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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 36 214 0 it is the complementary color RGBA 202 219 41 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 36 214 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 36 214 0 shade: RGBA 58 36 209 0, RGBA 75 54 228 0, RGBA 92 72 247 0, RGBA 109 90 255 0 and RGBA 126 108 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 36 214 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 36 214 0 shade: RGBA 53 36 214 0, RGBA 36 18 195 0, RGBA 19 0 176 0, RGBA 2 0 157 0 and RGBA 0 0 138 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 36 214 0 shade: RGB 53 36 214, RGB 101 36 214, RGB 149 36 214, RGB 197 36 214 and RGB 214 36 183

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 36 214 0 shade: RGB 53 36 214 and RGB 36 36 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 36 214 0 shade matches the following richer shades: RGB 53 36 214 and RGB 37 16 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 36 214 0 shade: RGB 53 36 214, RGB 70 56 193, RGB 86 77 173, RGB 102 97 153 and RGB 119 117 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 36 214 0 shade: RGB 36 116 214, RGB 36 69 214, RGB 51 36 214, RGB 98 36 214 and RGB 146 36 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 36 214 0 shade: RGB 36 24 143, RGB 44 30 178, RGB 53 36 214, RGB 83 68 223 and RGB 115 103 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 36 214 0 shade: RGB 53 36 214, RGB 214 36 163 and RGB 92 214 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 36 214 0 shade: RGB 53 36 214, RGB 214 51 36 and RGB 36 214 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 36 214 0 shade: RGB 53 36 214, RGB 214 36 163, RGB 199 214 36 and RGB 36 214 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 36 214 0 shade: RGB 53 36 214, RGB 214 36 110, RGB 199 214 36 and RGB 36 214 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #3524D600

RGBA 53 36 214 0

HSLA 245.73, 0.71%, 0.49%, 0

LABA 31.52, 60.72, -85.78, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #CADB2900

RGBA 202 219 41 0

HSLA 65.73, 0.71%, 0.51%, 0

LABA 83.64, -25.62, 76.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3A24D100

RGBA 58 36 209 0

HSLA 247.63, 0.71%, 0.48%, 0

LABA 31.27, 59.6, -83.29, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4B36E400

RGBA 75 54 228 0

HSLA 247.24, 0.76%, 0.55%, 0

LABA 37.36, 58.3, -84.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5C48F700

RGBA 92 72 247 0

HSLA 246.86, 0.92%, 0.63%, 0

LABA 43.69, 56.62, -84.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6D5AFF00

RGBA 109 90 255 0

HSLA 246.91, 1%, 0.68%, 0

LABA 49.23, 51.57, -79.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7E6CFF00

RGBA 126 108 255 0

HSLA 247.35, 1%, 0.71%, 0

LABA 54.43, 44.32, -71.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3524D600

RGBA 53 36 214 0

HSLA 245.73, 0.71%, 0.49%, 0

LABA 31.52, 60.72, -85.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2412C300

RGBA 36 18 195 0

HSLA 246.1, 0.83%, 0.42%, 0

LABA 26, 61.08, -83.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1300B000

RGBA 19 0 176 0

HSLA 246.48, 1%, 0.35%, 0

LABA 21.11, 60.14, -80.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #02009D00

RGBA 2 0 157 0

HSLA 240.76, 1%, 0.31%, 0

LABA 17.68, 55.14, -74.97, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00008A00

RGBA 0 0 138 0

HSLA 240, 1%, 0.27%, 0

LABA 14.6, 50.17, -68.32, 0

 

CMYK 75 / 83 / 0 / 16

HEX #3524D6

RGB 53 36 214

HSL 245.73, 0.71%, 0.49%

LAB 31.52, 60.72, -85.78

 

CMYK 53 / 83 / 0 / 16

HEX #6524D6

RGB 101 36 214

HSL 261.91, 0.71%, 0.49%

LAB 35.76, 64.75, -78.62

 

CMYK 30 / 83 / 0 / 16

HEX #9524D6

RGB 149 36 214

HSL 278.09, 0.71%, 0.49%

LAB 42.01, 71.01, -68.13

 

CMYK 8 / 83 / 0 / 16

HEX #C524D6

RGB 197 36 214

HSL 294.27, 0.71%, 0.49%

LAB 49.48, 78.83, -55.68

 

CMYK 0 / 83 / 14 / 16

HEX #D624B7

RGB 214 36 183

HSL 310.45, 0.71%, 0.49%

LAB 50.66, 77.46, -35.7

 

CMYK 75 / 83 / 0 / 16

HEX #3524D6

RGB 53 36 214

HSL 245.73, 0.71%, 0.49%

LAB 31.52, 60.72, -85.78

 

CMYK 83 / 83 / 0 / 16

HEX #2424D6

RGB 36 36 214

HSL 240, 0.71%, 0.49%

LAB 30.62, 59.9, -87.29

 

CMYK 75 / 83 / 0 / 16

HEX #3524D6

RGB 53 36 214

HSL 245.73, 0.71%, 0.49%

LAB 31.52, 60.72, -85.78

 

CMYK 84 / 93 / 0 / 8

HEX #2510EA

RGB 37 16 234

HSL 245.78, 0.87%, 0.49%

LAB 31.12, 71.8, -97.94

 

CMYK 75 / 83 / 0 / 16

HEX #3524D6

RGB 53 36 214

HSL 245.73, 0.71%, 0.49%

LAB 31.52, 60.72, -85.78

 

