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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 77 2 0 it is the complementary color RGBA 202 178 253 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 77 2 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 77 2 0 shade: RGBA 58 77 0 0, RGBA 75 95 16 0, RGBA 92 113 35 0, RGBA 109 131 54 0 and RGBA 126 149 73 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 77 2 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 77 2 0 shade: RGBA 53 77 2 0, RGBA 36 59 0 0, RGBA 19 41 0 0, RGBA 2 23 0 0 and RGBA 0 5 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 77 2 0 shade: RGB 51 75 2, RGB 71 75 2, RGB 75 59 2, RGB 75 39 2 and RGB 75 19 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 77 2 0 shade: RGB 51 75 2, RGB 32 75 2, RGB 12 75 2, RGB 2 75 11 and RGB 2 75 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 77 2 0 shade matches the following richer shades: RGB 51 75 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 77 2 0 shade: RGB 51 75 2, RGB 49 68 8, RGB 47 62 14, RGB 45 56 20 and RGB 42 50 27

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 77 2 0 shade: RGB 75 59 2, RGB 71 75 2, RGB 52 75 2, RGB 32 75 2 and RGB 13 75 2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 77 2 0 shade: RGB 0 0 0, RGB 24 34 1, RGB 51 75 2, RGB 79 115 3 and RGB 107 155 4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 77 2 0 shade: RGB 53 77 2, RGB 2 75 39 and RGB 69 2 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 77 2 0 shade: RGB 53 77 2, RGB 2 52 75 and RGB 75 2 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 77 2 0 shade: RGB 53 77 2, RGB 2 75 39, RGB 25 2 75 and RGB 75 2 37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 77 2 0 shade: RGB 53 77 2, RGB 2 75 61, RGB 25 2 75 and RGB 75 2 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #354D0200

RGBA 53 77 2 0

HSLA 79.2, 0.95%, 0.15%, 0

LABA 29.59, -20.67, 36.56, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #CAB2FD00

RGBA 202 178 253 0

HSLA 259.2, 0.95%, 0.85%, 0

LABA 76.97, 23.36, -33.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3A4D0000

RGBA 58 77 0 0

HSLA 74.81, 1%, 0.15%, 0

LABA 29.93, -18.46, 37.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4B5F1000

RGBA 75 95 16 0

HSLA 75.19, 0.71%, 0.22%, 0

LABA 37.33, -19.42, 39.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5C712300

RGBA 92 113 35 0

HSLA 76.15, 0.53%, 0.29%, 0

LABA 44.53, -20.06, 39.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6D833600

RGBA 109 131 54 0

HSLA 77.14, 0.42%, 0.36%, 0

LABA 51.55, -20.45, 38.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7E954900

RGBA 126 149 73 0

HSLA 78.16, 0.34%, 0.44%, 0

LABA 58.43, -20.68, 37.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #354D0200

RGBA 53 77 2 0

HSLA 79.2, 0.95%, 0.15%, 0

LABA 29.59, -20.67, 36.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #243B0000

RGBA 36 59 0 0

HSLA 83.39, 1%, 0.12%, 0

LABA 21.96, -19.16, 29.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #13290000

RGBA 19 41 0 0

HSLA 92.2, 1%, 0.08%, 0

LABA 13.97, -17.41, 20.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #02170000

RGBA 2 23 0 0

HSLA 114.78, 1%, 0.05%, 0

LABA 5.65, -10.78, 8.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00050000

RGBA 0 5 0 0

HSLA 120, 1%, 0.01%, 0

LABA 0.98, -2, 1.43, 0

 

CMYK 32 / 0 / 97 / 71

HEX #334B02

RGB 51 75 2

HSL 79.73, 0.95%, 0.15%

LAB 28.75, -20.54, 35.83

 

CMYK 5 / 0 / 97 / 71

HEX #474B02

RGB 71 75 2

HSL 63.29, 0.95%, 0.15%

LAB 30.34, -10.85, 37.77

 

CMYK 0 / 21 / 97 / 71

HEX #4B3B02

RGB 75 59 2

HSL 46.85, 0.95%, 0.15%

LAB 25.65, 1.05, 34

 

CMYK 0 / 48 / 97 / 71

HEX #4B2702

RGB 75 39 2

HSL 30.41, 0.95%, 0.15%

LAB 19.85, 13.99, 27.99

 

CMYK 0 / 75 / 97 / 71

HEX #4B1302

RGB 75 19 2

HSL 13.97, 0.95%, 0.15%

LAB 15.31, 25.58, 22.51

 

CMYK 32 / 0 / 97 / 71

HEX #334B02

RGB 51 75 2

HSL 79.73, 0.95%, 0.15%

LAB 28.75, -20.54, 35.83

 

CMYK 57 / 0 / 97 / 71

HEX #204B02

RGB 32 75 2

HSL 95.34, 0.95%, 0.15%

LAB 27.69, -28.19, 34.52

 

CMYK 84 / 0 / 97 / 71

HEX #0C4B02

RGB 12 75 2

HSL 111.78, 0.95%, 0.15%

LAB 27.06, -33.44, 33.73

 

CMYK 97 / 0 / 85 / 71

HEX #024B0B

RGB 2 75 11

HSL 127.4, 0.95%, 0.15%

LAB 26.93, -34.36, 30.04

 

CMYK 97 / 0 / 59 / 71

HEX #024B1F

RGB 2 75 31

HSL 143.84, 0.95%, 0.15%

LAB 27.14, -31.74, 20.39

 

CMYK 32 / 0 / 97 / 71

HEX #334B02

RGB 51 75 2

HSL 79.73, 0.95%, 0.15%

LAB 28.75, -20.54, 35.83

 

