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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 51 149 197 0 it is the complementary color RGBA 204 106 58 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 51 149 197 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 51 149 197 0 shade: RGBA 56 149 192 0, RGBA 73 167 211 0, RGBA 90 185 230 0, RGBA 107 203 249 0 and RGBA 124 221 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 51 149 197 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 51 149 197 0 shade: RGBA 51 149 197 0, RGBA 34 131 178 0, RGBA 17 113 159 0, RGBA 0 95 140 0 and RGBA 0 77 121 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 51 149 197 0 shade: RGB 51 150 199, RGB 51 110 199, RGB 51 71 199, RGB 72 51 199 and RGB 111 51 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 51 149 197 0 shade: RGB 51 150 199, RGB 51 110 199, RGB 51 71 199 and RGB 51 51 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 51 149 197 0 shade matches the following richer shades: RGB 51 150 199, RGB 31 157 219 and RGB 11 164 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 51 149 197 0 shade: RGB 51 150 199, RGB 71 143 178, RGB 92 136 158, RGB 112 129 138 and RGB 132 123 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 51 149 197 0 shade: RGB 51 199 167, RGB 51 191 199, RGB 51 152 199, RGB 51 113 199 and RGB 51 73 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 51 149 197 0 shade: RGB 34 101 133, RGB 43 125 166, RGB 51 150 199, RGB 81 168 210 and RGB 114 184 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 51 149 197 0 shade: RGB 51 149 197, RGB 127 51 199 and RGB 199 186 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 51 149 197 0 shade: RGB 51 149 197, RGB 199 51 152 and RGB 152 199 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 51 149 197 0 shade: RGB 51 149 197, RGB 127 51 199, RGB 199 98 51 and RGB 122 199 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 51 149 197 0 shade: RGB 51 149 197, RGB 172 51 199, RGB 199 98 51 and RGB 78 199 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #3395C500

RGBA 51 149 197 0

HSLA 199.73, 0.59%, 0.49%, 0

LABA 58.25, -12.18, -32.9, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #CC6A3A00

RGBA 204 106 58 0

HSLA 19.73, 0.59%, 0.51%, 0

LABA 55.53, 35.17, 43.58, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3895C000

RGBA 56 149 192 0

HSLA 198.97, 0.55%, 0.49%, 0

LABA 58.17, -13.21, -30.19, 0

 

CMYK 0 / 0 / 0 / 0

HEX #49A7D300

RGBA 73 167 211 0

HSLA 199.13, 0.61%, 0.56%, 0

LABA 64.77, -14.17, -30.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5AB9E600

RGBA 90 185 230 0

HSLA 199.29, 0.74%, 0.63%, 0

LABA 71.27, -14.92, -30.89, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6BCBF900

RGBA 107 203 249 0

HSLA 199.44, 0.92%, 0.7%, 0

LABA 77.68, -15.51, -31.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7CDDFF00

RGBA 124 221 255 0

HSLA 195.57, 1%, 0.74%, 0

LABA 83.56, -19.61, -25.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3395C500

RGBA 51 149 197 0

HSLA 199.73, 0.59%, 0.49%, 0

LABA 58.25, -12.18, -32.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2283B200

RGBA 34 131 178 0

HSLA 199.58, 0.68%, 0.42%, 0

LABA 51.6, -10.69, -32.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #11719F00

RGBA 17 113 159 0

HSLA 199.44, 0.81%, 0.35%, 0

LABA 44.85, -8.72, -32.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #005F8C00

RGBA 0 95 140 0

HSLA 199.29, 1%, 0.27%, 0

LABA 37.98, -6.26, -31.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #004D7900

RGBA 0 77 121 0

HSLA 201.82, 1%, 0.24%, 0

LABA 31.09, -2.72, -30.69, 0

 

CMYK 74 / 25 / 0 / 22

HEX #3396C7

RGB 51 150 199

HSL 199.86, 0.59%, 0.49%

LAB 58.64, -12.05, -33.42

 

