0 / 64

HEX #5C475D

RGB 92 71 93

HSL 297.27, 0.13%, 0.32%

LAB 33.08, 13.31, -9.55

 

CMYK 3 / 46 / 0 / 58

HEX #67396A

RGB 103 57 106

HSL 296.33, 0.3%, 0.32%

LAB 31.46, 28.74, -20.18

 

CMYK 21 / 0 / 52 / 57

HEX #576E35

RGB 87 110 53

HSL 84.21, 0.35%, 0.32%

LAB 43.41, -18.88, 28.83

 

CMYK 35 / 0 / 52 / 57

HEX #486E35

RGB 72 110 53

HSL 100, 0.35%, 0.32%

LAB 42.44, -24.92, 27.42

 

CMYK 48 / 0 / 52 / 57

HEX #396E35

RGB 57 110 53

HSL 115.79, 0.35%, 0.32%

LAB 41.66, -30.26, 26.28

 

CMYK 52 / 0 / 42 / 57

HEX #356E40

RGB 53 110 64

HSL 131.58, 0.35%, 0.32%

LAB 41.66, -29.67, 20.06

 

CMYK 52 / 0 / 27 / 57

HEX #356E50

RGB 53 110 80

HSL 148.42, 0.35%, 0.32%

LAB 41.98, -26.39, 11.1

 

CMYK 48 / 0 / 52 / 79

HEX #1C361A

RGB 28 54 26

HSL 115.71, 0.35%, 0.16%

LAB 19.88, -16.98, 14.53

 

CMYK 49 / 0 / 51 / 68

HEX #2A5228

RGB 42 82 40

HSL 117.14, 0.34%, 0.24%

LAB 31.07, -23.96, 20.3

 

CMYK 49 / 0 / 52 / 57

HEX #386E35

RGB 56 110 53

HSL 116.84, 0.35%, 0.32%

LAB 41.61, -30.58, 26.22

 

CMYK 49 / 0 / 52 / 46

HEX #468A42

RGB 70 138 66

HSL 116.67, 0.35%, 0.4%

LAB 51.69, -36.85, 31.82

 

CMYK 49 / 0 / 52 / 35

HEX #54A650

RGB 84 166 80

HSL 117.21, 0.35%, 0.48%

LAB 61.43, -42.72, 36.7

 

CMYK 50 / 0 / 52 / 56

HEX #386F35

RGB 56 111 53

HSL 116.9, 0.35%, 0.32%

LAB 41.95, -31.04, 26.63

 

CMYK 52 / 6 / 0 / 57

HEX #35676E

RGB 53 103 110

HSL 187.37, 0.35%, 0.32%

LAB 40.55, -14.72, -9.15

 

CMYK 0 / 52 / 27 / 57

HEX #6E3550

RGB 110 53 80

HSL 331.58, 0.35%, 0.32%

LAB 30.5, 28.75, -4.8

 

CMYK 50 / 0 / 52 / 56

HEX #386F35

RGB 56 111 53

HSL 116.9, 0.35%, 0.32%

LAB 41.95, -31.04, 26.63

 

CMYK 52 / 48 / 0 / 57

HEX #35396E

RGB 53 57 110

HSL 235.79, 0.35%, 0.32%

LAB 26.18, 14.41, -31.42

 

CMYK 0 / 52 / 48 / 57

HEX #6E3539

RGB 110 53 57

HSL 355.79, 0.35%, 0.32%

LAB 29.8, 25.65, 9.24

 

CMYK 50 / 0 / 52 / 56

HEX #386F35

RGB 56 111 53

HSL 116.9, 0.35%, 0.32%

LAB 41.95, -31.04, 26.63

 

CMYK 52 / 6 / 0 / 57

HEX #35676E

RGB 53 103 110

HSL 187.37, 0.35%, 0.32%

LAB 40.55, -14.72, -9.15

 

CMYK 4 / 52 / 0 / 57

HEX #6A356E

RGB 106 53 110

HSL 295.79, 0.35%, 0.32%

LAB 31.2, 32.85, -23.1

 

CMYK 0 / 45 / 52 / 57

HEX #6E3D35

RGB 110 61 53

HSL 8.42, 0.35%, 0.32%

LAB 31.6, 20.52, 14.27

 

CMYK 50 / 0 / 52 / 56

HEX #386F35

RGB 56 111 53

HSL 116.9, 0.35%, 0.32%

LAB 41.95, -31.04, 26.63

 

CMYK 52 / 23 / 0 / 57

HEX #35556E

RGB 53 85 110

HSL 206.32, 0.35%, 0.32%

LAB 34.76, -4.04, -17.96

 

CMYK 4 / 52 / 0 / 57

HEX #6A356E

RGB 106 53 110

HSL 295.79, 0.35%, 0.32%

LAB 31.2, 32.85, -23.1

 

CMYK 0 / 29 / 52 / 57

HEX #6E4E35

RGB 110 78 53

HSL 26.32, 0.35%, 0.32%

LAB 36.02, 10.19, 20.08

 

Description

Color code: RGBA 56 111 53 0 | qconv.com Color code: RGBA 56 111 53 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 111 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 111 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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