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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 48 201 143 0.75 it is the complementary color RGBA 207 54 112 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 48 201 143 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 48 201 143 0.75 shade: RGBA 53 201 138 0.75, RGBA 70 219 157 0.75, RGBA 87 237 176 0.75, RGBA 104 255 195 0.75 and RGBA 121 255 214 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 48 201 143 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 48 201 143 0.75 shade: RGBA 48 201 143 0.75, RGBA 31 183 124 0.75, RGBA 14 165 105 0.75, RGBA 0 147 86 0.75 and RGBA 0 129 67 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 48 201 143 0.75 shade: RGB 49 201 143, RGB 49 201 102, RGB 49 201 61, RGB 77 201 49 and RGB 119 201 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 48 201 143 0.75 shade: RGB 49 201 143, RGB 49 201 184, RGB 49 177 201, RGB 49 136 201 and RGB 49 95 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 48 201 143 0.75 shade matches the following richer shades: RGB 49 201 143, RGB 29 221 148 and RGB 8 242 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 48 201 143 0.75 shade: RGB 49 201 143, RGB 69 181 138, RGB 89 161 134, RGB 109 141 129 and RGB 130 120 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 48 201 143 0.75 shade: RGB 49 201 61, RGB 49 201 102, RGB 49 201 143, RGB 49 201 183 and RGB 49 178 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 48 201 143 0.75 shade: RGB 33 135 96, RGB 41 168 120, RGB 49 201 143, RGB 79 212 162 and RGB 112 220 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 48 201 143 0.75 shade: RGB 48 201 143, RGB 49 77 201 and RGB 201 82 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 48 201 143 0.75 shade: RGB 48 201 143, RGB 143 49 201 and RGB 201 143 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 48 201 143 0.75 shade: RGB 48 201 143, RGB 49 77 201, RGB 201 49 107 and RGB 201 173 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 48 201 143 0.75 shade: RGB 48 201 143, RGB 67 49 201, RGB 201 49 107 and RGB 183 201 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 22 / 16

HEX #30C98FBF

RGBA 48 201 143 0.75

HSLA 157.25, 0.61%, 0.49%, 0.75

LABA 72.48, -52.46, 18.04, 0.75

 

Complementary color

CMYK 0 / 55 / 34 / 14

HEX #CF3670BF

RGBA 207 54 112 0.75

HSLA 337.25, 0.61%, 0.51%, 0.75

LABA 48.35, 62.96, 3.16, 0.75

 

CMYK 55 / 0 / 24 / 16

HEX #35C98ABF

RGBA 53 201 138 0.75

HSLA 154.46, 0.58%, 0.5%, 0.75

LABA 72.47, -52.89, 20.7, 0.75

 

CMYK 51 / 0 / 21 / 11

HEX #46DB9DBF

RGBA 70 219 157 0.75

HSLA 155.03, 0.67%, 0.57%, 0.75

LABA 78.69, -53.43, 19.3, 0.75

 

CMYK 47 / 0 / 19 / 5

HEX #57EDB0BF

RGBA 87 237 176 0.75

HSLA 155.6, 0.81%, 0.64%, 0.75

LABA 84.86, -53.74, 18.02, 0.75

 

CMYK 44 / 0 / 18 / 0

HEX #68FFC3BF

RGBA 104 255 195 0.75

HSLA 156.16, 1%, 0.7%, 0.75

LABA 90.96, -53.9, 16.83, 0.75

 

CMYK 39 / 0 / 12 / 0

HEX #79FFD6BF

RGBA 121 255 214 0.75

HSLA 161.64, 1%, 0.74%, 0.75

LABA 91.88, -46.38, 8.43, 0.75

 

CMYK 57 / 0 / 22 / 16

HEX #30C98FBF

RGBA 48 201 143 0.75

HSLA 157.25, 0.61%, 0.49%, 0.75

LABA 72.48, -52.46, 18.04, 0.75

 

CMYK 62 / 0 / 24 / 21

HEX #1FB77CBF

RGBA 31 183 124 0.75

HSLA 156.71, 0.71%, 0.42%, 0.75

LABA 66.22, -51.49, 19.58, 0.75

 

CMYK 69 / 0 / 27 / 26

HEX #0EA569BF

RGBA 14 165 105 0.75

HSLA 156.16, 0.84%, 0.35%, 0.75

LABA 59.91, -50.06, 21.28, 0.75

 