CMYK 74 / 45 / 0 / 22

HEX #336EC7

RGB 51 110 199

HSL 216.08, 0.59%, 0.49%

LAB 46.95, 11.76, -51.91

 

CMYK 74 / 64 / 0 / 22

HEX #3347C7

RGB 51 71 199

HSL 231.89, 0.59%, 0.49%

LAB 36.62, 36.79, -68.66

 

CMYK 64 / 74 / 0 / 22

HEX #4833C7

RGB 72 51 199

HSL 248.51, 0.59%, 0.49%

LAB 33.71, 50.83, -73.39

 

CMYK 44 / 74 / 0 / 22

HEX #6F33C7

RGB 111 51 199

HSL 264.32, 0.59%, 0.49%

LAB 37.61, 56.31, -66.84

 

CMYK 74 / 25 / 0 / 22

HEX #3396C7

RGB 51 150 199

HSL 199.86, 0.59%, 0.49%

LAB 58.64, -12.05, -33.42

 

CMYK 74 / 45 / 0 / 22

HEX #336EC7

RGB 51 110 199

HSL 216.08, 0.59%, 0.49%

LAB 46.95, 11.76, -51.91

 

CMYK 74 / 64 / 0 / 22

HEX #3347C7

RGB 51 71 199

HSL 231.89, 0.59%, 0.49%

LAB 36.62, 36.79, -68.66

 

CMYK 74 / 74 / 0 / 22

HEX #3333C7

RGB 51 51 199

HSL 240, 0.59%, 0.49%

LAB 32.25, 48.71, -75.85

 

CMYK 74 / 25 / 0 / 22

HEX #3396C7

RGB 51 150 199

HSL 199.86, 0.59%, 0.49%

LAB 58.64, -12.05, -33.42

 

CMYK 86 / 28 / 0 / 14

HEX #1F9DDB

RGB 31 157 219

HSL 199.79, 0.75%, 0.49%

LAB 61.24, -10.83, -40.57

 

CMYK 95 / 31 / 0 / 6

HEX #0BA4EF

RGB 11 164 239

HSL 199.74, 0.91%, 0.49%

LAB 64.04, -8.43, -47.21

 

CMYK 74 / 25 / 0 / 22

HEX #3396C7

RGB 51 150 199

HSL 199.86, 0.59%, 0.49%

LAB 58.64, -12.05, -33.42

 

CMYK 60 / 20 / 0 / 30

HEX #478FB2

RGB 71 143 178

HSL 199.63, 0.43%, 0.49%

LAB 56.29, -11.94, -25.13

 

CMYK 42 / 14 / 0 / 38

HEX #5C889E

RGB 92 136 158

HSL 200, 0.26%, 0.49%

LAB 54.4, -9.11, -16.46

 

CMYK 19 / 7 / 0 / 46

HEX #70818A

RGB 112 129 138

HSL 200.77, 0.1%, 0.49%

LAB 52.93, -4.14, -6.94

 

CMYK 0 / 7 / 11 / 48

HEX #847B76

RGB 132 123 118

HSL 21.43, 0.06%, 0.49%

LAB 52.26, 2.5, 3.96

 

CMYK 74 / 0 / 16 / 22

HEX #33C7A7

RGB 51 199 167

HSL 167.03, 0.59%, 0.49%

LAB 72.46, -45.58, 5.09

 

CMYK 74 / 4 / 0 / 22

HEX #33BFC7

RGB 51 191 199

HSL 183.24, 0.59%, 0.49%

LAB 70.93, -33.13, -14.59

 

CMYK 74 / 24 / 0 / 22

HEX #3398C7

RGB 51 152 199

HSL 199.05, 0.59%, 0.49%

LAB 59.24, -13.16, -32.49

 

CMYK 74 / 43 / 0 / 22

HEX #3371C7

RGB 51 113 199

HSL 214.86, 0.59%, 0.49%

LAB 47.8, 9.88, -50.54

 

