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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 70 24 0.75 it is the complementary color RGBA 202 185 231 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 70 24 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 70 24 0.75 shade: RGBA 58 70 19 0.75, RGBA 75 88 38 0.75, RGBA 92 106 57 0.75, RGBA 109 124 76 0.75 and RGBA 126 142 95 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 70 24 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 70 24 0.75 shade: RGBA 53 70 24 0.75, RGBA 36 52 5 0.75, RGBA 19 34 0 0.75, RGBA 2 16 0 0.75 and RGBA 0 0 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 70 24 0.75 shade: RGB 52 68 23, RGB 64 68 23, RGB 68 61 23, RGB 68 49 23 and RGB 68 36 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 70 24 0.75 shade: RGB 52 68 23, RGB 40 68 23, RGB 28 68 23, RGB 23 68 31 and RGB 23 68 44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 70 24 0.75 shade matches the following richer shades: RGB 52 68 23, RGB 54 76 16, RGB 56 83 9 and RGB 58 91 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 70 24 0.75 shade: RGB 52 68 23, RGB 50 61 31, RGB 48 54 38, RGB 46 46 46 and RGB 44 39 53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 70 24 0.75 shade: RGB 68 61 23, RGB 64 68 23, RGB 52 68 23, RGB 40 68 23 and RGB 28 68 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 70 24 0.75 shade: RGB 5 7 2, RGB 29 38 13, RGB 52 68 23, RGB 75 99 34 and RGB 98 130 44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 70 24 0.75 shade: RGB 53 70 24, RGB 23 68 49 and RGB 67 23 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 70 24 0.75 shade: RGB 53 70 24, RGB 23 52 68 and RGB 68 23 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 70 24 0.75 shade: RGB 53 70 24, RGB 23 68 49, RGB 40 23 68 and RGB 68 23 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 70 24 0.75 shade: RGB 53 70 24, RGB 23 68 62, RGB 40 23 68 and RGB 68 23 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 49 / 54

HEX #354618BF

RGBA 53 70 24 0.75

HSLA 82.17, 0.49%, 0.18%, 0.75

LABA 27.31, -15.35, 25, 0.75

 

Complementary color

CMYK 9 / 15 / 0 / 7

HEX #CAB9E7BF

RGBA 202 185 231 0.75

HSLA 262.17, 0.49%, 0.82%, 0.75

LABA 77.89, 14.8, -20.73, 0.75

 

CMYK 13 / 0 / 55 / 54

HEX #3A4613BF

RGBA 58 70 19 0.75

HSLA 74.12, 0.57%, 0.17%, 0.75

LABA 27.65, -13.45, 28.06, 0.75

 

CMYK 11 / 0 / 43 / 49

HEX #4B5826BF

RGBA 75 88 38 0.75

HSLA 75.6, 0.4%, 0.25%, 0.75

LABA 35.23, -13.86, 26.99, 0.75

 

CMYK 10 / 0 / 35 / 44

HEX #5C6A39BF

RGBA 92 106 57 0.75

HSLA 77.14, 0.3%, 0.32%, 0.75

LABA 42.58, -14.07, 25.69, 0.75

 

CMYK 9 / 0 / 29 / 39

HEX #6D7C4CBF

RGBA 109 124 76 0.75

HSLA 78.75, 0.24%, 0.39%, 0.75

LABA 49.72, -14.18, 24.4, 0.75

 

CMYK 8 / 0 / 25 / 33

HEX #7E8E5FBF

RGBA 126 142 95 0.75

HSLA 80.43, 0.2%, 0.46%, 0.75

LABA 56.69, -14.24, 23.19, 0.75

 

CMYK 18 / 0 / 49 / 54

HEX #354618BF

RGBA 53 70 24 0.75

HSLA 82.17, 0.49%, 0.18%, 0.75

LABA 27.31, -15.35, 25, 0.75

 

CMYK 23 / 0 / 68 / 60

HEX #243405BF

RGBA 36 52 5 0.75

HSLA 80.43, 0.82%, 0.11%, 0.75

LABA 19.4, -14.94, 25.04, 0.75

 

CMYK 33 / 0 / 75 / 65

HEX #132200BF

RGBA 19 34 0 0.75

HSLA 86.47, 1%, 0.07%, 0.75

LABA 11.15, -13.64, 16.32, 0.75

 

