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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 52 0 240 0.25 it is the complementary color RGBA 203 255 15 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 52 0 240 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 52 0 240 0.25: RGBA 57 0 235 0.25, RGBA 74 18 254 0.25, RGBA 91 36 255 0.25, RGBA 108 54 255 0.25 and RGBA 125 72 255 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 52 0 240 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 52 0 240 0.25: RGBA 52 0 240 0.25, RGBA 35 0 221 0.25, RGBA 18 0 202 0.25, RGBA 1 0 183 0.25 and RGBA 0 0 164 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 25 / 0 / 1

HEX #3400F03F

RGBA 52 0 240 0.25

HSLA 253, 1%, 0.47%, 0.25

LABA 31.86, 76.23, -100.11, 0.25

 

Complementary color

CMYK 5 / 0 / 24 / 0

HEX #CBFF0F3F

RGBA 203 255 15 0.25

HSLA 73, 1%, 0.53%, 0.25

LABA 93.56, -42.19, 89.1, 0.25

 

CMYK 19 / 25 / 0 / 2

HEX #3900EB3F

RGBA 57 0 235 0.25

HSLA 254.55, 1%, 0.46%, 0.25

LABA 31.5, 75.19, -97.84, 0.25

 

CMYK 18 / 23 / 0 / 0

HEX #4A12FE3F

RGBA 74 18 254 0.25

HSLA 254.24, 0.99%, 0.53%, 0.25

LABA 36.07, 77.5, -100.94, 0.25

 

CMYK 16 / 21 / 0 / 0

HEX #5B24FF3F

RGBA 91 36 255 0.25

HSLA 255.07, 1%, 0.57%, 0.25

LABA 39.08, 74.14, -96.45, 0.25

 

CMYK 14 / 20 / 0 / 0

HEX #6C36FF3F

RGBA 108 54 255 0.25

HSLA 256.12, 1%, 0.61%, 0.25

LABA 42.83, 69.11, -90.19, 0.25

 

CMYK 13 / 18 / 0 / 0

HEX #7D48FF3F

RGBA 125 72 255 0.25

HSLA 257.38, 1%, 0.64%, 0.25

LABA 47.25, 63.28, -82.86, 0.25

 

CMYK 20 / 25 / 0 / 1

HEX #3400F03F

RGBA 52 0 240 0.25

HSLA 253, 1%, 0.47%, 0.25

LABA 31.86, 76.23, -100.11, 0.25

 

CMYK 21 / 25 / 0 / 3

HEX #2300DD3F

RGBA 35 0 221 0.25

HSLA 249.5, 1%, 0.43%, 0.25

LABA 28.32, 71.4, -95.17, 0.25

 

CMYK 23 / 25 / 0 / 5

HEX #1200CA3F

RGBA 18 0 202 0.25

HSLA 245.35, 1%, 0.4%, 0.25

LABA 24.93, 66.57, -89.81, 0.25

 

CMYK 25 / 25 / 0 / 7

HEX #0100B73F

RGBA 1 0 183 0.25

HSLA 240.33, 1%, 0.36%, 0.25

LABA 21.67, 61.74, -84.03, 0.25

 

CMYK 25 / 25 / 0 / 9

HEX #0000A43F

RGBA 0 0 164 0.25

HSLA 240, 1%, 0.32%, 0.25

LABA 18.72, 56.92, -77.52, 0.25

 

CMYK 20 / 25 / 0 / 1

HEX #3400F03F

RGBA 52 0 240 0.25

HSLA 253, 1%, 0.47%, 0.25

LABA 31.86, 76.23, -100.11, 0.25

 

CMYK 15 / 25 / 0 / 2

HEX #5B00EF3F

RGBA 91 0 239 0.25

HSLA 262.85, 1%, 0.47%, 0.25

LABA 34.92, 77.41, -94.36, 0.25

 

CMYK 11 / 25 / 0 / 2

HEX #8300EF3F

RGBA 131 0 239 0.25

HSLA 272.89, 1%, 0.47%, 0.25

LABA 39.68, 80.12, -86.32, 0.25

 

CMYK 7 / 25 / 0 / 2

HEX #AB00EF3F

RGBA 171 0 239 0.25

HSLA 282.93, 1%, 0.47%, 0.25

LABA 45.48, 84.17, -76.57, 0.25

 

CMYK 3 / 25 / 0 / 2

HEX #D300EF3F

RGBA 211 0 239 0.25

HSLA 292.97, 1%, 0.47%, 0.25

LABA 51.93, 89.38, -65.8, 0.25

 