CMYK 74 / 63 / 0 / 22

HEX #3349C7

RGB 51 73 199

HSL 231.08, 0.59%, 0.49%

LAB 37.1, 35.53, -67.87

 

CMYK 74 / 24 / 0 / 48

HEX #226585

RGB 34 101 133

HSL 199.39, 0.59%, 0.33%

LAB 40.15, -9.6, -23.8

 

CMYK 74 / 25 / 0 / 35

HEX #2B7DA6

RGB 43 125 166

HSL 200, 0.59%, 0.41%

LAB 49.42, -10.49, -28.93

 

CMYK 74 / 25 / 0 / 22

HEX #3396C7

RGB 51 150 199

HSL 199.86, 0.59%, 0.49%

LAB 58.64, -12.05, -33.42

 

CMYK 61 / 20 / 0 / 18

HEX #51A8D2

RGB 81 168 210

HSL 199.53, 0.59%, 0.57%

LAB 65.28, -13.65, -29.19

 

CMYK 48 / 16 / 0 / 14

HEX #72B8DB

RGB 114 184 219

HSL 200, 0.59%, 0.65%

LAB 71.54, -12.67, -24.42

 

CMYK 74 / 24 / 0 / 23

HEX #3395C5

RGB 51 149 197

HSL 199.73, 0.59%, 0.49%

LAB 58.25, -12.18, -32.9

 

CMYK 36 / 74 / 0 / 22

HEX #7F33C7

RGB 127 51 199

HSL 270.81, 0.59%, 0.49%

LAB 39.59, 59.01, -63.53

 

CMYK 0 / 7 / 74 / 22

HEX #C7BA33

RGB 199 186 51

HSL 54.73, 0.59%, 0.49%

LAB 74.51, -10.16, 65.51

 

CMYK 74 / 24 / 0 / 23

HEX #3395C5

RGB 51 149 197

HSL 199.73, 0.59%, 0.49%

LAB 58.25, -12.18, -32.9

 

CMYK 0 / 74 / 24 / 22

HEX #C73398

RGB 199 51 152

HSL 319.05, 0.59%, 0.49%

LAB 47.98, 66.19, -21.75

 

CMYK 24 / 0 / 74 / 22

HEX #98C733

RGB 152 199 51

HSL 79.05, 0.59%, 0.49%

LAB 74.67, -36.01, 64.44

 

CMYK 74 / 24 / 0 / 23

HEX #3395C5

RGB 51 149 197

HSL 199.73, 0.59%, 0.49%

LAB 58.25, -12.18, -32.9

 

CMYK 36 / 74 / 0 / 22

HEX #7F33C7

RGB 127 51 199

HSL 270.81, 0.59%, 0.49%

LAB 39.59, 59.01, -63.53

 

CMYK 0 / 51 / 74 / 22

HEX #C76233

RGB 199 98 51

HSL 19.05, 0.59%, 0.49%

LAB 53.08, 36.99, 44.26

 

CMYK 39 / 0 / 74 / 22

HEX #7AC733

RGB 122 199 51

HSL 91.22, 0.59%, 0.49%

LAB 73.04, -47, 62.3

 

CMYK 74 / 24 / 0 / 23

HEX #3395C5

RGB 51 149 197

HSL 199.73, 0.59%, 0.49%

LAB 58.25, -12.18, -32.9

 

CMYK 14 / 74 / 0 / 22

HEX #AC33C7

RGB 172 51 199

HSL 289.05, 0.59%, 0.49%

LAB 45.99, 67.48, -52.86

 

CMYK 0 / 51 / 74 / 22

HEX #C76233

RGB 199 98 51

HSL 19.05, 0.59%, 0.49%

LAB 53.08, 36.99, 44.26

 

CMYK 61 / 0 / 74 / 22

HEX #4EC733

RGB 78 199 51

HSL 109.05, 0.59%, 0.49%

LAB 71.35, -59.79, 60.07

 

Description

Color code: RGBA 51 149 197 0 | qconv.com Color code: RGBA 51 149 197 0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 149 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 149 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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