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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 29 26 0.75 it is the complementary color RGBA 202 226 229 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 29 26 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 29 26 0.75 shade: RGBA 58 29 21 0.75, RGBA 75 47 40 0.75, RGBA 92 65 59 0.75, RGBA 109 83 78 0.75 and RGBA 126 101 97 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 29 26 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 29 26 0.75 shade: RGBA 53 29 26 0.75, RGBA 36 11 7 0.75, RGBA 19 0 0 0.75, RGBA 2 0 0 0.75 and RGBA 0 0 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 29 26 0.75 shade: RGB 51 28 25 and RGB 51 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 29 26 0.75 shade: RGB 51 28 25, RGB 51 35 25, RGB 51 42 25, RGB 51 49 25 and RGB 46 51 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 29 26 0.75 shade matches the following richer shades: RGB 51 28 25, RGB 57 23 19, RGB 64 19 13, RGB 70 14 7 and RGB 76 9 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 29 26 0.75 shade: RGB 51 28 25, RGB 45 33 31, RGB 39 38 38, RGB 33 43 44 and RGB 26 47 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 29 26 0.75 shade: RGB 51 25 37, RGB 51 25 30, RGB 51 28 25, RGB 51 35 25 and RGB 51 42 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 29 26 0.75 shade: RGB 0 0 0, RGB 24 13 12, RGB 51 28 25, RGB 79 43 39 and RGB 107 58 52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 29 26 0.75 shade: RGB 53 29 26, RGB 43 51 25 and RGB 25 33 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 29 26 0.75 shade: RGB 53 29 26, RGB 25 51 28 and RGB 28 25 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 29 26 0.75 shade: RGB 53 29 26, RGB 43 51 25, RGB 25 49 51 and RGB 33 25 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 29 26 0.75 shade: RGB 53 29 26, RGB 36 51 25, RGB 25 49 51 and RGB 41 25 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 38 / 59

HEX #351D1ABF

RGBA 53 29 26 0.75

HSLA 6.67, 0.34%, 0.15%, 0.75

LABA 13.89, 11.35, 7.06, 0.75

 

Complementary color

CMYK 9 / 1 / 0 / 8

HEX #CAE2E5BF

RGBA 202 226 229 0.75

HSLA 186.67, 0.34%, 0.85%, 0.75

LABA 88.26, -7.31, -4.17, 0.75

 

CMYK 0 / 38 / 48 / 58

HEX #3A1D15BF

RGBA 58 29 21 0.75

HSLA 12.97, 0.47%, 0.15%, 0.75

LABA 14.58, 13.21, 11.68, 0.75

 

CMYK 0 / 28 / 35 / 53

HEX #4B2F28BF

RGBA 75 47 40 0.75

HSLA 12, 0.3%, 0.23%, 0.75

LABA 22.59, 11.84, 9.76, 0.75

 

CMYK 0 / 22 / 27 / 48

HEX #5C413BBF

RGBA 92 65 59 0.75

HSLA 10.91, 0.22%, 0.3%, 0.75

LABA 30.33, 10.81, 8.29, 0.75

 

CMYK 0 / 18 / 21 / 43

HEX #6D534EBF

RGBA 109 83 78 0.75

HSLA 9.68, 0.17%, 0.37%, 0.75

LABA 37.82, 10.01, 7.09, 0.75

 

CMYK 0 / 15 / 17 / 38

HEX #7E6561BF

RGBA 126 101 97 0.75

HSLA 8.28, 0.13%, 0.44%, 0.75

LABA 45.09, 9.36, 6.05, 0.75

 

CMYK 0 / 34 / 38 / 59

HEX #351D1ABF

RGBA 53 29 26 0.75

HSLA 6.67, 0.34%, 0.15%, 0.75

LABA 13.89, 11.35, 7.06, 0.75

 

CMYK 0 / 52 / 60 / 64

HEX #240B07BF

RGBA 36 11 7 0.75

HSLA 8.28, 0.67%, 0.08%, 0.75

LABA 5.69, 11.73, 5.86, 0.75

 

CMYK 0 / 75 / 75 / 69

HEX #130000BF

RGBA 19 0 0 0.75

HSLA 0, 1%, 0.04%, 0.75

LABA 1.25, 5.61, 1.98, 0.75

 

