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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 34 20 0 it is the complementary color RGBA 202 221 235 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 34 20 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 34 20 0 shade: RGBA 58 34 15 0, RGBA 75 52 34 0, RGBA 92 70 53 0, RGBA 109 88 72 0 and RGBA 126 106 91 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 34 20 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 34 20 0 shade: RGBA 53 34 20 0, RGBA 36 16 1 0, RGBA 19 0 0 0, RGBA 2 0 0 0 and RGBA 0 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 34 20 0 shade: RGB 52 33 20, RGB 52 25 20 and RGB 52 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 34 20 0 shade: RGB 52 33 20, RGB 52 42 20, RGB 52 51 20, RGB 44 52 20 and RGB 36 52 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 34 20 0 shade matches the following richer shades: RGB 52 33 20, RGB 58 32 14, RGB 63 32 8 and RGB 69 31 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 34 20 0 shade: RGB 52 33 20, RGB 46 34 25, RGB 40 35 31, RGB 34 36 37 and RGB 29 37 43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 34 20 0 shade: RGB 52 20 23, RGB 52 24 20, RGB 52 33 20, RGB 52 42 20 and RGB 52 50 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 34 20 0 shade: RGB 0 0 0, RGB 22 14 8, RGB 52 33 20, RGB 82 52 31 and RGB 112 72 42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 34 20 0 shade: RGB 53 34 20, RGB 32 52 20 and RGB 20 20 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 34 20 0 shade: RGB 53 34 20, RGB 20 52 33 and RGB 33 20 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 34 20 0 shade: RGB 53 34 20, RGB 32 52 20, RGB 20 38 52 and RGB 39 20 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 34 20 0 shade: RGB 53 34 20, RGB 22 52 20, RGB 20 38 52 and RGB 49 20 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #35221400

RGBA 53 34 20 0

HSLA 25.45, 0.45%, 0.14%, 0

LABA 15.23, 7.15, 13.04, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #CADDEB00

RGBA 202 221 235 0

HSLA 205.45, 0.45%, 0.86%, 0

LABA 87.13, -3.53, -9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3A220F00

RGBA 58 34 15 0

HSLA 26.51, 0.59%, 0.14%, 0

LABA 15.89, 9.29, 17.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4B342200

RGBA 75 52 34 0

HSLA 26.34, 0.38%, 0.21%, 0

LABA 23.89, 7.83, 15.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5C463500

RGBA 92 70 53 0

HSLA 26.15, 0.27%, 0.28%, 0

LABA 31.61, 6.81, 13.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6D584800

RGBA 109 88 72 0

HSLA 25.95, 0.2%, 0.35%, 0

LABA 39.07, 6.05, 12.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7E6A5B00

RGBA 126 106 91 0

HSLA 25.71, 0.16%, 0.43%, 0

LABA 46.31, 5.45, 11.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #35221400

RGBA 53 34 20 0

HSLA 25.45, 0.45%, 0.14%, 0

LABA 15.23, 7.15, 13.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #24100100

RGBA 36 16 1 0

HSLA 25.71, 0.95%, 0.07%, 0

LABA 6.76, 8.41, 9.86, 0

 

CMYK 0 / 0 / 0 / 0

HEX #13000000

RGBA 19 0 0 0

HSLA 0, 1%, 0.04%, 0

LABA 1.25, 5.61, 1.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #02000000

RGBA 2 0 0 0

HSLA 0, 1%, 0%, 0

LABA 0.12, 0.52, 0.18, 0

 

CMYK 0 / 0 / 0 / 100

HEX #00000000

RGBA 0 0 0 0

HSLA 0, 0%, 0%, 0

LABA 0, 0, 0, 0

 

CMYK 0 / 37 / 62 / 80

HEX #342114

RGB 52 33 20

HSL 24.38, 0.44%, 0.14%

LAB 14.78, 7.32, 12.43

 

CMYK 0 / 52 / 62 / 80

HEX #341914

RGB 52 25 20

HSL 9.38, 0.44%, 0.14%

LAB 12.45, 12.82, 9.36

 

CMYK 0 / 62 / 62 / 80

HEX #341414

RGB 52 20 20

HSL 0, 0.44%, 0.14%

LAB 11.14, 16.1, 7.56

 

CMYK 0 / 37 / 62 / 80

HEX #342114

RGB 52 33 20

HSL 24.38, 0.44%, 0.14%

LAB 14.78, 7.32, 12.43

 

CMYK 0 / 19 / 62 / 80

HEX #342A14

RGB 52 42 20

HSL 41.25, 0.44%, 0.14%

LAB 17.63, 1.13, 16

 

CMYK 0 / 2 / 62 / 80

HEX #343314

RGB 52 51 20

HSL 58.13, 0.44%, 0.14%

LAB 20.63, -4.82, 19.58

 

CMYK 15 / 0 / 62 / 80

HEX #2C3414

RGB 44 52 20

HSL 75, 0.44%, 0.14%

LAB 20.21, -9.54, 18.9

 

CMYK 31 / 0 / 62 / 80

HEX #243414

RGB 36 52 20

HSL 90, 0.44%, 0.14%

LAB 19.56, -13.39, 17.97

 

CMYK 0 / 37 / 62 / 80

HEX #342114

RGB 52 33 20

HSL 24.38, 0.44%, 0.14%

LAB 14.78, 7.32, 12.43

 

CMYK 0 / 45 / 76 / 77

HEX #3A200E

RGB 58 32 14

HSL 24.55, 0.61%, 0.14%

LAB 15.3, 10.56, 16.78

 

CMYK 0 / 49 / 87 / 75

HEX #3F2008

RGB 63 32 8

HSL 26.18, 0.77%, 0.14%

LAB 16.04, 12.75, 20.52

 

