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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 52 57 60 0 it is the complementary color RGBA 203 198 195 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 52 57 60 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 52 57 60 0 shade: RGBA 57 57 55 0, RGBA 74 75 74 0, RGBA 91 93 93 0, RGBA 108 111 112 0 and RGBA 125 129 131 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 52 57 60 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 52 57 60 0 shade: RGBA 52 57 60 0, RGBA 35 39 41 0, RGBA 18 21 22 0 and RGBA 1 3 3 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 52 57 60 0 shade: RGB 52 57 60, RGB 52 55 60, RGB 52 53 60, RGB 54 52 60 and RGB 56 52 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 52 57 60 0 shade: RGB 52 57 60, RGB 52 55 60, RGB 52 53 60 and RGB 52 52 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 52 57 60 0 shade matches the following richer shades: RGB 52 57 60, RGB 43 59 69, RGB 34 62 78, RGB 25 64 87 and RGB 16 66 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 52 57 60 0 shade: RGB 52 57 60, RGB 61 55 51, RGB 70 53 42, RGB 79 50 33 and RGB 88 48 24

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 52 57 60 0 shade: RGB 52 60 59, RGB 52 59 60, RGB 52 57 60, RGB 52 55 60 and RGB 52 53 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 52 57 60 0 shade: RGB 14 15 16, RGB 33 36 38, RGB 52 57 60, RGB 71 78 82 and RGB 91 99 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 52 57 60 0 shade: RGB 52 57 60, RGB 57 52 60 and RGB 60 60 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 52 57 60 0 shade: RGB 52 57 60, RGB 60 52 57 and RGB 57 60 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 52 57 60 0 shade: RGB 52 57 60, RGB 57 52 60, RGB 60 55 52 and RGB 56 60 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 52 57 60 0 shade: RGB 52 57 60, RGB 59 52 60, RGB 60 55 52 and RGB 53 60 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #34393C00

RGBA 52 57 60 0

HSLA 202.5, 0.07%, 0.22%, 0

LABA 23.61, -1.37, -2.59, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #CBC6C300

RGBA 203 198 195 0

HSLA 22.5, 0.07%, 0.78%, 0

LABA 80.19, 1.2, 2.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #39393700

RGBA 57 57 55 0

HSLA 60, 0.02%, 0.22%, 0

LABA 23.91, -0.45, 1.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4A4B4A00

RGBA 74 75 74 0

HSLA 120, 0.01%, 0.29%, 0

LABA 31.77, -0.63, 0.45, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5B5D5D00

RGBA 91 93 93 0

HSLA 180, 0.01%, 0.36%, 0

LABA 39.32, -0.79, -0.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6C6F7000

RGBA 108 111 112 0

HSLA 195, 0.02%, 0.43%, 0

LABA 46.61, -0.93, -0.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7D818300

RGBA 125 129 131 0

HSLA 200, 0.02%, 0.5%, 0

LABA 53.71, -1.07, -1.6, 0

 

CMYK 0 / 0 / 0 / 0

HEX #34393C00

RGBA 52 57 60 0

HSLA 202.5, 0.07%, 0.22%, 0

LABA 23.61, -1.37, -2.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #23272900

RGBA 35 39 41 0

HSLA 200, 0.08%, 0.15%, 0

LABA 15.32, -1.26, -1.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #12151600

RGBA 18 21 22 0

HSLA 195, 0.1%, 0.08%, 0

LABA 6.53, -1.01, -1.1, 0

 

CMYK 0 / 0 / 0 / 0

HEX #01030300

RGBA 1 3 3 0

HSLA 180, 0.5%, 0.01%, 0

LABA 0.71, -0.52, -0.18, 0

 

CMYK 13 / 5 / 0 / 76

HEX #34393C

RGB 52 57 60

HSL 202.5, 0.07%, 0.22%

LAB 23.61, -1.37, -2.59

 

CMYK 13 / 8 / 0 / 76

HEX #34373C

RGB 52 55 60

HSL 217.5, 0.07%, 0.22%

LAB 22.96, -0.05, -3.56

 

