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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 196 247 0.75 it is the complementary color RGBA 202 59 8 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 196 247 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 196 247 0.75 shade: RGBA 58 196 242 0.75, RGBA 75 214 255 0.75, RGBA 92 232 255 0.75, RGBA 109 250 255 0.75 and RGBA 126 255 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 196 247 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 196 247 0.75 shade: RGBA 53 196 247 0.75, RGBA 36 178 228 0.75, RGBA 19 160 209 0.75, RGBA 2 142 190 0.75 and RGBA 0 124 171 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 196 247 0.75 shade: RGB 54 196 247, RGB 54 144 247, RGB 54 92 247, RGB 68 54 247 and RGB 120 54 247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 196 247 0.75 shade: RGB 54 196 247, RGB 54 144 247, RGB 54 92 247 and RGB 54 54 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 196 247 0.75 shade matches the following richer shades: RGB 54 196 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 196 247 0.75 shade: RGB 54 196 247, RGB 71 188 230, RGB 88 180 213, RGB 105 172 196 and RGB 122 164 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 196 247 0.75 shade: RGB 54 247 192, RGB 54 247 243, RGB 54 199 247, RGB 54 147 247 and RGB 54 96 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 196 247 0.75 shade: RGB 9 157 210, RGB 15 184 245, RGB 54 196 247, RGB 94 208 248 and RGB 133 219 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 196 247 0.75 shade: RGB 53 196 247, RGB 141 54 247 and RGB 247 218 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 196 247 0.75 shade: RGB 53 196 247, RGB 247 54 199 and RGB 199 247 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 196 247 0.75 shade: RGB 53 196 247, RGB 141 54 247, RGB 247 102 54 and RGB 160 247 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 196 247 0.75 shade: RGB 53 196 247, RGB 199 54 247, RGB 247 102 54 and RGB 102 247 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 15 / 0 / 2

HEX #35C4F7BF

RGBA 53 196 247 0.75

HSLA 195.77, 0.92%, 0.59%, 0.75

LABA 74.16, -20.29, -35.7, 0.75

 

Complementary color

CMYK 0 / 53 / 72 / 16

HEX #CA3B08BF

RGBA 202 59 8 0.75

HSLA 15.77, 0.92%, 0.41%, 0.75

LABA 46.58, 54.68, 56.1, 0.75

 

CMYK 57 / 14 / 0 / 4

HEX #3AC4F2BF

RGBA 58 196 242 0.75

HSLA 195, 0.88%, 0.59%, 0.75

LABA 74.06, -21.41, -33.16, 0.75

 

CMYK 53 / 12 / 0 / 0

HEX #4BD6FFBF

RGBA 75 214 255 0.75

HSLA 193.67, 1%, 0.65%, 0.75

LABA 80.07, -24.41, -30.82, 0.75

 

CMYK 48 / 7 / 0 / 0

HEX #5CE8FFBF

RGBA 92 232 255 0.75

HSLA 188.47, 1%, 0.68%, 0.75

LABA 85.61, -30.82, -22.33, 0.75

 

CMYK 43 / 1 / 0 / 0

HEX #6DFAFFBF

RGBA 109 250 255 0.75

HSLA 182.05, 1%, 0.71%, 0.75

LABA 91.16, -36.49, -13.92, 0.75

 

CMYK 38 / 0 / 0 / 0

HEX #7EFFFFBF

RGBA 126 255 255 0.75

HSLA 180, 1%, 0.75%, 0.75

LABA 93.09, -35.63, -10.98, 0.75

 

CMYK 59 / 15 / 0 / 2

HEX #35C4F7BF

RGBA 53 196 247 0.75

HSLA 195.77, 0.92%, 0.59%, 0.75

LABA 74.16, -20.29, -35.7, 0.75

 

CMYK 63 / 16 / 0 / 8

HEX #24B2E4BF

RGBA 36 178 228 0.75

HSLA 195.63, 0.78%, 0.52%, 0.75

LABA 67.89, -18.7, -35.15, 0.75

 

CMYK 68 / 18 / 0 / 14

HEX #13A0D1BF

RGBA 19 160 209 0.75

HSLA 195.47, 0.83%, 0.45%, 0.75

LABA 61.55, -16.73, -34.52, 0.75

 

