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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 103 117 0.5 it is the complementary color RGBA 202 152 138 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 103 117 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 103 117 0.5 shade: RGBA 58 103 112 0.5, RGBA 75 121 131 0.5, RGBA 92 139 150 0.5, RGBA 109 157 169 0.5 and RGBA 126 175 188 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 103 117 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 103 117 0.5 shade: RGBA 53 103 117 0.5, RGBA 36 85 98 0.5, RGBA 19 67 79 0.5, RGBA 2 49 60 0.5 and RGBA 0 31 41 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 103 117 0.5 shade: RGB 52 102 116, RGB 52 85 116, RGB 52 68 116, RGB 54 52 116 and RGB 71 52 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 103 117 0.5 shade: RGB 52 102 116, RGB 52 85 116, RGB 52 68 116 and RGB 52 52 116

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 103 117 0.5 shade matches the following richer shades: RGB 52 102 116, RGB 39 110 130, RGB 25 117 143 and RGB 11 125 157

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 103 117 0.5 shade: RGB 52 102 116, RGB 66 94 103, RGB 79 87 89, RGB 93 79 75 and RGB 107 72 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 103 117 0.5 shade: RGB 52 116 96, RGB 52 116 113, RGB 52 102 116, RGB 52 85 116 and RGB 52 68 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 103 117 0.5 shade: RGB 27 52 59, RGB 39 77 88, RGB 52 102 116, RGB 65 127 145 and RGB 78 152 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 103 117 0.5 shade: RGB 53 103 117, RGB 79 52 116 and RGB 116 104 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 103 117 0.5 shade: RGB 53 103 117, RGB 116 52 102 and RGB 102 116 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 103 117 0.5 shade: RGB 53 103 117, RGB 79 52 116, RGB 116 66 52 and RGB 89 116 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 103 117 0.5 shade: RGB 53 103 117, RGB 98 52 116, RGB 116 66 52 and RGB 70 116 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 6 / 0 / 27

HEX #3567757F

RGBA 53 103 117 0.5

HSLA 193.13, 0.38%, 0.33%, 0.5

LABA 40.8, -12.56, -13.02, 0.5

 

Complementary color

CMYK 0 / 12 / 16 / 10

HEX #CA988A7F

RGBA 202 152 138 0.5

HSLA 13.13, 0.38%, 0.67%, 0.5

LABA 67.16, 16.77, 14.65, 0.5

 

CMYK 24 / 4 / 0 / 28

HEX #3A67707F

RGBA 58 103 112 0.5

HSLA 190, 0.32%, 0.33%, 0.5

LABA 40.85, -12.83, -9.89, 0.5

 

CMYK 21 / 4 / 0 / 24

HEX #4B79837F

RGBA 75 121 131 0.5

HSLA 190.71, 0.27%, 0.4%, 0.5

LABA 48.02, -12.92, -10.42, 0.5

 

CMYK 19 / 4 / 0 / 21

HEX #5C8B967F

RGBA 92 139 150 0.5

HSLA 191.38, 0.24%, 0.47%, 0.5

LABA 55.01, -12.96, -10.91, 0.5

 

CMYK 18 / 4 / 0 / 17

HEX #6D9DA97F

RGBA 109 157 169 0.5

HSLA 192, 0.26%, 0.55%, 0.5

LABA 61.85, -12.98, -11.39, 0.5

 

CMYK 16 / 3 / 0 / 13

HEX #7EAFBC7F

RGBA 126 175 188 0.5

HSLA 192.58, 0.32%, 0.62%, 0.5

LABA 68.55, -12.99, -11.85, 0.5

 

CMYK 27 / 6 / 0 / 27

HEX #3567757F

RGBA 53 103 117 0.5

HSLA 193.13, 0.38%, 0.33%, 0.5

LABA 40.8, -12.56, -13.02, 0.5

 

CMYK 32 / 7 / 0 / 31

HEX #2455627F

RGBA 36 85 98 0.5

HSLA 192.58, 0.46%, 0.26%, 0.5

LABA 33.47, -12.15, -12.5, 0.5

 

CMYK 38 / 8 / 0 / 35

HEX #13434F7F

RGBA 19 67 79 0.5

HSLA 192, 0.61%, 0.19%, 0.5

LABA 25.91, -11.4, -11.9, 0.5

 

