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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 203 216 0 it is the complementary color RGBA 202 52 39 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 203 216 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 203 216 0 shade: RGBA 58 203 211 0, RGBA 75 221 230 0, RGBA 92 239 249 0, RGBA 109 255 255 0 and RGBA 126 255 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 203 216 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 203 216 0 shade: RGBA 53 203 216 0, RGBA 36 185 197 0, RGBA 19 167 178 0, RGBA 2 149 159 0 and RGBA 0 131 140 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 203 216 0 shade: RGB 54 204 217, RGB 54 160 217, RGB 54 116 217, RGB 54 72 217 and RGB 79 54 217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 203 216 0 shade: RGB 54 204 217, RGB 54 160 217, RGB 54 116 217, RGB 54 72 217 and RGB 54 54 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 203 216 0 shade matches the following richer shades: RGB 54 204 217 and RGB 34 220 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 203 216 0 shade: RGB 54 204 217, RGB 73 187 197, RGB 92 171 178, RGB 112 155 158 and RGB 131 138 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 203 216 0 shade: RGB 54 217 141, RGB 54 217 184, RGB 54 206 217, RGB 54 162 217 and RGB 54 119 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 203 216 0 shade: RGB 30 148 158, RGB 37 180 192, RGB 54 204 217, RGB 88 212 223 and RGB 123 221 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 203 216 0 shade: RGB 53 203 216, RGB 97 54 217 and RGB 217 162 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 203 216 0 shade: RGB 53 203 216, RGB 217 54 206 and RGB 206 217 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 203 216 0 shade: RGB 53 203 216, RGB 97 54 217, RGB 217 65 54 and RGB 173 217 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 203 216 0 shade: RGB 53 203 216, RGB 146 54 217, RGB 217 65 54 and RGB 124 217 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #35CBD800

RGBA 53 203 216 0

HSLA 184.79, 0.68%, 0.53%, 0

LABA 75.09, -33.52, -17.55, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #CA342700

RGBA 202 52 39 0

HSLA 4.79, 0.68%, 0.47%, 0

LABA 45.85, 57.77, 43.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3ACBD300

RGBA 58 203 211 0

HSLA 183.14, 0.63%, 0.53%, 0

LABA 75.02, -34.44, -14.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4BDDE600

RGBA 75 221 230 0

HSLA 183.48, 0.76%, 0.6%, 0

LABA 81.25, -35.22, -15.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5CEFF900

RGBA 92 239 249 0

HSLA 183.82, 0.93%, 0.67%, 0

LABA 87.41, -35.81, -16.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6DFFFF00

RGBA 109 255 255 0

HSLA 180, 1%, 0.71%, 0

LABA 92.57, -38.78, -11.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7EFFFF00

RGBA 126 255 255 0

HSLA 180, 1%, 0.75%, 0

LABA 93.09, -35.63, -10.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #35CBD800

RGBA 53 203 216 0

HSLA 184.79, 0.68%, 0.53%, 0

LABA 75.09, -33.52, -17.55, 0

 

CMYK 0 / 0 / 0 / 0

HEX #24B9C500

RGBA 36 185 197 0

HSLA 184.47, 0.69%, 0.46%, 0

LABA 68.83, -32.33, -16.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #13A7B200

RGBA 19 167 178 0

HSLA 184.15, 0.81%, 0.39%, 0

LABA 62.5, -30.79, -15.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #02959F00

RGBA 2 149 159 0

HSLA 183.82, 0.98%, 0.32%, 0

LABA 56.1, -28.89, -14.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00838C00

RGBA 0 131 140 0

HSLA 183.86, 1%, 0.27%, 0

LABA 49.65, -26.35, -13.44, 0

 

CMYK 75 / 6 / 0 / 15

HEX #36CCD9

RGB 54 204 217

HSL 184.79, 0.68%, 0.53%

LAB 75.44, -33.58, -17.57

 

