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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 51 56 66 0 it is the complementary color RGBA 204 199 189 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 51 56 66 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 51 56 66 0 shade: RGBA 56 56 61 0, RGBA 73 74 80 0, RGBA 90 92 99 0, RGBA 107 110 118 0 and RGBA 124 128 137 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 51 56 66 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 51 56 66 0 shade: RGBA 51 56 66 0, RGBA 34 38 47 0, RGBA 17 20 28 0 and RGBA 0 2 9 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 51 56 66 0 shade: RGB 51 56 66, RGB 51 52 66, RGB 54 51 66, RGB 58 51 66 and RGB 62 51 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 51 56 66 0 shade: RGB 51 56 66, RGB 51 52 66 and RGB 51 51 66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 51 56 66 0 shade matches the following richer shades: RGB 51 56 66, RGB 42 53 76, RGB 32 50 85, RGB 23 47 95 and RGB 13 43 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 51 56 66 0 shade: RGB 51 56 66, RGB 61 59 57, RGB 70 62 47, RGB 79 66 38 and RGB 89 69 28

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 51 56 66 0 shade: RGB 51 64 66, RGB 51 60 66, RGB 51 56 66, RGB 51 52 66 and RGB 54 51 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 51 56 66 0 shade: RGB 15 17 20, RGB 33 36 43, RGB 51 56 66, RGB 69 76 90 and RGB 87 96 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 51 56 66 0 shade: RGB 51 56 66, RGB 64 51 66 and RGB 62 66 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 51 56 66 0 shade: RGB 51 56 66, RGB 66 51 56 and RGB 56 66 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 51 56 66 0 shade: RGB 51 56 66, RGB 64 51 66, RGB 66 61 51 and RGB 53 66 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 51 56 66 0 shade: RGB 51 56 66, RGB 66 51 64, RGB 66 61 51 and RGB 51 66 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #33384200

RGBA 51 56 66 0

HSLA 220, 0.13%, 0.23%, 0

LABA 23.42, 0.48, -6.91, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #CCC7BD00

RGBA 204 199 189 0

HSLA 40, 0.13%, 0.77%, 0

LABA 80.38, -0.02, 5.61, 0

 

CMYK 0 / 0 / 0 / 0

HEX #38383D00

RGBA 56 56 61 0

HSLA 240, 0.04%, 0.23%, 0

LABA 23.69, 1.19, -3.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #494A5000

RGBA 73 74 80 0

HSLA 231.43, 0.05%, 0.3%, 0

LABA 31.56, 0.96, -3.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5A5C6300

RGBA 90 92 99 0

HSLA 226.67, 0.05%, 0.37%, 0

LABA 39.12, 0.76, -4.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B6E7600

RGBA 107 110 118 0

HSLA 223.64, 0.05%, 0.44%, 0

LABA 46.43, 0.58, -4.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7C808900

RGBA 124 128 137 0

HSLA 221.54, 0.05%, 0.51%, 0

LABA 53.52, 0.41, -5.38, 0

 

CMYK 0 / 0 / 0 / 0

HEX #33384200

RGBA 51 56 66 0

HSLA 220, 0.13%, 0.23%, 0

LABA 23.42, 0.48, -6.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #22262F00

RGBA 34 38 47 0

HSLA 221.54, 0.16%, 0.16%, 0

LABA 15.12, 0.73, -6.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #11141C00

RGBA 17 20 28 0

HSLA 223.64, 0.24%, 0.09%, 0

LABA 6.35, 0.92, -5.94, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00020900

RGBA 0 2 9 0

HSLA 226.67, 1%, 0.02%, 0

LABA 0.57, 0.45, -2.83, 0

 

CMYK 23 / 15 / 0 / 74

HEX #333842

RGB 51 56 66

HSL 220, 0.13%, 0.23%

LAB 23.42, 0.48, -6.91

 