CMYK 75 / 0 / 31 / 32

HEX #009356BF

RGBA 0 147 86 0.75

HSLA 155.1, 1%, 0.29%, 0.75

LABA 53.53, -48.1, 23.15, 0.75

 

CMYK 75 / 0 / 36 / 37

HEX #008143BF

RGBA 0 129 67 0.75

HSLA 151.16, 1%, 0.25%, 0.75

LABA 47.11, -45.3, 25.22, 0.75

 

CMYK 76 / 0 / 29 / 21

HEX #31C98F

RGB 49 201 143

HSL 157.11, 0.61%, 0.49%

LAB 72.5, -52.34, 18.07

 

CMYK 76 / 0 / 49 / 21

HEX #31C966

RGB 49 201 102

HSL 140.92, 0.61%, 0.49%

LAB 71.82, -60.08, 38.38

 

CMYK 76 / 0 / 70 / 21

HEX #31C93D

RGB 49 201 61

HSL 124.74, 0.61%, 0.49%

LAB 71.39, -65.14, 56.26

 

CMYK 62 / 0 / 76 / 21

HEX #4DC931

RGB 77 201 49

HSL 108.95, 0.61%, 0.49%

LAB 71.94, -60.84, 61.31

 

CMYK 41 / 0 / 76 / 21

HEX #77C931

RGB 119 201 49

HSL 92.37, 0.61%, 0.49%

LAB 73.49, -48.94, 63.35

 

CMYK 76 / 0 / 29 / 21

HEX #31C98F

RGB 49 201 143

HSL 157.11, 0.61%, 0.49%

LAB 72.5, -52.34, 18.07

 

CMYK 76 / 0 / 8 / 21

HEX #31C9B8

RGB 49 201 184

HSL 173.29, 0.61%, 0.49%

LAB 73.47, -42.21, -2.65

 

CMYK 76 / 12 / 0 / 21

HEX #31B1C9

RGB 49 177 201

HSL 189.47, 0.61%, 0.49%

LAB 66.76, -25.9, -22.02

 

CMYK 76 / 32 / 0 / 21

HEX #3188C9

RGB 49 136 201

HSL 205.66, 0.61%, 0.49%

LAB 54.53, -3.61, -41

 

CMYK 76 / 53 / 0 / 21

HEX #315FC9

RGB 49 95 201

HSL 221.84, 0.61%, 0.49%

LAB 42.85, 21.87, -59.68

 

CMYK 76 / 0 / 29 / 21

HEX #31C98F

RGB 49 201 143

HSL 157.11, 0.61%, 0.49%

LAB 72.5, -52.34, 18.07

 

CMYK 87 / 0 / 33 / 13

HEX #1DDD94

RGB 29 221 148

HSL 157.19, 0.77%, 0.49%

LAB 78.53, -60.67, 23.68

 

CMYK 97 / 0 / 37 / 5

HEX #08F299

RGB 8 242 153

HSL 157.18, 0.94%, 0.49%

LAB 84.92, -67.96, 29.74

 

CMYK 76 / 0 / 29 / 21

HEX #31C98F

RGB 49 201 143

HSL 157.11, 0.61%, 0.49%

LAB 72.5, -52.34, 18.07

 

CMYK 62 / 0 / 24 / 29

HEX #45B58A

RGB 69 181 138

HSL 156.96, 0.45%, 0.49%

LAB 66.63, -42.06, 12.65

 

CMYK 45 / 0 / 17 / 37

HEX #59A186

RGB 89 161 134

HSL 157.5, 0.29%, 0.49%

LAB 61.08, -29.15, 7.08

 

CMYK 23 / 0 / 9 / 45

HEX #6D8D81

RGB 109 141 129

HSL 157.5, 0.13%, 0.49%

LAB 55.97, -13.86, 2.72

 

CMYK 0 / 8 / 5 / 49

HEX #82787C

RGB 130 120 124

HSL 336, 0.04%, 0.49%

LAB 51.42, 4.59, -0.81

 

CMYK 76 / 0 / 70 / 21

HEX #31C93D

RGB 49 201 61

HSL 124.74, 0.61%, 0.49%

LAB 71.39, -65.14, 56.26

 

CMYK 76 / 0 / 49 / 21

HEX #31C966

RGB 49 201 102

HSL 140.92, 0.61%, 0.49%

LAB 71.82, -60.08, 38.38

 

