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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 201 244 0.75 it is the complementary color RGBA 202 54 11 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 201 244 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 201 244 0.75 shade: RGBA 58 201 239 0.75, RGBA 75 219 255 0.75, RGBA 92 237 255 0.75, RGBA 109 255 255 0.75 and RGBA 126 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 201 244 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 201 244 0.75 shade: RGBA 53 201 244 0.75, RGBA 36 183 225 0.75, RGBA 19 165 206 0.75, RGBA 2 147 187 0.75 and RGBA 0 129 168 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 201 244 0.75 shade: RGB 52 201 244, RGB 52 149 244, RGB 52 97 244, RGB 58 52 244 and RGB 110 52 244

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 201 244 0.75 shade: RGB 52 201 244, RGB 52 149 244, RGB 52 97 244 and RGB 52 52 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 201 244 0.75 shade matches the following richer shades: RGB 52 201 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 201 244 0.75 shade: RGB 52 201 244, RGB 69 191 227, RGB 86 182 210, RGB 103 172 192 and RGB 121 163 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 201 244 0.75 shade: RGB 52 244 183, RGB 52 244 235, RGB 52 203 244, RGB 52 151 244 and RGB 52 100 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 201 244 0.75 shade: RGB 11 159 203, RGB 13 190 242, RGB 52 201 244, RGB 91 211 246 and RGB 130 222 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 201 244 0.75 shade: RGB 53 201 244, RGB 132 52 244 and RGB 244 209 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 201 244 0.75 shade: RGB 53 201 244, RGB 244 52 203 and RGB 203 244 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 201 244 0.75 shade: RGB 53 201 244, RGB 132 52 244, RGB 244 93 52 and RGB 164 244 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 201 244 0.75 shade: RGB 53 201 244, RGB 190 52 244, RGB 244 93 52 and RGB 106 244 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 13 / 0 / 3

HEX #35C9F4BF

RGBA 53 201 244 0.75

HSLA 193.51, 0.9%, 0.58%, 0.75

LABA 75.49, -23.81, -32.03, 0.75

 

Complementary color

CMYK 0 / 55 / 71 / 16

HEX #CA360BBF

RGBA 202 54 11 0.75

HSLA 13.51, 0.9%, 0.42%, 0.75

LABA 45.93, 56.52, 54.93, 0.75

 

CMYK 57 / 12 / 0 / 5

HEX #3AC9EFBF

RGBA 58 201 239 0.75

HSLA 192.6, 0.85%, 0.58%, 0.75

LABA 75.39, -24.91, -29.49, 0.75

 

CMYK 53 / 11 / 0 / 0

HEX #4BDBFFBF

RGBA 75 219 255 0.75

HSLA 192, 1%, 0.65%, 0.75

LABA 81.5, -26.89, -28.63, 0.75

 

CMYK 48 / 5 / 0 / 0

HEX #5CEDFFBF

RGBA 92 237 255 0.75

HSLA 186.63, 1%, 0.68%, 0.75

LABA 87.03, -33.2, -20.18, 0.75

 

CMYK 43 / 0 / 0 / 0

HEX #6DFFFFBF

RGBA 109 255 255 0.75

HSLA 180, 1%, 0.71%, 0.75

LABA 92.57, -38.78, -11.81, 0.75

 

CMYK 38 / 0 / 0 / 0

HEX #7EFFFFBF

RGBA 126 255 255 0.75

HSLA 180, 1%, 0.75%, 0.75

LABA 93.09, -35.63, -10.98, 0.75

 

CMYK 59 / 13 / 0 / 3

HEX #35C9F4BF

RGBA 53 201 244 0.75

HSLA 193.51, 0.9%, 0.58%, 0.75

LABA 75.49, -23.81, -32.03, 0.75

 

CMYK 63 / 14 / 0 / 9

HEX #24B7E1BF

RGBA 36 183 225 0.75

HSLA 193.33, 0.76%, 0.51%, 0.75

LABA 69.24, -22.31, -31.41, 0.75

 

CMYK 68 / 15 / 0 / 14

HEX #13A5CEBF

RGBA 19 165 206 0.75

HSLA 193.16, 0.83%, 0.44%, 0.75

LABA 62.93, -20.44, -30.71, 0.75

 