CMYK 48 / 9 / 0 / 38

HEX #02313C7F

RGBA 2 49 60 0.5

HSLA 191.38, 0.94%, 0.12%, 0.5

LABA 18.08, -10.28, -11.21, 0.5

 

CMYK 50 / 12 / 0 / 42

HEX #001F297F

RGBA 0 31 41 0.5

HSLA 194.63, 1%, 0.08%, 0.5

LABA 10.11, -7.14, -10.04, 0.5

 

CMYK 55 / 12 / 0 / 55

HEX #346674

RGB 52 102 116

HSL 193.13, 0.38%, 0.33%

LAB 40.4, -12.54, -13.03

 

CMYK 55 / 27 / 0 / 55

HEX #345574

RGB 52 85 116

HSL 209.06, 0.38%, 0.33%

LAB 34.98, -2.3, -21.36

 

CMYK 55 / 41 / 0 / 55

HEX #344474

RGB 52 68 116

HSL 225, 0.38%, 0.33%

LAB 29.73, 8.79, -29.6

 

CMYK 53 / 55 / 0 / 55

HEX #363474

RGB 54 52 116

HSL 241.88, 0.38%, 0.33%

LAB 25.26, 20.13, -36.72

 

CMYK 39 / 55 / 0 / 55

HEX #473474

RGB 71 52 116

HSL 257.81, 0.38%, 0.33%

LAB 26.9, 24.48, -34.01

 

CMYK 55 / 12 / 0 / 55

HEX #346674

RGB 52 102 116

HSL 193.13, 0.38%, 0.33%

LAB 40.4, -12.54, -13.03

 

CMYK 55 / 27 / 0 / 55

HEX #345574

RGB 52 85 116

HSL 209.06, 0.38%, 0.33%

LAB 34.98, -2.3, -21.36

 

CMYK 55 / 41 / 0 / 55

HEX #344474

RGB 52 68 116

HSL 225, 0.38%, 0.33%

LAB 29.73, 8.79, -29.6

 

CMYK 55 / 55 / 0 / 55

HEX #343474

RGB 52 52 116

HSL 240, 0.38%, 0.33%

LAB 25.1, 19.67, -37

 

CMYK 55 / 12 / 0 / 55

HEX #346674

RGB 52 102 116

HSL 193.13, 0.38%, 0.33%

LAB 40.4, -12.54, -13.03

 

CMYK 70 / 15 / 0 / 49

HEX #276E82

RGB 39 110 130

HSL 193.19, 0.54%, 0.33%

LAB 43.06, -15.08, -17.49

 

CMYK 83 / 18 / 0 / 44

HEX #19758F

RGB 25 117 143

HSL 193.22, 0.7%, 0.33%

LAB 45.51, -16.28, -21.5

 

CMYK 93 / 20 / 0 / 38

HEX #0B7D9D

RGB 11 125 157

HSL 193.15, 0.87%, 0.33%

LAB 48.48, -16.67, -25.18

 

CMYK 55 / 12 / 0 / 55

HEX #346674

RGB 52 102 116

HSL 193.13, 0.38%, 0.33%

LAB 40.4, -12.54, -13.03

 

CMYK 36 / 9 / 0 / 60

HEX #425E67

RGB 66 94 103

HSL 194.59, 0.22%, 0.33%

LAB 38.1, -7.86, -8.46

 

CMYK 11 / 2 / 0 / 65

HEX #4F5759

RGB 79 87 89

HSL 192, 0.06%, 0.33%

LAB 36.37, -2.69, -2.24

 

CMYK 0 / 15 / 19 / 64

HEX #5D4F4B

RGB 93 79 75

HSL 13.33, 0.11%, 0.33%

LAB 34.86, 5.09, 4.51

 

CMYK 0 / 33 / 42 / 58

HEX #6B483E

RGB 107 72 62

HSL 13.33, 0.27%, 0.33%

LAB 34.21, 13.58, 12.03

 

CMYK 55 / 0 / 17 / 55

HEX #347460

RGB 52 116 96

HSL 161.25, 0.38%, 0.33%

LAB 44.33, -25.79, 4.86

 

CMYK 55 / 0 / 3 / 55

HEX #347471

RGB 52 116 113

HSL 177.19, 0.38%, 0.33%

LAB 44.82, -21.16, -4.59

 