CMYK 20 / 25 / 0 / 1

HEX #3400F03F

RGBA 52 0 240 0.25

HSLA 253, 1%, 0.47%, 0.25

LABA 31.86, 76.23, -100.11, 0.25

 

CMYK 19 / 25 / 0 / 21

HEX #0800243F

RGBA 8 0 36 0.25

HSLA 253.33, 1%, 0.07%, 0.25

LABA 1.62, 10.18, -19.43, 0.25

 

CMYK 20 / 25 / 0 / 16

HEX #1300573F

RGBA 19 0 87 0.25

HSLA 253.1, 1%, 0.17%, 0.25

LABA 7.47, 36.63, -46.89, 0.25

 

CMYK 20 / 25 / 0 / 11

HEX #1E008A3F

RGBA 30 0 138 0.25

HSLA 253.04, 1%, 0.27%, 0.25

LABA 16.06, 50.68, -65.84, 0.25

 

CMYK 20 / 25 / 0 / 6

HEX #2900BD3F

RGBA 41 0 189 0.25

HSLA 253.02, 1%, 0.37%, 0.25

LABA 24.15, 63.78, -83.43, 0.25

 

CMYK 20 / 25 / 0 / 1

HEX #3400F03F

RGBA 52 0 240 0.25

HSLA 253, 1%, 0.47%, 0.25

LABA 31.86, 76.23, -100.11, 0.25

 

CMYK 0 / 25 / 10 / 2

HEX #EF008B3F

RGBA 239 0 139 0.25

HSLA 325.1, 1%, 0.47%, 0.25

LABA 52.08, 82.05, -7.03, 0.25

 

CMYK 21 / 0 / 25 / 2

HEX #2BEF003F

RGBA 43 239 0 0.25

HSLA 109.21, 1%, 0.47%, 0.25

LABA 83.04, -79.58, 79.53, 0.25

 

CMYK 20 / 25 / 0 / 1

HEX #3400F03F

RGBA 52 0 240 0.25

HSLA 253, 1%, 0.47%, 0.25

LABA 31.86, 76.23, -100.11, 0.25

 

CMYK 0 / 20 / 25 / 2

HEX #EF33003F

RGBA 239 51 0 0.25

HSLA 12.8, 1%, 0.47%, 0.25

LABA 52.64, 68.5, 65.05, 0.25

 

CMYK 25 / 0 / 20 / 2

HEX #00EF333F

RGBA 0 239 51 0.25

HSLA 132.8, 1%, 0.47%, 0.25

LABA 82.9, -80.4, 70.95, 0.25

 

CMYK 20 / 25 / 0 / 1

HEX #3400F03F

RGBA 52 0 240 0.25

HSLA 253, 1%, 0.47%, 0.25

LABA 31.86, 76.23, -100.11, 0.25

 

CMYK 0 / 25 / 10 / 2

HEX #EF008B3F

RGBA 239 0 139 0.25

HSLA 325.1, 1%, 0.47%, 0.25

LABA 52.08, 82.05, -7.03, 0.25

 

CMYK 5 / 0 / 25 / 2

HEX #BBEF003F

RGBA 187 239 0 0.25

HSLA 73.05, 1%, 0.47%, 0.25

LABA 88.11, -41.5, 85.66, 0.25

 

CMYK 25 / 0 / 15 / 2

HEX #00EF633F

RGBA 0 239 99 0.25

HSLA 144.85, 1%, 0.47%, 0.25

LABA 83.25, -75.96, 53.5, 0.25

 

CMYK 20 / 25 / 0 / 1

HEX #3400F03F

RGBA 52 0 240 0.25

HSLA 253, 1%, 0.47%, 0.25

LABA 31.86, 76.23, -100.11, 0.25

 

CMYK 0 / 25 / 18 / 2

HEX #EF00433F

RGBA 239 0 67 0.25

HSLA 343.18, 1%, 0.47%, 0.25

LABA 50.4, 77.59, 34.36, 0.25

 

CMYK 5 / 0 / 25 / 2

HEX #BBEF003F

RGBA 187 239 0 0.25

HSLA 73.05, 1%, 0.47%, 0.25

LABA 88.11, -41.5, 85.66, 0.25

 

CMYK 25 / 0 / 7 / 2

HEX #00EFAB3F

RGBA 0 239 171 0.25

HSLA 162.93, 1%, 0.47%, 0.25

LABA 84.32, -63.35, 19.7, 0.25

 

Description

Color code: RGBA 52 0 240 0.25 | qconv.com Color code: RGBA 52 0 240 0.25 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, none green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 0 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 25 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 25% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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