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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 21 64 0 it is the complementary color RGBA 202 234 191 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 21 64 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 21 64 0 shade: RGBA 58 21 59 0, RGBA 75 39 78 0, RGBA 92 57 97 0, RGBA 109 75 116 0 and RGBA 126 93 135 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 21 64 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 21 64 0 shade: RGBA 53 21 64 0, RGBA 36 3 45 0, RGBA 19 0 26 0, RGBA 2 0 7 0 and RGBA 0 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 21 64 0 shade: RGB 54 21 65, RGB 65 21 65, RGB 65 21 53, RGB 65 21 41 and RGB 65 21 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 21 64 0 shade: RGB 54 21 65, RGB 42 21 65, RGB 30 21 65 and RGB 21 21 65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 21 64 0 shade matches the following richer shades: RGB 54 21 65, RGB 58 14 72, RGB 61 7 79 and RGB 64 0 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 21 64 0 shade: RGB 54 21 65, RGB 51 28 58, RGB 47 35 51, RGB 44 42 44 and RGB 40 49 37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 21 64 0 shade: RGB 30 21 65, RGB 42 21 65, RGB 54 21 65, RGB 65 21 65 and RGB 65 21 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 21 64 0 shade: RGB 3 1 3, RGB 28 11 34, RGB 54 21 65, RGB 80 31 97 and RGB 106 41 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 21 64 0 shade: RGB 53 21 64, RGB 65 21 24 and RGB 21 65 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 21 64 0 shade: RGB 53 21 64, RGB 65 54 21 and RGB 21 65 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 21 64 0 shade: RGB 53 21 64, RGB 65 21 24, RGB 33 65 21 and RGB 21 65 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 21 64 0 shade: RGB 53 21 64, RGB 65 32 21, RGB 33 65 21 and RGB 21 55 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #35154000

RGBA 53 21 64 0

HSLA 284.65, 0.51%, 0.17%, 0

LABA 13.61, 24.2, -20.72, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #CAEABF00

RGBA 202 234 191 0

HSLA 104.65, 0.51%, 0.83%, 0

LABA 89.47, -18.24, 17.45, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3A153B00

RGBA 58 21 59 0

HSLA 298.42, 0.48%, 0.16%, 0

LABA 14.13, 24.62, -16.31, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4B274E00

RGBA 75 39 78 0

HSLA 295.38, 0.33%, 0.23%, 0

LABA 21.93, 23.87, -17.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5C396100

RGBA 92 57 97 0

HSLA 292.5, 0.26%, 0.3%, 0

LABA 29.57, 22.99, -17.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6D4B7400

RGBA 109 75 116 0

HSLA 289.76, 0.21%, 0.37%, 0

LABA 37.01, 22.16, -17.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7E5D8700

RGBA 126 93 135 0

HSLA 287.14, 0.18%, 0.45%, 0

LABA 44.25, 21.4, -18.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #35154000

RGBA 53 21 64 0

HSLA 284.65, 0.51%, 0.17%, 0

LABA 13.61, 24.2, -20.72, 0

 

CMYK 0 / 0 / 0 / 0

HEX #24032D00

RGBA 36 3 45 0

HSLA 287.14, 0.88%, 0.09%, 0

LABA 5.69, 24.03, -19.75, 0

 

CMYK 0 / 0 / 0 / 0

HEX #13001A00

RGBA 19 0 26 0

HSLA 283.85, 1%, 0.05%, 0

LABA 1.92, 10.34, -10.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #02000700

RGBA 2 0 7 0

HSLA 257.14, 1%, 0.01%, 0

LABA 0.26, 1.5, -2.47, 0

 

CMYK 0 / 0 / 0 / 100

HEX #00000000

RGBA 0 0 0 0

HSLA 0, 0%, 0%, 0

LABA 0, 0, 0, 0

 

CMYK 17 / 68 / 0 / 75

HEX #361541

RGB 54 21 65

HSL 285, 0.51%, 0.17%

LAB 13.84, 24.76, -21.04

 