CMYK 55 / 12 / 0 / 55

HEX #346674

RGB 52 102 116

HSL 193.13, 0.38%, 0.33%

LAB 40.4, -12.54, -13.03

 

CMYK 55 / 27 / 0 / 55

HEX #345574

RGB 52 85 116

HSL 209.06, 0.38%, 0.33%

LAB 34.98, -2.3, -21.36

 

CMYK 55 / 41 / 0 / 55

HEX #344474

RGB 52 68 116

HSL 225, 0.38%, 0.33%

LAB 29.73, 8.79, -29.6

 

CMYK 54 / 12 / 0 / 77

HEX #1B343B

RGB 27 52 59

HSL 193.13, 0.37%, 0.17%

LAB 20.06, -7.36, -7.42

 

CMYK 56 / 13 / 0 / 65

HEX #274D58

RGB 39 77 88

HSL 193.47, 0.39%, 0.25%

LAB 30.51, -10.01, -10.65

 

CMYK 55 / 12 / 0 / 55

HEX #346674

RGB 52 102 116

HSL 193.13, 0.38%, 0.33%

LAB 40.4, -12.54, -13.03

 

CMYK 55 / 12 / 0 / 43

HEX #417F91

RGB 65 127 145

HSL 193.5, 0.38%, 0.41%

LAB 49.91, -14.63, -15.84

 

CMYK 55 / 12 / 0 / 32

HEX #4E98AD

RGB 78 152 173

HSL 193.26, 0.38%, 0.49%

LAB 59.06, -16.95, -18.01

 

CMYK 55 / 12 / 0 / 54

HEX #356775

RGB 53 103 117

HSL 193.13, 0.38%, 0.33%

LAB 40.8, -12.56, -13.02

 

CMYK 32 / 55 / 0 / 55

HEX #4F3474

RGB 79 52 116

HSL 265.31, 0.38%, 0.33%

LAB 27.79, 26.71, -32.53

 

CMYK 0 / 10 / 55 / 55

HEX #746834

RGB 116 104 52

HSL 48.75, 0.38%, 0.33%

LAB 44.03, -2.66, 30.71

 

CMYK 55 / 12 / 0 / 54

HEX #356775

RGB 53 103 117

HSL 193.13, 0.38%, 0.33%

LAB 40.8, -12.56, -13.02

 

CMYK 0 / 55 / 12 / 55

HEX #743466

RGB 116 52 102

HSL 313.13, 0.38%, 0.33%

LAB 32.1, 35.08, -16.5

 

CMYK 12 / 0 / 55 / 55

HEX #667434

RGB 102 116 52

HSL 73.13, 0.38%, 0.33%

LAB 46.4, -15.74, 33.19

 

CMYK 55 / 12 / 0 / 54

HEX #356775

RGB 53 103 117

HSL 193.13, 0.38%, 0.33%

LAB 40.8, -12.56, -13.02

 

CMYK 32 / 55 / 0 / 55

HEX #4F3474

RGB 79 52 116

HSL 265.31, 0.38%, 0.33%

LAB 27.79, 26.71, -32.53

 

CMYK 0 / 43 / 55 / 55

HEX #744234

RGB 116 66 52

HSL 13.13, 0.38%, 0.33%

LAB 33.68, 20.07, 17.82

 

CMYK 23 / 0 / 55 / 55

HEX #597434

RGB 89 116 52

HSL 85.31, 0.38%, 0.33%

LAB 45.45, -21.3, 31.84

 

CMYK 55 / 12 / 0 / 54

HEX #356775

RGB 53 103 117

HSL 193.13, 0.38%, 0.33%

LAB 40.8, -12.56, -13.02

 

CMYK 16 / 55 / 0 / 55

HEX #623474

RGB 98 52 116

HSL 283.13, 0.38%, 0.33%

LAB 30.19, 32.27, -28.57

 

CMYK 0 / 43 / 55 / 55

HEX #744234

RGB 116 66 52

HSL 13.13, 0.38%, 0.33%

LAB 33.68, 20.07, 17.82

 

CMYK 40 / 0 / 55 / 55

HEX #467434

RGB 70 116 52

HSL 103.13, 0.38%, 0.33%

LAB 44.29, -28.73, 30.18

 

Description

Color code: RGBA 53 103 117 0.5 | qconv.com Color code: RGBA 53 103 117 0.5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 103 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 103 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 6 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 6% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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