CMYK 75 / 26 / 0 / 15

HEX #36A0D9

RGB 54 160 217

HSL 200.98, 0.68%, 0.53%

LAB 62.45, -11.04, -37.53

 

CMYK 75 / 47 / 0 / 15

HEX #3674D9

RGB 54 116 217

HSL 217.18, 0.68%, 0.53%

LAB 49.84, 15.04, -57.53

 

CMYK 75 / 67 / 0 / 15

HEX #3648D9

RGB 54 72 217

HSL 233.37, 0.68%, 0.53%

LAB 38.6, 42.8, -75.8

 

CMYK 64 / 75 / 0 / 15

HEX #4F36D9

RGB 79 54 217

HSL 249.2, 0.68%, 0.53%

LAB 36.58, 55.47, -79.08

 

CMYK 75 / 6 / 0 / 15

HEX #36CCD9

RGB 54 204 217

HSL 184.79, 0.68%, 0.53%

LAB 75.44, -33.58, -17.57

 

CMYK 75 / 26 / 0 / 15

HEX #36A0D9

RGB 54 160 217

HSL 200.98, 0.68%, 0.53%

LAB 62.45, -11.04, -37.53

 

CMYK 75 / 47 / 0 / 15

HEX #3674D9

RGB 54 116 217

HSL 217.18, 0.68%, 0.53%

LAB 49.84, 15.04, -57.53

 

CMYK 75 / 67 / 0 / 15

HEX #3648D9

RGB 54 72 217

HSL 233.37, 0.68%, 0.53%

LAB 38.6, 42.8, -75.8

 

CMYK 75 / 75 / 0 / 15

HEX #3636D9

RGB 54 54 217

HSL 240, 0.68%, 0.53%

LAB 34.87, 53.12, -81.95

 

CMYK 75 / 6 / 0 / 15

HEX #36CCD9

RGB 54 204 217

HSL 184.79, 0.68%, 0.53%

LAB 75.44, -33.58, -17.57

 

CMYK 86 / 7 / 0 / 7

HEX #22DCEC

RGB 34 220 236

HSL 184.75, 0.84%, 0.53%

LAB 80.51, -36.98, -20.11

 

CMYK 75 / 6 / 0 / 15

HEX #36CCD9

RGB 54 204 217

HSL 184.79, 0.68%, 0.53%

LAB 75.44, -33.58, -17.57

 

CMYK 63 / 5 / 0 / 23

HEX #49BBC5

RGB 73 187 197

HSL 184.84, 0.52%, 0.53%

LAB 70.17, -28.74, -14.6

 

CMYK 48 / 4 / 0 / 30

HEX #5CABB2

RGB 92 171 178

HSL 184.88, 0.36%, 0.53%

LAB 65.45, -22.34, -11.13

 

CMYK 29 / 2 / 0 / 38

HEX #709B9E

RGB 112 155 158

HSL 183.91, 0.19%, 0.53%

LAB 61.09, -13.77, -6.29

 

CMYK 6 / 1 / 0 / 45

HEX #838A8B

RGB 131 138 139

HSL 187.5, 0.03%, 0.53%

LAB 56.94, -2.35, -1.43

 

CMYK 75 / 0 / 35 / 15

HEX #36D98D

RGB 54 217 141

HSL 152.02, 0.68%, 0.53%

LAB 77.48, -58.23, 25.94

 

CMYK 75 / 0 / 15 / 15

HEX #36D9B8

RGB 54 217 184

HSL 167.85, 0.68%, 0.53%

LAB 78.39, -48.5, 4.52

 

CMYK 75 / 5 / 0 / 15

HEX #36CED9

RGB 54 206 217

HSL 184.05, 0.68%, 0.53%

LAB 76.03, -34.53, -16.68

 

CMYK 75 / 25 / 0 / 15

HEX #36A2D9

RGB 54 162 217

HSL 200.25, 0.68%, 0.53%

LAB 63.04, -12.14, -36.61

 

CMYK 75 / 45 / 0 / 15

HEX #3677D9

RGB 54 119 217

HSL 216.07, 0.68%, 0.53%

LAB 50.67, 13.16, -56.19

 