CMYK 64 / 71 / 0 / 24

HEX #4638C1

RGB 70 56 193

HSL 246.13, 0.55%, 0.49%

LAB 33.94, 46.03, -69.5

 

CMYK 50 / 55 / 0 / 32

HEX #564DAD

RGB 86 77 173

HSL 245.63, 0.38%, 0.49%

LAB 38.38, 29.87, -50.41

 

CMYK 33 / 37 / 0 / 40

HEX #666199

RGB 102 97 153

HSL 245.36, 0.22%, 0.49%

LAB 43.76, 15.6, -29.88

 

CMYK 11 / 12 / 0 / 48

HEX #777585

RGB 119 117 133

HSL 247.5, 0.06%, 0.49%

LAB 49.9, 4.14, -8.47

 

CMYK 83 / 46 / 0 / 16

HEX #2474D6

RGB 36 116 214

HSL 213.03, 0.71%, 0.49%

LAB 49.16, 12.08, -56.95

 

CMYK 83 / 68 / 0 / 16

HEX #2445D6

RGB 36 69 214

HSL 228.88, 0.71%, 0.49%

LAB 36.9, 42.13, -76.89

 

CMYK 76 / 83 / 0 / 16

HEX #3324D6

RGB 51 36 214

HSL 245.06, 0.71%, 0.49%

LAB 31.39, 60.61, -85.98

 

CMYK 54 / 83 / 0 / 16

HEX #6224D6

RGB 98 36 214

HSL 260.9, 0.71%, 0.49%

LAB 35.43, 64.43, -79.18

 

CMYK 32 / 83 / 0 / 16

HEX #9224D6

RGB 146 36 214

HSL 277.08, 0.71%, 0.49%

LAB 41.58, 70.57, -68.86

 

CMYK 75 / 83 / 0 / 44

HEX #24188F

RGB 36 24 143

HSL 246.05, 0.71%, 0.33%

LAB 20.09, 43.66, -62.25

 

CMYK 75 / 83 / 0 / 30

HEX #2C1EB2

RGB 44 30 178

HSL 245.68, 0.71%, 0.41%

LAB 25.8, 52.19, -74.12

 

CMYK 75 / 83 / 0 / 16

HEX #3524D6

RGB 53 36 214

HSL 245.73, 0.71%, 0.49%

LAB 31.52, 60.72, -85.78

 

CMYK 63 / 70 / 0 / 13

HEX #5344DF

RGB 83 68 223

HSL 245.81, 0.71%, 0.57%

LAB 40.08, 50.38, -76.73

 

CMYK 50 / 55 / 0 / 10

HEX #7367E5

RGB 115 103 229

HSL 245.71, 0.71%, 0.65%

LAB 50.69, 37.38, -62.76

 

CMYK 75 / 83 / 0 / 16

HEX #3524D6

RGB 53 36 214

HSL 245.73, 0.71%, 0.49%

LAB 31.52, 60.72, -85.78

 

CMYK 0 / 83 / 24 / 16

HEX #D624A3

RGB 214 36 163

HSL 317.19, 0.71%, 0.49%

LAB 49.74, 74.93, -25.36

 

CMYK 57 / 0 / 83 / 16

HEX #5CD624

RGB 92 214 36

HSL 101.12, 0.71%, 0.49%

LAB 76.37, -62.41, 69.33

 

CMYK 75 / 83 / 0 / 16

HEX #3524D6

RGB 53 36 214

HSL 245.73, 0.71%, 0.49%

LAB 31.52, 60.72, -85.78

 

CMYK 0 / 76 / 83 / 16

HEX #D63324

RGB 214 51 36

HSL 5.06, 0.71%, 0.49%

LAB 48, 61.67, 47.55

 

CMYK 83 / 0 / 76 / 16

HEX #24D633

RGB 36 214 51

HSL 125.06, 0.71%, 0.49%

LAB 75.27, -71.46, 63.66

 

CMYK 75 / 83 / 0 / 16

HEX #3524D6

RGB 53 36 214

HSL 245.73, 0.71%, 0.49%

LAB 31.52, 60.72, -85.78

 

CMYK 0 / 83 / 24 / 16

HEX #D624A3

RGB 214 36 163

HSL 317.19, 0.71%, 0.49%

LAB 49.74, 74.93, -25.36

 

CMYK 7 / 0 / 83 / 16

HEX #C7D624

RGB 199 214 36

HSL 65.06, 0.71%, 0.49%

LAB 82.03, -24.62, 76.46

 

CMYK 83 / 0 / 59 / 16

HEX #24D657

RGB 36 214 87

HSL 137.19, 0.71%, 0.49%

LAB 75.55, -67.99, 49.92

 

CMYK 75 / 83 / 0 / 16

HEX #3524D6

RGB 53 36 214

HSL 245.73, 0.71%, 0.49%

LAB 31.52, 60.72, -85.78

 

CMYK 0 / 83 / 49 / 16

HEX #D6246E

RGB 214 36 110

HSL 335.06, 0.71%, 0.49%

LAB 47.86, 69.57, 3.84

 

CMYK 7 / 0 / 83 / 16

HEX #C7D624

RGB 199 214 36

HSL 65.06, 0.71%, 0.49%

LAB 82.03, -24.62, 76.46

 

CMYK 83 / 0 / 35 / 16

HEX #24D68C

RGB 36 214 140

HSL 155.06, 0.71%, 0.49%

LAB 76.29, -59.24, 24.81

 

Description

Color code: RGBA 53 36 214 0 | qconv.com Color code: RGBA 53 36 214 0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 36 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 36 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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