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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 53 102 122 0.25 it is the complementary color RGBA 202 153 133 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 53 102 122 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 53 102 122 0.25 shade: RGBA 58 102 117 0.25, RGBA 75 120 136 0.25, RGBA 92 138 155 0.25, RGBA 109 156 174 0.25 and RGBA 126 174 193 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 53 102 122 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 53 102 122 0.25 shade: RGBA 53 102 122 0.25, RGBA 36 84 103 0.25, RGBA 19 66 84 0.25, RGBA 2 48 65 0.25 and RGBA 0 30 46 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 53 102 122 0.25 shade: RGB 53 101 121, RGB 53 83 121, RGB 53 64 121, RGB 60 53 121 and RGB 78 53 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 53 102 122 0.25 shade: RGB 53 101 121, RGB 53 83 121, RGB 53 64 121 and RGB 53 53 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 53 102 122 0.25 shade matches the following richer shades: RGB 53 101 121, RGB 39 107 135, RGB 25 113 149 and RGB 11 119 163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 53 102 122 0.25 shade: RGB 53 101 121, RGB 67 95 106, RGB 81 89 92, RGB 95 83 78 and RGB 109 77 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 53 102 122 0.25 shade: RGB 53 121 104, RGB 53 119 121, RGB 53 101 121, RGB 53 83 121 and RGB 53 65 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 53 102 122 0.25 shade: RGB 28 53 63, RGB 40 77 92, RGB 53 101 121, RGB 65 125 149 and RGB 78 149 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 53 102 122 0.25 shade: RGB 53 102 122, RGB 86 53 121 and RGB 121 113 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 53 102 122 0.25 shade: RGB 53 102 122, RGB 121 53 101 and RGB 101 121 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 53 102 122 0.25 shade: RGB 53 102 122, RGB 86 53 121, RGB 121 72 53 and RGB 88 121 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 53 102 122 0.25 shade: RGB 53 102 122, RGB 106 53 121, RGB 121 72 53 and RGB 68 121 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 4 / 0 / 13

HEX #35667A3F

RGBA 53 102 122 0.25

HSLA 197.39, 0.39%, 0.34%, 0.25

LABA 40.68, -10.38, -16.25, 0.25

 

Complementary color

CMYK 0 / 6 / 9 / 5

HEX #CA99853F

RGBA 202 153 133 0.25

HSLA 17.39, 0.39%, 0.66%, 0.25

LABA 67.3, 15.58, 17.62, 0.25

 

CMYK 13 / 3 / 0 / 14

HEX #3A66753F

RGBA 58 102 117 0.25

HSLA 195.25, 0.34%, 0.34%, 0.25

LABA 40.71, -10.74, -13.14, 0.25

 

CMYK 11 / 3 / 0 / 12

HEX #4B78883F

RGBA 75 120 136 0.25

HSLA 195.74, 0.29%, 0.41%, 0.25

LABA 47.89, -10.93, -13.57, 0.25

 

CMYK 10 / 3 / 0 / 10

HEX #5C8A9B3F

RGBA 92 138 155 0.25

HSLA 196.19, 0.26%, 0.48%, 0.25

LABA 54.89, -11.06, -13.99, 0.25

 

CMYK 9 / 3 / 0 / 8

HEX #6D9CAE3F

RGBA 109 156 174 0.25

HSLA 196.62, 0.29%, 0.55%, 0.25

LABA 61.73, -11.14, -14.4, 0.25

 

CMYK 9 / 2 / 0 / 6

HEX #7EAEC13F

RGBA 126 174 193 0.25

HSLA 197.01, 0.35%, 0.63%, 0.25

LABA 68.43, -11.21, -14.8, 0.25

 

CMYK 14 / 4 / 0 / 13

HEX #35667A3F

RGBA 53 102 122 0.25

HSLA 197.39, 0.39%, 0.34%, 0.25

LABA 40.68, -10.38, -16.25, 0.25

 

CMYK 16 / 5 / 0 / 15

HEX #2454673F

RGBA 36 84 103 0.25

HSLA 197.01, 0.48%, 0.27%, 0.25

LABA 33.34, -9.83, -15.84, 0.25

 

CMYK 19 / 5 / 0 / 17

HEX #1342543F

RGBA 19 66 84 0.25

HSLA 196.62, 0.63%, 0.2%, 0.25

LABA 25.79, -8.9, -15.36, 0.25

 

