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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 54 47 0.25 it is the complementary color RGBA 202 201 208 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 54 47 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 54 47 0.25 shade: RGBA 58 54 42 0.25, RGBA 75 72 61 0.25, RGBA 92 90 80 0.25, RGBA 109 108 99 0.25 and RGBA 126 126 118 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 54 47 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 54 47 0.25 shade: RGBA 53 54 47 0.25, RGBA 36 36 28 0.25, RGBA 19 18 9 0.25, RGBA 2 0 0 0.25 and RGBA 0 0 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 54 47 0.25 shade: RGB 54 55 47, RGB 55 54 47, RGB 55 52 47, RGB 55 50 47 and RGB 55 48 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 54 47 0.25 shade: RGB 54 55 47, RGB 52 55 47, RGB 50 55 47, RGB 48 55 47 and RGB 47 55 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 54 47 0.25 shade matches the following richer shades: RGB 54 55 47, RGB 59 63 39, RGB 65 71 31, RGB 71 79 23 and RGB 77 88 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 54 47 0.25 shade: RGB 54 55 47, RGB 48 46 56, RGB 42 38 64, RGB 36 30 72 and RGB 30 22 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 54 47 0.25 shade: RGB 55 52 47, RGB 55 54 47, RGB 54 55 47, RGB 52 55 47 and RGB 50 55 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 54 47 0.25 shade: RGB 10 10 9, RGB 32 32 28, RGB 54 55 47, RGB 75 77 67 and RGB 97 99 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 54 47 0.25 shade: RGB 53 54 47, RGB 47 55 50 and RGB 53 47 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 54 47 0.25 shade: RGB 53 54 47, RGB 47 54 55 and RGB 55 47 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 54 47 0.25 shade: RGB 53 54 47, RGB 47 55 50, RGB 48 47 55 and RGB 55 47 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 54 47 0.25 shade: RGB 53 54 47, RGB 47 55 52, RGB 48 47 55 and RGB 55 47 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 3 / 20

HEX #35362F3F

RGBA 53 54 47 0.25

HSLA 68.57, 0.07%, 0.2%, 0.25

LABA 22.3, -1.98, 4.25, 0.25

 

Complementary color

CMYK 1 / 1 / 0 / 5

HEX #CAC9D03F

RGBA 202 201 208 0.25

HSLA 248.57, 0.07%, 0.8%, 0.25

LABA 81.23, 1.64, -3.37, 0.25

 

CMYK 0 / 2 / 7 / 19

HEX #3A362A3F

RGBA 58 54 42 0.25

HSLA 45, 0.16%, 0.2%, 0.25

LABA 22.67, -0.63, 8.19, 0.25

 

CMYK 0 / 1 / 5 / 18

HEX #4B483D3F

RGBA 75 72 61 0.25

HSLA 47.14, 0.1%, 0.27%, 0.25

LABA 30.56, -0.94, 7.06, 0.25

 

CMYK 0 / 1 / 3 / 16

HEX #5C5A503F

RGBA 92 90 80 0.25

HSLA 50, 0.07%, 0.34%, 0.25

LABA 38.14, -1.18, 6.06, 0.25

 

CMYK 0 / 0 / 2 / 14

HEX #6D6C633F

RGBA 109 108 99 0.25

HSLA 54, 0.05%, 0.41%, 0.25

LABA 45.47, -1.37, 5.17, 0.25

 

CMYK 0 / 0 / 2 / 13

HEX #7E7E763F

RGBA 126 126 118 0.25

HSLA 60, 0.03%, 0.48%, 0.25

LABA 52.58, -1.55, 4.35, 0.25

 

CMYK 0 / 0 / 3 / 20

HEX #35362F3F

RGBA 53 54 47 0.25

HSLA 68.57, 0.07%, 0.2%, 0.25

LABA 22.3, -1.98, 4.25, 0.25

 

CMYK 0 / 0 / 6 / 21

HEX #24241C3F

RGBA 36 36 28 0.25

HSLA 60, 0.13%, 0.13%, 0.25

LABA 13.95, -1.8, 5.36, 0.25

 

CMYK 0 / 1 / 13 / 23

HEX #1312093F

RGBA 19 18 9 0.25

HSLA 54, 0.36%, 0.05%, 0.25

LABA 5.34, -1.12, 4.28, 0.25

 

CMYK 0 / 25 / 25 / 25

HEX #0200003F

RGBA 2 0 0 0.25

HSLA 0, 1%, 0%, 0.25

LABA 0.12, 0.52, 0.18, 0.25

 

