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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 112 25 0.81 it is the complementary color RGBA 202 143 230 0.81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 112 25 0.81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 112 25 0.81 shade: RGBA 58 112 20 0.81, RGBA 75 130 39 0.81, RGBA 92 148 58 0.81, RGBA 109 166 77 0.81 and RGBA 126 184 96 0.81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 112 25 0.81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 112 25 0.81 shade: RGBA 53 112 25 0.81, RGBA 36 94 6 0.81, RGBA 19 76 0 0.81, RGBA 2 58 0 0.81 and RGBA 0 40 0 0.81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 112 25 0.81 shade: RGB 53 113 25, RGB 77 113 25, RGB 101 113 25, RGB 113 101 25 and RGB 113 78 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 112 25 0.81 shade: RGB 53 113 25, RGB 29 113 25, RGB 25 113 44, RGB 25 113 68 and RGB 25 113 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 112 25 0.81 shade matches the following richer shades: RGB 53 113 25, RGB 49 124 14 and RGB 45 135 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 112 25 0.81 shade: RGB 53 113 25, RGB 57 102 36, RGB 61 91 47, RGB 65 79 58 and RGB 69 68 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 112 25 0.81 shade: RGB 101 113 25, RGB 78 113 25, RGB 54 113 25, RGB 31 113 25 and RGB 25 113 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 112 25 0.81 shade: RGB 21 45 10, RGB 37 79 17, RGB 53 113 25, RGB 69 147 32 and RGB 85 181 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 112 25 0.81 shade: RGB 53 112 25, RGB 25 113 101 and RGB 113 25 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 112 25 0.81 shade: RGB 53 112 25, RGB 25 54 113 and RGB 113 25 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 112 25 0.81 shade: RGB 53 112 25, RGB 25 113 101, RGB 84 25 113 and RGB 113 25 37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 112 25 0.81 shade: RGB 53 112 25, RGB 25 98 113, RGB 84 25 113 and RGB 113 39 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 63 / 45

HEX #357019CE

RGBA 53 112 25 0.81

HSLA 100.69, 0.64%, 0.27%, 0.81

LABA 41.87, -35.57, 39.88, 0.81

 

Complementary color

CMYK 10 / 31 / 0 / 8

HEX #CA8FE6CE

RGBA 202 143 230 0.81

HSLA 280.69, 0.64%, 0.73%, 0.81

LABA 67.96, 37.56, -35.44, 0.81

 

CMYK 39 / 0 / 67 / 45

HEX #3A7014CE

RGBA 58 112 20 0.81

HSLA 95.22, 0.7%, 0.26%, 0.81

LABA 42.06, -34.23, 41.94, 0.81

 

CMYK 34 / 0 / 57 / 40

HEX #4B8227CE

RGBA 75 130 39 0.81

HSLA 96.26, 0.54%, 0.33%, 0.81

LABA 49.02, -34.75, 41.82, 0.81

 

CMYK 31 / 0 / 49 / 34

HEX #5C943ACE

RGBA 92 148 58 0.81

HSLA 97.33, 0.44%, 0.4%, 0.81

LABA 55.85, -34.95, 40.96, 0.81

 

CMYK 28 / 0 / 43 / 28

HEX #6DA64DCE

RGBA 109 166 77 0.81

HSLA 98.43, 0.37%, 0.48%, 0.81

LABA 62.56, -34.99, 39.84, 0.81

 

CMYK 26 / 0 / 39 / 23

HEX #7EB860CE

RGBA 126 184 96 0.81

HSLA 99.55, 0.38%, 0.55%, 0.81

LABA 69.16, -34.93, 38.63, 0.81

 

CMYK 43 / 0 / 63 / 45

HEX #357019CE

RGBA 53 112 25 0.81

HSLA 100.69, 0.64%, 0.27%, 0.81

LABA 41.87, -35.57, 39.88, 0.81

 

CMYK 50 / 0 / 76 / 51

HEX #245E06CE

RGBA 36 94 6 0.81

HSLA 99.55, 0.88%, 0.2%, 0.81

LABA 34.79, -34.58, 39.19, 0.81

 

CMYK 61 / 0 / 81 / 57

HEX #134C00CE

RGBA 19 76 0 0.81

HSLA 105, 1%, 0.15%, 0.81

LABA 27.59, -32.51, 35.07, 0.81

 

