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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 165 55 0 it is the complementary color RGBA 202 90 200 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 165 55 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 165 55 0 shade: RGBA 58 165 50 0, RGBA 75 183 69 0, RGBA 92 201 88 0, RGBA 109 219 107 0 and RGBA 126 237 126 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 165 55 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 165 55 0 shade: RGBA 53 165 55 0, RGBA 36 147 36 0, RGBA 19 129 17 0, RGBA 2 111 0 0 and RGBA 0 93 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 165 55 0 shade: RGB 54 166 56, RGB 82 166 54, RGB 112 166 54, RGB 142 166 54 and RGB 166 159 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 165 55 0 shade: RGB 54 166 56, RGB 54 166 86, RGB 54 166 116, RGB 54 166 146 and RGB 54 155 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 165 55 0 shade matches the following richer shades: RGB 54 166 56, RGB 36 183 39, RGB 18 201 22 and RGB 1 219 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 165 55 0 shade: RGB 54 166 56, RGB 71 148 73, RGB 89 130 90, RGB 107 112 107 and RGB 125 95 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 165 55 0 shade: RGB 112 166 54, RGB 82 166 54, RGB 54 166 56, RGB 54 166 85 and RGB 54 166 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 165 55 0 shade: RGB 34 103 35, RGB 44 134 45, RGB 54 166 56, RGB 67 194 69 and RGB 98 204 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 165 55 0 shade: RGB 53 165 55, RGB 54 141 166 and RGB 166 54 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 165 55 0 shade: RGB 53 165 55, RGB 56 54 166 and RGB 166 56 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 165 55 0 shade: RGB 53 165 55, RGB 54 141 166, RGB 166 54 164 and RGB 166 78 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 165 55 0 shade: RGB 53 165 55, RGB 54 108 166, RGB 166 54 164 and RGB 166 112 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #35A53700

RGBA 53 165 55 0

HSLA 121.07, 0.51%, 0.43%, 0

LABA 59.84, -53.05, 46.35, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #CA5AC800

RGBA 202 90 200 0

HSLA 301.07, 0.51%, 0.57%, 0

LABA 56.13, 58.86, -37.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3AA53200

RGBA 58 165 50 0

HSLA 115.83, 0.53%, 0.42%, 0

LABA 59.92, -52.48, 48.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4BB74500

RGBA 75 183 69 0

HSLA 116.84, 0.45%, 0.49%, 0

LABA 66.36, -53.17, 47.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5CC95800

RGBA 92 201 88 0

HSLA 117.88, 0.51%, 0.57%, 0

LABA 72.73, -53.52, 46.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6DDB6B00

RGBA 109 219 107 0

HSLA 118.93, 0.61%, 0.64%, 0

LABA 79.03, -53.65, 45.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7EED7E00

RGBA 126 237 126 0

HSLA 120, 0.76%, 0.71%, 0

LABA 85.26, -53.64, 43.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #35A53700

RGBA 53 165 55 0

HSLA 121.07, 0.51%, 0.43%, 0

LABA 59.84, -53.05, 46.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #24932400

RGBA 36 147 36 0

HSLA 120, 0.61%, 0.36%, 0

LABA 53.35, -51.78, 47.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #13811100

RGBA 19 129 17 0

HSLA 118.93, 0.77%, 0.29%, 0

LABA 46.82, -49.65, 46.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #026F0000

RGBA 2 111 0 0

HSLA 118.92, 1%, 0.22%, 0

LABA 40.22, -46.49, 45.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #005D0000

RGBA 0 93 0 0

HSLA 120, 1%, 0.18%, 0

LABA 33.62, -41.23, 39.79, 0

 

CMYK 67 / 0 / 66 / 35

HEX #36A638

RGB 54 166 56

HSL 121.07, 0.51%, 0.43%

LAB 60.2, -53.1, 46.32

 

CMYK 51 / 0 / 67 / 35

HEX #52A636

RGB 82 166 54

HSL 105, 0.51%, 0.43%

LAB 61.07, -46.25, 48.38

 