CMYK 0 / 0 / 0 / 100

HEX #0000003F

RGBA 0 0 0 0.25

HSLA 0, 0%, 0%, 0.25

LABA 0, 0, 0, 0.25

 

CMYK 2 / 0 / 15 / 78

HEX #36372F

RGB 54 55 47

HSL 67.5, 0.08%, 0.2%

LAB 22.73, -2.18, 4.87

 

CMYK 0 / 2 / 15 / 78

HEX #37362F

RGB 55 54 47

HSL 52.5, 0.08%, 0.2%

LAB 22.5, -1.07, 4.56

 

CMYK 0 / 5 / 15 / 78

HEX #37342F

RGB 55 52 47

HSL 37.5, 0.08%, 0.2%

LAB 21.85, 0.25, 3.63

 

CMYK 0 / 9 / 15 / 78

HEX #37322F

RGB 55 50 47

HSL 22.5, 0.08%, 0.2%

LAB 21.2, 1.59, 2.71

 

CMYK 0 / 13 / 15 / 78

HEX #37302F

RGB 55 48 47

HSL 7.5, 0.08%, 0.2%

LAB 20.56, 2.93, 1.79

 

CMYK 2 / 0 / 15 / 78

HEX #36372F

RGB 54 55 47

HSL 67.5, 0.08%, 0.2%

LAB 22.73, -2.18, 4.87

 

CMYK 5 / 0 / 15 / 78

HEX #34372F

RGB 52 55 47

HSL 82.5, 0.08%, 0.2%

LAB 22.54, -3.08, 4.58

 

CMYK 9 / 0 / 15 / 78

HEX #32372F

RGB 50 55 47

HSL 97.5, 0.08%, 0.2%

LAB 22.36, -3.98, 4.29

 

CMYK 13 / 0 / 15 / 78

HEX #30372F

RGB 48 55 47

HSL 112.5, 0.08%, 0.2%

LAB 22.18, -4.85, 4.02

 

CMYK 15 / 0 / 11 / 78

HEX #2F3731

RGB 47 55 49

HSL 135, 0.08%, 0.2%

LAB 22.15, -4.83, 2.62

 

CMYK 2 / 0 / 15 / 78

HEX #36372F

RGB 54 55 47

HSL 67.5, 0.08%, 0.2%

LAB 22.73, -2.18, 4.87

 

CMYK 6 / 0 / 38 / 75

HEX #3B3F27

RGB 59 63 39

HSL 70, 0.24%, 0.2%

LAB 25.66, -6.41, 14.19

 

CMYK 8 / 0 / 56 / 72

HEX #41471F

RGB 65 71 31

HSL 69, 0.39%, 0.2%

LAB 28.72, -9.48, 23

 

CMYK 10 / 0 / 71 / 69

HEX #474F17

RGB 71 79 23

HSL 68.57, 0.55%, 0.2%

LAB 31.79, -12.03, 30.82

 

CMYK 13 / 0 / 84 / 65

HEX #4D580E

RGB 77 88 14

HSL 68.92, 0.73%, 0.2%

LAB 35.18, -14.79, 38.02

 

CMYK 2 / 0 / 15 / 78

HEX #36372F

RGB 54 55 47

HSL 67.5, 0.08%, 0.2%

LAB 22.73, -2.18, 4.87

 

CMYK 14 / 18 / 0 / 78

HEX #302E38

RGB 48 46 56

HSL 252, 0.1%, 0.2%

LAB 19.51, 3.37, -6.04

 

CMYK 34 / 41 / 0 / 75

HEX #2A2640

RGB 42 38 64

HSL 249.23, 0.25%, 0.2%

LAB 16.74, 9.01, -15.87

 

CMYK 50 / 58 / 0 / 72

HEX #241E48

RGB 36 30 72

HSL 248.57, 0.41%, 0.2%

LAB 14.24, 15.56, -25.42

 

CMYK 63 / 73 / 0 / 69

HEX #1E1650

RGB 30 22 80

HSL 248.28, 0.57%, 0.2%

LAB 12.15, 22.66, -34.34

 

CMYK 0 / 5 / 15 / 78

HEX #37342F

RGB 55 52 47

HSL 37.5, 0.08%, 0.2%

LAB 21.85, 0.25, 3.63

 

CMYK 0 / 2 / 15 / 78

HEX #37362F

RGB 55 54 47

HSL 52.5, 0.08%, 0.2%

LAB 22.5, -1.07, 4.56

 