CMYK 0 / 75 / 75 / 74

HEX #020000BF

RGBA 2 0 0 0.75

HSLA 0, 1%, 0%, 0.75

LABA 0.12, 0.52, 0.18, 0.75

 

CMYK 0 / 0 / 0 / 100

HEX #000000BF

RGBA 0 0 0 0.75

HSLA 0, 0%, 0%, 0.75

LABA 0, 0, 0, 0.75

 

CMYK 0 / 45 / 51 / 80

HEX #331C19

RGB 51 28 25

HSL 6.92, 0.34%, 0.15%

LAB 13.26, 10.91, 6.87

 

CMYK 0 / 51 / 51 / 80

HEX #331919

RGB 51 25 25

HSL 0, 0.34%, 0.15%

LAB 12.41, 12.96, 5.7

 

CMYK 0 / 45 / 51 / 80

HEX #331C19

RGB 51 28 25

HSL 6.92, 0.34%, 0.15%

LAB 13.26, 10.91, 6.87

 

CMYK 0 / 31 / 51 / 80

HEX #332319

RGB 51 35 25

HSL 23.08, 0.34%, 0.15%

LAB 15.36, 6.05, 9.71

 

CMYK 0 / 18 / 51 / 80

HEX #332A19

RGB 51 42 25

HSL 39.23, 0.34%, 0.15%

LAB 17.6, 1.22, 12.64

 

CMYK 0 / 4 / 51 / 80

HEX #333119

RGB 51 49 25

HSL 55.38, 0.34%, 0.15%

LAB 19.93, -3.45, 15.61

 

CMYK 10 / 0 / 51 / 80

HEX #2E3319

RGB 46 51 25

HSL 71.54, 0.34%, 0.15%

LAB 20.12, -7.26, 15.74

 

CMYK 0 / 45 / 51 / 80

HEX #331C19

RGB 51 28 25

HSL 6.92, 0.34%, 0.15%

LAB 13.26, 10.91, 6.87

 

CMYK 0 / 60 / 67 / 78

HEX #391713

RGB 57 23 19

HSL 6.32, 0.5%, 0.15%

LAB 12.8, 16.43, 10.62

 

CMYK 0 / 70 / 80 / 75

HEX #40130D

RGB 64 19 13

HSL 7.06, 0.66%, 0.15%

LAB 13.14, 21.5, 14.65

 

CMYK 0 / 80 / 90 / 73

HEX #460E07

RGB 70 14 7

HSL 6.67, 0.82%, 0.15%

LAB 13.42, 26.15, 17.81

 

CMYK 0 / 88 / 100 / 70

HEX #4C0900

RGB 76 9 0

HSL 7.11, 1%, 0.15%

LAB 14.01, 30.01, 21.7

 

CMYK 0 / 45 / 51 / 80

HEX #331C19

RGB 51 28 25

HSL 6.92, 0.34%, 0.15%

LAB 13.26, 10.91, 6.87

 

CMYK 0 / 27 / 31 / 82

HEX #2D211F

RGB 45 33 31

HSL 8.57, 0.18%, 0.15%

LAB 14.09, 5.38, 3.56

 

CMYK 0 / 3 / 3 / 85

HEX #272626

RGB 39 38 38

HSL 0, 0.01%, 0.15%

LAB 15.26, 0.46, 0.16

 

CMYK 25 / 2 / 0 / 83

HEX #212B2C

RGB 33 43 44

HSL 185.45, 0.14%, 0.15%

LAB 16.67, -4.02, -2.08

 

CMYK 48 / 6 / 0 / 80

HEX #1A2F32

RGB 26 47 50

HSL 187.5, 0.32%, 0.15%

LAB 17.84, -7.41, -4.57

 

CMYK 0 / 51 / 27 / 80

HEX #331925

RGB 51 25 37

HSL 332.31, 0.34%, 0.15%

LAB 12.81, 14.91, -2.54

 

CMYK 0 / 51 / 41 / 80

HEX #33191E

RGB 51 25 30

HSL 348.46, 0.34%, 0.15%

LAB 12.56, 13.7, 2.24

 