CMYK 74 / 19 / 0 / 19

HEX #028EBEBF

RGBA 2 142 190 0.75

HSLA 195.32, 0.98%, 0.38%, 0.75

LABA 55.15, -14.37, -33.82, 0.75

 

CMYK 75 / 21 / 0 / 25

HEX #007CABBF

RGBA 0 124 171 0.75

HSLA 196.49, 1%, 0.34%, 0.75

LABA 48.7, -11.38, -32.99, 0.75

 

CMYK 78 / 21 / 0 / 3

HEX #36C4F7

RGB 54 196 247

HSL 195.85, 0.92%, 0.59%

LAB 74.18, -20.19, -35.67

 

CMYK 78 / 42 / 0 / 3

HEX #3690F7

RGB 54 144 247

HSL 212.02, 0.92%, 0.59%

LAB 59.39, 8.87, -58.97

 

CMYK 78 / 63 / 0 / 3

HEX #365CF7

RGB 54 92 247

HSL 228.19, 0.92%, 0.59%

LAB 45.84, 41.06, -80.9

 

CMYK 72 / 78 / 0 / 3

HEX #4436F7

RGB 68 54 247

HSL 244.35, 0.92%, 0.59%

LAB 38.87, 63.31, -92.37

 

CMYK 51 / 78 / 0 / 3

HEX #7836F7

RGB 120 54 247

HSL 260.52, 0.92%, 0.59%

LAB 43.28, 68.44, -84.94

 

CMYK 78 / 21 / 0 / 3

HEX #36C4F7

RGB 54 196 247

HSL 195.85, 0.92%, 0.59%

LAB 74.18, -20.19, -35.67

 

CMYK 78 / 42 / 0 / 3

HEX #3690F7

RGB 54 144 247

HSL 212.02, 0.92%, 0.59%

LAB 59.39, 8.87, -58.97

 

CMYK 78 / 63 / 0 / 3

HEX #365CF7

RGB 54 92 247

HSL 228.19, 0.92%, 0.59%

LAB 45.84, 41.06, -80.9

 

CMYK 78 / 78 / 0 / 3

HEX #3636F7

RGB 54 54 247

HSL 240, 0.92%, 0.59%

LAB 38.09, 62.4, -93.68

 

CMYK 78 / 21 / 0 / 3

HEX #36C4F7

RGB 54 196 247

HSL 195.85, 0.92%, 0.59%

LAB 74.18, -20.19, -35.67

 

CMYK 78 / 21 / 0 / 3

HEX #36C4F7

RGB 54 196 247

HSL 195.85, 0.92%, 0.59%

LAB 74.18, -20.19, -35.67

 

CMYK 69 / 18 / 0 / 10

HEX #47BCE6

RGB 71 188 230

HSL 195.85, 0.76%, 0.59%

LAB 71.57, -19.53, -30.49

 

CMYK 59 / 15 / 0 / 16

HEX #58B4D5

RGB 88 180 213

HSL 195.84, 0.6%, 0.59%

LAB 69.13, -17.81, -24.91

 

CMYK 46 / 12 / 0 / 23

HEX #69ACC4

RGB 105 172 196

HSL 195.82, 0.44%, 0.59%

LAB 66.9, -14.84, -18.88

 

CMYK 32 / 8 / 0 / 30

HEX #7AA4B3

RGB 122 164 179

HSL 195.79, 0.27%, 0.59%

LAB 64.92, -10.49, -12.33

 

CMYK 78 / 0 / 22 / 3

HEX #36F7C0

RGB 54 247 192

HSL 162.9, 0.92%, 0.59%

LAB 87.54, -58.63, 13.41

 

CMYK 78 / 0 / 2 / 3

HEX #36F7F3

RGB 54 247 243

HSL 178.76, 0.92%, 0.59%

LAB 88.82, -45.6, -11.29

 

CMYK 78 / 19 / 0 / 3

HEX #36C7F7

RGB 54 199 247

HSL 194.92, 0.92%, 0.59%

LAB 75.04, -21.73, -34.33

 

CMYK 78 / 40 / 0 / 3

HEX #3693F7

RGB 54 147 247

HSL 211.09, 0.92%, 0.59%

LAB 60.22, 7.08, -57.64

 