CMYK 74 / 16 / 0 / 20

HEX #0293BBBF

RGBA 2 147 187 0.75

HSLA 192.97, 0.98%, 0.37%, 0.75

LABA 56.55, -18.2, -29.94, 0.75

 

CMYK 75 / 17 / 0 / 26

HEX #0081A8BF

RGBA 0 129 168 0.75

HSLA 193.93, 1%, 0.33%, 0.75

LABA 50.13, -15.33, -29.03, 0.75

 

CMYK 79 / 18 / 0 / 4

HEX #34C9F4

RGB 52 201 244

HSL 193.44, 0.9%, 0.58%

LAB 75.47, -23.91, -32.06

 

CMYK 79 / 39 / 0 / 4

HEX #3495F4

RGB 52 149 244

HSL 209.69, 0.9%, 0.58%

LAB 60.57, 4.61, -55.43

 

CMYK 79 / 60 / 0 / 4

HEX #3461F4

RGB 52 97 244

HSL 225.94, 0.9%, 0.58%

LAB 46.73, 36.72, -77.78

 

CMYK 76 / 79 / 0 / 4

HEX #3A34F4

RGB 58 52 244

HSL 241.88, 0.9%, 0.58%

LAB 37.64, 62.69, -92.74

 

CMYK 55 / 79 / 0 / 4

HEX #6E34F4

RGB 110 52 244

HSL 258.13, 0.9%, 0.58%

LAB 41.69, 67.3, -85.9

 

CMYK 79 / 18 / 0 / 4

HEX #34C9F4

RGB 52 201 244

HSL 193.44, 0.9%, 0.58%

LAB 75.47, -23.91, -32.06

 

CMYK 79 / 39 / 0 / 4

HEX #3495F4

RGB 52 149 244

HSL 209.69, 0.9%, 0.58%

LAB 60.57, 4.61, -55.43

 

CMYK 79 / 60 / 0 / 4

HEX #3461F4

RGB 52 97 244

HSL 225.94, 0.9%, 0.58%

LAB 46.73, 36.72, -77.78

 

CMYK 79 / 79 / 0 / 4

HEX #3434F4

RGB 52 52 244

HSL 240, 0.9%, 0.58%

LAB 37.33, 62.34, -93.26

 

CMYK 79 / 18 / 0 / 4

HEX #34C9F4

RGB 52 201 244

HSL 193.44, 0.9%, 0.58%

LAB 75.47, -23.91, -32.06

 

CMYK 79 / 18 / 0 / 4

HEX #34C9F4

RGB 52 201 244

HSL 193.44, 0.9%, 0.58%

LAB 75.47, -23.91, -32.06

 

CMYK 70 / 16 / 0 / 11

HEX #45BFE3

RGB 69 191 227

HSL 193.67, 0.74%, 0.58%

LAB 72.28, -22.29, -27.77

 

CMYK 59 / 13 / 0 / 18

HEX #56B6D2

RGB 86 182 210

HSL 193.55, 0.58%, 0.58%

LAB 69.53, -20.12, -22.65

 

CMYK 46 / 10 / 0 / 25

HEX #67ACC0

RGB 103 172 192

HSL 193.48, 0.41%, 0.58%

LAB 66.67, -16.42, -17.02

 

CMYK 31 / 7 / 0 / 31

HEX #79A3AF

RGB 121 163 175

HSL 193.33, 0.25%, 0.58%

LAB 64.45, -11.23, -10.8

 

CMYK 79 / 0 / 25 / 4

HEX #34F4B7

RGB 52 244 183

HSL 160.94, 0.9%, 0.58%

LAB 86.43, -59.72, 16.5

 

CMYK 79 / 0 / 4 / 4

HEX #34F4EB

RGB 52 244 235

HSL 177.19, 0.9%, 0.58%

LAB 87.69, -46.69, -8.79

 

CMYK 79 / 17 / 0 / 4

HEX #34CBF4

RGB 52 203 244

HSL 192.81, 0.9%, 0.58%

LAB 76.05, -24.91, -31.17

 

CMYK 79 / 38 / 0 / 4

HEX #3497F4

RGB 52 151 244

HSL 209.06, 0.9%, 0.58%

LAB 61.13, 3.43, -54.54

 