CMYK 23 / 21 / 0 / 74

HEX #333442

RGB 51 52 66

HSL 236, 0.13%, 0.23%

LAB 22.14, 3.17, -8.85

 

CMYK 18 / 23 / 0 / 74

HEX #363342

RGB 54 51 66

HSL 252, 0.13%, 0.23%

LAB 22.11, 5.03, -8.87

 

CMYK 12 / 23 / 0 / 74

HEX #3A3342

RGB 58 51 66

HSL 268, 0.13%, 0.23%

LAB 22.52, 6.62, -8.21

 

CMYK 6 / 23 / 0 / 74

HEX #3E3342

RGB 62 51 66

HSL 284, 0.13%, 0.23%

LAB 22.95, 8.24, -7.52

 

CMYK 23 / 15 / 0 / 74

HEX #333842

RGB 51 56 66

HSL 220, 0.13%, 0.23%

LAB 23.42, 0.48, -6.91

 

CMYK 23 / 21 / 0 / 74

HEX #333442

RGB 51 52 66

HSL 236, 0.13%, 0.23%

LAB 22.14, 3.17, -8.85

 

CMYK 23 / 23 / 0 / 74

HEX #333342

RGB 51 51 66

HSL 240, 0.13%, 0.23%

LAB 21.82, 3.86, -9.34

 

CMYK 23 / 15 / 0 / 74

HEX #333842

RGB 51 56 66

HSL 220, 0.13%, 0.23%

LAB 23.42, 0.48, -6.91

 

CMYK 45 / 30 / 0 / 70

HEX #2A354C

RGB 42 53 76

HSL 220.59, 0.29%, 0.23%

LAB 22.16, 2.37, -15.6

 

CMYK 62 / 41 / 0 / 67

HEX #203255

RGB 32 50 85

HSL 219.62, 0.45%, 0.23%

LAB 21, 4.89, -23.47

 

CMYK 76 / 51 / 0 / 63

HEX #172F5F

RGB 23 47 95

HSL 220, 0.61%, 0.23%

LAB 20.21, 9.24, -31.37

 

CMYK 88 / 59 / 0 / 59

HEX #0D2B68

RGB 13 43 104

HSL 220.22, 0.78%, 0.23%

LAB 19.28, 14.74, -38.79

 

CMYK 23 / 15 / 0 / 74

HEX #333842

RGB 51 56 66

HSL 220, 0.13%, 0.23%

LAB 23.42, 0.48, -6.91

 

CMYK 0 / 3 / 7 / 76

HEX #3D3B39

RGB 61 59 57

HSL 30, 0.03%, 0.23%

LAB 25, 0.42, 1.54

 

CMYK 0 / 11 / 33 / 73

HEX #463E2F

RGB 70 62 47

HSL 39.13, 0.2%, 0.23%

LAB 26.6, 0.7, 10.5

 

CMYK 0 / 16 / 52 / 69

HEX #4F4226

RGB 79 66 38

HSL 40.98, 0.35%, 0.23%

LAB 28.64, 1.25, 19.06

 

CMYK 0 / 22 / 69 / 65

HEX #59451C

RGB 89 69 28

HSL 40.33, 0.52%, 0.23%

LAB 30.55, 3.36, 27.44

 

CMYK 23 / 3 / 0 / 74

HEX #334042

RGB 51 64 66

HSL 188, 0.13%, 0.23%

LAB 26.05, -4.74, -2.98

 

CMYK 23 / 9 / 0 / 74

HEX #333C42

RGB 51 60 66

HSL 204, 0.13%, 0.23%

LAB 24.73, -2.16, -4.94

 

CMYK 23 / 15 / 0 / 74

HEX #333842

RGB 51 56 66

HSL 220, 0.13%, 0.23%

LAB 23.42, 0.48, -6.91

 

CMYK 23 / 21 / 0 / 74

HEX #333442

RGB 51 52 66

HSL 236, 0.13%, 0.23%

LAB 22.14, 3.17, -8.85

 