CMYK 78 / 61 / 0 / 3

HEX #3660F7

RGB 54 96 247

HSL 226.94, 0.92%, 0.59%

LAB 46.8, 38.59, -79.34

 

CMYK 96 / 25 / 0 / 18

HEX #099DD2

RGB 9 157 210

HSL 195.82, 0.92%, 0.43%

LAB 60.63, -15.13, -36.53

 

CMYK 94 / 25 / 0 / 4

HEX #0FB8F5

RGB 15 184 245

HSL 195.91, 0.92%, 0.51%

LAB 70.16, -17.07, -40.88

 

CMYK 78 / 21 / 0 / 3

HEX #36C4F7

RGB 54 196 247

HSL 195.85, 0.92%, 0.59%

LAB 74.18, -20.19, -35.67

 

CMYK 62 / 16 / 0 / 3

HEX #5ED0F8

RGB 94 208 248

HSL 195.58, 0.92%, 0.67%

LAB 78.62, -20.71, -29.28

 

CMYK 47 / 12 / 0 / 2

HEX #85DBFA

RGB 133 219 250

HSL 195.9, 0.92%, 0.75%

LAB 83.21, -17.99, -23.21

 

CMYK 79 / 21 / 0 / 3

HEX #35C4F7

RGB 53 196 247

HSL 195.77, 0.92%, 0.59%

LAB 74.16, -20.29, -35.7

 

CMYK 43 / 78 / 0 / 3

HEX #8D36F7

RGB 141 54 247

HSL 267.05, 0.92%, 0.59%

LAB 45.66, 71.2, -80.95

 

CMYK 0 / 12 / 78 / 3

HEX #F7DA36

RGB 247 218 54

HSL 50.98, 0.92%, 0.59%

LAB 87.09, -5.88, 77.62

 

CMYK 79 / 21 / 0 / 3

HEX #35C4F7

RGB 53 196 247

HSL 195.77, 0.92%, 0.59%

LAB 74.16, -20.29, -35.7

 

CMYK 0 / 78 / 19 / 3

HEX #F736C7

RGB 247 54 199

HSL 314.92, 0.92%, 0.59%

LAB 58.54, 82.29, -32.21

 

CMYK 19 / 0 / 78 / 3

HEX #C7F736

RGB 199 247 54

HSL 74.92, 0.92%, 0.59%

LAB 91.2, -39.25, 79.97

 

CMYK 79 / 21 / 0 / 3

HEX #35C4F7

RGB 53 196 247

HSL 195.77, 0.92%, 0.59%

LAB 74.16, -20.29, -35.7

 

CMYK 43 / 78 / 0 / 3

HEX #8D36F7

RGB 141 54 247

HSL 267.05, 0.92%, 0.59%

LAB 45.66, 71.2, -80.95

 

CMYK 0 / 59 / 78 / 3

HEX #F76636

RGB 247 102 54

HSL 14.92, 0.92%, 0.59%

LAB 61.26, 53.12, 53.52

 

CMYK 35 / 0 / 78 / 3

HEX #A0F736

RGB 160 247 54

HSL 87.05, 0.92%, 0.59%

LAB 89.05, -53.44, 77.2

 

CMYK 79 / 21 / 0 / 3

HEX #35C4F7

RGB 53 196 247

HSL 195.77, 0.92%, 0.59%

LAB 74.16, -20.29, -35.7

 

CMYK 19 / 78 / 0 / 3

HEX #C736F7

RGB 199 54 247

HSL 285.08, 0.92%, 0.59%

LAB 53.49, 80.29, -67.85

 

CMYK 0 / 59 / 78 / 3

HEX #F76636

RGB 247 102 54

HSL 14.92, 0.92%, 0.59%

LAB 61.26, 53.12, 53.52

 

CMYK 59 / 0 / 78 / 3

HEX #66F736

RGB 102 247 54

HSL 105.08, 0.92%, 0.59%

LAB 86.81, -70.3, 74.31

 

Description

Color code: RGBA 53 196 247 0.75 | qconv.com Color code: RGBA 53 196 247 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 196 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 196 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 15 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 15% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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