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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 129 81 0 it is the complementary color RGBA 202 126 174 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 129 81 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 129 81 0 shade: RGBA 58 129 76 0, RGBA 75 147 95 0, RGBA 92 165 114 0, RGBA 109 183 133 0 and RGBA 126 201 152 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 129 81 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 129 81 0 shade: RGBA 53 129 81 0, RGBA 36 111 62 0, RGBA 19 93 43 0, RGBA 2 75 24 0 and RGBA 0 57 5 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 129 81 0 shade: RGB 53 130 82, RGB 53 130 61, RGB 66 130 53, RGB 87 130 53 and RGB 108 130 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 129 81 0 shade: RGB 53 130 82, RGB 53 130 102, RGB 53 130 123, RGB 53 117 130 and RGB 53 96 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 129 81 0 shade matches the following richer shades: RGB 53 130 82, RGB 38 145 78, RGB 24 160 74 and RGB 9 175 70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 129 81 0 shade: RGB 53 130 82, RGB 68 116 86, RGB 83 101 89, RGB 98 86 93 and RGB 113 71 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 129 81 0 shade: RGB 66 130 53, RGB 53 130 61, RGB 53 130 82, RGB 53 130 102 and RGB 53 130 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 129 81 0 shade: RGB 29 72 45, RGB 41 101 63, RGB 53 130 82, RGB 65 160 100 and RGB 82 184 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 129 81 0 shade: RGB 53 129 81, RGB 53 87 130 and RGB 130 53 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 129 81 0 shade: RGB 53 129 81, RGB 82 53 130 and RGB 130 82 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 129 81 0 shade: RGB 53 129 81, RGB 53 87 130, RGB 130 53 102 and RGB 130 97 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 129 81 0 shade: RGB 53 129 81, RGB 53 64 130, RGB 130 53 102 and RGB 130 120 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #35815100

RGBA 53 129 81 0

HSLA 142.11, 0.42%, 0.36%, 0

LABA 48.32, -35.06, 19.17, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #CA7EAE00

RGBA 202 126 174 0

HSLA 322.11, 0.42%, 0.64%, 0

LABA 62.11, 36.3, -13.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3A814C00

RGBA 58 129 76 0

HSLA 135.21, 0.38%, 0.37%, 0

LABA 48.41, -34.72, 22.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4B935F00

RGBA 75 147 95 0

HSLA 136.67, 0.32%, 0.44%, 0

LABA 55.27, -34.6, 20.76, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5CA57200

RGBA 92 165 114 0

HSLA 138.08, 0.29%, 0.5%, 0

LABA 62, -34.38, 19.51, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6DB78500

RGBA 109 183 133 0

HSLA 139.46, 0.34%, 0.57%, 0

LABA 68.61, -34.12, 18.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7EC99800

RGBA 126 201 152 0

HSLA 140.8, 0.41%, 0.64%, 0

LABA 75.12, -33.85, 17.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #35815100

RGBA 53 129 81 0

HSLA 142.11, 0.42%, 0.36%, 0

LABA 48.32, -35.06, 19.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #246F3E00

RGBA 36 111 62 0

HSLA 140.8, 0.51%, 0.29%, 0

LABA 41.36, -34.89, 20.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #135D2B00

RGBA 19 93 43 0

HSLA 139.46, 0.66%, 0.22%, 0

LABA 34.28, -34.25, 22.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #024B1800

RGBA 2 75 24 0

HSLA 138.08, 0.95%, 0.15%, 0

LABA 27.05, -32.88, 24.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00390500

RGBA 0 57 5 0

HSLA 125.26, 1%, 0.11%, 0

LABA 19.79, -29.12, 25.08, 0

 

CMYK 59 / 0 / 37 / 49

HEX #358252

RGB 53 130 82

HSL 142.6, 0.42%, 0.36%

LAB 48.67, -35.3, 19.07

 

CMYK 59 / 0 / 53 / 49

HEX #35823D

RGB 53 130 61

HSL 126.23, 0.42%, 0.36%

LAB 48.33, -38.98, 30.18

 

