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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 207 206 0.25 it is the complementary color RGBA 202 48 49 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 207 206 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 207 206 0.25 shade: RGBA 58 207 201 0.25, RGBA 75 225 220 0.25, RGBA 92 243 239 0.25, RGBA 109 255 255 0.25 and RGBA 126 255 255 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 207 206 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 207 206 0.25 shade: RGBA 53 207 206 0.25, RGBA 36 189 187 0.25, RGBA 19 171 168 0.25, RGBA 2 153 149 0.25 and RGBA 0 135 130 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 207 206 0.25 shade: RGB 53 208 207, RGB 53 208 165, RGB 53 208 123, RGB 53 208 81 and RGB 66 208 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 207 206 0.25 shade: RGB 53 208 207, RGB 53 167 208, RGB 53 125 208, RGB 53 83 208 and RGB 53 53 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 207 206 0.25 shade matches the following richer shades: RGB 53 208 207, RGB 32 228 226 and RGB 12 248 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 207 206 0.25 shade: RGB 53 208 207, RGB 73 187 187, RGB 93 167 167, RGB 113 147 147 and RGB 133 127 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 207 206 0.25 shade: RGB 53 208 122, RGB 53 208 164, RGB 53 208 205, RGB 53 169 208 and RGB 53 127 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 207 206 0.25 shade: RGB 34 144 143, RGB 42 177 176, RGB 53 208 207, RGB 86 215 215 and RGB 119 223 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 207 206 0.25 shade: RGB 53 207 206, RGB 81 53 208 and RGB 208 143 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 207 206 0.25 shade: RGB 53 207 206, RGB 205 53 208 and RGB 208 205 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 207 206 0.25 shade: RGB 53 207 206, RGB 81 53 208, RGB 208 53 55 and RGB 179 208 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 207 206 0.25 shade: RGB 53 207 206, RGB 127 53 208, RGB 208 53 55 and RGB 133 208 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 0 / 5

HEX #35CFCE3F

RGBA 53 207 206 0.25

HSLA 179.61, 0.62%, 0.51%, 0.25

LABA 75.97, -38.31, -10.84, 0.25

 

Complementary color

CMYK 0 / 19 / 19 / 5

HEX #CA30313F

RGBA 202 48 49 0.25

HSLA 359.61, 0.62%, 0.49%, 0.25

LABA 45.49, 59.42, 37.32, 0.25

 

CMYK 18 / 0 / 1 / 5

HEX #3ACFC93F

RGBA 58 207 201 0.25

HSLA 177.58, 0.61%, 0.52%, 0.25

LABA 75.91, -39.15, -8.22, 0.25

 

CMYK 17 / 0 / 1 / 3

HEX #4BE1DC3F

RGBA 75 225 220 0.25

HSLA 178, 0.71%, 0.59%, 0.25

LABA 82.12, -39.84, -9.13, 0.25

 

CMYK 16 / 0 / 0 / 1

HEX #5CF3EF3F

RGBA 92 243 239 0.25

HSLA 178.41, 0.86%, 0.66%, 0.25

LABA 88.26, -40.34, -9.95, 0.25

 

CMYK 14 / 0 / 0 / 0

HEX #6DFFFF3F

RGBA 109 255 255 0.25

HSLA 180, 1%, 0.71%, 0.25

LABA 92.57, -38.78, -11.81, 0.25

 

CMYK 13 / 0 / 0 / 0

HEX #7EFFFF3F

RGBA 126 255 255 0.25

HSLA 180, 1%, 0.75%, 0.25

LABA 93.09, -35.63, -10.98, 0.25

 

CMYK 19 / 0 / 0 / 5

HEX #35CFCE3F

RGBA 53 207 206 0.25

HSLA 179.61, 0.62%, 0.51%, 0.25

LABA 75.97, -38.31, -10.84, 0.25

 

CMYK 20 / 0 / 0 / 6

HEX #24BDBB3F

RGBA 36 189 187 0.25

HSLA 179.22, 0.68%, 0.44%, 0.25

LABA 69.72, -37.22, -9.86, 0.25

 

CMYK 22 / 0 / 0 / 8

HEX #13ABA83F

RGBA 19 171 168 0.25

HSLA 178.82, 0.8%, 0.37%, 0.25

LABA 63.42, -35.79, -8.76, 0.25

 