CMYK 0 / 68 / 0 / 75

HEX #411541

RGB 65 21 65

HSL 300, 0.51%, 0.17%

LAB 15.71, 28.12, -17.97

 

CMYK 0 / 68 / 18 / 75

HEX #411535

RGB 65 21 53

HSL 316.36, 0.51%, 0.17%

LAB 15.05, 25.77, -10.52

 

CMYK 0 / 68 / 37 / 75

HEX #411529

RGB 65 21 41

HSL 332.73, 0.51%, 0.17%

LAB 14.51, 23.78, -2.67

 

CMYK 0 / 68 / 55 / 75

HEX #41151D

RGB 65 21 29

HSL 349.09, 0.51%, 0.17%

LAB 14.11, 22.21, 5.52

 

CMYK 17 / 68 / 0 / 75

HEX #361541

RGB 54 21 65

HSL 285, 0.51%, 0.17%

LAB 13.84, 24.76, -21.04

 

CMYK 35 / 68 / 0 / 75

HEX #2A1541

RGB 42 21 65

HSL 268.64, 0.51%, 0.17%

LAB 12.03, 21.2, -24.05

 

CMYK 54 / 68 / 0 / 75

HEX #1E1541

RGB 30 21 65

HSL 252.27, 0.51%, 0.17%

LAB 10.51, 17.94, -26.56

 

CMYK 68 / 68 / 0 / 75

HEX #151541

RGB 21 21 65

HSL 240, 0.51%, 0.17%

LAB 9.62, 15.86, -28.05

 

CMYK 17 / 68 / 0 / 75

HEX #361541

RGB 54 21 65

HSL 285, 0.51%, 0.17%

LAB 13.84, 24.76, -21.04

 

CMYK 19 / 81 / 0 / 72

HEX #3A0E48

RGB 58 14 72

HSL 285.52, 0.67%, 0.17%

LAB 13.72, 31.17, -26.09

 

CMYK 23 / 91 / 0 / 69

HEX #3D074F

RGB 61 7 79

HSL 285, 0.84%, 0.17%

LAB 13.88, 36.16, -30.64

 

CMYK 26 / 100 / 0 / 66

HEX #400057

RGB 64 0 87

HSL 284.14, 1%, 0.17%

LAB 14.28, 40.98, -35.43

 

CMYK 17 / 68 / 0 / 75

HEX #361541

RGB 54 21 65

HSL 285, 0.51%, 0.17%

LAB 13.84, 24.76, -21.04

 

CMYK 12 / 52 / 0 / 77

HEX #331C3A

RGB 51 28 58

HSL 286, 0.35%, 0.17%

LAB 14.62, 17.57, -14.91

 

CMYK 8 / 31 / 0 / 80

HEX #2F2333

RGB 47 35 51

HSL 285, 0.19%, 0.17%

LAB 15.72, 9.35, -8.3

 

CMYK 0 / 5 / 0 / 83

HEX #2C2A2C

RGB 44 42 44

HSL 300, 0.02%, 0.17%

LAB 17.34, 1.38, -0.98

 

CMYK 18 / 0 / 24 / 81

HEX #283125

RGB 40 49 37

HSL 105, 0.14%, 0.17%

LAB 19.15, -6.72, 6.41

 

CMYK 54 / 68 / 0 / 75

HEX #1E1541

RGB 30 21 65

HSL 252.27, 0.51%, 0.17%

LAB 10.51, 17.94, -26.56

 

CMYK 35 / 68 / 0 / 75

HEX #2A1541

RGB 42 21 65

HSL 268.64, 0.51%, 0.17%

LAB 12.03, 21.2, -24.05

 

CMYK 17 / 68 / 0 / 75

HEX #361541

RGB 54 21 65

HSL 285, 0.51%, 0.17%

LAB 13.84, 24.76, -21.04

 

CMYK 0 / 68 / 0 / 75

HEX #411541

RGB 65 21 65

HSL 300, 0.51%, 0.17%

LAB 15.71, 28.12, -17.97

 

