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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 52 142 134 0.75 it is the complementary color RGBA 203 113 121 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 52 142 134 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 52 142 134 0.75 shade: RGBA 57 142 129 0.75, RGBA 74 160 148 0.75, RGBA 91 178 167 0.75, RGBA 108 196 186 0.75 and RGBA 125 214 205 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 52 142 134 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 52 142 134 0.75 shade: RGBA 52 142 134 0.75, RGBA 35 124 115 0.75, RGBA 18 106 96 0.75, RGBA 1 88 77 0.75 and RGBA 0 70 58 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 52 142 134 0.75 shade: RGB 52 141 134, RGB 52 141 110, RGB 52 141 85, RGB 52 141 61 and RGB 67 141 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 52 142 134 0.75 shade: RGB 52 141 134, RGB 52 125 141, RGB 52 101 141, RGB 52 77 141 and RGB 52 53 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 52 142 134 0.75 shade matches the following richer shades: RGB 52 141 134, RGB 37 157 146, RGB 21 173 159 and RGB 5 189 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 52 142 134 0.75 shade: RGB 52 141 134, RGB 68 126 121, RGB 84 110 108, RGB 99 94 95 and RGB 115 79 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 52 142 134 0.75 shade: RGB 52 141 85, RGB 52 141 109, RGB 52 141 133, RGB 52 127 141 and RGB 52 103 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 52 142 134 0.75 shade: RGB 30 81 77, RGB 41 111 105, RGB 52 141 134, RGB 63 172 162 and RGB 84 192 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 52 142 134 0.75 shade: RGB 52 142 134, RGB 61 52 141 and RGB 141 97 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 52 142 134 0.75 shade: RGB 52 142 134, RGB 133 52 141 and RGB 141 133 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 52 142 134 0.75 shade: RGB 52 142 134, RGB 61 52 141, RGB 141 52 61 and RGB 133 141 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 52 142 134 0.75 shade: RGB 52 142 134, RGB 88 52 141, RGB 141 52 61 and RGB 106 141 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 4 / 33

HEX #348E86BF

RGBA 52 142 134 0.75

HSLA 174.67, 0.46%, 0.38%, 0.75

LABA 53.81, -28.37, -3.64, 0.75

 

Complementary color

CMYK 0 / 33 / 30 / 15

HEX #CB7179BF

RGBA 203 113 121 0.75

HSLA 354.67, 0.46%, 0.62%, 0.75

LABA 57.93, 36.22, 11.37, 0.75

 

CMYK 45 / 0 / 7 / 33

HEX #398E81BF

RGBA 57 142 129 0.75

HSLA 170.82, 0.43%, 0.39%, 0.75

LABA 53.82, -28.8, -0.73, 0.75

 

CMYK 40 / 0 / 6 / 28

HEX #4AA094BF

RGBA 74 160 148 0.75

HSLA 171.63, 0.37%, 0.46%, 0.75

LABA 60.55, -28.93, -1.64, 0.75

 

CMYK 37 / 0 / 5 / 23

HEX #5BB2A7BF

RGBA 91 178 167 0.75

HSLA 172.41, 0.36%, 0.53%, 0.75

LABA 67.17, -28.95, -2.47, 0.75

 

CMYK 34 / 0 / 4 / 17

HEX #6CC4BABF

RGBA 108 196 186 0.75

HSLA 173.18, 0.43%, 0.6%, 0.75

LABA 73.68, -28.91, -3.23, 0.75

 

CMYK 31 / 0 / 3 / 12

HEX #7DD6CDBF

RGBA 125 214 205 0.75

HSLA 173.93, 0.52%, 0.66%, 0.75

LABA 80.1, -28.84, -3.94, 0.75

 

CMYK 48 / 0 / 4 / 33

HEX #348E86BF

RGBA 52 142 134 0.75

HSLA 174.67, 0.46%, 0.38%, 0.75

LABA 53.81, -28.37, -3.64, 0.75

 

CMYK 54 / 0 / 5 / 39

HEX #237C73BF

RGBA 35 124 115 0.75

HSLA 173.93, 0.56%, 0.31%, 0.75

LABA 46.99, -27.87, -2.63, 0.75

 

CMYK 62 / 0 / 7 / 44

HEX #126A60BF

RGBA 18 106 96 0.75

HSLA 173.18, 0.71%, 0.24%, 0.75

LABA 40.05, -27, -1.46, 0.75

 