CMYK 25 / 0 / 1 / 10

HEX #0299953F

RGBA 2 153 149 0.25

HSLA 178.41, 0.97%, 0.3%, 0.25

LABA 57.04, -34, -7.54, 0.25

 

CMYK 25 / 0 / 1 / 12

HEX #0087823F

RGBA 0 135 130 0.25

HSLA 177.78, 1%, 0.26%, 0.25

LABA 50.62, -31.57, -6.13, 0.25

 

CMYK 75 / 0 / 0 / 18

HEX #35D0CF

RGB 53 208 207

HSL 179.61, 0.62%, 0.51%

LAB 76.3, -38.48, -10.89

 

CMYK 75 / 0 / 21 / 18

HEX #35D0A5

RGB 53 208 165

HSL 163.35, 0.62%, 0.51%

LAB 75.19, -49.58, 10.1

 

CMYK 75 / 0 / 41 / 18

HEX #35D07B

RGB 53 208 123

HSL 147.1, 0.62%, 0.51%

LAB 74.38, -58.47, 31.09

 

CMYK 75 / 0 / 61 / 18

HEX #35D051

RGB 53 208 81

HSL 130.84, 0.62%, 0.51%

LAB 73.84, -64.74, 50.68

 

CMYK 68 / 0 / 75 / 18

HEX #42D035

RGB 66 208 53

HSL 114.97, 0.62%, 0.51%

LAB 73.89, -65.19, 61.81

 

CMYK 75 / 0 / 0 / 18

HEX #35D0CF

RGB 53 208 207

HSL 179.61, 0.62%, 0.51%

LAB 76.3, -38.48, -10.89

 

CMYK 75 / 20 / 0 / 18

HEX #35A7D0

RGB 53 167 208

HSL 195.87, 0.62%, 0.51%

LAB 64.12, -17.99, -29.94

 

CMYK 75 / 40 / 0 / 18

HEX #357DD0

RGB 53 125 208

HSL 212.13, 0.62%, 0.51%

LAB 51.81, 6.02, -49.27

 

CMYK 75 / 60 / 0 / 18

HEX #3553D0

RGB 53 83 208

HSL 228.39, 0.62%, 0.51%

LAB 40.41, 32.64, -67.67

 

CMYK 75 / 75 / 0 / 18

HEX #3535D0

RGB 53 53 208

HSL 240, 0.62%, 0.51%

LAB 33.68, 50.7, -78.71

 

CMYK 75 / 0 / 0 / 18

HEX #35D0CF

RGB 53 208 207

HSL 179.61, 0.62%, 0.51%

LAB 76.3, -38.48, -10.89

 

CMYK 86 / 0 / 1 / 11

HEX #20E4E2

RGB 32 228 226

HSL 179.39, 0.78%, 0.51%

LAB 82.53, -43.67, -11.76

 

CMYK 95 / 0 / 1 / 3

HEX #0CF8F6

RGB 12 248 246

HSL 179.49, 0.94%, 0.51%

LAB 88.86, -47.4, -12.83

 

CMYK 75 / 0 / 0 / 18

HEX #35D0CF

RGB 53 208 207

HSL 179.61, 0.62%, 0.51%

LAB 76.3, -38.48, -10.89

 

CMYK 61 / 0 / 0 / 27

HEX #49BBBB

RGB 73 187 187

HSL 180, 0.46%, 0.51%

LAB 69.86, -31.59, -9.58

 

CMYK 44 / 0 / 0 / 35

HEX #5DA7A7

RGB 93 167 167

HSL 180, 0.3%, 0.51%

LAB 63.96, -22.99, -7.2

 

CMYK 23 / 0 / 0 / 42

HEX #719393

RGB 113 147 147

HSL 180, 0.14%, 0.51%

LAB 58.49, -11.75, -3.88

 

CMYK 0 / 5 / 5 / 48

HEX #857F7F

RGB 133 127 127

HSL 0, 0.02%, 0.51%

LAB 53.7, 2.27, 0.8

 

CMYK 75 / 0 / 41 / 18

HEX #35D07A

RGB 53 208 122

HSL 146.71, 0.62%, 0.51%

LAB 74.36, -58.65, 31.58

 

CMYK 75 / 0 / 21 / 18

HEX #35D0A4

RGB 53 208 164

HSL 162.97, 0.62%, 0.51%

LAB 75.17, -49.82, 10.6

 