CMYK 13 / 12 / 0 / 76

HEX #34353C

RGB 52 53 60

HSL 232.5, 0.07%, 0.22%

LAB 22.31, 1.29, -4.53

 

CMYK 10 / 13 / 0 / 76

HEX #36343C

RGB 54 52 60

HSL 255, 0.07%, 0.22%

LAB 22.18, 2.79, -4.7

 

CMYK 7 / 13 / 0 / 76

HEX #38343C

RGB 56 52 60

HSL 270, 0.07%, 0.22%

LAB 22.38, 3.62, -4.38

 

CMYK 13 / 5 / 0 / 76

HEX #34393C

RGB 52 57 60

HSL 202.5, 0.07%, 0.22%

LAB 23.61, -1.37, -2.59

 

CMYK 13 / 8 / 0 / 76

HEX #34373C

RGB 52 55 60

HSL 217.5, 0.07%, 0.22%

LAB 22.96, -0.05, -3.56

 

CMYK 13 / 12 / 0 / 76

HEX #34353C

RGB 52 53 60

HSL 232.5, 0.07%, 0.22%

LAB 22.31, 1.29, -4.53

 

CMYK 13 / 13 / 0 / 76

HEX #34343C

RGB 52 52 60

HSL 240, 0.07%, 0.22%

LAB 21.99, 1.96, -5.01

 

CMYK 13 / 5 / 0 / 76

HEX #34393C

RGB 52 57 60

HSL 202.5, 0.07%, 0.22%

LAB 23.61, -1.37, -2.59

 

CMYK 38 / 14 / 0 / 73

HEX #2B3B45

RGB 43 59 69

HSL 203.08, 0.23%, 0.22%

LAB 23.91, -3.56, -8.24

 

CMYK 56 / 21 / 0 / 69

HEX #223E4E

RGB 34 62 78

HSL 201.82, 0.39%, 0.22%

LAB 24.75, -5.32, -12.97

 

CMYK 71 / 26 / 0 / 66

HEX #194057

RGB 25 64 87

HSL 202.26, 0.55%, 0.22%

LAB 25.45, -5.4, -17.83

 

CMYK 83 / 31 / 0 / 62

HEX #104260

RGB 16 66 96

HSL 202.5, 0.71%, 0.22%

LAB 26.31, -4.56, -22.35

 

CMYK 13 / 5 / 0 / 76

HEX #34393C

RGB 52 57 60

HSL 202.5, 0.07%, 0.22%

LAB 23.61, -1.37, -2.59

 

CMYK 0 / 10 / 16 / 76

HEX #3D3733

RGB 61 55 51

HSL 24, 0.09%, 0.22%

LAB 23.55, 1.81, 3.46

 

CMYK 0 / 24 / 40 / 73

HEX #46352A

RGB 70 53 42

HSL 23.57, 0.25%, 0.22%

LAB 23.72, 5.79, 9.86

 

CMYK 0 / 37 / 58 / 69

HEX #4F3221

RGB 79 50 33

HSL 22.17, 0.41%, 0.22%

LAB 23.85, 10.98, 16.14

 

CMYK 0 / 45 / 73 / 65

HEX #583018

RGB 88 48 24

HSL 22.5, 0.57%, 0.22%

LAB 24.5, 15.82, 22.87

 

CMYK 13 / 0 / 2 / 76

HEX #343C3B

RGB 52 60 59

HSL 172.5, 0.07%, 0.22%

LAB 24.57, -3.57, -0.52

 

CMYK 13 / 2 / 0 / 76

HEX #343B3C

RGB 52 59 60

HSL 187.5, 0.07%, 0.22%

LAB 24.27, -2.68, -1.62

 

CMYK 13 / 5 / 0 / 76

HEX #34393C

RGB 52 57 60

HSL 202.5, 0.07%, 0.22%

LAB 23.61, -1.37, -2.59

 

CMYK 13 / 8 / 0 / 76

HEX #34373C

RGB 52 55 60

HSL 217.5, 0.07%, 0.22%

LAB 22.96, -0.05, -3.56

 