CMYK 24 / 7 / 0 / 19

HEX #0230413F

RGBA 2 48 65 0.25

HSLA 196.19, 0.94%, 0.13%, 0.25

LABA 17.96, -7.5, -14.83, 0.25

 

CMYK 25 / 9 / 0 / 20

HEX #001E2E3F

RGBA 0 30 46 0.25

HSLA 200.87, 1%, 0.09%, 0.25

LABA 10, -4.08, -13.87, 0.25

 

CMYK 56 / 17 / 0 / 53

HEX #356579

RGB 53 101 121

HSL 197.65, 0.39%, 0.34%

LAB 40.32, -10.12, -16.19

 

CMYK 56 / 31 / 0 / 53

HEX #355379

RGB 53 83 121

HSL 213.53, 0.39%, 0.34%

LAB 34.65, 0.93, -24.97

 

CMYK 56 / 47 / 0 / 53

HEX #354079

RGB 53 64 121

HSL 230.29, 0.39%, 0.34%

LAB 28.91, 13.5, -34.04

 

CMYK 50 / 56 / 0 / 53

HEX #3C3579

RGB 60 53 121

HSL 246.18, 0.39%, 0.34%

LAB 26.41, 22.58, -38.02

 

CMYK 36 / 56 / 0 / 53

HEX #4E3579

RGB 78 53 121

HSL 262.06, 0.39%, 0.34%

LAB 28.24, 27.21, -34.99

 

CMYK 56 / 17 / 0 / 53

HEX #356579

RGB 53 101 121

HSL 197.65, 0.39%, 0.34%

LAB 40.32, -10.12, -16.19

 

CMYK 56 / 31 / 0 / 53

HEX #355379

RGB 53 83 121

HSL 213.53, 0.39%, 0.34%

LAB 34.65, 0.93, -24.97

 

CMYK 56 / 47 / 0 / 53

HEX #354079

RGB 53 64 121

HSL 230.29, 0.39%, 0.34%

LAB 28.91, 13.5, -34.04

 

CMYK 56 / 56 / 0 / 53

HEX #353579

RGB 53 53 121

HSL 240, 0.39%, 0.34%

LAB 25.81, 20.96, -39.01

 

CMYK 56 / 17 / 0 / 53

HEX #356579

RGB 53 101 121

HSL 197.65, 0.39%, 0.34%

LAB 40.32, -10.12, -16.19

 

CMYK 71 / 21 / 0 / 47

HEX #276B87

RGB 39 107 135

HSL 197.5, 0.55%, 0.34%

LAB 42.3, -11.63, -21.65

 

CMYK 83 / 24 / 0 / 42

HEX #197195

RGB 25 113 149

HSL 197.42, 0.71%, 0.34%

LAB 44.5, -11.83, -26.63

 

CMYK 93 / 27 / 0 / 36

HEX #0B77A3

RGB 11 119 163

HSL 197.37, 0.87%, 0.34%

LAB 46.86, -11.05, -31.22

 

CMYK 56 / 17 / 0 / 53

HEX #356579

RGB 53 101 121

HSL 197.65, 0.39%, 0.34%

LAB 40.32, -10.12, -16.19

 

CMYK 37 / 10 / 0 / 58

HEX #435F6A

RGB 67 95 106

HSL 196.92, 0.23%, 0.34%

LAB 38.58, -7.3, -9.58

 

CMYK 12 / 3 / 0 / 64

HEX #51595C

RGB 81 89 92

HSL 196.36, 0.06%, 0.34%

LAB 37.24, -2.44, -2.81

 

CMYK 0 / 13 / 18 / 63

HEX #5F534E

RGB 95 83 78

HSL 17.65, 0.1%, 0.34%

LAB 36.31, 4, 4.73

 

CMYK 0 / 29 / 41 / 57

HEX #6D4D40

RGB 109 77 64

HSL 17.33, 0.26%, 0.34%

LAB 35.85, 11.66, 13.06

 

CMYK 56 / 0 / 14 / 53

HEX #357968

RGB 53 121 104

HSL 165, 0.39%, 0.34%

LAB 46.22, -25.98, 2.83

 

CMYK 56 / 2 / 0 / 53

HEX #357779

RGB 53 119 121

HSL 181.76, 0.39%, 0.34%

LAB 46.08, -20.19, -7.48

 