CMYK 49 / 0 / 59 / 49

HEX #428235

RGB 66 130 53

HSL 109.87, 0.42%, 0.36%

LAB 48.74, -36.32, 34.88

 

CMYK 33 / 0 / 59 / 49

HEX #578235

RGB 87 130 53

HSL 93.51, 0.42%, 0.36%

LAB 49.8, -28.96, 36.38

 

CMYK 17 / 0 / 59 / 49

HEX #6C8235

RGB 108 130 53

HSL 77.14, 0.42%, 0.36%

LAB 51.16, -20.45, 38.3

 

CMYK 59 / 0 / 37 / 49

HEX #358252

RGB 53 130 82

HSL 142.6, 0.42%, 0.36%

LAB 48.67, -35.3, 19.07

 

CMYK 59 / 0 / 22 / 49

HEX #358266

RGB 53 130 102

HSL 158.18, 0.42%, 0.36%

LAB 49.11, -30.86, 8.14

 

CMYK 59 / 0 / 5 / 49

HEX #35827B

RGB 53 130 123

HSL 174.55, 0.42%, 0.36%

LAB 49.68, -25.32, -3.32

 

CMYK 59 / 10 / 0 / 49

HEX #357582

RGB 53 117 130

HSL 190.13, 0.42%, 0.36%

LAB 45.76, -16.36, -13.33

 

CMYK 59 / 26 / 0 / 49

HEX #356082

RGB 53 96 130

HSL 206.49, 0.42%, 0.36%

LAB 39.13, -4.13, -23.51

 

CMYK 59 / 0 / 37 / 49

HEX #358252

RGB 53 130 82

HSL 142.6, 0.42%, 0.36%

LAB 48.67, -35.3, 19.07

 

CMYK 74 / 0 / 46 / 43

HEX #26914E

RGB 38 145 78

HSL 142.43, 0.58%, 0.36%

LAB 53.18, -45.29, 27.12

 

CMYK 85 / 0 / 54 / 37

HEX #18A04A

RGB 24 160 74

HSL 142.06, 0.74%, 0.36%

LAB 57.88, -53.22, 35.03

 

CMYK 95 / 0 / 60 / 31

HEX #09AF46

RGB 9 175 70

HSL 142.05, 0.9%, 0.36%

LAB 62.64, -59.78, 42.62

 

CMYK 59 / 0 / 37 / 49

HEX #358252

RGB 53 130 82

HSL 142.6, 0.42%, 0.36%

LAB 48.67, -35.3, 19.07

 

CMYK 41 / 0 / 26 / 55

HEX #447456

RGB 68 116 86

HSL 142.5, 0.26%, 0.36%

LAB 44.79, -23.57, 11.55

 

CMYK 18 / 0 / 12 / 60

HEX #536559

RGB 83 101 89

HSL 140, 0.1%, 0.36%

LAB 41, -9.48, 4.54

 

CMYK 0 / 12 / 5 / 62

HEX #62565D

RGB 98 86 93

HSL 325, 0.07%, 0.36%

LAB 37.92, 6.28, -2.25

 

CMYK 0 / 37 / 14 / 56

HEX #714761

RGB 113 71 97

HSL 322.86, 0.23%, 0.36%

LAB 35.75, 22.21, -7.8

 

CMYK 49 / 0 / 59 / 49

HEX #428235

RGB 66 130 53

HSL 109.87, 0.42%, 0.36%

LAB 48.74, -36.32, 34.88

 

CMYK 59 / 0 / 53 / 49

HEX #35823D

RGB 53 130 61

HSL 126.23, 0.42%, 0.36%

LAB 48.33, -38.98, 30.18

 

CMYK 59 / 0 / 37 / 49

HEX #358252

RGB 53 130 82

HSL 142.6, 0.42%, 0.36%

LAB 48.67, -35.3, 19.07

 

CMYK 59 / 0 / 22 / 49

HEX #358266

RGB 53 130 102

HSL 158.18, 0.42%, 0.36%

LAB 49.11, -30.86, 8.14

 