CMYK 78 / 0 / 81 / 63

HEX #023A00CE

RGBA 2 58 0 0.81

HSLA 117.93, 1%, 0.11%, 0.81

LABA 20.2, -29.56, 27.6, 0.81

 

CMYK 81 / 0 / 81 / 68

HEX #002800CE

RGBA 0 40 0 0.81

HSLA 120, 1%, 0.08%, 0.81

LABA 12.72, -23.74, 18.31, 0.81

 

CMYK 53 / 0 / 78 / 56

HEX #357119

RGB 53 113 25

HSL 100.91, 0.64%, 0.27%

LAB 42.21, -35.99, 40.22

 

CMYK 32 / 0 / 78 / 56

HEX #4D7119

RGB 77 113 25

HSL 84.55, 0.64%, 0.27%

LAB 43.45, -27.15, 41.85

 

CMYK 11 / 0 / 78 / 56

HEX #657119

RGB 101 113 25

HSL 68.18, 0.64%, 0.27%

LAB 45.15, -16.64, 44.07

 

CMYK 0 / 11 / 78 / 56

HEX #716519

RGB 113 101 25

HSL 51.82, 0.64%, 0.27%

LAB 42.59, -4.27, 42.03

 

CMYK 0 / 31 / 78 / 56

HEX #714E19

RGB 113 78 25

HSL 36.14, 0.64%, 0.27%

LAB 36.04, 9.42, 35.66

 

CMYK 53 / 0 / 78 / 56

HEX #357119

RGB 53 113 25

HSL 100.91, 0.64%, 0.27%

LAB 42.21, -35.99, 40.22

 

CMYK 74 / 0 / 78 / 56

HEX #1D7119

RGB 29 113 25

HSL 117.27, 0.64%, 0.27%

LAB 41.44, -42.21, 39.2

 

CMYK 78 / 0 / 61 / 56

HEX #19712C

RGB 25 113 44

HSL 132.95, 0.64%, 0.27%

LAB 41.53, -40.81, 30.66

 

CMYK 78 / 0 / 40 / 56

HEX #197144

RGB 25 113 68

HSL 149.32, 0.64%, 0.27%

LAB 41.9, -36.55, 17.91

 

CMYK 78 / 0 / 19 / 56

HEX #19715B

RGB 25 113 91

HSL 165, 0.64%, 0.27%

LAB 42.42, -30.92, 5.02

 

CMYK 53 / 0 / 78 / 56

HEX #357119

RGB 53 113 25

HSL 100.91, 0.64%, 0.27%

LAB 42.21, -35.99, 40.22

 

CMYK 60 / 0 / 89 / 51

HEX #317C0E

RGB 49 124 14

HSL 100.91, 0.8%, 0.27%

LAB 45.77, -42.19, 46.92

 

CMYK 67 / 0 / 98 / 47

HEX #2D8703

RGB 45 135 3

HSL 100.91, 0.96%, 0.27%

LAB 49.37, -47.59, 52.12

 

CMYK 53 / 0 / 78 / 56

HEX #357119

RGB 53 113 25

HSL 100.91, 0.64%, 0.27%

LAB 42.21, -35.99, 40.22

 

CMYK 44 / 0 / 65 / 60

HEX #396624

RGB 57 102 36

HSL 100.91, 0.48%, 0.27%

LAB 38.73, -28.75, 31.75

 

CMYK 33 / 0 / 48 / 64

HEX #3D5B2F

RGB 61 91 47

HSL 100.91, 0.32%, 0.27%

LAB 35.36, -20.34, 21.85

 

CMYK 18 / 0 / 27 / 69

HEX #414F3A

RGB 65 79 58

HSL 100, 0.15%, 0.27%

LAB 31.86, -10.11, 10.62

 

CMYK 0 / 1 / 0 / 73

HEX #454445

RGB 69 68 69

HSL 300, 0.01%, 0.27%

LAB 28.98, 0.64, -0.46

 

CMYK 11 / 0 / 78 / 56

HEX #657119

RGB 101 113 25

HSL 68.18, 0.64%, 0.27%

LAB 45.15, -16.64, 44.07

 

CMYK 31 / 0 / 78 / 56

HEX #4E7119

RGB 78 113 25

HSL 83.86, 0.64%, 0.27%

LAB 43.51, -26.74, 41.93

 