CMYK 81 / 6 / 0 / 38

HEX #1E949E

RGB 30 148 158

HSL 184.69, 0.68%, 0.37%

LAB 56.01, -27.05, -14.21

 

CMYK 81 / 6 / 0 / 25

HEX #25B4C0

RGB 37 180 192

HSL 184.65, 0.68%, 0.45%

LAB 67.16, -31.39, -16.46

 

CMYK 75 / 6 / 0 / 15

HEX #36CCD9

RGB 54 204 217

HSL 184.79, 0.68%, 0.53%

LAB 75.44, -33.58, -17.57

 

CMYK 61 / 5 / 0 / 13

HEX #58D4DF

RGB 88 212 223

HSL 184.89, 0.68%, 0.61%

LAB 78.75, -30.94, -15.73

 

CMYK 47 / 4 / 0 / 10

HEX #7BDDE6

RGB 123 221 230

HSL 185.05, 0.68%, 0.69%

LAB 82.72, -26.5, -13.38

 

CMYK 75 / 6 / 0 / 15

HEX #35CBD8

RGB 53 203 216

HSL 184.79, 0.68%, 0.53%

LAB 75.09, -33.52, -17.55

 

CMYK 55 / 75 / 0 / 15

HEX #6136D9

RGB 97 54 217

HSL 255.83, 0.68%, 0.53%

LAB 38.18, 57.65, -76.38

 

CMYK 0 / 25 / 75 / 15

HEX #D9A236

RGB 217 162 54

HSL 39.75, 0.68%, 0.53%

LAB 70.08, 10.43, 60.8

 

CMYK 75 / 6 / 0 / 15

HEX #35CBD8

RGB 53 203 216

HSL 184.79, 0.68%, 0.53%

LAB 75.09, -33.52, -17.55

 

CMYK 0 / 75 / 5 / 15

HEX #D936CE

RGB 217 54 206

HSL 304.05, 0.68%, 0.53%

LAB 53.86, 76.89, -43.92

 

CMYK 5 / 0 / 75 / 15

HEX #CED936

RGB 206 217 54

HSL 64.05, 0.68%, 0.53%

LAB 83.45, -22.54, 73.06

 

CMYK 75 / 6 / 0 / 15

HEX #35CBD8

RGB 53 203 216

HSL 184.79, 0.68%, 0.53%

LAB 75.09, -33.52, -17.55

 

CMYK 55 / 75 / 0 / 15

HEX #6136D9

RGB 97 54 217

HSL 255.83, 0.68%, 0.53%

LAB 38.18, 57.65, -76.38

 

CMYK 0 / 70 / 75 / 15

HEX #D94136

RGB 217 65 54

HSL 4.05, 0.68%, 0.53%

LAB 50.45, 58.38, 40.75

 

CMYK 20 / 0 / 75 / 15

HEX #ADD936

RGB 173 217 54

HSL 76.2, 0.68%, 0.53%

LAB 81.17, -35.85, 70.11

 

CMYK 75 / 6 / 0 / 15

HEX #35CBD8

RGB 53 203 216

HSL 184.79, 0.68%, 0.53%

LAB 75.09, -33.52, -17.55

 

CMYK 33 / 75 / 0 / 15

HEX #9236D9

RGB 146 54 217

HSL 273.87, 0.68%, 0.53%

LAB 43.89, 65.18, -66.82

 

CMYK 0 / 70 / 75 / 15

HEX #D94136

RGB 217 65 54

HSL 4.05, 0.68%, 0.53%

LAB 50.45, 58.38, 40.75

 

CMYK 43 / 0 / 75 / 15

HEX #7CD936

RGB 124 217 54

HSL 94.23, 0.68%, 0.53%

LAB 78.56, -53.4, 66.71

 

Description

Color code: RGBA 53 203 216 0 | qconv.com Color code: RGBA 53 203 216 0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 203 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 203 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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