CMYK 0 / 45 / 51 / 80

HEX #331C19

RGB 51 28 25

HSL 6.92, 0.34%, 0.15%

LAB 13.26, 10.91, 6.87

 

CMYK 0 / 31 / 51 / 80

HEX #332319

RGB 51 35 25

HSL 23.08, 0.34%, 0.15%

LAB 15.36, 6.05, 9.71

 

CMYK 0 / 18 / 51 / 80

HEX #332A19

RGB 51 42 25

HSL 39.23, 0.34%, 0.15%

LAB 17.6, 1.22, 12.64

 

CMYK 0 / 46 / 50 / 91

HEX #180D0C

RGB 24 13 12

HSL 5, 0.33%, 0.07%

LAB 4.59, 4.24, 1.98

 

CMYK 0 / 45 / 51 / 80

HEX #331C19

RGB 51 28 25

HSL 6.92, 0.34%, 0.15%

LAB 13.26, 10.91, 6.87

 

CMYK 0 / 46 / 51 / 69

HEX #4F2B27

RGB 79 43 39

HSL 6, 0.34%, 0.23%

LAB 22.08, 16.15, 9.83

 

CMYK 0 / 46 / 51 / 58

HEX #6B3A34

RGB 107 58 52

HSL 6.55, 0.35%, 0.31%

LAB 30.4, 20.9, 13.23

 

CMYK 0 / 45 / 51 / 79

HEX #351D1A

RGB 53 29 26

HSL 6.67, 0.34%, 0.15%

LAB 13.89, 11.35, 7.06

 

CMYK 16 / 0 / 51 / 80

HEX #2B3319

RGB 43 51 25

HSL 78.46, 0.34%, 0.15%

LAB 19.85, -8.74, 15.34

 

CMYK 51 / 35 / 0 / 80

HEX #192133

RGB 25 33 51

HSL 221.54, 0.34%, 0.15%

LAB 12.82, 2.37, -12.96

 

CMYK 0 / 45 / 51 / 79

HEX #351D1A

RGB 53 29 26

HSL 6.67, 0.34%, 0.15%

LAB 13.89, 11.35, 7.06

 

CMYK 51 / 0 / 45 / 80

HEX #19331C

RGB 25 51 28

HSL 126.92, 0.34%, 0.15%

LAB 18.62, -16.09, 11.56

 

CMYK 45 / 51 / 0 / 80

HEX #1C1933

RGB 28 25 51

HSL 246.92, 0.34%, 0.15%

LAB 10.42, 9.39, -16.71

 

CMYK 0 / 45 / 51 / 79

HEX #351D1A

RGB 53 29 26

HSL 6.67, 0.34%, 0.15%

LAB 13.89, 11.35, 7.06

 

CMYK 16 / 0 / 51 / 80

HEX #2B3319

RGB 43 51 25

HSL 78.46, 0.34%, 0.15%

LAB 19.85, -8.74, 15.34

 

CMYK 51 / 4 / 0 / 80

HEX #193133

RGB 25 49 51

HSL 184.62, 0.34%, 0.15%

LAB 18.55, -8.69, -4.21

 

CMYK 35 / 51 / 0 / 80

HEX #211933

RGB 33 25 51

HSL 258.46, 0.34%, 0.15%

LAB 10.98, 11.13, -15.8

 

CMYK 0 / 45 / 51 / 79

HEX #351D1A

RGB 53 29 26

HSL 6.67, 0.34%, 0.15%

LAB 13.89, 11.35, 7.06

 

CMYK 29 / 0 / 51 / 80

HEX #243319

RGB 36 51 25

HSL 94.62, 0.34%, 0.15%

LAB 19.28, -12.05, 14.5

 

CMYK 51 / 4 / 0 / 80

HEX #193133

RGB 25 49 51

HSL 184.62, 0.34%, 0.15%

LAB 18.55, -8.69, -4.21

 

CMYK 20 / 51 / 0 / 80

HEX #291933

RGB 41 25 51

HSL 276.92, 0.34%, 0.15%

LAB 12, 14.06, -14.12

 

Description

Color code: RGBA 53 29 26 0.75 | qconv.com Color code: RGBA 53 29 26 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 29 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 29 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 38 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 38% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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