CMYK 74 / 0 / 9 / 49

HEX #01584DBF

RGBA 1 88 77 0.75

HSLA 172.41, 0.98%, 0.17%, 0.75

LABA 32.97, -25.71, -0.1, 0.75

 

CMYK 75 / 0 / 13 / 54

HEX #00463ABF

RGBA 0 70 58 0.75

HSLA 169.71, 1%, 0.14%, 0.75

LABA 25.82, -23.06, 1.69, 0.75

 

CMYK 63 / 0 / 5 / 45

HEX #348D86

RGB 52 141 134

HSL 175.28, 0.46%, 0.38%

LAB 53.49, -27.88, -4.11

 

CMYK 63 / 0 / 22 / 45

HEX #348D6E

RGB 52 141 110

HSL 159.1, 0.46%, 0.38%

LAB 52.85, -34.24, 8.81

 

CMYK 63 / 0 / 40 / 45

HEX #348D55

RGB 52 141 85

HSL 142.25, 0.46%, 0.38%

LAB 52.33, -39.69, 22.25

 

CMYK 63 / 0 / 57 / 45

HEX #348D3D

RGB 52 141 61

HSL 126.07, 0.46%, 0.38%

LAB 51.97, -43.66, 34.56

 

CMYK 52 / 0 / 63 / 45

HEX #438D34

RGB 67 141 52

HSL 109.89, 0.46%, 0.38%

LAB 52.39, -40.78, 39.56

 

CMYK 63 / 0 / 5 / 45

HEX #348D86

RGB 52 141 134

HSL 175.28, 0.46%, 0.38%

LAB 53.49, -27.88, -4.11

 

CMYK 63 / 11 / 0 / 45

HEX #347D8D

RGB 52 125 141

HSL 190.79, 0.46%, 0.38%

LAB 48.66, -17.47, -15.44

 

CMYK 63 / 28 / 0 / 45

HEX #34658D

RGB 52 101 141

HSL 206.97, 0.46%, 0.38%

LAB 41.15, -3.6, -27.01

 

CMYK 63 / 45 / 0 / 45

HEX #344D8D

RGB 52 77 141

HSL 223.15, 0.46%, 0.38%

LAB 33.9, 11.77, -38.47

 

CMYK 63 / 62 / 0 / 45

HEX #34358D

RGB 52 53 141

HSL 239.33, 0.46%, 0.38%

LAB 27.3, 27.81, -49.13

 

CMYK 63 / 0 / 5 / 45

HEX #348D86

RGB 52 141 134

HSL 175.28, 0.46%, 0.38%

LAB 53.49, -27.88, -4.11

 

CMYK 76 / 0 / 7 / 38

HEX #259D92

RGB 37 157 146

HSL 174.5, 0.62%, 0.38%

LAB 58.59, -34.32, -3.51

 

CMYK 88 / 0 / 8 / 32

HEX #15AD9F

RGB 21 173 159

HSL 174.47, 0.78%, 0.38%

LAB 63.79, -39.24, -3.17

 

CMYK 97 / 0 / 9 / 26

HEX #05BDAC

RGB 5 189 172

HSL 174.46, 0.95%, 0.38%

LAB 69.04, -43.22, -2.66

 

CMYK 63 / 0 / 5 / 45

HEX #348D86

RGB 52 141 134

HSL 175.28, 0.46%, 0.38%

LAB 53.49, -27.88, -4.11

 

CMYK 46 / 0 / 4 / 51

HEX #447E79

RGB 68 126 121

HSL 174.83, 0.3%, 0.38%

LAB 48.92, -20.28, -3.2

 

CMYK 24 / 0 / 2 / 57

HEX #546E6C

RGB 84 110 108

HSL 175.38, 0.13%, 0.38%

LAB 44.4, -9.95, -2.02

 

CMYK 0 / 5 / 4 / 61

HEX #635E5F

RGB 99 94 95

HSL 348, 0.03%, 0.38%

LAB 40.38, 2.19, 0.14

 

CMYK 0 / 31 / 29 / 55

HEX #734F52

RGB 115 79 82

HSL 355, 0.19%, 0.38%

LAB 37.56, 15.62, 4.33

 

CMYK 63 / 0 / 40 / 45

HEX #348D55

RGB 52 141 85

HSL 142.25, 0.46%, 0.38%

LAB 52.33, -39.69, 22.25

 

CMYK 63 / 0 / 23 / 45

HEX #348D6D

RGB 52 141 109

HSL 158.43, 0.46%, 0.38%

LAB 52.82, -34.48, 9.35

 