CMYK 18 / 23 / 0 / 74

HEX #363342

RGB 54 51 66

HSL 252, 0.13%, 0.23%

LAB 22.11, 5.03, -8.87

 

CMYK 25 / 15 / 0 / 92

HEX #0F1114

RGB 15 17 20

HSL 216, 0.14%, 0.07%

LAB 4.99, -0.08, -1.99

 

CMYK 23 / 16 / 0 / 83

HEX #21242B

RGB 33 36 43

HSL 222, 0.13%, 0.15%

LAB 14.17, 0.56, -5.1

 

CMYK 23 / 15 / 0 / 74

HEX #333842

RGB 51 56 66

HSL 220, 0.13%, 0.23%

LAB 23.42, 0.48, -6.91

 

CMYK 23 / 16 / 0 / 65

HEX #454C5A

RGB 69 76 90

HSL 220, 0.13%, 0.31%

LAB 32.2, 0.68, -9.18

 

CMYK 23 / 15 / 0 / 56

HEX #576071

RGB 87 96 113

HSL 219.23, 0.13%, 0.39%

LAB 40.55, 0.61, -10.77

 

CMYK 23 / 15 / 0 / 74

HEX #333842

RGB 51 56 66

HSL 220, 0.13%, 0.23%

LAB 23.42, 0.48, -6.91

 

CMYK 3 / 23 / 0 / 74

HEX #403342

RGB 64 51 66

HSL 292, 0.13%, 0.23%

LAB 23.17, 9.06, -7.16

 

CMYK 6 / 0 / 23 / 74

HEX #3E4233

RGB 62 66 51

HSL 76, 0.13%, 0.23%

LAB 27.18, -4.83, 8.59

 

CMYK 23 / 15 / 0 / 74

HEX #333842

RGB 51 56 66

HSL 220, 0.13%, 0.23%

LAB 23.42, 0.48, -6.91

 

CMYK 0 / 23 / 15 / 74

HEX #423338

RGB 66 51 56

HSL 340, 0.13%, 0.23%

LAB 23.04, 7.72, -0.58

 

CMYK 15 / 0 / 23 / 74

HEX #384233

RGB 56 66 51

HSL 100, 0.13%, 0.23%

LAB 26.67, -7.47, 7.79

 

CMYK 23 / 15 / 0 / 74

HEX #333842

RGB 51 56 66

HSL 220, 0.13%, 0.23%

LAB 23.42, 0.48, -6.91

 

CMYK 3 / 23 / 0 / 74

HEX #403342

RGB 64 51 66

HSL 292, 0.13%, 0.23%

LAB 23.17, 9.06, -7.16

 

CMYK 0 / 8 / 23 / 74

HEX #423D33

RGB 66 61 51

HSL 40, 0.13%, 0.23%

LAB 25.97, 0.17, 6.95

 

CMYK 20 / 0 / 23 / 74

HEX #354233

RGB 53 66 51

HSL 112, 0.13%, 0.23%

LAB 26.43, -8.75, 7.42

 

CMYK 23 / 15 / 0 / 74

HEX #333842

RGB 51 56 66

HSL 220, 0.13%, 0.23%

LAB 23.42, 0.48, -6.91

 

CMYK 0 / 23 / 3 / 74

HEX #423340

RGB 66 51 64

HSL 308, 0.13%, 0.23%

LAB 23.32, 9.43, -5.56

 

CMYK 0 / 8 / 23 / 74

HEX #423D33

RGB 66 61 51

HSL 40, 0.13%, 0.23%

LAB 25.97, 0.17, 6.95

 

CMYK 23 / 0 / 18 / 74

HEX #334236

RGB 51 66 54

HSL 132, 0.13%, 0.23%

LAB 26.35, -8.93, 5.34

 

Description

Color code: RGBA 51 56 66 0 | qconv.com Color code: RGBA 51 56 66 0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 56 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 56 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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