CMYK 0 / 68 / 17 / 75

HEX #411536

RGB 65 21 54

HSL 315, 0.51%, 0.17%

LAB 15.1, 25.95, -11.15

 

CMYK 0 / 67 / 0 / 99

HEX #030103

RGB 3 1 3

HSL 300, 0.5%, 0.01%

LAB 0.43, 0.8, -0.57

 

CMYK 18 / 68 / 0 / 87

HEX #1C0B22

RGB 28 11 34

HSL 284.35, 0.51%, 0.09%

LAB 5.44, 12.89, -11.85

 

CMYK 17 / 68 / 0 / 75

HEX #361541

RGB 54 21 65

HSL 285, 0.51%, 0.17%

LAB 13.84, 24.76, -21.04

 

CMYK 18 / 68 / 0 / 62

HEX #501F61

RGB 80 31 97

HSL 284.55, 0.52%, 0.25%

LAB 22.12, 34.29, -29.31

 

CMYK 17 / 68 / 0 / 50

HEX #6A2980

RGB 106 41 128

HSL 284.83, 0.51%, 0.33%

LAB 29.93, 42.94, -36.47

 

CMYK 17 / 67 / 0 / 75

HEX #351540

RGB 53 21 64

HSL 284.65, 0.51%, 0.17%

LAB 13.61, 24.2, -20.72

 

CMYK 0 / 68 / 63 / 75

HEX #411518

RGB 65 21 24

HSL 355.91, 0.51%, 0.17%

LAB 13.98, 21.69, 8.99

 

CMYK 68 / 0 / 45 / 75

HEX #154124

RGB 21 65 36

HSL 140.45, 0.51%, 0.17%

LAB 23.89, -22.9, 13.32

 

CMYK 17 / 67 / 0 / 75

HEX #351540

RGB 53 21 64

HSL 284.65, 0.51%, 0.17%

LAB 13.61, 24.2, -20.72

 

CMYK 0 / 17 / 68 / 75

HEX #413615

RGB 65 54 21

HSL 45, 0.51%, 0.17%

LAB 23.05, 0.11, 22.16

 

CMYK 68 / 0 / 17 / 75

HEX #154136

RGB 21 65 54

HSL 165, 0.51%, 0.17%

LAB 24.34, -18.27, 2.24

 

CMYK 17 / 67 / 0 / 75

HEX #351540

RGB 53 21 64

HSL 284.65, 0.51%, 0.17%

LAB 13.61, 24.2, -20.72

 

CMYK 0 / 68 / 63 / 75

HEX #411518

RGB 65 21 24

HSL 355.91, 0.51%, 0.17%

LAB 13.98, 21.69, 8.99

 

CMYK 49 / 0 / 68 / 75

HEX #214115

RGB 33 65 21

HSL 103.64, 0.51%, 0.17%

LAB 24.19, -21.55, 22.75

 

CMYK 68 / 0 / 3 / 75

HEX #15413F

RGB 21 65 63

HSL 177.27, 0.51%, 0.17%

LAB 24.64, -15.46, -3.28

 

CMYK 17 / 67 / 0 / 75

HEX #351540

RGB 53 21 64

HSL 284.65, 0.51%, 0.17%

LAB 13.61, 24.2, -20.72

 

CMYK 0 / 51 / 68 / 75

HEX #412015

RGB 65 32 21

HSL 15, 0.51%, 0.17%

LAB 16.56, 14.67, 14.43

 

CMYK 49 / 0 / 68 / 75

HEX #214115

RGB 33 65 21

HSL 103.64, 0.51%, 0.17%

LAB 24.19, -21.55, 22.75

 

CMYK 68 / 15 / 0 / 75

HEX #153741

RGB 21 55 65

HSL 193.64, 0.51%, 0.17%

LAB 21.11, -8.72, -9.93

 

Description

Color code: RGBA 53 21 64 0 | qconv.com Color code: RGBA 53 21 64 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 21 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 21 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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