CMYK 33 / 0 / 67 / 35

HEX #70A636

RGB 112 166 54

HSL 88.93, 0.51%, 0.43%

LAB 62.49, -36.14, 50.31

 

CMYK 14 / 0 / 67 / 35

HEX #8EA636

RGB 142 166 54

HSL 72.86, 0.51%, 0.43%

LAB 64.39, -24.23, 52.89

 

CMYK 0 / 4 / 67 / 35

HEX #A69F36

RGB 166 159 54

HSL 56.25, 0.51%, 0.43%

LAB 64.3, -10.32, 53.39

 

CMYK 67 / 0 / 66 / 35

HEX #36A638

RGB 54 166 56

HSL 121.07, 0.51%, 0.43%

LAB 60.2, -53.1, 46.32

 

CMYK 67 / 0 / 48 / 35

HEX #36A656

RGB 54 166 86

HSL 137.14, 0.51%, 0.43%

LAB 60.54, -49.11, 32.33

 

CMYK 67 / 0 / 30 / 35

HEX #36A674

RGB 54 166 116

HSL 153.21, 0.51%, 0.43%

LAB 61.06, -43.39, 16.91

 

CMYK 67 / 0 / 12 / 35

HEX #36A692

RGB 54 166 146

HSL 169.29, 0.51%, 0.43%

LAB 61.77, -36.11, 1.2

 

CMYK 67 / 7 / 0 / 35

HEX #369BA6

RGB 54 155 166

HSL 185.89, 0.51%, 0.43%

LAB 58.96, -25.07, -14.27

 

CMYK 67 / 0 / 66 / 35

HEX #36A638

RGB 54 166 56

HSL 121.07, 0.51%, 0.43%

LAB 60.2, -53.1, 46.32

 

CMYK 80 / 0 / 79 / 28

HEX #24B727

RGB 36 183 39

HSL 121.22, 0.67%, 0.43%

LAB 65.27, -63.02, 57.75

 

CMYK 91 / 0 / 89 / 21

HEX #12C916

RGB 18 201 22

HSL 121.31, 0.84%, 0.43%

LAB 70.84, -70.71, 66.89

 

CMYK 100 / 0 / 98 / 14

HEX #01DB04

RGB 1 219 4

HSL 120.83, 0.99%, 0.43%

LAB 76.48, -76.72, 73.78

 

CMYK 67 / 0 / 66 / 35

HEX #36A638

RGB 54 166 56

HSL 121.07, 0.51%, 0.43%

LAB 60.2, -53.1, 46.32

 

CMYK 52 / 0 / 51 / 42

HEX #479449

RGB 71 148 73

HSL 121.56, 0.35%, 0.43%

LAB 55.07, -39.85, 32.35

 

CMYK 32 / 0 / 31 / 49

HEX #59825A

RGB 89 130 90

HSL 121.46, 0.19%, 0.43%

LAB 50.48, -22.84, 17.24

 

CMYK 4 / 0 / 4 / 56

HEX #6B706B

RGB 107 112 107

HSL 120, 0.02%, 0.43%

LAB 46.68, -2.93, 2.11

 

CMYK 0 / 24 / 1 / 51

HEX #7D5F7C

RGB 125 95 124

HSL 302, 0.14%, 0.43%

LAB 44.23, 17.53, -11.55

 

CMYK 33 / 0 / 67 / 35

HEX #70A636

RGB 112 166 54

HSL 88.93, 0.51%, 0.43%

LAB 62.49, -36.14, 50.31

 

CMYK 51 / 0 / 67 / 35

HEX #52A636

RGB 82 166 54

HSL 105, 0.51%, 0.43%

LAB 61.07, -46.25, 48.38

 

CMYK 67 / 0 / 66 / 35

HEX #36A638

RGB 54 166 56

HSL 121.07, 0.51%, 0.43%

LAB 60.2, -53.1, 46.32

 

CMYK 67 / 0 / 49 / 35

HEX #36A655

RGB 54 166 85

HSL 136.61, 0.51%, 0.43%

LAB 60.53, -49.27, 32.83

 