CMYK 56 / 17 / 0 / 53

HEX #356579

RGB 53 101 121

HSL 197.65, 0.39%, 0.34%

LAB 40.32, -10.12, -16.19

 

CMYK 56 / 31 / 0 / 53

HEX #355379

RGB 53 83 121

HSL 213.53, 0.39%, 0.34%

LAB 34.65, 0.93, -24.97

 

CMYK 56 / 46 / 0 / 53

HEX #354179

RGB 53 65 121

HSL 229.41, 0.39%, 0.34%

LAB 29.2, 12.82, -33.57

 

CMYK 56 / 16 / 0 / 75

HEX #1C353F

RGB 28 53 63

HSL 197.14, 0.38%, 0.18%

LAB 20.64, -6.34, -9.25

 

CMYK 57 / 16 / 0 / 64

HEX #284D5C

RGB 40 77 92

HSL 197.31, 0.39%, 0.26%

LAB 30.72, -8.43, -12.88

 

CMYK 56 / 17 / 0 / 53

HEX #356579

RGB 53 101 121

HSL 197.65, 0.39%, 0.34%

LAB 40.32, -10.12, -16.19

 

CMYK 56 / 16 / 0 / 42

HEX #417D95

RGB 65 125 149

HSL 197.14, 0.39%, 0.42%

LAB 49.45, -12.28, -18.89

 

CMYK 56 / 16 / 0 / 30

HEX #4E95B2

RGB 78 149 178

HSL 197.4, 0.39%, 0.5%

LAB 58.35, -13.82, -21.93

 

CMYK 57 / 16 / 0 / 52

HEX #35667A

RGB 53 102 122

HSL 197.39, 0.39%, 0.34%

LAB 40.68, -10.38, -16.25

 

CMYK 29 / 56 / 0 / 53

HEX #563579

RGB 86 53 121

HSL 269.12, 0.39%, 0.34%

LAB 29.17, 29.43, -33.44

 

CMYK 0 / 7 / 56 / 53

HEX #797135

RGB 121 113 53

HSL 52.94, 0.39%, 0.34%

LAB 47.15, -5.44, 33.96

 

CMYK 57 / 16 / 0 / 52

HEX #35667A

RGB 53 102 122

HSL 197.39, 0.39%, 0.34%

LAB 40.68, -10.38, -16.25

 

CMYK 0 / 56 / 17 / 53

HEX #793565

RGB 121 53 101

HSL 317.65, 0.39%, 0.34%

LAB 33.03, 36.02, -14.36

 

CMYK 17 / 0 / 56 / 53

HEX #657935

RGB 101 121 53

HSL 77.65, 0.39%, 0.34%

LAB 47.88, -18.74, 34.39

 

CMYK 57 / 16 / 0 / 52

HEX #35667A

RGB 53 102 122

HSL 197.39, 0.39%, 0.34%

LAB 40.68, -10.38, -16.25

 

CMYK 29 / 56 / 0 / 53

HEX #563579

RGB 86 53 121

HSL 269.12, 0.39%, 0.34%

LAB 29.17, 29.43, -33.44

 

CMYK 0 / 40 / 56 / 53

HEX #794835

RGB 121 72 53

HSL 16.76, 0.39%, 0.34%

LAB 35.9, 18.8, 20.21

 

CMYK 27 / 0 / 56 / 53

HEX #587935

RGB 88 121 53

HSL 89.12, 0.39%, 0.34%

LAB 46.98, -24.15, 33.12

 

CMYK 57 / 16 / 0 / 52

HEX #35667A

RGB 53 102 122

HSL 197.39, 0.39%, 0.34%

LAB 40.68, -10.38, -16.25

 

CMYK 12 / 56 / 0 / 53

HEX #6A3579

RGB 106 53 121

HSL 286.76, 0.39%, 0.34%

LAB 31.79, 35.21, -29.13

 

CMYK 0 / 40 / 56 / 53

HEX #794835

RGB 121 72 53

HSL 16.76, 0.39%, 0.34%

LAB 35.9, 18.8, 20.21

 

CMYK 44 / 0 / 56 / 53

HEX #447935

RGB 68 121 53

HSL 106.76, 0.39%, 0.34%

LAB 45.85, -31.64, 31.5

 

Description

Color code: RGBA 53 102 122 0.25 | qconv.com Color code: RGBA 53 102 122 0.25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 102 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 102 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 4 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 4% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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