CMYK 66 / 0 / 75 / 70

HEX #021000BF

RGBA 2 16 0 0.75

HSLA 112.5, 1%, 0.03%, 0.75

LABA 3.46, -6.32, 5.07, 0.75

 

CMYK 0 / 0 / 0 / 100

HEX #000000BF

RGBA 0 0 0 0.75

HSLA 0, 0%, 0%, 0.75

LABA 0, 0, 0, 0.75

 

CMYK 24 / 0 / 66 / 73

HEX #344417

RGB 52 68 23

HSL 81.33, 0.49%, 0.18%

LAB 26.52, -14.79, 24.64

 

CMYK 6 / 0 / 66 / 73

HEX #404417

RGB 64 68 23

HSL 65.33, 0.49%, 0.18%

LAB 27.53, -8.99, 26.05

 

CMYK 0 / 10 / 66 / 73

HEX #443D17

RGB 68 61 23

HSL 50.67, 0.49%, 0.18%

LAB 25.65, -2.65, 24.05

 

CMYK 0 / 28 / 66 / 73

HEX #443117

RGB 68 49 23

HSL 34.67, 0.49%, 0.18%

LAB 21.9, 5.13, 19.72

 

CMYK 0 / 47 / 66 / 73

HEX #442417

RGB 68 36 23

HSL 17.33, 0.49%, 0.18%

LAB 18.15, 13.72, 15.18

 

CMYK 24 / 0 / 66 / 73

HEX #344417

RGB 52 68 23

HSL 81.33, 0.49%, 0.18%

LAB 26.52, -14.79, 24.64

 

CMYK 41 / 0 / 66 / 73

HEX #284417

RGB 40 68 23

HSL 97.33, 0.49%, 0.18%

LAB 25.71, -20.07, 23.49

 

CMYK 59 / 0 / 66 / 73

HEX #1C4417

RGB 28 68 23

HSL 113.33, 0.49%, 0.18%

LAB 25.08, -24.52, 22.62

 

CMYK 66 / 0 / 54 / 73

HEX #17441F

RGB 23 68 31

HSL 130.67, 0.49%, 0.18%

LAB 25, -24.77, 17.85

 

CMYK 66 / 0 / 35 / 73

HEX #17442C

RGB 23 68 44

HSL 148, 0.49%, 0.18%

LAB 25.25, -22.03, 10.06

 

CMYK 24 / 0 / 66 / 73

HEX #344417

RGB 52 68 23

HSL 81.33, 0.49%, 0.18%

LAB 26.52, -14.79, 24.64

 

CMYK 29 / 0 / 79 / 70

HEX #364C10

RGB 54 76 16

HSL 82, 0.65%, 0.18%

LAB 29.39, -18.88, 31.12

 

CMYK 33 / 0 / 89 / 67

HEX #385309

RGB 56 83 9

HSL 81.89, 0.8%, 0.18%

LAB 31.91, -22.05, 36.13

 

CMYK 36 / 0 / 99 / 64

HEX #3A5B01

RGB 58 91 1

HSL 82, 0.98%, 0.18%

LAB 34.77, -25.54, 41.16

 

CMYK 24 / 0 / 66 / 73

HEX #344417

RGB 52 68 23

HSL 81.33, 0.49%, 0.18%

LAB 26.52, -14.79, 24.64

 

CMYK 18 / 0 / 49 / 76

HEX #323D1F

RGB 50 61 31

HSL 82, 0.33%, 0.18%

LAB 24.05, -10.64, 16.99

 

CMYK 11 / 0 / 30 / 79

HEX #303626

RGB 48 54 38

HSL 82.5, 0.17%, 0.18%

LAB 21.6, -6.06, 9.24

 

CMYK 0 / 0 / 0 / 82

HEX #2E2E2E

RGB 46 46 46

HSL 0, 0%, 0.18%

LAB 18.94, 0, -0

 

CMYK 17 / 26 / 0 / 79

HEX #2C2735

RGB 44 39 53

HSL 261.43, 0.15%, 0.18%

LAB 16.72, 5.81, -8.22

 

CMYK 0 / 10 / 66 / 73

HEX #443D17

RGB 68 61 23

HSL 50.67, 0.49%, 0.18%

LAB 25.65, -2.65, 24.05

 

CMYK 6 / 0 / 66 / 73

HEX #404417

RGB 64 68 23

HSL 65.33, 0.49%, 0.18%

LAB 27.53, -8.99, 26.05

 