CMYK 76 / 0 / 29 / 21

HEX #31C98F

RGB 49 201 143

HSL 157.11, 0.61%, 0.49%

LAB 72.5, -52.34, 18.07

 

CMYK 76 / 0 / 9 / 21

HEX #31C9B7

RGB 49 201 183

HSL 172.89, 0.61%, 0.49%

LAB 73.44, -42.48, -2.15

 

CMYK 76 / 11 / 0 / 21

HEX #31B2C9

RGB 49 178 201

HSL 189.08, 0.61%, 0.49%

LAB 67.06, -26.4, -21.56

 

CMYK 76 / 0 / 29 / 47

HEX #218760

RGB 33 135 96

HSL 157.06, 0.61%, 0.33%

LAB 50.09, -38.28, 12.92

 

CMYK 76 / 0 / 29 / 34

HEX #29A878

RGB 41 168 120

HSL 157.32, 0.61%, 0.41%

LAB 61.51, -45.34, 15.29

 

CMYK 76 / 0 / 29 / 21

HEX #31C98F

RGB 49 201 143

HSL 157.11, 0.61%, 0.49%

LAB 72.5, -52.34, 18.07

 

CMYK 63 / 0 / 24 / 17

HEX #4FD4A2

RGB 79 212 162

HSL 157.44, 0.61%, 0.57%

LAB 76.9, -47.96, 14.18

 

CMYK 49 / 0 / 19 / 14

HEX #70DCB3

RGB 112 220 179

HSL 157.22, 0.61%, 0.65%

LAB 80.68, -40.73, 10.66

 

CMYK 76 / 0 / 29 / 21

HEX #30C98F

RGB 48 201 143

HSL 157.25, 0.61%, 0.49%

LAB 72.48, -52.46, 18.04

 

CMYK 76 / 62 / 0 / 21

HEX #314DC9

RGB 49 77 201

HSL 228.95, 0.61%, 0.49%

LAB 38.16, 33.49, -67.3

 

CMYK 0 / 59 / 76 / 21

HEX #C95231

RGB 201 82 49

HSL 13.03, 0.61%, 0.49%

LAB 50.3, 45.55, 42.45

 

CMYK 76 / 0 / 29 / 21

HEX #30C98F

RGB 48 201 143

HSL 157.25, 0.61%, 0.49%

LAB 72.48, -52.46, 18.04

 

CMYK 29 / 76 / 0 / 21

HEX #8F31C9

RGB 143 49 201

HSL 277.11, 0.61%, 0.49%

LAB 41.62, 63.09, -61.3

 

CMYK 0 / 29 / 76 / 21

HEX #C98F31

RGB 201 143 49

HSL 37.11, 0.61%, 0.49%

LAB 63.58, 13.54, 55.88

 

CMYK 76 / 0 / 29 / 21

HEX #30C98F

RGB 48 201 143

HSL 157.25, 0.61%, 0.49%

LAB 72.48, -52.46, 18.04

 

CMYK 76 / 62 / 0 / 21

HEX #314DC9

RGB 49 77 201

HSL 228.95, 0.61%, 0.49%

LAB 38.16, 33.49, -67.3

 

CMYK 0 / 76 / 47 / 21

HEX #C9316B

RGB 201 49 107

HSL 337.11, 0.61%, 0.49%

LAB 46.55, 62.46, 3.48

 

CMYK 0 / 14 / 76 / 21

HEX #C9AD31

RGB 201 173 49

HSL 48.95, 0.61%, 0.49%

LAB 71.23, -2.61, 63.19

 

CMYK 76 / 0 / 29 / 21

HEX #30C98F

RGB 48 201 143

HSL 157.25, 0.61%, 0.49%

LAB 72.48, -52.46, 18.04

 

CMYK 67 / 76 / 0 / 21

HEX #4331C9

RGB 67 49 201

HSL 247.11, 0.61%, 0.49%

LAB 33.15, 51.92, -75.49

 

CMYK 0 / 76 / 47 / 21

HEX #C9316B

RGB 201 49 107

HSL 337.11, 0.61%, 0.49%

LAB 46.55, 62.46, 3.48

 

CMYK 9 / 0 / 76 / 21

HEX #B7C931

RGB 183 201 49

HSL 67.11, 0.61%, 0.49%

LAB 77.32, -24.54, 68.33

 

Description

Color code: RGBA 48 201 143 0.75 | qconv.com Color code: RGBA 48 201 143 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 201 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 201 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 22 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 22% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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