CMYK 0 / 55 / 97 / 73

HEX #451F02

RGB 69 31 2

HSL 25.97, 0.94%, 0.14%

LAB 16.75, 16.08, 24.07

 

CMYK 0 / 37 / 62 / 80

HEX #342114

RGB 52 33 20

HSL 24.38, 0.44%, 0.14%

LAB 14.78, 7.32, 12.43

 

CMYK 0 / 26 / 46 / 82

HEX #2E2219

RGB 46 34 25

HSL 25.71, 0.3%, 0.14%

LAB 14.37, 4.16, 8.27

 

CMYK 0 / 13 / 23 / 84

HEX #28231F

RGB 40 35 31

HSL 26.67, 0.13%, 0.14%

LAB 14.13, 1.49, 3.54

 

CMYK 8 / 3 / 0 / 85

HEX #222425

RGB 34 36 37

HSL 200, 0.04%, 0.14%

LAB 14.03, -0.66, -0.99

 

CMYK 33 / 14 / 0 / 83

HEX #1D252B

RGB 29 37 43

HSL 205.71, 0.19%, 0.14%

LAB 14.17, -1.77, -5.14

 

CMYK 0 / 62 / 56 / 80

HEX #341417

RGB 52 20 23

HSL 354.38, 0.44%, 0.14%

LAB 11.22, 16.46, 5.56

 

CMYK 0 / 54 / 62 / 80

HEX #341814

RGB 52 24 20

HSL 7.5, 0.44%, 0.14%

LAB 12.18, 13.49, 8.99

 

CMYK 0 / 37 / 62 / 80

HEX #342114

RGB 52 33 20

HSL 24.38, 0.44%, 0.14%

LAB 14.78, 7.32, 12.43

 

CMYK 0 / 19 / 62 / 80

HEX #342A14

RGB 52 42 20

HSL 41.25, 0.44%, 0.14%

LAB 17.63, 1.13, 16

 

CMYK 0 / 4 / 62 / 80

HEX #343214

RGB 52 50 20

HSL 56.25, 0.44%, 0.14%

LAB 20.29, -4.18, 19.18

 

CMYK 0 / 36 / 64 / 91

HEX #160E08

RGB 22 14 8

HSL 25.71, 0.47%, 0.06%

LAB 4.54, 2.23, 3.55

 

CMYK 0 / 37 / 62 / 80

HEX #342114

RGB 52 33 20

HSL 24.38, 0.44%, 0.14%

LAB 14.78, 7.32, 12.43

 

CMYK 0 / 37 / 62 / 68

HEX #52341F

RGB 82 52 31

HSL 24.71, 0.45%, 0.22%

LAB 24.79, 10.95, 18.69

 

CMYK 0 / 36 / 63 / 56

HEX #70482A

RGB 112 72 42

HSL 25.71, 0.45%, 0.3%

LAB 34.49, 13.73, 24.79

 

CMYK 0 / 36 / 62 / 79

HEX #352214

RGB 53 34 20

HSL 25.45, 0.45%, 0.14%

LAB 15.23, 7.15, 13.04

 

CMYK 38 / 0 / 62 / 80

HEX #203414

RGB 32 52 20

HSL 97.5, 0.44%, 0.14%

LAB 19.28, -15.2, 17.57

 

CMYK 62 / 62 / 0 / 80

HEX #141434

RGB 20 20 52

HSL 240, 0.44%, 0.14%

LAB 8.1, 11.18, -21.18

 

CMYK 0 / 36 / 62 / 79

HEX #352214

RGB 53 34 20

HSL 25.45, 0.45%, 0.14%

LAB 15.23, 7.15, 13.04

 

CMYK 62 / 0 / 37 / 80

HEX #143421

RGB 20 52 33

HSL 144.38, 0.44%, 0.14%

LAB 18.86, -17.22, 8.52

 

CMYK 37 / 62 / 0 / 80

HEX #211434

RGB 33 20 52

HSL 264.38, 0.44%, 0.14%

LAB 9.57, 15.11, -18.74

 

CMYK 0 / 36 / 62 / 79

HEX #352214

RGB 53 34 20

HSL 25.45, 0.45%, 0.14%

LAB 15.23, 7.15, 13.04

 

CMYK 38 / 0 / 62 / 80

HEX #203414

RGB 32 52 20

HSL 97.5, 0.44%, 0.14%

LAB 19.28, -15.2, 17.57

 

CMYK 62 / 27 / 0 / 80

HEX #142634

RGB 20 38 52

HSL 206.25, 0.44%, 0.14%

LAB 14.3, -2.44, -11.4

 

CMYK 25 / 62 / 0 / 80

HEX #271434

RGB 39 20 52

HSL 275.63, 0.44%, 0.14%

LAB 10.41, 17.11, -17.37

 

CMYK 0 / 36 / 62 / 79

HEX #352214

RGB 53 34 20

HSL 25.45, 0.45%, 0.14%

LAB 15.23, 7.15, 13.04

 

CMYK 58 / 0 / 62 / 80

HEX #163414

RGB 22 52 20

HSL 116.25, 0.44%, 0.14%

LAB 18.7, -19.2, 16.73

 

CMYK 62 / 27 / 0 / 80

HEX #142634

RGB 20 38 52

HSL 206.25, 0.44%, 0.14%

LAB 14.3, -2.44, -11.4

 

CMYK 6 / 62 / 0 / 80

HEX #311434

RGB 49 20 52

HSL 294.38, 0.44%, 0.14%

LAB 11.97, 20.57, -14.8

 

Description

Color code: RGBA 53 34 20 0 | qconv.com Color code: RGBA 53 34 20 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 34 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 34 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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