CMYK 24 / 0 / 66 / 73

HEX #344417

RGB 52 68 23

HSL 81.33, 0.49%, 0.18%

LAB 26.52, -14.79, 24.64

 

CMYK 41 / 0 / 66 / 73

HEX #284417

RGB 40 68 23

HSL 97.33, 0.49%, 0.18%

LAB 25.71, -20.07, 23.49

 

CMYK 59 / 0 / 66 / 73

HEX #1C4417

RGB 28 68 23

HSL 113.33, 0.49%, 0.18%

LAB 25.08, -24.52, 22.62

 

CMYK 29 / 0 / 71 / 97

HEX #050702

RGB 5 7 2

HSL 84, 0.56%, 0.02%

LAB 1.7, -1.22, 1.71

 

CMYK 24 / 0 / 66 / 85

HEX #1D260D

RGB 29 38 13

HSL 81.6, 0.49%, 0.1%

LAB 13.69, -9.24, 14.49

 

CMYK 24 / 0 / 66 / 73

HEX #344417

RGB 52 68 23

HSL 81.33, 0.49%, 0.18%

LAB 26.52, -14.79, 24.64

 

CMYK 24 / 0 / 66 / 61

HEX #4B6322

RGB 75 99 34

HSL 82.15, 0.49%, 0.26%

LAB 38.79, -20.25, 33.1

 

CMYK 25 / 0 / 66 / 49

HEX #62822C

RGB 98 130 44

HSL 82.33, 0.49%, 0.34%

LAB 50.39, -25.44, 41.48

 

CMYK 24 / 0 / 66 / 73

HEX #354618

RGB 53 70 24

HSL 82.17, 0.49%, 0.18%

LAB 27.31, -15.35, 25

 

CMYK 66 / 0 / 28 / 73

HEX #174431

RGB 23 68 49

HSL 154.67, 0.49%, 0.18%

LAB 25.38, -20.77, 7

 

CMYK 1 / 66 / 0 / 73

HEX #431744

RGB 67 23 68

HSL 298.67, 0.49%, 0.18%

LAB 16.62, 28.32, -18.6

 

CMYK 24 / 0 / 66 / 73

HEX #354618

RGB 53 70 24

HSL 82.17, 0.49%, 0.18%

LAB 27.31, -15.35, 25

 

CMYK 66 / 24 / 0 / 73

HEX #173444

RGB 23 52 68

HSL 201.33, 0.49%, 0.18%

LAB 20.26, -5.18, -13.24

 

CMYK 0 / 66 / 24 / 73

HEX #441734

RGB 68 23 52

HSL 321.33, 0.49%, 0.18%

LAB 15.95, 25.56, -8.37

 

CMYK 24 / 0 / 66 / 73

HEX #354618

RGB 53 70 24

HSL 82.17, 0.49%, 0.18%

LAB 27.31, -15.35, 25

 

CMYK 66 / 0 / 28 / 73

HEX #174431

RGB 23 68 49

HSL 154.67, 0.49%, 0.18%

LAB 25.38, -20.77, 7

 

CMYK 41 / 66 / 0 / 73

HEX #281744

RGB 40 23 68

HSL 262.67, 0.49%, 0.18%

LAB 12.49, 20.23, -25.42

 

CMYK 0 / 66 / 37 / 73

HEX #44172B

RGB 68 23 43

HSL 333.33, 0.49%, 0.18%

LAB 15.57, 24.12, -2.49

 

CMYK 24 / 0 / 66 / 73

HEX #354618

RGB 53 70 24

HSL 82.17, 0.49%, 0.18%

LAB 27.31, -15.35, 25

 

CMYK 66 / 0 / 9 / 73

HEX #17443E

RGB 23 68 62

HSL 172, 0.49%, 0.18%

LAB 25.76, -17.03, -0.96

 

CMYK 41 / 66 / 0 / 73

HEX #281744

RGB 40 23 68

HSL 262.67, 0.49%, 0.18%

LAB 12.49, 20.23, -25.42

 

CMYK 0 / 66 / 57 / 73

HEX #44171D

RGB 68 23 29

HSL 352, 0.49%, 0.18%

LAB 15.12, 22.33, 7

 

Description

Color code: RGBA 53 70 24 0.75 | qconv.com Color code: RGBA 53 70 24 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 70 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 70 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 49 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 49% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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