CMYK 13 / 12 / 0 / 76

HEX #34353C

RGB 52 53 60

HSL 232.5, 0.07%, 0.22%

LAB 22.31, 1.29, -4.53

 

CMYK 13 / 6 / 0 / 94

HEX #0E0F10

RGB 14 15 16

HSL 210, 0.07%, 0.06%

LAB 4.27, -0.15, -0.62

 

CMYK 13 / 5 / 0 / 85

HEX #212426

RGB 33 36 38

HSL 204, 0.07%, 0.14%

LAB 13.97, -0.84, -1.8

 

CMYK 13 / 5 / 0 / 76

HEX #34393C

RGB 52 57 60

HSL 202.5, 0.07%, 0.22%

LAB 23.61, -1.37, -2.59

 

CMYK 13 / 5 / 0 / 68

HEX #474E52

RGB 71 78 82

HSL 201.82, 0.07%, 0.3%

LAB 32.7, -1.86, -3.32

 

CMYK 13 / 5 / 0 / 59

HEX #5B6368

RGB 91 99 104

HSL 203.08, 0.07%, 0.38%

LAB 41.45, -1.95, -3.89

 

CMYK 13 / 5 / 0 / 76

HEX #34393C

RGB 52 57 60

HSL 202.5, 0.07%, 0.22%

LAB 23.61, -1.37, -2.59

 

CMYK 5 / 13 / 0 / 76

HEX #39343C

RGB 57 52 60

HSL 277.5, 0.07%, 0.22%

LAB 22.49, 4.04, -4.21

 

CMYK 0 / 0 / 13 / 76

HEX #3C3C34

RGB 60 60 52

HSL 60, 0.07%, 0.22%

LAB 25.08, -1.71, 4.95

 

CMYK 13 / 5 / 0 / 76

HEX #34393C

RGB 52 57 60

HSL 202.5, 0.07%, 0.22%

LAB 23.61, -1.37, -2.59

 

CMYK 0 / 13 / 5 / 76

HEX #3C3439

RGB 60 52 57

HSL 322.5, 0.07%, 0.22%

LAB 22.7, 4.63, -1.84

 

CMYK 5 / 0 / 13 / 76

HEX #393C34

RGB 57 60 52

HSL 82.5, 0.07%, 0.22%

LAB 24.79, -3.04, 4.51

 

CMYK 13 / 5 / 0 / 76

HEX #34393C

RGB 52 57 60

HSL 202.5, 0.07%, 0.22%

LAB 23.61, -1.37, -2.59

 

CMYK 5 / 13 / 0 / 76

HEX #39343C

RGB 57 52 60

HSL 277.5, 0.07%, 0.22%

LAB 22.49, 4.04, -4.21

 

CMYK 0 / 8 / 13 / 76

HEX #3C3734

RGB 60 55 52

HSL 22.5, 0.07%, 0.22%

LAB 23.48, 1.56, 2.66

 

CMYK 7 / 0 / 13 / 76

HEX #383C34

RGB 56 60 52

HSL 90, 0.07%, 0.22%

LAB 24.7, -3.48, 4.37

 

CMYK 13 / 5 / 0 / 76

HEX #34393C

RGB 52 57 60

HSL 202.5, 0.07%, 0.22%

LAB 23.61, -1.37, -2.59

 

CMYK 2 / 13 / 0 / 76

HEX #3B343C

RGB 59 52 60

HSL 292.5, 0.07%, 0.22%

LAB 22.7, 4.88, -3.88

 

CMYK 0 / 8 / 13 / 76

HEX #3C3734

RGB 60 55 52

HSL 22.5, 0.07%, 0.22%

LAB 23.48, 1.56, 2.66

 

CMYK 12 / 0 / 13 / 76

HEX #353C34

RGB 53 60 52

HSL 112.5, 0.07%, 0.22%

LAB 24.44, -4.79, 3.96

 

Description

Color code: RGBA 52 57 60 0 | qconv.com Color code: RGBA 52 57 60 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 57 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 57 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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