CMYK 67 / 0 / 31 / 35

HEX #36A673

RGB 54 166 115

HSL 152.68, 0.51%, 0.43%

LAB 61.04, -43.61, 17.44

 

CMYK 67 / 0 / 66 / 60

HEX #226723

RGB 34 103 35

HSL 120.87, 0.5%, 0.27%

LAB 38.13, -36.33, 31.32

 

CMYK 67 / 0 / 66 / 47

HEX #2C862D

RGB 44 134 45

HSL 120.67, 0.51%, 0.35%

LAB 49.22, -44.79, 39.04

 

CMYK 67 / 0 / 66 / 35

HEX #36A638

RGB 54 166 56

HSL 121.07, 0.51%, 0.43%

LAB 60.2, -53.1, 46.32

 

CMYK 65 / 0 / 64 / 24

HEX #43C245

RGB 67 194 69

HSL 120.94, 0.51%, 0.51%

LAB 69.62, -58.91, 51.21

 

CMYK 52 / 0 / 51 / 20

HEX #62CC64

RGB 98 204 100

HSL 121.13, 0.51%, 0.59%

LAB 74, -51.59, 42.35

 

CMYK 68 / 0 / 67 / 35

HEX #35A537

RGB 53 165 55

HSL 121.07, 0.51%, 0.43%

LAB 59.84, -53.05, 46.35

 

CMYK 67 / 15 / 0 / 35

HEX #368DA6

RGB 54 141 166

HSL 193.39, 0.51%, 0.43%

LAB 54.64, -17.75, -20.83

 

CMYK 0 / 67 / 42 / 35

HEX #A63661

RGB 166 54 97

HSL 336.96, 0.51%, 0.43%

LAB 40.59, 49.48, 0.26

 

CMYK 68 / 0 / 67 / 35

HEX #35A537

RGB 53 165 55

HSL 121.07, 0.51%, 0.43%

LAB 59.84, -53.05, 46.35

 

CMYK 66 / 67 / 0 / 35

HEX #3836A6

RGB 56 54 166

HSL 241.07, 0.51%, 0.43%

LAB 29.99, 36.48, -59.97

 

CMYK 0 / 66 / 67 / 35

HEX #A63836

RGB 166 56 54

HSL 1.07, 0.51%, 0.43%

LAB 39.92, 45.07, 26.18

 

CMYK 68 / 0 / 67 / 35

HEX #35A537

RGB 53 165 55

HSL 121.07, 0.51%, 0.43%

LAB 59.84, -53.05, 46.35

 

CMYK 67 / 15 / 0 / 35

HEX #368DA6

RGB 54 141 166

HSL 193.39, 0.51%, 0.43%

LAB 54.64, -17.75, -20.83

 

CMYK 0 / 67 / 1 / 35

HEX #A636A4

RGB 166 54 164

HSL 301.07, 0.51%, 0.43%

LAB 43.4, 58.89, -36.48

 

CMYK 0 / 53 / 67 / 35

HEX #A64E36

RGB 166 78 54

HSL 12.86, 0.51%, 0.43%

LAB 43.98, 34.43, 31.08

 

CMYK 68 / 0 / 67 / 35

HEX #35A537

RGB 53 165 55

HSL 121.07, 0.51%, 0.43%

LAB 59.84, -53.05, 46.35

 

CMYK 67 / 35 / 0 / 35

HEX #366CA6

RGB 54 108 166

HSL 211.07, 0.51%, 0.43%

LAB 44.61, 1.35, -36.44

 

CMYK 0 / 67 / 1 / 35

HEX #A636A4

RGB 166 54 164

HSL 301.07, 0.51%, 0.43%

LAB 43.4, 58.89, -36.48

 

CMYK 0 / 33 / 67 / 35

HEX #A67036

RGB 166 112 54

HSL 31.07, 0.51%, 0.43%

LAB 51.79, 15.64, 40.05

 

Description

Color code: RGBA 53 165 55 0 | qconv.com Color code: RGBA 53 165 55 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 165 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 165 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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