CMYK 52 / 0 / 78 / 56

HEX #367119

RGB 54 113 25

HSL 100.23, 0.64%, 0.27%

LAB 42.25, -35.67, 40.28

 

CMYK 73 / 0 / 78 / 56

HEX #1F7119

RGB 31 113 25

HSL 115.91, 0.64%, 0.27%

LAB 41.49, -41.81, 39.26

 

CMYK 78 / 0 / 63 / 56

HEX #19712A

RGB 25 113 42

HSL 131.59, 0.64%, 0.27%

LAB 41.51, -41.08, 31.64

 

CMYK 53 / 0 / 78 / 82

HEX #152D0A

RGB 21 45 10

HSL 101.14, 0.64%, 0.11%

LAB 15.79, -17.37, 18.42

 

CMYK 53 / 0 / 78 / 69

HEX #254F11

RGB 37 79 17

HSL 100.65, 0.65%, 0.19%

LAB 29.48, -27.18, 30.46

 

CMYK 53 / 0 / 78 / 56

HEX #357119

RGB 53 113 25

HSL 100.91, 0.64%, 0.27%

LAB 42.21, -35.99, 40.22

 

CMYK 53 / 0 / 78 / 42

HEX #459320

RGB 69 147 32

HSL 100.7, 0.64%, 0.35%

LAB 54.28, -44.33, 49.71

 

CMYK 53 / 0 / 78 / 29

HEX #55B528

RGB 85 181 40

HSL 100.85, 0.64%, 0.43%

LAB 65.85, -52.21, 58.42

 

CMYK 53 / 0 / 78 / 56

HEX #357019

RGB 53 112 25

HSL 100.69, 0.64%, 0.27%

LAB 41.87, -35.57, 39.88

 

CMYK 78 / 0 / 11 / 56

HEX #197165

RGB 25 113 101

HSL 171.82, 0.64%, 0.27%

LAB 42.7, -28.06, -0.59

 

CMYK 0 / 78 / 21 / 56

HEX #711959

RGB 113 25 89

HSL 316.36, 0.64%, 0.27%

LAB 26.53, 44.26, -16.7

 

CMYK 53 / 0 / 78 / 56

HEX #357019

RGB 53 112 25

HSL 100.69, 0.64%, 0.27%

LAB 41.87, -35.57, 39.88

 

CMYK 78 / 52 / 0 / 56

HEX #193671

RGB 25 54 113

HSL 220.23, 0.64%, 0.27%

LAB 23.79, 12, -37.27

 

CMYK 0 / 78 / 52 / 56

HEX #711936

RGB 113 25 54

HSL 340.23, 0.64%, 0.27%

LAB 25.18, 40.02, 4.83

 

CMYK 53 / 0 / 78 / 56

HEX #357019

RGB 53 112 25

HSL 100.69, 0.64%, 0.27%

LAB 41.87, -35.57, 39.88

 

CMYK 78 / 0 / 11 / 56

HEX #197165

RGB 25 113 101

HSL 171.82, 0.64%, 0.27%

LAB 42.7, -28.06, -0.59

 

CMYK 26 / 78 / 0 / 56

HEX #541971

RGB 84 25 113

HSL 280.23, 0.64%, 0.27%

LAB 22.9, 41.74, -38.43

 

CMYK 0 / 78 / 67 / 56

HEX #711925

RGB 113 25 37

HSL 351.82, 0.64%, 0.27%

LAB 24.76, 38.67, 15.87

 

CMYK 53 / 0 / 78 / 56

HEX #357019

RGB 53 112 25

HSL 100.69, 0.64%, 0.27%

LAB 41.87, -35.57, 39.88

 

CMYK 78 / 13 / 0 / 56

HEX #196271

RGB 25 98 113

HSL 190.23, 0.64%, 0.27%

LAB 38.08, -16.31, -14.81

 

CMYK 26 / 78 / 0 / 56

HEX #541971

RGB 84 25 113

HSL 280.23, 0.64%, 0.27%

LAB 22.9, 41.74, -38.43

 

CMYK 0 / 65 / 78 / 56

HEX #712719

RGB 113 39 25

HSL 9.55, 0.64%, 0.27%

LAB 26.83, 31.86, 26.06

 

Description

Color code: RGBA 53 112 25 0.81 | qconv.com Color code: RGBA 53 112 25 0.81 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 112 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 112 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 63 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 63% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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