CMYK 79 / 59 / 0 / 4

HEX #3464F4

RGB 52 100 244

HSL 225, 0.9%, 0.58%

LAB 47.46, 34.84, -76.57

 

CMYK 95 / 22 / 0 / 20

HEX #0B9FCB

RGB 11 159 203

HSL 193.75, 0.9%, 0.42%

LAB 60.94, -18.64, -32.13

 

CMYK 95 / 21 / 0 / 5

HEX #0DBEF2

RGB 13 190 242

HSL 193.62, 0.9%, 0.5%

LAB 71.77, -21.3, -36.74

 

CMYK 79 / 18 / 0 / 4

HEX #34C9F4

RGB 52 201 244

HSL 193.44, 0.9%, 0.58%

LAB 75.47, -23.91, -32.06

 

CMYK 63 / 14 / 0 / 4

HEX #5BD3F6

RGB 91 211 246

HSL 193.55, 0.9%, 0.66%

LAB 79.31, -23.31, -27.16

 

CMYK 48 / 10 / 0 / 3

HEX #82DEF8

RGB 130 222 248

HSL 193.22, 0.89%, 0.74%

LAB 83.84, -20.71, -21.19

 

CMYK 78 / 18 / 0 / 4

HEX #35C9F4

RGB 53 201 244

HSL 193.51, 0.9%, 0.58%

LAB 75.49, -23.81, -32.03

 

CMYK 46 / 79 / 0 / 4

HEX #8434F4

RGB 132 52 244

HSL 265, 0.9%, 0.58%

LAB 44.08, 70.02, -81.89

 

CMYK 0 / 14 / 79 / 4

HEX #F4D134

RGB 244 209 52

HSL 49.06, 0.9%, 0.58%

LAB 84.53, -2.65, 75.83

 

CMYK 78 / 18 / 0 / 4

HEX #35C9F4

RGB 53 201 244

HSL 193.51, 0.9%, 0.58%

LAB 75.49, -23.81, -32.03

 

CMYK 0 / 79 / 17 / 4

HEX #F434CB

RGB 244 52 203

HSL 312.81, 0.9%, 0.58%

LAB 58.04, 82.65, -35.33

 

CMYK 17 / 0 / 79 / 4

HEX #CBF434

RGB 203 244 52

HSL 72.81, 0.9%, 0.58%

LAB 90.62, -36.44, 80.07

 

CMYK 78 / 18 / 0 / 4

HEX #35C9F4

RGB 53 201 244

HSL 193.51, 0.9%, 0.58%

LAB 75.49, -23.81, -32.03

 

CMYK 46 / 79 / 0 / 4

HEX #8434F4

RGB 132 52 244

HSL 265, 0.9%, 0.58%

LAB 44.08, 70.02, -81.89

 

CMYK 0 / 62 / 79 / 4

HEX #F45D34

RGB 244 93 52

HSL 12.81, 0.9%, 0.58%

LAB 59.26, 55.96, 52.34

 

CMYK 33 / 0 / 79 / 4

HEX #A4F434

RGB 164 244 52

HSL 85, 0.9%, 0.58%

LAB 88.37, -50.93, 77.2

 

CMYK 78 / 18 / 0 / 4

HEX #35C9F4

RGB 53 201 244

HSL 193.51, 0.9%, 0.58%

LAB 75.49, -23.81, -32.03

 

CMYK 22 / 79 / 0 / 4

HEX #BE34F4

RGB 190 52 244

HSL 283.13, 0.9%, 0.58%

LAB 51.76, 78.8, -69.03

 

CMYK 0 / 62 / 79 / 4

HEX #F45D34

RGB 244 93 52

HSL 12.81, 0.9%, 0.58%

LAB 59.26, 55.96, 52.34

 

CMYK 57 / 0 / 79 / 4

HEX #6AF434

RGB 106 244 52

HSL 103.13, 0.9%, 0.58%

LAB 86.01, -68.44, 74.16

 

Description

Color code: RGBA 53 201 244 0.75 | qconv.com Color code: RGBA 53 201 244 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 201 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 201 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 13 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 13% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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