CMYK 75 / 0 / 1 / 18

HEX #35D0CD

RGB 53 208 205

HSL 178.84, 0.62%, 0.51%

LAB 76.24, -39.05, -9.9

 

CMYK 75 / 19 / 0 / 18

HEX #35A9D0

RGB 53 169 208

HSL 195.1, 0.62%, 0.51%

LAB 64.71, -19.05, -29.03

 

CMYK 75 / 39 / 0 / 18

HEX #357FD0

RGB 53 127 208

HSL 211.35, 0.62%, 0.51%

LAB 52.39, 4.8, -48.35

 

CMYK 76 / 0 / 1 / 44

HEX #22908F

RGB 34 144 143

HSL 179.45, 0.62%, 0.35%

LAB 54.31, -29.37, -8.13

 

CMYK 76 / 0 / 1 / 31

HEX #2AB1B0

RGB 42 177 176

HSL 179.56, 0.62%, 0.43%

LAB 65.8, -34.34, -9.63

 

CMYK 75 / 0 / 0 / 18

HEX #35D0CF

RGB 53 208 207

HSL 179.61, 0.62%, 0.51%

LAB 76.3, -38.48, -10.89

 

CMYK 60 / 0 / 0 / 16

HEX #56D7D7

RGB 86 215 215

HSL 180, 0.62%, 0.59%

LAB 79.32, -34.91, -10.6

 

CMYK 47 / 0 / 0 / 13

HEX #77DFDF

RGB 119 223 223

HSL 180, 0.62%, 0.67%

LAB 82.93, -30.14, -9.37

 

CMYK 74 / 0 / 0 / 19

HEX #35CFCE

RGB 53 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.97, -38.31, -10.84

 

CMYK 61 / 75 / 0 / 18

HEX #5135D0

RGB 81 53 208

HSL 250.84, 0.62%, 0.51%

LAB 35.69, 53.56, -75.33

 

CMYK 0 / 31 / 75 / 18

HEX #D08F35

RGB 208 143 53

HSL 34.84, 0.62%, 0.51%

LAB 64.41, 16.75, 55.31

 

CMYK 74 / 0 / 0 / 19

HEX #35CFCE

RGB 53 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.97, -38.31, -10.84

 

CMYK 1 / 75 / 0 / 18

HEX #CD35D0

RGB 205 53 208

HSL 298.84, 0.62%, 0.51%

LAB 51.93, 75.02, -48.26

 

CMYK 0 / 1 / 75 / 18

HEX #D0CD35

RGB 208 205 53

HSL 58.84, 0.62%, 0.51%

LAB 80.36, -15.85, 70.58

 

CMYK 74 / 0 / 0 / 19

HEX #35CFCE

RGB 53 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.97, -38.31, -10.84

 

CMYK 61 / 75 / 0 / 18

HEX #5135D0

RGB 81 53 208

HSL 250.84, 0.62%, 0.51%

LAB 35.69, 53.56, -75.33

 

CMYK 0 / 75 / 74 / 18

HEX #D03537

RGB 208 53 55

HSL 359.23, 0.62%, 0.51%

LAB 47.28, 59.85, 36.2

 

CMYK 14 / 0 / 75 / 18

HEX #B3D035

RGB 179 208 53

HSL 71.23, 0.62%, 0.51%

LAB 79.01, -29.34, 68.54

 

CMYK 74 / 0 / 0 / 19

HEX #35CFCE

RGB 53 207 206

HSL 179.61, 0.62%, 0.51%

LAB 75.97, -38.31, -10.84

 

CMYK 39 / 75 / 0 / 18

HEX #7F35D0

RGB 127 53 208

HSL 268.65, 0.62%, 0.51%

LAB 40.59, 60.29, -67.11

 

CMYK 0 / 75 / 74 / 18

HEX #D03537

RGB 208 53 55

HSL 359.23, 0.62%, 0.51%

LAB 47.28, 59.85, 36.2

 

CMYK 36 / 0 / 75 / 18

HEX #85D035

RGB 133 208 53

HSL 89.03, 0.62%, 0.51%

LAB 76.29, -46.82, 64.98

 

Description

Color code: RGBA 53 207 206 0.25 | qconv.com Color code: RGBA 53 207 206 0.25 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 207 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 207 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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