CMYK 59 / 0 / 5 / 49

HEX #35827B

RGB 53 130 123

HSL 174.55, 0.42%, 0.36%

LAB 49.68, -25.32, -3.32

 

CMYK 60 / 0 / 38 / 72

HEX #1D482D

RGB 29 72 45

HSL 142.33, 0.43%, 0.2%

LAB 26.98, -22.17, 11.8

 

CMYK 59 / 0 / 38 / 60

HEX #29653F

RGB 41 101 63

HSL 142, 0.42%, 0.28%

LAB 38.09, -29.03, 15.82

 

CMYK 59 / 0 / 37 / 49

HEX #358252

RGB 53 130 82

HSL 142.6, 0.42%, 0.36%

LAB 48.67, -35.3, 19.07

 

CMYK 59 / 0 / 38 / 37

HEX #41A064

RGB 65 160 100

HSL 142.11, 0.42%, 0.44%

LAB 59.15, -41.91, 23.14

 

CMYK 55 / 0 / 35 / 28

HEX #52B878

RGB 82 184 120

HSL 142.35, 0.42%, 0.52%

LAB 67.6, -44.27, 23.78

 

CMYK 59 / 0 / 37 / 49

HEX #358151

RGB 53 129 81

HSL 142.11, 0.42%, 0.36%

LAB 48.32, -35.06, 19.17

 

CMYK 59 / 33 / 0 / 49

HEX #355782

RGB 53 87 130

HSL 213.51, 0.42%, 0.36%

LAB 36.34, 1.5, -27.87

 

CMYK 0 / 59 / 57 / 49

HEX #823538

RGB 130 53 56

HSL 357.66, 0.42%, 0.36%

LAB 33.09, 33.5, 14.91

 

CMYK 59 / 0 / 37 / 49

HEX #358151

RGB 53 129 81

HSL 142.11, 0.42%, 0.36%

LAB 48.32, -35.06, 19.17

 

CMYK 37 / 59 / 0 / 49

HEX #523582

RGB 82 53 130

HSL 262.6, 0.42%, 0.36%

LAB 29.29, 30.82, -38.92

 

CMYK 0 / 37 / 59 / 49

HEX #825235

RGB 130 82 53

HSL 22.6, 0.42%, 0.36%

LAB 39.64, 16.88, 25.18

 

CMYK 59 / 0 / 37 / 49

HEX #358151

RGB 53 129 81

HSL 142.11, 0.42%, 0.36%

LAB 48.32, -35.06, 19.17

 

CMYK 59 / 33 / 0 / 49

HEX #355782

RGB 53 87 130

HSL 213.51, 0.42%, 0.36%

LAB 36.34, 1.5, -27.87

 

CMYK 0 / 59 / 22 / 49

HEX #823566

RGB 130 53 102

HSL 321.82, 0.42%, 0.36%

LAB 34.5, 39.13, -12.62

 

CMYK 0 / 25 / 59 / 49

HEX #826135

RGB 130 97 53

HSL 34.29, 0.42%, 0.36%

LAB 43.58, 8, 29.98

 

CMYK 59 / 0 / 37 / 49

HEX #358151

RGB 53 129 81

HSL 142.11, 0.42%, 0.36%

LAB 48.32, -35.06, 19.17

 

CMYK 59 / 51 / 0 / 49

HEX #354082

RGB 53 64 130

HSL 231.43, 0.42%, 0.36%

LAB 29.5, 16.71, -38.73

 

CMYK 0 / 59 / 22 / 49

HEX #823566

RGB 130 53 102

HSL 321.82, 0.42%, 0.36%

LAB 34.5, 39.13, -12.62

 

CMYK 0 / 8 / 59 / 49

HEX #827835

RGB 130 120 53

HSL 52.21, 0.42%, 0.36%

LAB 50.02, -5.28, 37.5

 

Description

Color code: RGBA 53 129 81 0 | qconv.com Color code: RGBA 53 129 81 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 129 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 129 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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