CMYK 63 / 0 / 6 / 45

HEX #348D85

RGB 52 141 133

HSL 174.61, 0.46%, 0.38%

LAB 53.46, -28.17, -3.57

 

CMYK 63 / 10 / 0 / 45

HEX #347F8D

RGB 52 127 141

HSL 189.44, 0.46%, 0.38%

LAB 49.29, -18.55, -14.48

 

CMYK 63 / 27 / 0 / 45

HEX #34678D

RGB 52 103 141

HSL 205.62, 0.46%, 0.38%

LAB 41.77, -4.81, -26.04

 

CMYK 63 / 0 / 5 / 68

HEX #1E514D

RGB 30 81 77

HSL 175.29, 0.46%, 0.22%

LAB 31.11, -18.01, -2.76

 

CMYK 63 / 0 / 5 / 56

HEX #296F69

RGB 41 111 105

HSL 174.86, 0.46%, 0.3%

LAB 42.55, -23.23, -3.17

 

CMYK 63 / 0 / 5 / 45

HEX #348D86

RGB 52 141 134

HSL 175.28, 0.46%, 0.38%

LAB 53.49, -27.88, -4.11

 

CMYK 63 / 0 / 6 / 33

HEX #3FACA2

RGB 63 172 162

HSL 174.5, 0.46%, 0.46%

LAB 64.3, -33.08, -4.02

 

CMYK 56 / 0 / 5 / 25

HEX #54C0B6

RGB 84 192 182

HSL 174.44, 0.46%, 0.54%

LAB 71.53, -33.29, -4.33

 

CMYK 63 / 0 / 6 / 44

HEX #348E86

RGB 52 142 134

HSL 174.67, 0.46%, 0.38%

LAB 53.81, -28.37, -3.64

 

CMYK 57 / 63 / 0 / 45

HEX #3D348D

RGB 61 52 141

HSL 246.07, 0.46%, 0.38%

LAB 27.77, 30.11, -48.33

 

CMYK 0 / 31 / 63 / 45

HEX #8D6134

RGB 141 97 52

HSL 30.34, 0.46%, 0.38%

LAB 44.89, 12.94, 32.4

 

CMYK 63 / 0 / 6 / 44

HEX #348E86

RGB 52 142 134

HSL 174.67, 0.46%, 0.38%

LAB 53.81, -28.37, -3.64

 

CMYK 6 / 63 / 0 / 45

HEX #85348D

RGB 133 52 141

HSL 294.61, 0.46%, 0.38%

LAB 36.68, 47.33, -33.54

 

CMYK 0 / 6 / 63 / 45

HEX #8D8534

RGB 141 133 52

HSL 54.61, 0.46%, 0.38%

LAB 54.75, -7.59, 43.52

 

CMYK 63 / 0 / 6 / 44

HEX #348E86

RGB 52 142 134

HSL 174.67, 0.46%, 0.38%

LAB 53.81, -28.37, -3.64

 

CMYK 57 / 63 / 0 / 45

HEX #3D348D

RGB 61 52 141

HSL 246.07, 0.46%, 0.38%

LAB 27.77, 30.11, -48.33

 

CMYK 0 / 63 / 57 / 45

HEX #8D343D

RGB 141 52 61

HSL 353.93, 0.46%, 0.38%

LAB 34.91, 38.52, 14.49

 

CMYK 6 / 0 / 63 / 45

HEX #858D34

RGB 133 141 52

HSL 65.39, 0.46%, 0.38%

LAB 56.37, -15.46, 45.07

 

CMYK 63 / 0 / 6 / 44

HEX #348E86

RGB 52 142 134

HSL 174.67, 0.46%, 0.38%

LAB 53.81, -28.37, -3.64

 

CMYK 38 / 63 / 0 / 45

HEX #58348D

RGB 88 52 141

HSL 264.27, 0.46%, 0.38%

LAB 30.53, 35.96, -43.72

 

CMYK 0 / 63 / 57 / 45

HEX #8D343D

RGB 141 52 61

HSL 353.93, 0.46%, 0.38%

LAB 34.91, 38.52, 14.49

 

CMYK 25 / 0 / 63 / 45

HEX #6A8D34

RGB 106 141 52

HSL 83.6, 0.46%, 0.38%

LAB 54.41, -26.9, 42.37

 

Description

Color code: RGBA 52 142 134 0.75 | qconv.com Color code: RGBA 52 142 134 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 142 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 142 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 4 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 4% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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