CMYK 2 / 0 / 15 / 78

HEX #36372F

RGB 54 55 47

HSL 67.5, 0.08%, 0.2%

LAB 22.73, -2.18, 4.87

 

CMYK 5 / 0 / 15 / 78

HEX #34372F

RGB 52 55 47

HSL 82.5, 0.08%, 0.2%

LAB 22.54, -3.08, 4.58

 

CMYK 9 / 0 / 15 / 78

HEX #32372F

RGB 50 55 47

HSL 97.5, 0.08%, 0.2%

LAB 22.36, -3.98, 4.29

 

CMYK 0 / 0 / 10 / 96

HEX #0A0A09

RGB 10 10 9

HSL 60, 0.05%, 0.04%

LAB 2.72, -0.14, 0.38

 

CMYK 0 / 0 / 13 / 87

HEX #20201C

RGB 32 32 28

HSL 60, 0.07%, 0.12%

LAB 12.12, -0.95, 2.72

 

CMYK 2 / 0 / 15 / 78

HEX #36372F

RGB 54 55 47

HSL 67.5, 0.08%, 0.2%

LAB 22.73, -2.18, 4.87

 

CMYK 3 / 0 / 13 / 70

HEX #4B4D43

RGB 75 77 67

HSL 72, 0.07%, 0.28%

LAB 32.28, -2.91, 5.66

 

CMYK 2 / 0 / 13 / 61

HEX #616356

RGB 97 99 86

HSL 69.23, 0.07%, 0.36%

LAB 41.43, -3.37, 7.12

 

CMYK 2 / 0 / 13 / 79

HEX #35362F

RGB 53 54 47

HSL 68.57, 0.07%, 0.2%

LAB 22.3, -1.98, 4.25

 

CMYK 15 / 0 / 9 / 78

HEX #2F3732

RGB 47 55 50

HSL 142.5, 0.08%, 0.2%

LAB 22.18, -4.6, 1.99

 

CMYK 4 / 15 / 0 / 78

HEX #352F37

RGB 53 47 55

HSL 285, 0.08%, 0.2%

LAB 20.31, 4.53, -4.11

 

CMYK 2 / 0 / 13 / 79

HEX #35362F

RGB 53 54 47

HSL 68.57, 0.07%, 0.2%

LAB 22.3, -1.98, 4.25

 

CMYK 15 / 2 / 0 / 78

HEX #2F3637

RGB 47 54 55

HSL 187.5, 0.08%, 0.2%

LAB 22.01, -2.71, -1.64

 

CMYK 0 / 15 / 2 / 78

HEX #372F36

RGB 55 47 54

HSL 307.5, 0.08%, 0.2%

LAB 20.49, 5.15, -3.13

 

CMYK 2 / 0 / 13 / 79

HEX #35362F

RGB 53 54 47

HSL 68.57, 0.07%, 0.2%

LAB 22.3, -1.98, 4.25

 

CMYK 15 / 0 / 9 / 78

HEX #2F3732

RGB 47 55 50

HSL 142.5, 0.08%, 0.2%

LAB 22.18, -4.6, 1.99

 

CMYK 13 / 15 / 0 / 78

HEX #302F37

RGB 48 47 55

HSL 247.5, 0.08%, 0.2%

LAB 19.79, 2.42, -4.93

 

CMYK 0 / 15 / 5 / 78

HEX #372F34

RGB 55 47 52

HSL 322.5, 0.08%, 0.2%

LAB 20.41, 4.7, -1.86

 

CMYK 2 / 0 / 13 / 79

HEX #35362F

RGB 53 54 47

HSL 68.57, 0.07%, 0.2%

LAB 22.3, -1.98, 4.25

 

CMYK 15 / 0 / 5 / 78

HEX #2F3734

RGB 47 55 52

HSL 157.5, 0.08%, 0.2%

LAB 22.25, -4.11, 0.73

 

CMYK 13 / 15 / 0 / 78

HEX #302F37

RGB 48 47 55

HSL 247.5, 0.08%, 0.2%

LAB 19.79, 2.42, -4.93

 

CMYK 0 / 15 / 9 / 78

HEX #372F32

RGB 55 47 50

HSL 337.5, 0.08%, 0.2%

LAB 20.34, 4.25, -0.59

 

Description

Color code: RGBA 53 54 47 0.25 | qconv.com Color code: RGBA 53 54 47 0.25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 54 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 54 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 3 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 3% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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