CMYK 32 / 0 / 97 / 71

HEX #334B02

RGB 51 75 2

HSL 79.73, 0.95%, 0.15%

LAB 28.75, -20.54, 35.83

 

CMYK 28 / 0 / 88 / 73

HEX #314408

RGB 49 68 8

HSL 79, 0.79%, 0.15%

LAB 26.17, -17.39, 31.12

 

CMYK 24 / 0 / 77 / 76

HEX #2F3E0E

RGB 47 62 14

HSL 78.75, 0.63%, 0.15%

LAB 23.94, -14.59, 26.34

 

CMYK 20 / 0 / 64 / 78

HEX #2D3814

RGB 45 56 20

HSL 78.33, 0.47%, 0.15%

LAB 21.71, -11.47, 20.68

 

CMYK 16 / 0 / 46 / 80

HEX #2A321B

RGB 42 50 27

HSL 80.87, 0.3%, 0.15%

LAB 19.44, -8.29, 13.52

 

CMYK 0 / 21 / 97 / 71

HEX #4B3B02

RGB 75 59 2

HSL 46.85, 0.95%, 0.15%

LAB 25.65, 1.05, 34

 

CMYK 5 / 0 / 97 / 71

HEX #474B02

RGB 71 75 2

HSL 63.29, 0.95%, 0.15%

LAB 30.34, -10.85, 37.77

 

CMYK 31 / 0 / 97 / 71

HEX #344B02

RGB 52 75 2

HSL 78.9, 0.95%, 0.15%

LAB 28.82, -20.08, 35.91

 

CMYK 57 / 0 / 97 / 71

HEX #204B02

RGB 32 75 2

HSL 95.34, 0.95%, 0.15%

LAB 27.69, -28.19, 34.52

 

CMYK 83 / 0 / 97 / 71

HEX #0D4B02

RGB 13 75 2

HSL 110.96, 0.95%, 0.15%

LAB 27.08, -33.26, 33.76

 

CMYK 29 / 0 / 97 / 87

HEX #182201

RGB 24 34 1

HSL 78.18, 0.94%, 0.07%

LAB 11.56, -10.91, 16.53

 

CMYK 32 / 0 / 97 / 71

HEX #334B02

RGB 51 75 2

HSL 79.73, 0.95%, 0.15%

LAB 28.75, -20.54, 35.83

 

CMYK 31 / 0 / 97 / 55

HEX #4F7303

RGB 79 115 3

HSL 79.29, 0.95%, 0.23%

LAB 44.13, -28.2, 48.54

 

CMYK 31 / 0 / 97 / 39

HEX #6B9B04

RGB 107 155 4

HSL 79.07, 0.95%, 0.31%

LAB 58.58, -35.37, 60.45

 

CMYK 31 / 0 / 97 / 70

HEX #354D02

RGB 53 77 2

HSL 79.2, 0.95%, 0.15%

LAB 29.59, -20.67, 36.56

 

CMYK 97 / 0 / 48 / 71

HEX #024B27

RGB 2 75 39

HSL 150.41, 0.95%, 0.15%

LAB 27.27, -30.15, 15.8

 

CMYK 8 / 97 / 0 / 71

HEX #45024B

RGB 69 2 75

HSL 295.07, 0.95%, 0.15%

LAB 14.49, 38.72, -26.81

 

CMYK 31 / 0 / 97 / 70

HEX #354D02

RGB 53 77 2

HSL 79.2, 0.95%, 0.15%

LAB 29.59, -20.67, 36.56

 

CMYK 97 / 31 / 0 / 71

HEX #02344B

RGB 2 52 75

HSL 198.9, 0.95%, 0.15%

LAB 19.95, -5.81, -18.51

 

CMYK 0 / 97 / 31 / 71

HEX #4B0234

RGB 75 2 52

HSL 318.9, 0.95%, 0.15%

LAB 14.33, 36.3, -10.73

 

CMYK 31 / 0 / 97 / 70

HEX #354D02

RGB 53 77 2

HSL 79.2, 0.95%, 0.15%

LAB 29.59, -20.67, 36.56

 

CMYK 97 / 0 / 48 / 71

HEX #024B27

RGB 2 75 39

HSL 150.41, 0.95%, 0.15%

LAB 27.27, -30.15, 15.8

 

CMYK 67 / 97 / 0 / 71

HEX #19024B

RGB 25 2 75

HSL 258.9, 0.95%, 0.15%

LAB 6.85, 32.09, -39.62

 

CMYK 0 / 97 / 51 / 71

HEX #4B0225

RGB 75 2 37

HSL 331.23, 0.95%, 0.15%

LAB 13.67, 34.53, -0.74

 

CMYK 31 / 0 / 97 / 70

HEX #354D02

RGB 53 77 2

HSL 79.2, 0.95%, 0.15%

LAB 29.59, -20.67, 36.56

 

CMYK 97 / 0 / 19 / 71

HEX #024B3D

RGB 2 75 61

HSL 168.49, 0.95%, 0.15%

LAB 27.8, -24.3, 2.6

 

CMYK 67 / 97 / 0 / 71

HEX #19024B

RGB 25 2 75

HSL 258.9, 0.95%, 0.15%

LAB 6.85, 32.09, -39.62

 

CMYK 0 / 97 / 80 / 71

HEX #4B020F

RGB 75 2 15

HSL 349.32, 0.95%, 0.15%

LAB 13.07, 32.88, 13.99

 

Description

Color code: RGBA 53 77 2 0 | qconv.com Color code: RGBA 53 77 2 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 77 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 77 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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